The Folking Awards 2019 – the results

The Folking Awards 2019

Here they are, the results of the 2019 Folking awards. Thanks to all our writers who submitted nominations and to everyone who participated – over 18,000 votes were cast. Every one of the nominees made an impression on our writers either on record or on stage during 2018 and they are all stars to us. Without further ado, here are the top choices with percentage of the votes cast.

Soloist of the year – Reg Meuross (39%)

Reg Meuross

Read Reg’s biography here.

Best Duo – Ninebarrow (36.9%)


Read Ninebarrow’s biography here.

Best Band – Merry Hell (27.5%)

Merry Hell

You know all about them but you can read about Merry Hell here.

Best Live Act – The Men They Couldn’t Hang (38.7%)

The Men They Couldn't Hang 

Read a biography of The Men They Couldn’t Hang here

Best Album – Queer As Folk by Grace Petrie (32.3%)

Queer As Folk

Read Dai Jeffries’ review of Queer As Folk here.

Best Musician – Marina Osman (43.9%)

Marina Osman

Read Marina’s biography here.

Rising Star Act – Vision Thing (32%)

Vision Thing

Read Vision Thing’s bio here.

Best International Artiste – Larkin Poe (41.5%)

Larkin Poe
Photograph by Amy Harris

Read Larkin Poe’s bio here

Vision Thing biography

Vision Thing

Vision Thing are mostly bass guitarist Paul Cunliffe, Pete Cunliffe on acoustic guitar, David Windsor on violin and vocalist Cherlene Walmsley. On big occasions they are joined by Phil Ware and Jon Ormrod on cajon and djembe, Jan Hough on bodhran, drummer Darren Leonard and electric guitarist Liam Halsall. As they say: it is a bit like Schrödinger’s band, they are not in the band and in the band all at the same time.

John Kettle of Merry Hell is their producer and engineer and sometimes plays guitar and bouzouki as well.

They say of themselves:

We make relaxed and entertaining music for people sick of the mainstream. We class ourselves as ‘Alternative Folk’ both in genre and as people. We feel that lyrics and the ambience of the music is more important than being famous or making money.

With lots of radio play in the US with the hit song ‘Barcode’, Vision Thing have made friends in unlikely places for a band from Liverpool and we hope to see you out and about at one of our gigs.

Recently Vision Thing have played many festivals including The Diggers Festival, Bickerstock Festival, Green Slate Festival as well as supporting bands like Merry Hell at Sold out concerts with concerts at The Floral Hall Southport, The Cavern Club Liverpool (3 times), The Zanzibar Liverpool, The Old Court Wigan, The Lomax Liverpool and many more.

“Vision Thing are a brilliant band! They opened up our last Wigan Diggers Festival – created a beautiful, relaxed, atmosphere that got the day off to a great start.”
– Bob Kettle: Merry Hell & Diggers Music Festival Organiser


The 2019 Folking Awards

Welcome to the 2019 Folking Awards and thank you again to everyone who participated this year. The nominations, were in eight categories, and came from our ever-expanding team of writers and were collated into shape by the Folkmeister and the Editor over a pint or two, which also involved, a few arm-wrestles and a spot of beer-mat aerobics, in a convenient local watering hole.

There were five nominees in each category, all of whom have impressed our writers during 2018.

As we said last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just about what we think, so once more, it was down to you, our ever-growing readership, to make the final call.

We will now compile the results and announce the winners of each category at some point next week.

*The Public Vote for each category closed at 9.00pm on Sunday 31st March (GMT+1).

Soloist Of The Year

Keith James
Reg Meuross
Rachel Newton
John Smith
Andy White

Best Duo

Gilmore & Roberts
Daria Kulesh and Jonny Dyer
Greg Russell and Ciaran Algar
Winter Wilson

Best Band

The Men They Couldn’t Hang
Merry Hell
Trials Of Cato
The Young’Uns

Best Live Act

The Men They Couldn’t Hang
Grace Petrie
The Salts
Martin Stephenson & The Daintees
Andy White

Best Album

A Problem Of Our Kind – Gilmore & Roberts
The Well Worn Path – Seth Lakeman
The Joy Of Living – Jackie Oates
Queer As Folk – Grace Petrie
Hide And Hair – Trials Of Cato

Best Musician

Martin Harley
Aidan O’Rourke
Marina Osman
John Smith
Richard Thompson

Rising Star

Burning Salt
Robert Lane
Kitty MacFarlane
Smith & Brewer
Vision Thing

Best International Artist(s)

Tyler Childers
Mary Gauthier
Larkin Poe

VISION THING – When We Were Astronauts And Other Stories (own label)

AstronautsThe follow-up to last year’s Trysting Tree EP (the tracks of which all appear here), the sleeve echoing the title of David Niven’s autobiography, The Moon’s A Balloon, this is the album from the north-west quartet which, hopefully, will provide lift-off to getting the far wider acclaim they deserve.

Vocally fronted by guitarist Pete Cunliffe and Cherlene Walmsley, who share the lyric credits, with Paul Cunliffe on bass and David Windsor on violin, they’re joined on various tracks by Merry Hell’s John Kettle, who also produced much of the material and contributes both bouzouki and programmed drums.

Sung by Walmsley and anchored by Windsor’s fiddle, it opens with a Cunliffe track from the EP, ‘Silver Darlings’, a shantyish number that tells of the hardships of a small fishing community near Wick in the late 19th century faced with dwindling stocks of herrings, the silver darlings of the title, the chorus calling them to their nets.

Striking another socioeconomic note, Cunliffe takes over for ‘There Is A Seam’, the fingerpicked guitar, bass and fiddle affording a suitably moody backdrop to a song about the Lancashire coalfields during the bitter struggle between the miners and the Thatcher government in the 80s as he sings how “The pits and the people, they are the same.”

Again underscoring their ability to craft a memorable and infectious chorus, Walmsley’s ‘Twenty Thousand Feet’ takes a romantic turn for a song about the giddy feelings of falling in love and the sense of finding home. Then it’s back to a protest undercurrent for Cunliffe’s ‘Haul Away’, a fiddle-led swayalong shanty sung in the voice of a young Bridgewater lad press-ganged into taking the King’s Shilling, saving his galleon when it was attacked by Spanish ship only to drown, his tale narrated by his ghost back in the local inn.

The EP title track, penned by Cunliffe and sung by Walmsley, another brooding number, featuring Jan Hough on bodhran ‘The Trysting Tree’ draws on the tradition of how certain trees were chosen as meeting places to arrange and finalise such things as sealing truces or exchanging prisoners, the song sung in the voice of the tree, witness to historical record.

The tempo and mood take a sprightlier turn in the Walmsley-sung ‘Magic Hour’, Windsor’s fiddle accompanying her on a rainy but warm-welcoming journey round a Scotland’s Western Isles in that moment of the day when “the clouds break over the mountains/And sunlight bathes the sea.”

The airy joyfulness is short-lived, however, the track being followed by the achingly melancholic ‘All The Bonny Birds Have Flown Away’, Cunliffe on lead and Walmsley providing harmonies on an anti-war song written for the 100th anniversary of the 1918 armistice talking of loss, of the broken bodies and souls, and the impact of “hell and hatred” on both humans and nature.

With Windsor’s sympathetic fiddle to the fore, the echoey sung ‘Lullaby For The Forlorn’ sustains the melancholia before Walmsley’s equally mournfully-paced ‘Carry Me Down To The Shore’, also from the EP, heads back in time to sing of a Viking warrior’s thoughts as he’s carried to the ship that will be his final resting place and of the Valhalla that awaits.

The album’s longest number at over eight minutes, the suitably cosmic and atmospheric and suitably spacey title track with its nagging guitar riff, ethereal low whistle, contemplative fiddle, dreamlike vocals and choral harmonies finds Cunliffe musing on childhood games and the passing of time, and innocence, as we grow older.

It ebbs into the distance to be followed by the glorious final track, strummed guitar, keys and fiddle taking wing on ‘Murmurate (Safety In Numbers)’, a song inspired by and describing the murmurations of starlings, dancing “in the half-light of dusk/In pirouettes of trust” that, in its line “shall we gather one and all, from factory roofs and village halls, brought together in our call to sing”, delivers a metaphorical message about the strength of solidarity. To paraphrase Franklin D. Roosevelt, When We Were Astronauts has its eyes on the stars and its feet on the ground, make space for it in your CD constellation.

Mike Davies

Artists’ website:

‘The Trysting Tree’: