Here they are, the results of the 2019 Folking awards. Thanks to all our writers who submitted nominations and to everyone who participated – over 18,000 votes were cast. Every one of the nominees made an impression on our writers either on record or on stage during 2018 and they are all stars to us. Without further ado, here are the top choices with percentage of the votes cast.
The Men They Couldn’t Hang came together in 1984 to perform at the alternative music festival in Camden town alongside the legendary Pogues and the Boot Hill Foot-Tappers. Paul Simmonds, Philip ‘Swill’ Odgers and his brother Jon, veterans of the Southampton based pop-punk band Catch 22, met Pogues roadie Stefan Cush whilst busking in Shepherds Bush in London. Their early line up was Stefan Cush, Philip Odgers, Paul Simmonds, Jon Odgers and Shanne Bradley.
Their first single, ‘The Green Fields of France’, was released in 1984 and.the following year they were signed to the Demon label, which released their début album, Night of a Thousand Candles, and its accompanying single ‘Ironmasters’, a self-penned number by main songwriter Simmonds, linking the Industrial Revolution to the present-day treatment of the working class.. They followed this up with a new single not taken from the album, ‘Greenback Dollar’.
In 1985 the band signed for MCA Records and released How Green Is The Valley. The record included ‘Ghosts Of Cable Street’, a political song concerning the Battle of Cable Street in 1936 and ‘Shirt of Blue’, concerning the miners’ strike of 1984–85. At the end of promotion for the album Shanne Bradley left to create music with Wreckless Eric and The Chicken Family, she was replaced on bass by Ricky McGuire (ex UK Subs).
In 1987 the band switched to Magnet Records and the new record released was Waiting for Bonaparte. ‘The Colours’ told of an English mutineer sailor during the Napoleonic War and ‘The Crest’ a stretcher bearer during World War II. Whilst ‘The Colours’ was at Number 61 in the British top 75 it was blacklisted by BBC Radio 1 due to the line “You’ve Come Here To Watch Me Hang”, which echoed the events happening in South African townships at the time, in particular the plight of the Sharpeville Six.
In 1988 the band were on the move again and signed for new label Silvertone and were joined by Nick Muir (ex Fire Next Time) at this time on piano, organ and accordion, who remained with the band during their time at Silvertone. The band recorded two albums for Silvertone, the first being Silver Town. Highlights of Silver Town included ‘Rain, Steam and Speed’, ‘A Place in the Sun’ and ‘Rosettes’. Silver Town was the only TMTCH album to reach the UK Top 40 album chart, peaking at No. 39. They followed this up in 1990 with The Domino Club, which had a more conventional rock sound dispensing with much of the folk element.
The band split in 1991 after releasing the live album, Alive, Alive-O, a performance recorded at London’s Town & Country Club which was later released as a DVD The Shooting. Paul Simmonds and “Swill” Odgers then formed Liberty Cage who released an album, Sleep of the Just, in 1994 and an EP, I’ll Keep It With Mine, in 1995.
The band reformed in 1996, but minus drummer Jon Odgers who had become Therapy?’s drum technician. He was replaced by Kenny Harris of cult 80’s band the Screaming Blue Messiahs. Their new CD was Never Born To Follow, released on the Demon label in 1996. The following year the band released the mini-album Big Six Pack. Two “Best Of” collections followed Majestic Grill and The Mud, The Blood and the Beer, both in 1998.
The band again withdrew into semi retirement during which Odgers and Simmonds again released new material together (this time under their own names), Baby Fishlips, (originally released under the pseudonym Preacher Jethro Brimstone and the Watermelon Kid) in 1999 and Folk At The Fortress, in 2002.
The band released a brand new CD in 2003 The Cherry Red Jukebox, which most fans agreed was a real return to form. In 2005 the band released two DVDs, Shooting, and 21 Years of Love And Hate (released on Secret Records) to celebrate 21 years together. This latter was later released as a live double CD Smugglers And Bounty Hunters.
During further breaks from the band Phil “Swill” Odgers released two CDs with his band “The Swaggerband”, which includes Ricky McGuire and Jon Odgers, plus lyrical contribution from Paul Simmonds. The Day After, in 2004 and, Elvis Lives Here, on Irregular Records in 2006.
In January 2007 Paul Simmonds had the book A Bag of Songs published . It features a personal selection of 50 songs with lyrics, chords and commentary.
In March 2007 the band released a new CD through their website Demos & Rarities Volume 1. This album is a collection of rare unreleased TMTCH recordings from the Silver Town and The Domino Club albums.
The band are joined by Tom Spencer (The Yo Yo’s, Fastlane Roogalator, The Loyalties) bringing banjo to the line up and additional guitar and backing vocals.
They released a new CD titled Devil On The Wind.. As a prelude to the album the band released a six-track EP CD Devil On The Wind EP via their website. The EP contains an alternative mixes of ‘Devil On The Wind’ and ‘Aquamarine’ plus four songs not available on the full album.
On Thursday 8 October 2009, almost 25 years since The Men They Couldn’t Hang played their first proper gig in Camden Town at The Electric Ballroom, they returned for the official 25 Year Anniversary Celebration.
2012 saw the release of an album from Stefan Cush’s new band, The Feral Family and Paul Simmonds was recording and touring with roots singer Naomi Bedford as well as numerous live dates for TMTCH. The latter including appearances at Mike Peter’s “The Gathering”, and festival appearances alongside Billy Bragg and Adam Ant to name but a few. They headlined the 10th anniversary commemoration of Joe Strummer’s Acton Town Hall show which also featured a special guest appearance by Hard Fi.
March 2013 saw the release of Phil (Swill) Odgers highly anticipated solo album produced by Mick Glossop, the album “The Godforsaken Voyage” includes guest appearances from Australian folkrockers Weddings, Parties Anything as well as John Jones (Oysterband) and Eliza Carthy.
2014 marked the band’s 30th anniversary, and they released their ninth album, ‘The Defiant’ and in 2018 came Cock-A-Hoop.
Welcome to the 2019 Folking Awards and thank you again to everyone who participated this year. The nominations, were in eight categories, and came from our ever-expanding team of writers and were collated into shape by the Folkmeister and the Editor over a pint or two, which also involved, a few arm-wrestles and a spot of beer-mat aerobics, in a convenient local watering hole.
There were five nominees in each category, all of whom have impressed our writers during 2018.
As we said last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just about what we think, so once more, it was down to you, our ever-growing readership, to make the final call.
We will now compile the results and announce the winners of each category at some point next week.
*The Public Vote for each category closed at 9.00pm on Sunday 31st March (GMT+1).
Soloist Of The Year
Gilmore & Roberts
Daria Kulesh and Jonny Dyer
Greg Russell and Ciaran Algar
The Men They Couldn’t Hang
Trials Of Cato
Best Live Act
The Men They Couldn’t Hang
Martin Stephenson & The Daintees
A Problem Of Our Kind – Gilmore & Roberts The Well Worn Path – Seth Lakeman The Joy Of Living – Jackie Oates Queer As Folk – Grace Petrie Hide And Hair – Trials Of Cato
Smith & Brewer
Best International Artist(s)
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Thursday 1st to Sunday 4th August, 2019 Wickham * Near Fareham * Hampshire
He’s performed at Woodstock, Live Aid & Glastonbury. Now the legendary singer, songwriter and musician Graham Nash is the latest top-name artist added to our Wickham Festival line-up this summer.
As a founder member of both The Hollies and Crosby, Stills, Nash & Young, Graham Nash has the rare distinction of being inducted into the Rock ‘n’ Roll Hall of Fame not once, but twice.
Graham Nash will be appearing on the opening night, Thursday 1st August, performing a full concert set including classic tracks by The Hollies and Crosby, Stills, Nash & Young as well as his solo material. Also appearing on the Thursday night is his long-time friend and occasional musical collaborator Judy Collins for whom one of Crosby, Stills, Nash & Young’s greatest hits, ‘Suite Judy Blue Eyes’ was written. It promises to be a special night.
Day & weekend tickets are now on sale via our website, see link below.
More acts confirmed for Wickham 2019
Several other acts including The Men They Couldn’t Hang have also recently been confirmed for this year’s Festival. You can view the full line-up announced so far on our website here: wickhamfestival.co.uk along with the days on which each act will be appearing. And we have three more headline acts to announce later this week including a country music star; one of the world’s greatest guitarists making a rare and exclusive UK appearance; and a major British artist and band who’ve just completed a worldwide arenas tour.
More details later this week.
Wickham voted ‘Best Festival’ in The News Awards
We’re delighted to say that Wickham was voted ‘Best Festival’ in The News Guide Awards last week, beating many bigger and better-known festivals in the process. It was a public vote and we’d like to thank everyone who voted for us.
I sit here two weeks after The Great British Folk Festival with a Whitstable Bay Organic Ale in hand and I’m in good company as I have the new The Men They Couldn’t Hang – Cook-A-Hoop vinyl spinning on my turntable.
The album has made quite a journey from when it was first given to me by the band back stage after the interview we did in the early hours of Sunday 2nd December. The vinyl started its journey on top of a pizza box as Cush insisted it came along to the Oysterband back stage gathering (The MEN were playing on REDS stage outside of the Skyline Pavilion and Oysterband were in the Centre Stage complex and on at the same time). Like us, the new album couldn’t find its way there either as everything was locked up. It took 20 minutes in the rain with TMTCH in tow to realise that the best destination was now 109 Gull Court in The Keys area of Butlins Skeggy. This was the place where the album, the half-eaten pizza’s, The MEN and us hangers-on could be reunited with some more alcohol. However, not all of us made it to 109 Gull Court as the pizza was offloaded on to Simon Care who happened to be wandering past at 2am in the morning on his way to bed.
Anyway, I digress… so let’s get back to the fantastic new album and that late-night folking TMTCH interview.
Cook-A-Hoop has thirteen tracks, two instrumentals, and eleven songs, five written by Paul Simmonds, three by Swill and three by Cush. Cook-A-Hoop is both minimalist and musically expansive.
The songs start with ‘Sirens’, with revolution and a call to arms Pogue-MEN-Style followed by an escapism tale imagined at the speed of an ‘Arrow’ flight. Then a tremolo panther prowls, like a young Bobby Seale and gives his greeting by way of Sunday Soul ‘Salutations’ with trumpet heralding in the arrival of Marvin.
Next, ‘Three Ships Sailing’ haul away, plundering oceans, flying colours with far of canon-shot drum beat judging distance. While half the world is living on ‘Pone’, the unleavened maize bread, this rocking song with mental saxophone and growling vocals shoves it down your throat and reminds us that some people don’t have a choice.
Mantle then shrouds the tale of ‘The Queen of Crows’ who surveys the night to gentle pining fiddle. We journey then to the city of the ‘Archangel’, riding on camels, playing snake charmer grooves, telling tales of devils, demons and shotgun shacks.
Finally, Cush gives us a ‘Kings Street Serenade’ in green bomber jacket, and tight drainpipe trousers. A homage to the glory days of Joe Strummer, Pogue Mohon and being in heaven.
So, to sum the album up… Right Time, Right Place, Right Song. All packaged up in ‘The Amazing Carrier Bag’ of broken dreams and Brexit chaos.
Yes, its classic MEN, so if you’re already a fan, you’ll love it. If you’re not yet, then you are in for a treat as it stands shoulder to shoulder with the best of the rest of the back catalogue of 9 studio albums and over 139 songs.
Paul Simmonds has songs pouring out of him at the moment and Swill and Cush are on top song writing form. So, strap yourself in, fasten your seatbelts, you’re in for a TMTCH Cock-A-Hoop roller coaster of a ride of an album. The MEN continue to be, not just a band of brothers who have stuck together for 35 years through thick and thin but also a group that have survived their time and forged a new musical strength out of the political, blood, sweat and tears of their glorious musical past.
However, the biggest revelation of all is that Swill wished he had written Bat out of Hell!
Here is the interview that Paul Johnson and Darren Beech recorded with TMTCH after the show.
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