Well, the thunder is rumbling, the rain is beating down and festivals anywhere near the sea are packing up early – a typical British summer. Maybe it’s best to stay at home and watch a few new videos. We’ll start with one from our good friends Merry Hell:
‘The Fire’ is a recent track by Jamie Freeman, written about the Grenfell disaster. Jamie has a new album, Dreams About Falling and is currently on tour.
The name of Roo Panes crops up on our pages quite frequently. ‘Warrior’ was written to support anti-slavery organisation, International Justice Mission.
Karine Polwart covers Big Country with her version of ‘Chance’ taken from her latest album, Scottish Songbook.
‘Flying Visit’ is the latest single by Ferris & Sylvester who have just announced a new headline tour.
Equal measures chaotic and comical is how the new single ‘No Fun’ by Declan Welsh And The Decadent West has been described. It’s released in advance of their debut album, Cheaply Bought, Expensively Sold coming in October.
‘Uneven Days’ is the atmospheric new single by Ben Harper.
Finally, Elephant Sessions have just released the video of ‘Tyragarah’, the single released in support of World Elephant Day.
Here they are, the results of the 2019 Folking awards. Thanks to all our writers who submitted nominations and to everyone who participated – over 18,000 votes were cast. Every one of the nominees made an impression on our writers either on record or on stage during 2018 and they are all stars to us. Without further ado, here are the top choices with percentage of the votes cast.
Welcome to the 2019 Folking Awards and thank you again to everyone who participated this year. The nominations, were in eight categories, and came from our ever-expanding team of writers and were collated into shape by the Folkmeister and the Editor over a pint or two, which also involved, a few arm-wrestles and a spot of beer-mat aerobics, in a convenient local watering hole.
There were five nominees in each category, all of whom have impressed our writers during 2018.
As we said last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just about what we think, so once more, it was down to you, our ever-growing readership, to make the final call.
We will now compile the results and announce the winners of each category at some point next week.
*The Public Vote for each category closed at 9.00pm on Sunday 31st March (GMT+1).
Soloist Of The Year
Gilmore & Roberts
Daria Kulesh and Jonny Dyer
Greg Russell and Ciaran Algar
The Men They Couldn’t Hang
Trials Of Cato
Best Live Act
The Men They Couldn’t Hang
Martin Stephenson & The Daintees
A Problem Of Our Kind – Gilmore & Roberts The Well Worn Path – Seth Lakeman The Joy Of Living – Jackie Oates Queer As Folk – Grace Petrie Hide And Hair – Trials Of Cato
Smith & Brewer
Best International Artist(s)
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It has been a while since we posted a video wall but some goodies have been arriving recently. A few are related to upcoming releases and some are just for fun.
We begin with Serious Sam Barrett and an unofficial taster for his new album Where The White Roses Grow which will be reviewed here very soon. This is a live take on the title track.
From another album that will be reviewed soon, this is Mandolin Orange and ‘The Wolves’ from the album Tides Of A Teardrop.
Skinny Lister’s new album The Story Is… will be released on March 1st. This is the official video of the title track.
We have already reviewed Anne Marie Almedal’s album Lightshadow. Here’s her version of The Cure’s ‘Lovesong’.
We will always review an album from the mighty Breabach. Here’s the single, ‘Birds Of Passage’, from their most recent album Frenzy Of The Meeting.
We missed this one when it was released last year but it’s a song that deserves a hearing. Tommy Ashby sings ‘Bowlegged’.
Seeing that Richard Thompson is our top solo artist of 2018 – Charlie Foskett thought he’d post you this Thompson penned piece of sadness from his forthcoming debut folk album collection Bugles And Bagpipes – www.foskettsfolkfactory.com – It’s almost completed and hosts many high profile guests whose magical, musical input you are just going to love – including Peter Knight and Rick Kemp (ex Steeleye) – Aidan Burke (cousin of Kevin Burke – Bothy Band and Ireland’s number celtic fiddler for the last 22 yrs – Julie Felix (duet) – Simon Care (Albion Band ) – Chris Spedding – Wizz Jones – Mike Wilson and Damian Barber (Demon Barbers) – Judie Tzuke and more !
The official album launch will be early summer 2019 along with a big, big promo campaign and tour to follow with his newly formed band The Pitmatics! – www.pitmatics.co.uk
I originally recorded and produced the first version of ‘Nothing at the End of the Rainbow’ in 1986 with Elvis Costello – I was working with Elvis and Loudon Wainright III on other material at the time for EMI Records – I remember receiving a cracker review saying that I had produced “A Song to Slit one’s Wrists to” ! that was the headline – nothing’s changed there then! This, my own version also features Peter Knight on fiddle!
Mostly for fun now. Here are our old mates Merry Hell and ‘My Finest Hour’ from their album Anthems To The Wind. A wonderful euphemism.
Tickets have gone on sale for the 2019 Shrewsbury Folk Festival as organisers have shared the first names to be added to the bill.
Weekend tickets to the four-day event, that will take place at the West Mid Showground from August 23 to 26, are expected to be in high demand. Last year the first tier of tickets were snapped up in less than 30 minutes and weekend tickets sold out a month before the August Bank Holiday event.
Two of the UK’s top solo stars Kate Rusby and Martyn Joseph will be topping the bill along with the legendary Oysterband and female supergroup Daphne’s Flight, who are returning after a triumphant performance in 2017. Scottish folk rockers Skerryvore have also been invited back after wowing crowds earlier this year.
Gary Stewart’s Graceland – a reworking of the Paul Simon classic – has also been signed up along with solo shows from Show of Hands frontman Steve Knightley, singer songwriter and activist Grace Petrie and appearances from The Phil Beer Band and Merry Hell.
Exclusive to the festival will be a special day of programming on its Pengwern stage by duo Chris While and Julie Matthews to celebrate the 25th anniversary of their musical partnership. The While and Matthews Takeover will see the pair curate performances on August 25th that will culminate in a big band show to close the night.
Other acts will include Chris Elliott and Caitlin Jones, Edgelarks, Geoff Lakeman, Granny’s Attic, Mankala, Paul Downes, Rapsquillion, Reg Meuross, Track Dogs, the Urban Folk Quartet, and Winter Wilson. Festivalgoers will also be able to watch folk opera Here At The Fair by Mick Ryan.
Festival Director Sandra Surtees said many more artists are yet to be revealed.
“As ever the Shrewsbury line-up will feature some of the biggest names in folk, some popular performers that have been requested by our audience and a number of world and Americana acts.
“But the festival is about so much more than just the music – there’s so much to do during the weekend for all ages. The festival has its own magical atmosphere and we have many visitors who wouldn’t class themselves as ‘folkies’ but they just come to enjoy the relaxed and friendly atmosphere with friends and family and listen to great music.
“The festival continues to go from strength to strength with a devoted audience who return year after year, demonstrated by the fact that we regularly sell out in advance.”
The festival has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, workshops, crafts, food village, real ale, cocktail and gin bars and on-site camping and glamping.
There are also fringe events at local pubs with dance displays held in the town centre and a parade through the streets on the Saturday afternoon. Weekend and day tickets can be booked at www.shrewsburyfolkfestival.co.uk/booktickets/.