Cropredy 2020 line-up announced

Cropredy

Fairport’s Cropredy Convention three-day open-air music festival announces the line-up for the 2020 event.

Now in its forty-first year, the festival will take place on Thursday 13, Friday 14 and Saturday 15 August 2020 on its usual farmland site in north Oxfordshire.

“We’re really pleased with this year’s line-up”, says Fairport bassist Dave Pegg. “It consolidates Cropredy’s core appeal, celebrates Fairport’s rich heritage and also introduces a wide and diverse range of music. It’ll be a particular pleasure to have Richard Thompson playing with us again during our three-hour headline set on the Saturday evening.”

Cropredy will feature two sets by host band Fairport Convention. On Thursday 13 August they will open the festival with a short acoustic set. On Saturday they will close the event with their customary extended headline performance.

Fairport’s Saturday set will include a fiftieth anniversary celebration of Full House, the band’s acclaimed 1970 LP. The Full House line-up of Simon Nicol, Richard Thompson, Dave Mattacks, and Dave Pegg will be joined by Chris Leslie (standing in for the late Dave Swarbrick) to play the whole album.

Thursday 13 August

Fairport Convention
Host band Fairport will open the festival on Thursday with a short acoustic set

Thumping Tommys
This London-based bluegrass outfit plays barn-storming blues-infused Irish, American, and English folk music.

Edward II
Cropredy favourites Edward II play a fusion of world music, folk and reggae blending the rhythms of the Caribbean with traditional British songs.

Clannad
Multi-award winning band Clannad has arguably done more than any other band to bring Irish music to a worldwide audience.

Trevor Horn Band
One of the most influential producers in popular music, Trevor has worked with Frankie Goes To Hollywood, Grace Jones, Pet Shop Boys, Seal and Robbie Williams among many others.

Friday 14 August

Maddie Morris
Cropredy will present a set by singer-songwriter Maddie, winner of the 2019 BBC Radio 2 Young Folk Award.

Emily Barker
A Cropredy debut for this acclaimed Australian singer-songwriter and multi-instrumentalist whose repertoire encompasses Americana, country and folk.

Home Service
Co-fronted by John Tams and John Kirkpatrick, Home Service is one of the UK’s best-loved folkrock groups and is characterised by a distinctive brass sound and great repertoire.

Martyn Joseph
Legendary singer/songwriter Martin returns to Cropredy with his rich voice and spellbinding songs.

The Slambovian Circus of Dreams
Hillbilly meets Pink Floyd in this surreal New York band. Rootsy psychedelia from the cool end of Americana.

The Sharon Shannon Quartet
Irish musician Sharon is known for button accordion, fiddle and whistle. Springing from Irish folk, her music reveals wide-ranging influences.

Turin Brakes
Indie folk rockers Turin Brakes are making their first appearance at Cropredy. They have seven studio albums and a million record sales to their credit.

Steve Hackett – Genesis Revisited
One of the most Britain’s most accomplished and celebrated guitarists returns to Cropredy. Steve’s extraordinary musical versatility draws on influences as diverse as jazz, world and blues to recreate the unique sound of prog-rock legends Genesis.

Saturday 15 August

Richard Digance
BAFTA nominee Richard returns to his traditional Saturday slot to get the day off to a flying start.

Holy Moly & The Crackers
Fronted by vocalist Ruth Patterson, this Newcastle sextet mixes British folk with dollops of rock’n’soul, indie, balladeering and a touch of psychedelia. They describe their sound as “riotous party music for the masses.”

The Bar-Steward Sons of Val Doonican
This comedy folk and parody band from Barnsley completely stole the show when they played Cropredy in 2018 and are back by popular demand.

Rosalie Cunningham
Rosalie Cunningham is an English singer/songwriter with a distinct style who has appeared on Later with Jools Holland and supported Jack White’s UK tour.

Matthews Southern Comfort
Fronted by ex-Fairport singer Iain Matthews, Matthews Southern Comfort plays melodic laid-back Americana.

Richard Thompson
Virtuoso guitarist and renowned songwriter Richard will take the Cropredy stage twice in 2020; in his own solo set and as part of the fiftieth anniversary of the Full House album.

Fairport Convention
Saturday’s traditional extended headline set from Fairport will include the band’s 1970 line-up playing the whole of Full House in album order plus the current line-up performing a wealth of material old and new.

Cropredy tickets on sale

Cropredy three-day tickets are on sale from today.

The first 1,000 orders will receive a Christmas card signed by all five members of Fairport Convention the first 2,000 will get a souvenir Cropredy car window sticker.

Tickets are available via Fairport Convention’s website www.fairportconvention.com

 

 

VARIOUS ARTISTS – Vision & Revision (Topic TXCD597)

Vision & RevisionIt can’t have escaped your notice that Topic Records is celebrating its 80th birthday this year. We’ve already had selected deluxe reissues of important albums but how can you really celebrate a catalogue as vast as this? Vision & Revision, subtitled The First 80 Years Of Topic Records, is the solution. Twenty artists, mostly from the younger generation, perform a song that was released on a Topic record some time in the last eight decades. I must congratulate Glen Johnson and Michael Mastrangelo who curated the set but I’m intrigued to know how they set about their task. Did they select twenty songs and parcel them out – surely not? So they must have picked twenty performers and turned them loose on the archives. Each one has a story and you’ll get dizzy following the cross-references.

The first disc opens with one of the old stagers, Martin Simpson, who sings ‘Beaulampkin’ which appeared on his first album. Martin didn’t join Topic until his third record but he learned the song from Hedy West’s Ballads. Of course, Sam Kelly learned ‘Shawnee Town’ from Martin and the baton moves on again. Another veteran is Martin Carthy who cites Sam Larner for ‘Napoleon’s Dream’. Martin heard Sam perform when he was just a teenager and Emily Portman gives Waterson:Carthy as the source of ‘The Bay Of Biscay’ – fifty years separate the two inspirations.

Martin is mentioned again by Chris Wood as the source of ‘Fable Of The Wings’, the Keith Christmas song adapted by Brass Monkey. It’s an unexpected choice and Chris takes it back to something like the guitar original. Anne Briggs is mentioned more than once and Kitty Macfarlane goes as far as singing ‘Go Your Way’ while Olivia Chaney borrows ‘Polly Vaughan’ from Hazards Of Love. Nancy Kerr namechecks June Tabor, Oysterband tackle Nic Jones’ ‘Seven Gypsies’ – an excellent reading of the song – and Peggy Seeger goes to Mike Waterson leaving The Oldham Tinkers to sing ‘Dirty Old Town’.

Another unexpected treat is Richard Thompson’s ‘The Light Bob’s Lassie’, a version of ‘Katie Cruel’ and there are two voices I haven’t heard before. The first is Irish singer Lisa O’Neill who sings ‘As I Roved Out’ with a mighty voice that takes absolutely no prisoners. The second is Lankum – please don’t ask me why I haven’t heard them before – whose lengthy take on ‘The Sea Captain’ closes the second disc.

There’s probably a great pub game to be had from matching twenty singers to twenty songs from the Topic catalogue but this is the official version. Sadly I won’t be around to hear what they select for the second eighty years.

Dai Jeffries

Label website: www.topicrecords.co.uk

Martin Simpson – ‘Beaulampkin’ :

Topic Records celebrates its first 80 years

Vision & Revision: The First 80 Years of Topic Records

Vision & Revision: The First 80 Years of Topic Records is a deluxe double CD and double vinyl of the cream of contemporary British folk artists interpreting a song of their choice from Topic’s vast back catalogue (the only stipulation being that the song was at some time released on Topic). It includes newly recorded and never-before-released tracks by Martin Simpson, Richard Thompson, Lankum, Peggy Seeger, John Smith, Sam Lee, Martin Carthy, Olivia Chaney, Lisa O’Neill, Oysterband, Nancy Kerr, Chris Wood, Josienne Clarke & Ben Walker, Lisa Knapp, Kitty Macfarlane, Sam Kelly & The Lost Boys, Emily Portman & Rob Harbron, Rachael McShane & The Cartographers, Eliza Carthy & Olivia Chaney and The Oldham Tinkers. These artists have delved deep into Topic’s treasure chest to pull out all manner and variety of ballads and broadsides and breathed new life into them.

With its origins in the Workers’ Music Association, through the mid-20th century folk revival to the present day, Topic Records has established itself as not only the pre-eminent British folk music label, but one widely respected throughout the world. Topic has survived, grown and flourished – proof, if any were needed, that “grass roots” interest in traditional music, the artists and the label itself, has remained constant and strong. Topic has released some of the most influential folk recordings of modern times by a host of revered artists, from Anne Briggs to Peggy Seeger to June Tabor to Ewan MacColl and many, many more.

For 80 years, Topic Records has been a fervent and consistent champion of “the people’s music”. During that time, it has withstood wars, shortages, austerity, economic disaster, the vagaries of fashion, corporate onslaught and various cataclysmic shifts in the fortunes of the recording industry, to retain its proud and distinctively individual role as a beacon of integrity and true values. This fortitude has resulted in its unquestionable claim for being the oldest, surviving truly independent record label in the world.

“Folk music never goes away. You may not hear it, but it is always there, just over your cultural horizon. It lives in families, in communities, in the villages and towns and cities, and in the hearts of the people. Each generation takes what it needs and gives what it can to the tradition, each wave of newcomers turning another furrow, sowing new seeds. For eighty years, Topic Records has played a major role in this process, ensuring the old voices are still audible and creating a space for those that hear them to make new recordings of their own. Formats come and go, but like the music, Topic endures. Long may it do so.” – Billy Bragg

This 20-track double album comes in CD and vinyl gatefold formats, both housed in a special deluxe, debossed, silver foil-blocked sleeve. The vinyl issue is limited to 1000 copies only. A digital version of the album is also available.

Vision & Revision: The First 80 Years of Topic Records will be released on May 31st 2019.

Label website: www.topicrecords.co.uk

The 2019 Folking Awards

Welcome to the 2019 Folking Awards and thank you again to everyone who participated this year. The nominations, were in eight categories, and came from our ever-expanding team of writers and were collated into shape by the Folkmeister and the Editor over a pint or two, which also involved, a few arm-wrestles and a spot of beer-mat aerobics, in a convenient local watering hole.

There were five nominees in each category, all of whom have impressed our writers during 2018.

As we said last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just about what we think, so once more, it was down to you, our ever-growing readership, to make the final call.

We will now compile the results and announce the winners of each category at some point next week.

*The Public Vote for each category closed at 9.00pm on Sunday 31st March (GMT+1).


Soloist Of The Year

Keith James
Reg Meuross
Rachel Newton
John Smith
Andy White


Best Duo

Gilmore & Roberts
Daria Kulesh and Jonny Dyer
Ninebarrow
Greg Russell and Ciaran Algar
Winter Wilson


Best Band

The Men They Couldn’t Hang
Merry Hell
Skipinnish
Trials Of Cato
The Young’Uns


Best Live Act

The Men They Couldn’t Hang
Grace Petrie
The Salts
Martin Stephenson & The Daintees
Andy White


Best Album

A Problem Of Our Kind – Gilmore & Roberts
The Well Worn Path – Seth Lakeman
The Joy Of Living – Jackie Oates
Queer As Folk – Grace Petrie
Hide And Hair – Trials Of Cato


Best Musician

Martin Harley
Aidan O’Rourke
Marina Osman
John Smith
Richard Thompson


Rising Star

Burning Salt
Robert Lane
Kitty MacFarlane
Smith & Brewer
Vision Thing


Best International Artist(s)

3hattrio
Tyler Childers
Mary Gauthier
Kíla
Larkin Poe

RICHARD THOMPSON – 13 Rivers (Proper Records PRPCD150)

13 RiversFollowing three excursions into his back catalogue in a solo acoustic format, Richard Thompson is back doing the other thing he does best. Electric guitar in hand and backed by the other two members of his trio, Michael Jerome and Taras Prodaniuk, plus guitarist Bobby Eichorn he returns with 13 Rivers, a set of dark, intense songs sequenced, as Richard puts it, with the “weird stuff” at the beginning.

The first of the weird stuff is ‘The Storm Won’t Come’. As with most Richard Thompson songs it will take me a while to get to the bottom of this. Ostensibly, it is about the desire to clear away the rot of modern civilisation, but it also seems to be about the despair of someone looking at the mess we’ve made of things. Of course, I could be wrong on both counts. Jerome’s drums pound and Thompson’s guitar rides spikily over the verses – you can almost see the dark clouds gather. ‘The Rattle Within’ is again built on Jerome’s percussion and is a vehicle for one of Richard’s angrier solos.

‘Her Love Was Meant For Me’ features Eichorn’s guitar as a counterpoint and seems to hark back to the style of some of Richard’s earlier songs. ”Like a razor to a scarecrow, her love was meant for me” – what a line! ‘Bones Of Gilead’ starts with bass and choppy guitar and, one again with this song, I need more time with it. Does the mention of London Pride refer to the plant or the beer? The bluesy ‘The Dog In You’ may be the first of the tracks described by Richard as designed to “grind your soul into submission” and boasts another superb but restrained solo to play it out.

Richard works his band with great skill with Prodaniuk’s bass throbbing underneath the songs and the drums powering them forward.  Although 13 Rivers is stripped back to its rock basics the sound is full and Richard’s production is as varied as his lyrical ideas. The chiming guitar that introduces ‘My Rock, My Rope’ and all of ‘O Cinderella’ both stopped me in my tracks when I reached them.

Whether I count this as one of Richard’s greatest albums will take me a while to decide – it always does. I do know that I find it more and more absorbing as it goes on

Dai Jeffries

Artist’s website: www.richardthompson-music.com

‘Bones Of Gilead’:

Richard Thompson: new album in September

Richard Thompson

Richard Thompson is set to return with 13 Rivers on September 14, via Proper Records. The thirteen-song set is the Grammy nominated artist’s first self-produced album in over a decade and was recorded 100% analogue in just ten days.  It was engineered by Clay Blair (The War On Drugs) and features Thompson’s regular accompanists Michael Jerome (drums, percussion), Taras Prodaniuk (bass), and Bobby Eichorn (guitar).

13 Rivers is a bare-bones, emotionally direct album that speaks from the heart with no filters.  “There are 13 songs on the record, and each one is like a river,” Thompson explains. “Some flow faster than others.  Some follow a slow and winding current. They all culminate on this one body of work.”

A high water mark in an overwhelmingly impressive career, 13 Rivers was recorded at the famed Boulevard Recording Studio in Los Angeles.  Previously known as The Production Workshop, which was owned by Liberace and his manager, the locale served as the site for seminal classics by Steely Dan, Fleetwood Mac, Ringo Starr, and hosted the mixing sessions for Pink Floyd’s legendary The Wall.

Of the album, Thompson says, “The songs are a surprise in a good way.  They came to me as a surprise in a dark time. They reflected my emotions in an oblique manner that I’ll never truly understand.  It’s as if they’d been channelled from somewhere else. You find deeper meaning in the best records as time goes on. The reward comes later.”  He continues, “I don’t know how the creative process works. I suppose it is some kind of bizarre parallel existence to my own life. I often look at a finished song and wonder what the hell is going on inside me.  We sequenced the weird stuff at the front of the record, and the tracks to grind your soul into submission at the back.”

13 Rivers commences on the tribal percussion and guitar rustle of ‘The Storm Won’t Come’ as the artist bellows, “I’m looking for a storm to blow through town”. The energy mounts before climaxing on a lyrical electric lead rife with airy bends and succinct shredding from the guitar virtuoso. NPR Music has premiered ‘The Storm Won’t Come’ alongside an additional new album track, ‘Bones of Gilead’.

Richard Thompson’s musical influence cannot be overstated.  Having co-founded the ground-breaking group Fairport Convention as a teenager in the 60s, he and his bandmates invented a distinctive strain of British folk rock.  He left the group by the age of 21, followed by a decade long musical partnership with his then-wife Linda, to over 30 years as a highly successful solo artist.  In 2011, Thompson received an OBE from the Queen. The Los Angeles Times called him the finest rock songwriter after Dylan and the best electric guitarist since Hendrix and Rolling Stone has named him one of the Top 100 Guitarists of All Time.  He has received lifetime achievement awards for songwriting from the BBC Radio 2 Folk Awards, the Americana Music Association, and the prestigious Ivor Novello Award.  His song ‘1952 Vincent Black Lightning’ was named one of TIME Magazine’s “100 Greatest Songs Since 1923.”  A wide range of musicians have recorded Thompson’s songs including Robert Plant, Elvis Costello, R.E.M., Sleater-Kinney, Del McCoury, Bonnie Raitt, Tom Jones, David Byrne, Don Henley, Los Lobos, and many more.  His massive body of work includes many Grammy nominated albums as well as numerous soundtracks, including Werner Herzog’s Grizzly Man.  Thompson’s genre defying mastery of both acoustic and electric guitar along with engaging energy and onstage wit continue to earn him new fans and a place as one of the most distinctive virtuosos and writers in folk rock history.

Artist’s website: http://www.richardthompson-music.com/

‘The Storm Won’t Come’: