I sit here two weeks after The Great British Folk Festival with a Whitstable Bay Organic Ale in hand and I’m in good company as I have the new The Men They Couldn’t Hang – Cook-A-Hoop vinyl spinning on my turntable.
The album has made quite a journey from when it was first given to me by the band back stage after the interview we did in the early hours of Sunday 2nd December. The vinyl started its journey on top of a pizza box as Cush insisted it came along to the Oysterband back stage gathering (The MEN were playing on REDS stage outside of the Skyline Pavilion and Oysterband were in the Centre Stage complex and on at the same time). Like us, the new album couldn’t find its way there either as everything was locked up. It took 20 minutes in the rain with TMTCH in tow to realise that the best destination was now 109 Gull Court in The Keys area of Butlins Skeggy. This was the place where the album, the half-eaten pizza’s, The MEN and us hangers-on could be reunited with some more alcohol. However, not all of us made it to 109 Gull Court as the pizza was offloaded on to Simon Care who happened to be wandering past at 2am in the morning on his way to bed.
Anyway, I digress… so let’s get back to the fantastic new album and that late-night folking TMTCH interview.
Cook-A-Hoop has thirteen tracks, two instrumentals, and eleven songs, five written by Paul Simmonds, three by Swill and three by Cush. Cook-A-Hoop is both minimalist and musically expansive.
The songs start with ‘Sirens’, with revolution and a call to arms Pogue-MEN-Style followed by an escapism tale imagined at the speed of an ‘Arrow’ flight. Then a tremolo panther prowls, like a young Bobby Seale and gives his greeting by way of Sunday Soul ‘Salutations’ with trumpet heralding in the arrival of Marvin.
Next, ‘Three Ships Sailing’ haul away, plundering oceans, flying colours with far of canon-shot drum beat judging distance. While half the world is living on ‘Pone’, the unleavened maize bread, this rocking song with mental saxophone and growling vocals shoves it down your throat and reminds us that some people don’t have a choice.
Mantle then shrouds the tale of ‘The Queen of Crows’ who surveys the night to gentle pining fiddle. We journey then to the city of the ‘Archangel’, riding on camels, playing snake charmer grooves, telling tales of devils, demons and shotgun shacks.
Finally, Cush gives us a ‘Kings Street Serenade’ in green bomber jacket, and tight drainpipe trousers. A homage to the glory days of Joe Strummer, Pogue Mohon and being in heaven.
So, to sum the album up… Right Time, Right Place, Right Song. All packaged up in ‘The Amazing Carrier Bag’ of broken dreams and Brexit chaos.
Yes, its classic MEN, so if you’re already a fan, you’ll love it. If you’re not yet, then you are in for a treat as it stands shoulder to shoulder with the best of the rest of the back catalogue of 9 studio albums and over 139 songs.
Paul Simmonds has songs pouring out of him at the moment and Swill and Cush are on top song writing form. So, strap yourself in, fasten your seatbelts, you’re in for a TMTCH Cock-A-Hoop roller coaster of a ride of an album. The MEN continue to be, not just a band of brothers who have stuck together for 35 years through thick and thin but also a group that have survived their time and forged a new musical strength out of the political, blood, sweat and tears of their glorious musical past.
However, the biggest revelation of all is that Swill wished he had written Bat out of Hell!
Here is the interview that Paul Johnson and Darren Beech recorded with TMTCH after the show.
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Here is the video from the Gosport and Fareham Festival in 2008 that we mentioned in the interview.