The Folking Awards 2019 – the results

The Folking Awards 2019

Here they are, the results of the 2019 Folking awards. Thanks to all our writers who submitted nominations and to everyone who participated – over 18,000 votes were cast. Every one of the nominees made an impression on our writers either on record or on stage during 2018 and they are all stars to us. Without further ado, here are the top choices with percentage of the votes cast.

Soloist of the year – Reg Meuross (39%)

Reg Meuross

Read Reg’s biography here.

Best Duo – Ninebarrow (36.9%)

Ninebarrow

Read Ninebarrow’s biography here.

Best Band – Merry Hell (27.5%)

Merry Hell

You know all about them but you can read about Merry Hell here.

Best Live Act – The Men They Couldn’t Hang (38.7%)

The Men They Couldn't Hang 

Read a biography of The Men They Couldn’t Hang here

Best Album – Queer As Folk by Grace Petrie (32.3%)

Queer As Folk

Read Dai Jeffries’ review of Queer As Folk here.

Best Musician – Marina Osman (43.9%)

Marina Osman

Read Marina’s biography here.

Rising Star Act – Vision Thing (32%)

Vision Thing

Read Vision Thing’s bio here.

Best International Artiste – Larkin Poe (41.5%)

Larkin Poe
Photograph by Amy Harris

Read Larkin Poe’s bio here

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The 2019 Folking Awards

Welcome to the 2019 Folking Awards and thank you again to everyone who participated this year. The nominations, were in eight categories, and came from our ever-expanding team of writers and were collated into shape by the Folkmeister and the Editor over a pint or two, which also involved, a few arm-wrestles and a spot of beer-mat aerobics, in a convenient local watering hole.

There were five nominees in each category, all of whom have impressed our writers during 2018.

As we said last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just about what we think, so once more, it was down to you, our ever-growing readership, to make the final call.

We will now compile the results and announce the winners of each category at some point next week.

*The Public Vote for each category closed at 9.00pm on Sunday 31st March (GMT+1).


Soloist Of The Year

Keith James
Reg Meuross
Rachel Newton
John Smith
Andy White


Best Duo

Gilmore & Roberts
Daria Kulesh and Jonny Dyer
Ninebarrow
Greg Russell and Ciaran Algar
Winter Wilson


Best Band

The Men They Couldn’t Hang
Merry Hell
Skipinnish
Trials Of Cato
The Young’Uns


Best Live Act

The Men They Couldn’t Hang
Grace Petrie
The Salts
Martin Stephenson & The Daintees
Andy White


Best Album

A Problem Of Our Kind – Gilmore & Roberts
The Well Worn Path – Seth Lakeman
The Joy Of Living – Jackie Oates
Queer As Folk – Grace Petrie
Hide And Hair – Trials Of Cato


Best Musician

Martin Harley
Aidan O’Rourke
Marina Osman
John Smith
Richard Thompson


Rising Star

Burning Salt
Robert Lane
Kitty MacFarlane
Smith & Brewer
Vision Thing


Best International Artist(s)

3hattrio
Tyler Childers
Mary Gauthier
Kíla
Larkin Poe


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NINEBARROW – The Waters & The Wild (own label)

The Waters & The WildIf music be the food of love, then prepare for indigestion … was the title of a 1967 album by a band I’m not prepared to mention here. It’s not quite appropriate in this case for although The Waters & The Wild serves up some rich fare it is very digestible indeed. I think I’ll stop now before I stretch the metaphor with remarks about loosening the top trouser button and sleeping in an armchair with a newspaper over your face. You get the idea.

If you haven’t caught up with them yet, Ninebarrow are Jon Whitley and Jay LaBouchardiere. They are from Dorset and Dorset is a part of them and very much a part of this album. The record begins with two very contrasting songs. The first, ‘The Hour Of The Blackbird’, is a pastoral piece heralding the coming of spring and expanding the pagan idea of the winter and summer kings. It’s followed by ‘Halsewell’, the story of Dorset’s worst shipping disaster with dramatic vocals and a suitably thunderous accompaniment.

Jon’s multi-instrumental skills are augmented by James’ reed organ and various basses and drums, notably from Evan Carson, Joe Limburn and producer Mark Tucker with backing vocals from The Teacups. The biggest sound, however, comes from Barney Morse-Brown’s string arrangements recorded by him and Jane Griffiths and when I say big, I mean big.

‘Prickle-Eye Bush’ is a song that has come back into fashion again – or maybe it never went away – and I’m always tempted to skip over it on an album. Ninebarrow try to do something different with it and the hand percussion breathes some life back into it. That’s followed by ‘While Gamekeepers Lie Sleeping’ as borrowed from June Tabor. Neither of these songs are necessarily from Dorset but they could be. Jon and James immediately return home or ‘Hwome’ with that most Dorset of poets, William Barnes, but the song doesn’t overly rely on dialect and the arrangement is really nice, particularly in the outro section.

The title track is definitely an immigrant being derived from W B Yeats’ ‘The Stolen Child’ but the tune of ‘Row On’ was composed by another local, Tim Laycock and ‘Gather It In’ is a catalogue of old harvest customs. The last track is John Kirkpatrick’s ‘Sing A Full Song’, a song with a universal emotional appeal.

The lyrics and background information can be downloaded for free – lucky me, I received a pukka copy with the album; a rare case of a generous press agent. You know who you are. Although the words are not essential to the enjoyment of the album they, and the song notes, help to draw you into Ninebarrow’s musical world which is a very good place to be.

Dai Jeffries

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
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Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.ninebarrow.co.uk

‘Prickle-Eye Bush’ – live:

Holywell Music & Folk – more 2018 concerts

Holywell Music
Photograph by Jo Elkington

Passionate music love and promotor Geoff Smith is keeping Holywell’s music tradition alive and singing in the heart of Oxford with a regular new concert series which is already off to a flying start: Holywell Music & Folk.

Holywell Music Room first opened its beautiful auditorium to the ears of the discerning music lover in 1748, and the room has hosted the best around for over 269 years now, from Handel to the Oxford Philharmonic. Now, thanks to lifelong music fan Geoff Smith, the driving force behind the exciting new live music venture Holywell Music & Folk, some of the best artists from the folk and singer-songwriter scene are now playing in this historic venue in the heart of Oxford.

Geoff has attracted some exciting support from Patron artists of this new venture, all of whom will be performing at the venue in 2018:

“I am thrilled to be joining the 2018 line up at Holywell Music and Folk myself and will bring real-life stories of inspirational and relatable people from the past including songs from my latest project No Petticoats Here” says Louise Jordan. Acclaimed Somerset singer-songwriter Reg Meuross is looking forward to performing in July “This is a fantastic initiative by Holywell Music & Folk and I’m proud to support it in every way I can.” Brilliant Folk Award nominees Ninebarrow are also excited: “The Holywell Music Room is stunning! There is an intangible, magical quality to the space. So, when you take a city as vibrant as Oxford, a concert programme of world class folk and roots music, and a venue the calibre of the Holywell Music Room, you really have got a recipe for something rather special – and we can’t wait for you to experience it!”

The programme in this unique U-shaped auditorium kicked off in January with a very special one off one-man show with Teddy Thompson, the son of Richard and Linda Thompson, described by the New York Times as “one of the most gifted singer-songwriters of his generation.  Next came a sell out show from Oxford based Anglo-Cymraeg-Galego four-piece folk band Xogara followed by an extraordinary performance from Russian born singer-songwriter Daria Kulesh.

2018 dates

September 2nd The Willows exclusive CD release launch –  first date of tour *tickets available soon

Saturday 20th October Ninebarrow  (Support Ben Cipolla)

Saturday 10th November Sera Louise Owen  ​(Support: Genevieve Miles)

Saturday 8th December Emily Mae Winters  (Support Three Pressed Men)

Saturday 14th December A Winter Tour Ben Savage & Hannah Sanders, Jade Rhiannon with Gilmore and Roberts *tickets available soon

Club website:  www.holywellmusicandfolk.co.uk and tickets are available online from  wegottickets.com

Tickets also available from Truck Store 101 Cowley Rd. £12.50 includes £1 handling fee and cash only please

Holywood Music & Folk gigs will all be held at the Holywell Music Room, Holywell Street, Oxford, OX1 3SD.

The 2017 Folking Awards

Welcome to the 2017 Folking Awards. Last year’s inaugural poll was such a success that we had to do it again. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with sweat, tears and not a little blood by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have been featured in the pages of folking.com in 2016.

As with the format last year, all are winners in our eyes. However, its not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

Soloist Of The Year

Luke Jackson
Ralph McTell
Kelly Oliver
Steve Pledger
Alasdair Roberts


Best Duo

Cathryn Craig & Brian Willoughby
Ange Hardy & Lukas Drinkwater
O’Hooley & Tidow
Ninebarrow
Show Of Hands


Best Band

Afro Celt Sound System
Fairport Convention
Harp And A Monkey
Nancy Kerr and The Sweet Visitor Band
Merry Hell


Best Live Act

The James Brothers
Robb Johnson and the My Best Regards Band
Sam Kelly & The Lost Boys
Mad Dog Mcrea
Megson


Best Album

Tall Tales & Rumours – Luke Jackson
Ballads Of The Broken Few – Seth Lakeman/Wildwood Kin
Preternatural – Moulettes
Somewhere Between – Steve Pledger
Dodgy Bastards – Steeleye Span


Best Musician

Ciaran Algar
Phil Beer
Rachel Newton
Gill Sandell
Kathryn Tickell


Rising Star Act

The Brewer’s Daughter
Hattie Briggs
Said The Maiden
Sunjay
Emily Mae Winters


Best International Act

Applewood Road
The Bills
David Francey
Michael McDermott
Eve Selis


Public Vote

The public vote closed Midday Saturday 22 April 2017 and the winners have now been announced HERE


If you would like to consider ordering a copy of an album for any of our award winners (in CD or Vinyl), download an album or track or just listen to snippets of selected songs (track previews are usually on the download page) then type what you are looking for in the search bar above.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us

NINEBARROW – Releasing The Leaves (own label)

Releasing The LeavesReleasing The Leaves is the second album from Jon Whitley and Jay LaBouchardiere, aka Ninebarrow. Jon and Jay are from Dorset and the landscape and history of the county inform and inspire their songs and music.

The first track, for example, is inspired by a 13th century chapel near Worth Matravers. ‘The Pinner’ is the story of a woman who works all her life at the craft of pin-making hoping to make a perfect example. The legend tells that women would place trinkets, especially pins in the chapel while wishing for their heart’s desire. It takes the mind of a real songwriter to avoid the obvious tale of a woman who is cruelly misled or, alternatively, finds her true love in this manner. No, this lady wishes for perfection.

‘For A Time’ is a much more modern tale, that of Tyneham, the village commandeered by the government in preparation for the D-Day landings. Again Jon and Jay avoid the obvious and tell the story through the recollections of an old man – a former resident. ‘To The Stones’ is inspired by a long barrow near Abbotsbury and ‘Blood On The Hillside’ comes from observing a murder of crows and extrapolating the old nursery rhyme into something more sinister. The duo’s use of a reed organ emphasises the creepy story.

Amongst the original compositions are a number of traditional songs, each one memorable in its own way. ‘Lord Exmouth’ is a tale from the Napoleonic wars extolling the virtues of Admiral Pellew and sung in a heroically simple style. ‘Weave Her A Garland’ is from Folk Songs Of The Upper Thames, which necessitated the boys writing their own tune and ‘Back & Sides’ is the song of begging and ale given a charmingly rustic setting. ‘Three Ravens’ is well known but none the worse for that and ‘Dark Eyed Sailor’ is one of the great broken-token ballads and one with a happy ending – William doesn’t get handbagged for testing her like that.

A booklet of lyrics, song notes and photographs is free to download and is well worth doing – happily, Ninebarrow sent me a pukka printed version. You can enjoy this fine album without it but go on, spoil yourself.

Dai Jeffries

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link to the US Storehttps://folking.com/folking-us-storefront/


Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.ninebarrow.co.uk

‘For A Time’ – live: