Shrewsbury Folk Festival – tickets are now on sale

Shrewsbury Folk Festival
Kate Rusby

Tickets have gone on sale for the 2019 Shrewsbury Folk Festival as organisers have shared the first names to be added to the bill.

Weekend tickets to the four-day event, that will take place at the West Mid Showground from August 23 to 26, are expected to be in high demand. Last year the first tier of tickets were snapped up in less than 30 minutes and weekend tickets sold out a month before the August Bank Holiday event.

Two of the UK’s top solo stars Kate Rusby and Martyn Joseph will be topping the bill along with the legendary Oysterband and female supergroup Daphne’s Flight, who are returning after a triumphant performance in 2017. Scottish folk rockers Skerryvore have also been invited back after wowing crowds earlier this year.

Grace Petrie – photograph by David Wilson Clarke

Gary Stewart’s Graceland – a reworking of the Paul Simon classic – has also been signed up along with solo shows from Show of Hands frontman Steve Knightley, singer songwriter and activist Grace Petrie and appearances from The Phil Beer Band and Merry Hell.

Exclusive to the festival will be a special day of programming on its Pengwern stage by duo Chris While and Julie Matthews to celebrate the 25th anniversary of their musical partnership. The While and Matthews Takeover will see the pair curate performances on August 25th that will culminate in a big band show to close the night.

Granny’s Attic

Other acts will include Chris Elliott and Caitlin Jones, Edgelarks, Geoff Lakeman, Granny’s Attic, Mankala, Paul Downes, Rapsquillion, Reg Meuross, Track Dogs, the Urban Folk Quartet, and Winter Wilson. Festivalgoers will also be able to watch folk opera Here At The Fair by Mick Ryan.

Festival Director Sandra Surtees said many more artists are yet to be revealed.

“As ever the Shrewsbury line-up will feature some of the biggest names in folk, some popular performers that have been requested by our audience and a number of world and Americana acts.

“But the festival is about so much more than just the music – there’s so much to do during the weekend for all ages. The festival has its own magical atmosphere and we have many visitors who wouldn’t class themselves as ‘folkies’ but they just come to enjoy the relaxed and friendly atmosphere with friends and family and listen to great music.

“The festival continues to go from strength to strength with a devoted audience who return year after year, demonstrated by the fact that we regularly sell out in advance.”

The festival has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, workshops, crafts, food village, real ale, cocktail and gin bars and on-site camping and glamping.

There are also fringe events at local pubs with dance displays held in the town centre and a parade through the streets on the Saturday afternoon. Weekend and day tickets can be booked at  www.shrewsburyfolkfestival.co.uk/booktickets/.

MERRY HELL – Anthems To The Wind (Merry Hell Music MHMCD218)

Anthems To The WindHere’s a conundrum. When you see them playing the folk circuit, Merry Hell comprise Virginia Kettle and her borther-in-law Andrew on vocals, his brothers John on guitar and Bob on banjo, mandolin and bouzouki, bassist Nick Davies and fiddle player Neil McCartney. Officially, however, they’re now an eight-piece with Lee Goulding on keyboards and Andy Jones providing percussion. For such practical reasons as most club stages being too small to accommodate that many musicians, the latter two remain studio-bound.

So, while a live album might be representative of the band on any given night, it wouldn’t be representative of the band as such. So, what you have here is a collection of numbers from the repertoire featuring all eight members, recorded (mostly) live at three venues, just not with an audience, but with the arrangements stripped back to the way they would be heard in their primarily acoustic setting of a folk club.

Ok, that’s the logistics out of the way, so what about the music? It kicks off in fine fettle with the slower live styling of ‘Drunken Serenade’ the opening track from their debut album, these days, of course, showcasing McCartney with an interpolation of traditional instrumental ‘The Banshee Reel’.

Introduced by Virginia as “a message to mothers everywhere”, ‘My Finest Hour’ is the reworking of off Head Full of Magic, Shoes Full of Rain, spinning the perspective with, here, Virginia rather than Andrew recounting how mom puts a damper on the couple’s amorous intentions.

Again, it’s Virginia rather than Andrew who sings lead on a slightly longer version of the slow waltzing ‘No Place Like Tomorrow’ from 2015’s There’s A Ghost in Our House…, fiddle replacing the already pared back original’s guitar solo.

It’s back to Blink…And You Miss It for anthemic swayalong ‘Over The Border’, fairly akin to the studio recording but, again, slightly longer. The debut also yields three further songs, Bob’s mandolin now being joined by some rousing fiddle from Neil on ‘This Time’, the playful unlikely love story of ‘The Butcher And The Vegan’, sung as before by Virginia, benefiting from a fuller arrangement to its slow march tempo. Andy’s percussion underpinning the prolusion, the division-themed call for tolerance and social anger management ‘The War Between Ourselves’ is one of two instances where the live album brushes up against rock’n’folk, Neil’s fiddle again in the spotlight.

The third is one of the band’s undisputed live showstoppers, ‘Lean On Me, Love’ transformed totally from the studio version with Andrew opening in sonorous a capella form and the slower, almost hymnal arrangement raising its uplifting and inspirational message to the heavens.

Likewise, another live favourite, ‘Loving The Skin You’re In’ takes on a more full-bloodied stomp feel to the recorded incarnation on Head…and, I venture to suggest, is all the better for it. So too is Andrew and Virginia’s haunting duet of loss and longing on ‘Leave A Light On’ off Ghost…, stripping away the drums and supplanting the guitars with melodeon to bring the song’s swelling emotions into greater relief.

There are, conspicuously, no songs from the most recent album, Bloodlines, you do, however, get two numbers new to Merry Hell but brought in from the Tansads’ back catlogue. The call to personal action and taking risks of ‘Fear Of Falling’ is the second ‘rock-out’ with its strummed guitars, driving fiddle, whoops and handclaps, the album ending with Andrew on lead and the melancholic fiddle notes of the similarly themed slow waltzing ‘Satisfied’, with its refrain singalong image of “millions of people lost in the world”, settling for and accepting the life they’ve been handed rather than, it’s implied, making one for themselves.

They did, of course, win Best Live Act in this year’s Folking Awards; however, not being a live album per se, there’s no crowd applauding or calling for more. You’ll doubtless want to do that part yourselves.

Mike Davies

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.merryhell.co.uk

‘Lean On Me, Love’ – live:

The Great British Folk Festival 2018

The Great British Folk Festival 2018

Hi-de-Hi! Hi-De-Ho! to all the team at The Great British Folk Festival 2018 at the Butlin’s Skegness resort.

Yep, its that time of the year again when “That Old Sweet Folk and Roll” comes to Skeggy and the “Blood, Sweat & Tears” of the Bultlin’s Live Music Weekend calendar, clashes with their other Electric Dreams weekend event in Bognor (where you can see Pat Sharp and join the Eighties music themed Pool Party). There is some brilliant banter already on the ‘Live Music Weekends’ facebook page suggesting that one individual would ‘rather watch paint dry’ than make the trip up North. Well, all we can say is your ‘folking loss Me Ol’ Mucker’ as I believe there is workshop on the Saturday morning up in Skeggy for that.

Look at that line-up above! Where else are you going to get that sort of a bill during 30 November to 2 December?

Anyway, you can probably tell that we are excited to the point of delirium so I’ll hand you over to folking.com’a answer to “Smashie” (I’m apparently Nicey), Mr Paul ‘How are Ya’ Johnson who is going to say a few words…

For tickets and more information visit GBFF 2018

Darren Beech

Here is Dai Jeffries excellent review from 2015 to get you in the mood.

THE GREAT BRITISH FOLK FESTIVAL, Skegness, 4th-7th December

Folking.com Cropredy Interviews 2018

Paul Johnson introduces this years interviews…


Dave Pegg – Cropredy 2018

The Folking.com 2018 Dave Pegg Interview from Cropredy


Chris Leslie – Cropredy 2018

Chris Leslie with Martin Jenkins mandolin. Photo by Darren Beech

The Folking.com 2018 Chris Leslie Interview from Cropredy


Alan Prosser – Cropredy 2018

Derby Folk Festival

Paul Johnson and Darren Beech catch up with Alan at this years Cropredy Festival as the Oysters celebrate their 40th year.

Oysterband celebrate 40 years together


Sam Kelly – Cropredy 2018

Sam Kelly – Cropredy 2018. Photo by Darren Beech

SAM KELLY & THE LOST BOYS – Pretty Peggy (Navigator NAVIGATOR 102)


Merry Hell – Cropredy Fringe 2018

Merry Hell – Cropredy Fringe 2018. Photo by Darren Beech

The Folking.com 2018 Merry Hell Interview from Cropredy Fringe


Will Varley – Cropredy 2018

Will Varley

Will Varley talks to folking.com ahead of Autumn tour


Midnight Skyracer – Cropredy 2018

Midnight Skyracer at Cropredy 2018. Photo by Darren Beech

MIDNIGHT SKYRACER talk to Folking.com backstage at Cropredy 2018


Merry Hell – live dates 2018

Merry Hell dates

Artists’ website: www.merryhell.co.uk

Here are Merry Hell’s live dates for the rest of the year (so far). The chaps are getting around.

November:

30th: Skegness, Great British Folk Festival (with loads of people)

December:
5th: Southport Atkinson Arts Centre: Grateful Freds Night
6th: Hungry Horse Folk Club, Ellesmere Port
7th: Poynton Folk Club

‘Bury Me Naked’ – official video:

The Folking.com 2018 Merry Hell Interview from Cropredy Fringe

Merry Hell

Paul Johnson and Darren Beech create Merry Hell as they attempt to break the world record for ‘how many folk-rock musicians you can fit round a table in a pub in Cropredy. Yes you guessed it, the interview took place in the Brasenose, as part of the Cropredy fringe on the first day of the festival.

In the interview, Merry Hell talk about their delight in winning Best Live Act and Best Group in this year’s folking awards and discuss the process behind their song writing and how the material is selected for each album.

Other subjects covered include; the new acoustic album, Dai Jeffries trip to Wigan to review the acoustic band gig and being piled with ‘Uncle Joe’s’ mint balls (read it here if you missed it).

Upcoming tour and festival dates are also covered, from the excellent Southdowns Folk Festival in Bognor Regis on the south coast to Mike Harding’s fab festival in Settle ‘Up North’. Note the additional Kentish f  that was specially added for Virginia free of charge!

Click on the play button below to have a listen.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.merryhell.co.uk

Back to Cropredy 2018 Interview Menu