VARIOUS ARTISTS – From Here – English Folk Field Recordings Volume 2 (From Here Records SITW011CD)

From Here Volume 2Curated by Ian Carter and Nicola Kearey of Stick In The Wheel, the second volume of From Here is every bit as intriguing and entertaining as its predecessor. Recorded wherever the artists were with just two microphones, these performances are sometimes raw and earthy and sometimes delicate and beautiful. Some of the artists are well known, others less so and same is true of the music.

There is a sort of chronology about the album. It begins with what Nancy Kerr calls a mediaeval song, ‘Gan Tae The Kye’, which she pairs with a popular north-eastern tune ‘Peacock Followed The Hen’. From the same geographical area comes ‘The Sandgate Dandling Song’ sung by Rachel Unthank and I must admit that I’ve never really listened to it properly. It’s a lullaby, yes, but with a very hard story wrapped up in it and Rachel’s matter-of-fact delivery emphasises the hardship. The first instrumental set is the delightful ‘Cottenham Medley’ by C Joynes, about whom I know almost nothing.other than the fact that he lives in Cambridgeshire. The other two sets are from the north-east: Kathryn Tickell’s dazzling ‘Bonnie Pit Laddie/ Lads Of Alnwick’ and ‘Nancy Clough’ by Sandra and Nancy Kerr, who thus gets to open and close the set.

The chronology begins to break down now. Richard Dawson’s ‘The Almsgiver’ sounds old but which Richard wrote recently and is perfectly in keeping with the feeling of the project. You may think you know ‘Barbera Allen’ but this version by Mary Hymphreys & Anahata will be new to most listeners. Coincidentally (or not) it also comes from Cottingham. June Tabor revisits ‘The Kng Of Rome’ and rising star Cohen Braithwaite-Kilcoyne tackles ‘Two Lovely Black Eyes’. There are two distinct versions of this song, both by Charles Coborn, and Cohen goes for the political one. Both this and ‘The King Of Rome’ are set around the turn of the 20th century even though the latter was written much more recently. Appropriately, they are followed by Grace Petrie’s ‘A Young Woman’s Tale’, her updating of a song that began with the words “At the turning of the century…”, a clever juxtapositioning. Politics – although with a small “p” – return with Chris Wood’s ‘So Much To Defend’ which would appear to be made up of true stories.

Other, but not lesser, artists are Cath & Phil Tyler, Laura Smyth & Ted Kemp and Belinda Kempster, who is the mother of SITW’s Fran Foote and a very fine singer, now working as a duo with her daughter. That sort of emphasises the idea that we’re listening to a continuing tradition that has been caught in a moment of time.

Dai Jeffries

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Label website: https://www.fromhererecords.com/

Nancy Kerr – ‘Gan Tae The Kye/Peacock Followed The Hen’ – the video of the recording:

The Folking Awards 2019 – the results

The Folking Awards 2019

Here they are, the results of the 2019 Folking awards. Thanks to all our writers who submitted nominations and to everyone who participated – over 18,000 votes were cast. Every one of the nominees made an impression on our writers either on record or on stage during 2018 and they are all stars to us. Without further ado, here are the top choices with percentage of the votes cast.

Soloist of the year – Reg Meuross (39%)

Reg Meuross

Read Reg’s biography here.

Best Duo – Ninebarrow (36.9%)

Ninebarrow

Read Ninebarrow’s biography here.

Best Band – Merry Hell (27.5%)

Merry Hell

You know all about them but you can read about Merry Hell here.

Best Live Act – The Men They Couldn’t Hang (38.7%)

The Men They Couldn't Hang 

Read a biography of The Men They Couldn’t Hang here

Best Album – Queer As Folk by Grace Petrie (32.3%)

Queer As Folk

Read Dai Jeffries’ review of Queer As Folk here.

Best Musician – Marina Osman (43.9%)

Marina Osman

Read Marina’s biography here.

Rising Star Act – Vision Thing (32%)

Vision Thing

Read Vision Thing’s bio here.

Best International Artiste – Larkin Poe (41.5%)

Larkin Poe
Photograph by Amy Harris

Read Larkin Poe’s bio here

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The 2019 Folking Awards

Welcome to the 2019 Folking Awards and thank you again to everyone who participated this year. The nominations, were in eight categories, and came from our ever-expanding team of writers and were collated into shape by the Folkmeister and the Editor over a pint or two, which also involved, a few arm-wrestles and a spot of beer-mat aerobics, in a convenient local watering hole.

There were five nominees in each category, all of whom have impressed our writers during 2018.

As we said last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just about what we think, so once more, it was down to you, our ever-growing readership, to make the final call.

We will now compile the results and announce the winners of each category at some point next week.

*The Public Vote for each category closed at 9.00pm on Sunday 31st March (GMT+1).


Soloist Of The Year

Keith James
Reg Meuross
Rachel Newton
John Smith
Andy White


Best Duo

Gilmore & Roberts
Daria Kulesh and Jonny Dyer
Ninebarrow
Greg Russell and Ciaran Algar
Winter Wilson


Best Band

The Men They Couldn’t Hang
Merry Hell
Skipinnish
Trials Of Cato
The Young’Uns


Best Live Act

The Men They Couldn’t Hang
Grace Petrie
The Salts
Martin Stephenson & The Daintees
Andy White


Best Album

A Problem Of Our Kind – Gilmore & Roberts
The Well Worn Path – Seth Lakeman
The Joy Of Living – Jackie Oates
Queer As Folk – Grace Petrie
Hide And Hair – Trials Of Cato


Best Musician

Martin Harley
Aidan O’Rourke
Marina Osman
John Smith
Richard Thompson


Rising Star

Burning Salt
Robert Lane
Kitty MacFarlane
Smith & Brewer
Vision Thing


Best International Artist(s)

3hattrio
Tyler Childers
Mary Gauthier
Kíla
Larkin Poe


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Shrewsbury Folk Festival – tickets are now on sale

Shrewsbury Folk Festival
Kate Rusby

Tickets have gone on sale for the 2019 Shrewsbury Folk Festival as organisers have shared the first names to be added to the bill.

Weekend tickets to the four-day event, that will take place at the West Mid Showground from August 23 to 26, are expected to be in high demand. Last year the first tier of tickets were snapped up in less than 30 minutes and weekend tickets sold out a month before the August Bank Holiday event.

Two of the UK’s top solo stars Kate Rusby and Martyn Joseph will be topping the bill along with the legendary Oysterband and female supergroup Daphne’s Flight, who are returning after a triumphant performance in 2017. Scottish folk rockers Skerryvore have also been invited back after wowing crowds earlier this year.

Grace Petrie – photograph by David Wilson Clarke

Gary Stewart’s Graceland – a reworking of the Paul Simon classic – has also been signed up along with solo shows from Show of Hands frontman Steve Knightley, singer songwriter and activist Grace Petrie and appearances from The Phil Beer Band and Merry Hell.

Exclusive to the festival will be a special day of programming on its Pengwern stage by duo Chris While and Julie Matthews to celebrate the 25th anniversary of their musical partnership. The While and Matthews Takeover will see the pair curate performances on August 25th that will culminate in a big band show to close the night.

Granny’s Attic

Other acts will include Chris Elliott and Caitlin Jones, Edgelarks, Geoff Lakeman, Granny’s Attic, Mankala, Paul Downes, Rapsquillion, Reg Meuross, Track Dogs, the Urban Folk Quartet, and Winter Wilson. Festivalgoers will also be able to watch folk opera Here At The Fair by Mick Ryan.

Festival Director Sandra Surtees said many more artists are yet to be revealed.

“As ever the Shrewsbury line-up will feature some of the biggest names in folk, some popular performers that have been requested by our audience and a number of world and Americana acts.

“But the festival is about so much more than just the music – there’s so much to do during the weekend for all ages. The festival has its own magical atmosphere and we have many visitors who wouldn’t class themselves as ‘folkies’ but they just come to enjoy the relaxed and friendly atmosphere with friends and family and listen to great music.

“The festival continues to go from strength to strength with a devoted audience who return year after year, demonstrated by the fact that we regularly sell out in advance.”

The festival has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, workshops, crafts, food village, real ale, cocktail and gin bars and on-site camping and glamping.

There are also fringe events at local pubs with dance displays held in the town centre and a parade through the streets on the Saturday afternoon. Weekend and day tickets can be booked at  www.shrewsburyfolkfestival.co.uk/booktickets/.

GRACE PETRIE – Queer As Folk (own label)

Queer As FolkThe only time I saw Grace Petrie on stage, I was bowled over. I bought an EP and was impressed by that. Always her own person and doing things her way, Grace could now be on the verge of a breakthrough. Thanks to a Kickstarter campaign, Queer As Folk is a properly funded album produced by Matthew Daly, who also plays drums, and mixed by Neil Ferguson. Some stellar friends joined her: Miranda Sykes on bass, Hannah James on accordion, Nancy Kerr on fiddle, Belinda O’Hooley on piano and Caitlin Field on bass and percussion. Grace is powerful enough on her own but this gathering pushes her on to another level.

Queer As Folk opens with ‘A Young Woman’s Tale’, a remarkably understated take on Ian Campbell’s ‘Old Man’s Song’ dragged into the 21st century. Its quietness adds to the power of Grace’s words but up next comes an up-tempo reading of Graham Moore’s ‘Tom Paine’s Bones’, its pace suggesting a sense of impatience and leaving the listener breathless. ‘This House’ concerns the death of a father, whether Grace’s own we are not told, full of a sense of emptiness like the house he’s left behind. ‘Baby Blue’ is about love betrayed and the powerful ‘Pride’ puts it into context and is where the band comes into its own.

These two songs lead into the superb ‘Black Tie’, which takes the form of a postcard to Grace’s teenage self, reassuring her that it all will work out and containing one of the best rhymes of the year. Grace is affirming her identity here as if we were in any doubt about it. It would be a great single except that it wouldn’t get radio play – the rhyme I mentioned would see to that.

The other cover is ‘Beeswing’. I tend to get a bit protective about Richard Thompson songs but Grace doesn’t need to make many changes except to lose the word “man”. But, and it’s a big but, she misses out the verse about marrying Romany Brown. Why? Is L all right but not B? That’s a disappointment. Nancy and Caitlin give it a folky swing on fiddle and bodhran and it’s one of the best arrangements of the song I’ve heard.

We’re back to politics with ‘Farewell To Welfare’, a song with a really powerful wrap-up but then ‘Iago’ seems to contradict ‘Black Tie’ and I’m still figuring that one out. The closer, ‘Northbound’, sets the life of an itinerant musician to a rocking country beat and is a great way for the record to sign off. Queer As Folk may well turn out to be one of my albums of the year – it’s not perfect but it’s not far off.

Dai Jeffries

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Artist’s website: www.gracepetrie.com

‘Iago’ – live:

Grace Petrie announces new album

Grace Petrie

Make way for protest singer, LGBTQ + activist, folk singer, socialist and social commentator Grace Petrie. Smart, witty, a talented lyricist and an electrifying live performer, Grace Petrie can take the most hostile room and by the end of the night they will be singing along, “Stand up today that we might save tomorrow!”.

Given all of this, it’s no surprise she’s toured in support of Billy Bragg, toured for ten years as a self-sustaining DIY artist with virtually no mainstream media coverage and yet when this May she announced a Kickstarter campaign for the recording of her first full studio album Queer As Folk she reached the £10,000 target in twenty-four hours and almost doubled that amount by the end of the two week campaign.

In Grace Petrie’s own words, Queer As Folk is a collection of songs that celebrates both sides of the artist that I am: passionate about and deeply inspired by the magnificent tradition of folk music, but seeking and striving always for it to become again the vehicle for radical politics that it once was. Mixing the personal with the political, these songs mean to offer a hand on the shoulder of those whose struggles in this world chime with my own, whether that be with identity, with love or with the faith to fight for a more equal tomorrow. This album is both a celebration of and a step beyond protest singer, offering some of the most urgent and honest song-writing I have ever put into the world.’

The album includes Grace’s take on traditional folk track ‘An Old Man’s Tale’ retitled ‘A Young Woman’s Tale’, a blistering cover of Richard Thompson’s ‘Beeswing’ and the showstopping ‘Back Tie’, which challenges gender stereotyping in missive to her Year 11 self.

After a summer that sees her play and extensive list of festivals including Latitude, Cambridge Folk Festival and the Stan Rogers Folk Festival in Canada, Queer As Folk will be released on the 14th September and will be followed by an October album tour.

Please support us and order via our UK or US Storefront 


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Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.gracepetrie.com

‘They Shall Not Pass’: