The Folking Awards results 2018

Here they are, the results of the 2018 Folking awards. Thanks to all our writers who submitted nominations and to everyone who participated – almost 17,000 votes were cast. Every one of the nominees made an impression on our writers either on record or on stage during 2017. Without further ado, here are the top choices with percentage of the votes cast.


Soloist of the year – Richard Thompson (31.3%)

Folking Awards results

Read a short bio here (as if you really need to!).


Best Duo – Kathryn Roberts & Sean Lakeman (46%)

Read a short bio here.


Best Band – Merry Hell (35.6%)

Best Live Act – Merry Hell (32.1%)

Just in case we haven’t told you about them often enough you can read about Merry Hell here.


Best Album – Strangers by The Young’Uns (29%)

Strangers

Read Dai Jeffries’ review of Strangers here.


Best Musician – Ryan Young (35.6%)

Read Ryan’s bio here.


Rising Star Act – The Trials Of Cato (33.2%)

Read The Trials of Cato bio here.


Best International Artiste – Le Vent Du Nord (45.7%)

Photograph by Alistair Cassidy

Read Le Vent Du Nord’s bio here.


If you would like to consider ordering a copy of an album for any of folking.com’s 2018 award nominees (see full list here), they are available in CD or Vinyl format, as an album download or as an individual track (track previews are usually on the download page). Click below to be taken to our associated partner Amazon’s website. Use the left and right arrows to scroll.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

The 2018 Folking Awards

Welcome to the 2018 Folking Awards and thank you again to everyone who participated last year. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with considered argument and arm-wrestling by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have impressed our writers during 2017.

As with the format last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

*The Public Vote for each category will close at 9.00pm on Sunday 1st April (GMT+1).


Soloist Of The Year

 Jon Boden
Ange Hardy
Daria Kulesh
Richard Thompson
Chris Wood


Public Vote

*And the winner is: Open envelope!

 


Best Duo

Kate & Raphael
O’Hooley & Tidow
Kathryn Roberts & Sean Lakeman
Laura Smyth & Ted Kemp
Winter Wilson


Public Vote

*And the winner is: Open envelope!

 


Best Band

Sam Kelly & The Lost Boys
Merry Hell
Peter Knight’s Gigspanner
Police Dog Hogan
The Unthanks


Public Vote

*And the winner is: Open envelope!

 


Best Live Act

CC Smugglers
Eliza Carthy & The Wayward Band
Fairport Convention
Lau
Merry Hell


Public Vote

*And the winner is: Open envelope!

 


Best Album

Bring Back Home – Ange Hardy
Pretty Peggy – Sam Kelly & The Lost Boys
Long Lost Home – Daria Kulesh
A Pocket Of Wind Resistance – Karine Polwart/Pippa Murphy
Strangers – The Young ‘Uns


Public Vote

*And the winner is: Open envelope!

 


Best Musician

Kevin Crawford
Seth Lakeman
Richard Thompson
Karen Tweed
Ryan Young


Public Vote

*And the winner is: Open envelope!

 


Rising Star

Sam Brothers
Siobhan Miller
Jack Rutter
Sound Of The Sirens
The Trials Of Cato


Public Vote

*And the winner is: Open envelope!!

 


Best International Artist

Rodney Crowell
Anna Coogan
Michael McDermott
Le Vent Du Nord
The Wailin’ Jennys


Public Vote

*And the winner is: Open envelope!

 


If you would like to consider ordering a copy of an album for any of our award winners (in CD or Vinyl), download an album or track or just listen to snippets of selected songs (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website. Use the left and right arrows to scroll.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Folkies 2018

SINGLES BAR 27

A round-up of recent EPs and singles

Singles Bar 27MERRY HELL will launch their eagerly awaited acoustic album, Anthems To The Wind, in a couple of months. Forget Costa del Folk, Wigan will be the place to be! To whet our appetites they have an EP, Bury Me Naked, led of by one of our favourite songs. The acoustic line-up has given them the opportunity to completely rearrange the song with Virginia Kettle’s voice well out front and what sounds like a barrel organ giving it a jolly lift. ‘Sailing Too Close To The Wind’ is based on acoustic guitar and ‘Drunken Serenade’ is given a ceilidh feel with Neil McCartney’s fiddle driving the song. The set is finished off with an anthemic ‘No Place Like Tomorrow’. Brilliant from start to finish.
www.merryhell.co.uk

Gary Miller‘The Durham Light Infantry’ is an old song by the mighty Whisky Priests. It has now been re-recorded by writer GARY MILLER and is now the lead single from his new project, From Coalfield To Battlefield. In this version Gary is accompanied by The Ferryhill Town Band brilliantly scored by Sam Lord and producer Iain Petrie. The single includes vocal and instrumental versions and is one of the very few occasions when an instrumental is the equal of the vocal version. There’s a gorgeous riff, if that’s the right word, that serves as a fill in the song and decorates the second version. Lovely stuff.
www.whippetrecords.com

Ben Morgan-BrownHaving self-produced his first two EPs, BEN MORGAN-BROWN has enlisted Josh Clark to oversee his third, Cold Rooms. You might think that a solo voice and guitar doesn’t require a huge amount of production but Josh has certainly got the best out of the Exeter based singer songwriter. The opening title track begins gently enough but Ben’s guitar rings underneath his voice while building up to a big finish. The instrumental, ‘I See That You’, is gorgeous with an almost retro feel as Ben finger-picks a low continuo while striking plangent top notes. There are some nice synth tones at the end of ‘No More Fooling’, too.
www.benmorganbrown.co.uk

The DarkDARWIN’S DAUGHTER is better known to her family as Fiona Ruth Hannon. She lives in Ireland and The Dark is her first EP. The first thing to say is that she has one hell of a voice which stands up well to the orchestra that tries to dominate the opening track, ‘Dark Fires’. It’s better when the production takes its foot off the gas and lets us hear the trio of Anthony Gibney, Max Greenwood and Kim V Porcelli – Greenwood’s piano played at the top end of the keyboard decorates beautifully.
https://www.darwinsdaughtermusic.com/what-we-do-1/

Inni-KEithne Ní Chatháin goes by the INNI-K which is a blessing for those of us who don’t have the Gaelic. Following her debut album, The King Has Two Horse’s Ears she releases a single, ‘Edges’, before going on tour. She’s impossible to categorise with her powerful voice, fiddle and electric guitar supported by double bass and percussion. We need to hear more.
http://www.inni-k.com/

I Am A BoyKRIS WOODBIRD is something of an enigma. He lives n Stockholm and has released a number of singles over the last year of which ‘I Am A Boy’ is the latest. Very simple: just one voice and one voice, it’s desperately fragile with self-destructive overtones. He talks about smashing his head against a wall, being unworthy and living far away from home. A new album is expected this year.
https://www.kriswoodbird.com/

Wickham Festival Announces 2018 Line Up

Wickham have just announced that The South and Steve Harley & Cockney Rebel are among the latest acts confirmed for this year’s Festival.

Also recently confirmed are singer-songwriters Reg Meuross and Jim Malcolm; Scottish duo Saltfishforty; the wonderful Mary Coughlan from Ireland; and great live bands Police Dog Hogan, The Outcast Band and Merry Hell.

They join a top-class line-up already announced including Squeeze; John Illsley of Dire Straits; The Richard Thompson Trio; Kate Rusby; Show of Hands; Tom Robinson + Band; The Undertones; The Red Hot Chilli Pipers; Jon Boden & The Remnant Kings; The Blues Band; Martyn Joseph; Flook; Drever McCusker Woomble; Tankus The Henge; The Dhol Foundation; Ferocious Dog; Skipinnish; The Pierce Brothers; Mad Dog McCrea; Daori Farrell; Imar; Talisk; Boo Hewerdine; Gaz Brookfield; Roy Bailey; Maggie Bell & Dave Kelly; and many more.

See wickhamfestival.co.uk for full listings plus details of who’s on when.

Artist Summary:

Squeeze
Richard Thompson Trio
Steve Harley & Cockney Rebel
The South
Kate Rusby
Show Of Hands
John Illsley of Dire Straits
The Undertones
Tom Robinson & Band
The Blues Band
The Dhol Foundation
The Red Hot Chilli Pipers
Ferocious Dog
Jon Boden & The Remnant Kings
Mary Coughlan
Martyn Joseph
Flook
Tankus the Henge
Mad Dog Mcrea
Imar
Gaz Brookfield & The Company of Thieves
Pierce Brothers
Merry Hell
Gordie MacKeeman & his Rhythm Boys
The Electric Swing Circus
Skipinnish
Talisk
Daori Farrell
Boo Hewerdine
Drever McCusker Woomble
Maggie Bell & Dave Kelly
The East Pointers
The Gerry Colvin Band
Roy Bailey
The Emily Askew Band
Les Barker
Vishtèn
Fake Thackray
Findlay Napier
More artists T.B.C

Above and below are a couple of special moments captured from last years festival courtesy of the folking video archive:

SINGLES BAR 24

A round-up of recent EPs and singles

Singles Bar 24MERRY HELL describe the title track of their new EP, Come On, England, as an alternative National Anthem. Needless to say, the song bears no resemblance to the chants of the football terraces or EDL marches. Instead Bob Kettle invokes the Diggers and the Levellers and “the spirit that will never lie down”. The song has a singalong roll that almost disguises its powerful lyrics. The second track is brother John’s ‘We Need Each Other Now’, also from the Bloodlines album, which complements ‘Come On, England’ as a rallying call. ‘Lean On Me, Love’ is a taster for the band’s forthcoming acoustic album – looking forward to that – and the set closes with a live version of ‘The War Between Ourselves’. It’s all inspiring stuff.
www.merryhell.co.uk

Singles Bar 24Based in Devon, VELVET & STONE line up as Lara Snowden and Roger Styles on vocals and guitars, Barry Muir on bass and double bass and Kathryn Tremlett providing violin and piano with producer Gareth Young on hand for percussion and Caroline Lavelle, who’se worked with Radiohead, Muse and Afro Celt Sound System on cello. The self-released ‘Raise Your Ghosts/Embers’ is a two track single taster for October’s EP and, while I’d have thought it would make more sense to release them all altogether rather than fans buying the numbers twice, it certainly whets the appetite. The first has definite mid-tempo Fleetwood Mac shades, or more specifically Stevie Nicks, while the second is a more reflective ballad, Lara’s soft vocals enrobed with strings as the song swells to a head. Nice stuff, but, as I say, waiting for the EP would seem the more sensible option.
https://www.velvetstonemusic.com/

The Things That Matter is the debut record from Irish/American duo THE 19th STREET BAND. Caolaidhe Davis and his wife Meghan are the principals, doing the singing and playing guitars, fiddle and mandolin, and are supported by Brian White, Patty Dougherty and Tom Verratti on bass, drums and banjo. Their sound is a mixture of Americana styles: ‘Jump In The Water’ is heavy bluegrass with modern lyrics while ‘Long Runs The Fox’ is sort of slide guitar blues – Meghan has a hell of a voice for that. ‘It’s True What They Say’ is a real shit-kicker; in fact, the pace barely lets up until the closing title track.
https://19thstreetband.com/

Singles Bar 24You’ve Been Away So Long is a self-released 5-track EP from Boston singer-songwriter and guitar picker  ALICE HOWE that winningly draws on such retro 60s American folk influences as Guthrie, Rambling Jack, Kate Wolff, Judy Collins and Joni Mitchell, while, accompanied on dobro by Jeff Fielder, opener ‘Homeland Blues’ has definite echoes of Baez.

Described by folk singer Vance Gilbert has having a voice like “a broken angel’s bell”, she brings an emotional catch to ‘Nothing But You’, an elegy to her late father while, another Baez echo, the playful Appalachian-flavoured country waltz ‘Make A Fool Out Of Me’ pays homage to Steve Martin. Her fingers work the frets for ‘Don’t Worry Honey’, a cleverly ambiguous fatalistic love song and how “it’s always in the dark that I liked you best” that has her doing her best Joni soaring notes.

In the unlikely event you’ve not yet been won over, the closing title track makes resistance futile, Fielder on a Gibson L-1 archtop for a song about knowing yourself and being comfortable with who you are. Putting me in mind of Dar Williams’ ‘Mercy of the Fallen’, with its cascading melody lines and her wistfully dusty voice, it’s up there with the very best of Mary Chapin Carpenter, Gretchen Peters and Williams herself, as well as those icons of her raising.

I confess I’d not come across her before and this is her first release in three years following an eponymous EP in 2009, her debut album in 2013 and the Tiger Lily EP a year later. I’ll be adding those to the collection and trusting a new full album will be down the road sometime soon.
https://www.alicehowe.com/

Loose |EndsThe covering letter that accompanied Loose Ends, the second record from CHRIS FOX, asked if we’d consider reviewing it for fRoots. Ignoring the poor first impression, Loose Ends turns out to be pretty good. Chris does everything himself: finger-picked acoustic guitar, tasteful bass and percussion that make the record very easy to listen to. Chris wrote seven of the eight tracks and they are thoughtful, often witty – the line about lying drunk on the lawn “holding on to the grass to keep myself from falling” is particularly memorable: ‘Howl At The Moon’ is a cracking opener and says what a lot of us are probably thinking. The only non-original track is ‘Lord Franklin’, a gentle, reflective reading of the song.
www.chrisfoxmusic.org

Small WorldADRIAN BATES makes his recording debut with a four-track EP, Small World, of original songs supported by Chris Miley, Carl Leighton and David Leighton. The opener, ‘Hard Working Man’, is a particularly fine song, putting a 21st century spin on the age-old complaint of the put-upon worker. ‘The Apple’, featuring the Leightons’ violin and cello, is a reflective piece in which the writer laments that he has become what his father was and what he swore he would never be. In the final song, ‘Winding Wheels’, Adrian looks back on his childhood in the Yorkshire coalfields and, in doing so, laments the loss of an industry. An impressive start.

Singles Bar 24‘The Man Who Ate A Hurricane’ is the first single to be drawn from Standing Still Will Kill You, the third album from Essex based singer-songwriter OWEN WILLIAMS. It’s a gritty, hard-edged song with apocalyptic lyrics, supported by piano and backing vocals. We’re looking forward to the album.
https://www.facebook.com/owenwilliamsmusic/

A singer-songwriter from Swindon, ROB RICHINGS delivers a shuffle along busker-like song about not closing our eyes to the social problems around us with ‘Carry On Regardless’ (Crescent), its catchy loping crunchy percussion chorus about how “we all stick our head in the sand and carry on regardless” firmly lodging itself in those singalong neurons.
http://www.robrichings.com/

Video Wall 5

We just realised that the backlog of videos has built up again – it must be something to do with the summer weather bringing them out of hiding – so here is Video Wall 5.

We begin with Davey Dodds, formerly of Red Jasper, live at The Fleece in Bristol with ‘Kick Of Your Shoes’ from his new album Kernowcopia. This song features Martin Solomon on fiddle, Keven Taylor on harmonica and Bradders Bluesinger on bodhran.

DARLING WEST are Norwegian but you wouldn’t know that from listening to their brand of Americana/Folk. ‘After My Time’ is one of their newest songs.

Our friends MERRY HELL have a new EP out next week. The title track is ‘Come On, England!’ taken from their album, Bloodlines, as is the second track, ‘We Need Each Other Now’. Also on the disc are a preview of the forthcoming live album and a live track from the full band recorded in Clitheroe. The official video is still under wraps but here’s a live cut to be going on with.

 

This is the title track from the debut album from Chicago-based bluegrass-old-timey quartet, BIG SADIE. It’s called ‘Keep Me Waiting’.

Not quite so subtle are JO CARLEY AND THE OLD DRY SKULLS. ‘Dance ‘Til You’re Dead’ is from their new album, Them Old Bones.