The 2019 Folking Awards

Welcome to the 2019 Folking Awards and thank you again to everyone who participated this year. The nominations, were in eight categories, and came from our ever-expanding team of writers and were collated into shape by the Folkmeister and the Editor over a pint or two, which also involved, a few arm-wrestles and a spot of beer-mat aerobics, in a convenient local watering hole.

There were five nominees in each category, all of whom have impressed our writers during 2018.

As we said last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just about what we think, so once more, it was down to you, our ever-growing readership, to make the final call.

We will now compile the results and announce the winners of each category at some point next week.

*The Public Vote for each category closed at 9.00pm on Sunday 31st March (GMT+1).


Soloist Of The Year

Keith James
Reg Meuross
Rachel Newton
John Smith
Andy White


Best Duo

Gilmore & Roberts
Daria Kulesh and Jonny Dyer
Ninebarrow
Greg Russell and Ciaran Algar
Winter Wilson


Best Band

The Men They Couldn’t Hang
Merry Hell
Skipinnish
Trials Of Cato
The Young’Uns


Best Live Act

The Men They Couldn’t Hang
Grace Petrie
The Salts
Martin Stephenson & The Daintees
Andy White


Best Album

A Problem Of Our Kind – Gilmore & Roberts
The Well Worn Path – Seth Lakeman
The Joy Of Living – Jackie Oates
Queer As Folk – Grace Petrie
Hide And Hair – Trials Of Cato


Best Musician

Martin Harley
Aidan O’Rourke
Marina Osman
John Smith
Richard Thompson


Rising Star

Burning Salt
Robert Lane
Kitty MacFarlane
Smith & Brewer
Vision Thing


Best International Artist(s)

3hattrio
Tyler Childers
Mary Gauthier
Kíla
Larkin Poe


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KÍLA – Pota Óir (Kíla Records, KRDVD003)

Pota ÓirKíla, a band with a mutable line-up around the core of the Ó Snodaigh family has been around since the late 80s, with a prodigious output of band and offshoot projects over that time. Last year, the band released a live album, Beo/Alive to include some of their less-performed tracks and Pota Óir (Pot of Gold) is its accompanying DVD. Shot in atmospheric black and white by director Anthony White (a stylist in the mould of the great Anton Corbijn), it intercuts band talking heads with live and backstage footage.

Mercifully, that’s about where any relationship to a bog-standard music DVD ends. A faintly sinister opening section with a droning musical track over choppy edits of band members, like an outtake from a ‘found footage’ horror film, invites the bold viewer in. Kílaland is then gradually revealed as a curious, liminal place of tall tales and shifting perspectives, where even the band’s name is open to conjecture.

Right from the first track, ‘Matatu’, Rónán Ó Snodaigh seizes the eye with his intense physicality, ferociously pacing the stage with his bodhrán. Standing like a flamingo in ‘Pota Óir’ or brooding on his knees in the beautiful ‘Babymouse’ (Dee Armstrong’s stunning melody paired with Colm Ó Snodaigh’s tender lyrics), he’s a truly elemental presence.

There’s no real conscious ‘showmanship’ here, just a breathtaking intensity of performance between musicians working it out in real time. Guest vocalist, Polish singer Kayah, adds a rich throatiness to the intricate ‘Seo Mo Leaba /Am Reel’ as different parts and musical lines cross and intersect in a constant dynamic flowing stream. The band’s influences are prolific: there’s a jazz looseness, there’s funk in the bassline, soul and rap in the vocals, there are world influences from Africa to the Middle East – everything gets caught up in the Kíla tornado.

The film really captures the idea of music being a living entity, from its origins and gestation into a working piece, to feeding off the audience in order to attain spontaneity and transcendence in performance.

‘Raise The Road’, a rare song in English and a guide to growing up, features the line “don’t be afraid, be courageous and shine”. Sung largely a cappella, it’s a goose-bumpy moment but it also seems to sum up the band’s philosophy. There’s a casual bravery in their risk-taking, their willingness for things to be imperfect or under-rehearsed, as long as they create an energy. Kíla, then, is not so much a band, more an unstoppable force, cheerfully straddling chaos in order to craft magic.

Su O’Brien

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Artists’ website: www.kila.ie

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