Gate To Southwell Festival – first tickets on sale

Gate To Southwell Festival

Steve Harley & Cockney Rebel and Los Pacaminos featuring Paul Young, are among the star names being added to next year’s Gate To Southwell Festival in rural Nottinghamshire (June 6th to 9th).  Joining an already eclectic international line-up that includes Sam Kelly & The Lost Boys, Skipinnish, Nancy Kerr, Blue Rose Code, Gordie MacKeeman & His Rhythm Boys and many more brilliant folk roots and acoustic music artists, Los Pacaminos and Steve Harley will headline the festival on Thursday and Friday respectively.

Paul Young, one of the UK’s best-loved vocalists (‘Wherever I Lay My Hat’, ‘Love Of The Common People’, ‘Every Time You Go Away’) has been the charismatic front-man and guitarist of the highly-entertaining Tex-Mex show band Los Pacaminos since 1993: “It’s real bar room stuff: foot stompers, not too many slow songs – a real party atmosphere”.  Steve Harley – famous for worldwide hits such as ‘Judy Teen’, ‘Mr Soft’, ‘Sebastian’ and ‘Make Me Smile (Come Up And See Me)’ – has been performing for almost 50 years, producing a series of great albums such as Cockney Rebel’s The Human Menagerie and The Psychomodo. ‘Make Me Smile (Come Up And See Me)’ was a global Number One in 1975.  Both artists will be playing Southwell for the first time.

The increasingly-popular four day music festival at Southwell Racecourse will welcome back folk singer and activist Grace Petrie, California blues rocker Joshua Cook, trad supergroup The Tweed Project, the bluegrass-meets-country-soul-meets-punk sounds of Louisiana’s Truckstop Honeymoon, and the multi-instrumental virtuosity of Ranagri.  Plus BBC Young Folk Award winners Josie Duncan & Pablo Lafuente, fantastic dance band Blackbeard’s Tea Party, famous punk veterans Otway & Barrett, Nottingham’s own gypsy jazz hot clubbers Maniere Des Bohemiens, world-fusion crowd favourites The Activators, the highly-acclaimed Bird In The Belly folk collective, the rich harmonies of Norwich’s Alden Patterson & Dashwood and the sweetly addictive songs of pop rockers Morrissey & Marshall.

In the great Southwell tradition of celebratory events such as Dylan@75 and the Summer Of Love, there’ll be a Woodstock@50 concert on the Saturday afternoon followed by Sunjay’s Tribute To Buddy Holly on the Sunday.  Plus there’s a special Continental event featuring diverse European acts such as brilliant Spanish Basque folk dance band Korrontzi, the beautiful Dutch harmonies of SYA (Suddenly Years Align) and French-born festival favourite Flossie Malavialle.

Alongside all this there’ll be a family-friendly, something-for-everyone mix of pub gigs, ceilidhs, fine food stalls, dance displays, music workshops, beer and cider festivals and top class children’s entertainment (including the return of genius juggler Dan The Hat).

Bargain priced Tier One tickets are now on sale from www.gtsf.uk.  Plan ahead for summer 2019 and grab yourself a New Year bargain.

Shrewsbury Folk Festival – tickets are now on sale

Shrewsbury Folk Festival
Kate Rusby

Tickets have gone on sale for the 2019 Shrewsbury Folk Festival as organisers have shared the first names to be added to the bill.

Weekend tickets to the four-day event, that will take place at the West Mid Showground from August 23 to 26, are expected to be in high demand. Last year the first tier of tickets were snapped up in less than 30 minutes and weekend tickets sold out a month before the August Bank Holiday event.

Two of the UK’s top solo stars Kate Rusby and Martyn Joseph will be topping the bill along with the legendary Oysterband and female supergroup Daphne’s Flight, who are returning after a triumphant performance in 2017. Scottish folk rockers Skerryvore have also been invited back after wowing crowds earlier this year.

Grace Petrie – photograph by David Wilson Clarke

Gary Stewart’s Graceland – a reworking of the Paul Simon classic – has also been signed up along with solo shows from Show of Hands frontman Steve Knightley, singer songwriter and activist Grace Petrie and appearances from The Phil Beer Band and Merry Hell.

Exclusive to the festival will be a special day of programming on its Pengwern stage by duo Chris While and Julie Matthews to celebrate the 25th anniversary of their musical partnership. The While and Matthews Takeover will see the pair curate performances on August 25th that will culminate in a big band show to close the night.

Granny’s Attic

Other acts will include Chris Elliott and Caitlin Jones, Edgelarks, Geoff Lakeman, Granny’s Attic, Mankala, Paul Downes, Rapsquillion, Reg Meuross, Track Dogs, the Urban Folk Quartet, and Winter Wilson. Festivalgoers will also be able to watch folk opera Here At The Fair by Mick Ryan.

Festival Director Sandra Surtees said many more artists are yet to be revealed.

“As ever the Shrewsbury line-up will feature some of the biggest names in folk, some popular performers that have been requested by our audience and a number of world and Americana acts.

“But the festival is about so much more than just the music – there’s so much to do during the weekend for all ages. The festival has its own magical atmosphere and we have many visitors who wouldn’t class themselves as ‘folkies’ but they just come to enjoy the relaxed and friendly atmosphere with friends and family and listen to great music.

“The festival continues to go from strength to strength with a devoted audience who return year after year, demonstrated by the fact that we regularly sell out in advance.”

The festival has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, workshops, crafts, food village, real ale, cocktail and gin bars and on-site camping and glamping.

There are also fringe events at local pubs with dance displays held in the town centre and a parade through the streets on the Saturday afternoon. Weekend and day tickets can be booked at  www.shrewsburyfolkfestival.co.uk/booktickets/.

GRACE PETRIE – Queer As Folk (own label)

Queer As FolkThe only time I saw Grace Petrie on stage, I was bowled over. I bought an EP and was impressed by that. Always her own person and doing things her way, Grace could now be on the verge of a breakthrough. Thanks to a Kickstarter campaign, Queer As Folk is a properly funded album produced by Matthew Daly, who also plays drums, and mixed by Neil Ferguson. Some stellar friends joined her: Miranda Sykes on bass, Hannah James on accordion, Nancy Kerr on fiddle, Belinda O’Hooley on piano and Caitlin Field on bass and percussion. Grace is powerful enough on her own but this gathering pushes her on to another level.

Queer As Folk opens with ‘A Young Woman’s Tale’, a remarkably understated take on Ian Campbell’s ‘Old Man’s Song’ dragged into the 21st century. Its quietness adds to the power of Grace’s words but up next comes an up-tempo reading of Graham Moore’s ‘Tom Paine’s Bones’, its pace suggesting a sense of impatience and leaving the listener breathless. ‘This House’ concerns the death of a father, whether Grace’s own we are not told, full of a sense of emptiness like the house he’s left behind. ‘Baby Blue’ is about love betrayed and the powerful ‘Pride’ puts it into context and is where the band comes into its own.

These two songs lead into the superb ‘Black Tie’, which takes the form of a postcard to Grace’s teenage self, reassuring her that it all will work out and containing one of the best rhymes of the year. Grace is affirming her identity here as if we were in any doubt about it. It would be a great single except that it wouldn’t get radio play – the rhyme I mentioned would see to that.

The other cover is ‘Beeswing’. I tend to get a bit protective about Richard Thompson songs but Grace doesn’t need to make many changes except to lose the word “man”. But, and it’s a big but, she misses out the verse about marrying Romany Brown. Why? Is L all right but not B? That’s a disappointment. Nancy and Caitlin give it a folky swing on fiddle and bodhran and it’s one of the best arrangements of the song I’ve heard.

We’re back to politics with ‘Farewell To Welfare’, a song with a really powerful wrap-up but then ‘Iago’ seems to contradict ‘Black Tie’ and I’m still figuring that one out. The closer, ‘Northbound’, sets the life of an itinerant musician to a rocking country beat and is a great way for the record to sign off. Queer As Folk may well turn out to be one of my albums of the year – it’s not perfect but it’s not far off.

Dai Jeffries

We have set up a new UK & U.S Storefront for brand new CD/Vinyl/Download releases recently featured together with a search facility for older stuff. The link for the folking store is: https://folking.com/folking-store/

Click to order featured CD/ Vinyl/Download/Book/DVD

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.gracepetrie.com

‘Iago’ – live:

Grace Petrie announces new album

Grace Petrie

Make way for protest singer, LGBTQ + activist, folk singer, socialist and social commentator Grace Petrie. Smart, witty, a talented lyricist and an electrifying live performer, Grace Petrie can take the most hostile room and by the end of the night they will be singing along, “Stand up today that we might save tomorrow!”.

Given all of this, it’s no surprise she’s toured in support of Billy Bragg, toured for ten years as a self-sustaining DIY artist with virtually no mainstream media coverage and yet when this May she announced a Kickstarter campaign for the recording of her first full studio album Queer As Folk she reached the £10,000 target in twenty-four hours and almost doubled that amount by the end of the two week campaign.

In Grace Petrie’s own words, Queer As Folk is a collection of songs that celebrates both sides of the artist that I am: passionate about and deeply inspired by the magnificent tradition of folk music, but seeking and striving always for it to become again the vehicle for radical politics that it once was. Mixing the personal with the political, these songs mean to offer a hand on the shoulder of those whose struggles in this world chime with my own, whether that be with identity, with love or with the faith to fight for a more equal tomorrow. This album is both a celebration of and a step beyond protest singer, offering some of the most urgent and honest song-writing I have ever put into the world.’

The album includes Grace’s take on traditional folk track ‘An Old Man’s Tale’ retitled ‘A Young Woman’s Tale’, a blistering cover of Richard Thompson’s ‘Beeswing’ and the showstopping ‘Back Tie’, which challenges gender stereotyping in missive to her Year 11 self.

After a summer that sees her play and extensive list of festivals including Latitude, Cambridge Folk Festival and the Stan Rogers Folk Festival in Canada, Queer As Folk will be released on the 14th September and will be followed by an October album tour.

We have set up a new UK & U.S Storefront for brand new CD/Vinyl/Download releases recently featured together with a search facility for older stuff. The link for the folking store is: https://folking.com/folking-store/

Click to order featured CD/ Vinyl/Download/Book/DVD

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.gracepetrie.com

‘They Shall Not Pass’:

VARIOUS ARTISTS – Resound (Shrewsbury Folk Festival)

ResoundCurated by Hannah James and released by Shrewsbury Folk Festival, Resound is a multi-tasking album. Firstly, it’s a tribute to Alan Surtees, founder and organiser of the festival and secondly, it’s a fundraiser for the Alan Surtees Trust which aims to give grants to young musicians and new musical projects. All the music comes from artists who have been associated with Shrewsbury over the years, often through projects commissioned by the festival.

The album has been, for the most part, cleverly sequenced. It opens with Oysterband’s powerful acapella version of ‘Bright Morning Star’ which certainly makes you sit up and pay attention and follows that with Jon Boden’s mighty ‘Audabe’. The foot comes off the loud pedal just a little wiith Patsy Reid’s ‘Thugainn’. I like the way that ‘Song For Lola’ by Lucy Ward is followed by Fay Hield’s ‘Raggle Taggle Gypsy’ – two unashamedly northern voices side by side. Perhaps living in those climes during my formative years has made me equate the accent with authenticity. I wish that Kefaya’s ‘Indignados’ had been placed beside Grace Petrie’s ‘They Shall Not Pass’ – two songs about Spanish politics, albeit separated by several decades should be available to compare and contrast. The Demon Barbers’ version of ‘Ranzo’ is as good as anything they do but perhaps it could have been saved for a big finish.

The album now turns to pastoral themes. ‘The Lincolnshire Song’ by Miranda Sykes is gorgeous (although I’m holding out for the Peak District, Miranda) and Leveret’s ‘Bagpipers’ is one of their gentler pieces. ‘Vanished Birds’, another fine song by Jack Harris is followed by the lightest version of ‘Neil Gow’s Lament’ I’ve ever heard. Hannah modestly saves her own contributions for late in the proceedings. First comes ‘Tuulikki’s Tune’ from her Jigdoll album and then ‘Order & Chaos’ by Lady Maisery.

Karine Polwart’s ‘We’re All Leaving’ makes for an appropriate ending although I can never decide if a record like this is better served with a period of reflection at the end or something rousing and defiant. Whatever you think, you should buy this album – you wiill enjoy it and you’ll be contributing to a good cause.

Dai Jeffries

Project website: www.shrewsburyfolkfestival.co.uk/more/alan-surtees-trust/

‘Tuulikki’s Tune’ – live:

COVEN live at the West End Centre, Aldershot

Coven
Photograph by Dai Jeffries

Coven aren’t so much a group as a collective made up of three elements. On the one hand there is the musical delicacy of Lady Maisery and on the other the homespun Yorkshire charm that O’Hooley & Tidow exploit. In the middle is Grace Petrie, a thorn between two roses, and more of her anon.

They originally came together three years ago to celebrate International Women’s Day, which coincidentally was the date of this event, and their show still has that as its central theme.  Lady Maisery opened with ‘Sing For The Morning’ from their latest album followed by ‘Portland Town’, a remarkable arrangement featuring fiddle and feet before finishing with ‘The Crow On The Cradle’.

Next came Grace Petrie who I hadn’t heard before. She’s something of a fire-brand and the wit of her stage chat carries over into her writing. Her first song, ‘A Revolutionary In The Wrong Time’, describes her career: “not folky enough for Whitby; not cool enough for Cambridge” is her self-deprecating description. The second song, written for her niece Ivy, describes rushing away from Glastonbury to be home for her arrival. It is probably the most unsentimental sentimental song you’ll hear and Grace wrapped up her set with her contender for the new national anthem, ‘God Save The Hungry’. I really liked her and her crusade to prove that there are still protest singers around – and that there is still a need for them.

Belinda and Heidi chose three songs about inspiring women: ‘Beryl’ and ‘The Pixie’ from Shadows and ‘Too Old To Dream’ from their first album. Three songs about three very different women in very different circumstances.

Coven only sang six songs as a unit, the six that appear on their EP, ‘Unholy Choir’, and I found that a little disappointing. The first of these closed the first half: Rowan Rheingans’ new setting of ‘Bread And Roses’ which dispenses with the martial rhythm of the more usual version.

The second set followed a slightly different pattern. O’Hooley & Tidow opened with ‘Gentleman Jack’ and ‘The Needle & The Hand’ before bringing the whole group together for ‘Coil & Spring’. Lady Maisery did likewise with ‘Quiet Joys Of Brotherhood’ and ‘Order And Chaos’ before ‘This Woman’s Work’. Grace’s two solos led into ‘If There’s A Fire In Your Heart’ to close the show.

Well, of course, there were two encores; The Roches’ ‘Quittin’ Time’ and ‘Never Turning Back’ and Coven really gave us our money’s worth with a show that lasted well over two hours and never outstayed its welcome. There are five gigs left on this tour and that will be it until next year unless the rumours of summer festivals are true. Don’t say we didn’t warn you.

Dai Jeffries

Artists’ websites: http://ohooleyandtidow.com/
https://www.ladymaisery.com/about
http://gracepetrie.com/

Venue website: https://hampshireculturaltrust.org.uk/

‘This Woman’s Work’: