SINGLES BAR 40 – A round-up of recent EPs and singles

Singles Bar 40EDDI READER releases a new EP, Starlight (Reveal) which lifts the title track and ‘My Favourite Dress’ from her recent Cavalier album and adds three hitherto unavailable covers from the same sessions.

First up, featuring assorted friends and relative son backing vocals, is James Grant’s ‘Scarecrow Song’, a slow waltz lament of an old soldier, home from the wars with no sense of purpose and no welcome. Grant plays guitar on both that and John Douglas’s jauntier waltztime honky tonker ‘No Reply Dot Com’ with John McCusker on fiddle and John Douglas on ukulele. The third stays in waltz mode, but slows it down again for ‘Build High, Build Wide (In Contempt)’, a new musical setting of a folk song by the poet Aaron Kramer and Betty Sander written in protest to the jailings by Senator Joseph McCarthy’s Un-American Activities Committee.
http://eddireader.co.uk/

Singles Bar 40JOHN MOSEDALE says he spent “half a lifetime chasing the dream” in other areas of the business before an encounter with Richard Digance set him on the route to acoustic music.  Twenty Seven is his debut EP. Nothing is overworked and the songs are gentle or gently humorous like ‘My Dog Has 3 Balls’. ‘The Old Man In The Mirror’ is a reflection on aging and the fact that John has begun a new life in his mid-fifties, a theme continued in ‘The River Of Life’. ‘Four Left Feet’ is a charming, if perhaps slightly dated, portrayal of youthful romance and the title track is the first song John that wrote and is one he always finishes his set with. This version was recorded live at Bromsgrove Folk Club.
www.johnmosedale.com

Singles Bar 40Out at the start of May, BEN MORGAN-BROWN self-releases his fourth EP, Nameless Gold, recorded live in the studio on a January morning, all first takes with no edits or overdubs, and featuring three songs and two instrumentals.

One of these is the opener, ‘Windowsills’, a reflective fingerpicked open-tuned number that sets the mood for what follows. The title track continues the mood weaves memories inspired by Ben’s wedding ring, recast using gold from his late father’s, and traces an emotional legacy and heritage from father to son.

Looking back on the past, and how quickly a decade can fly, is also at the heart of ‘Ten Years Passing’, is a lively upbeat circling melody fingerstyle blues that recalls a summer spent living in a caravan, listening to folk music, teaching himself guitar selling fudge and ice-cream and working in the country’s largest bookstore in Piccadilly Circus, the song musing on how the experiences we have shape who we become.

The tempo shifting between slow and frisky, the second instrumental, the fingerpicked ‘Let A Sleeping Dog Lie Pts 1 & 2’, was the only piece of music that Ben’s young rescue Border Collie Jake would settle down to, clearly showing how canines can have great musical taste. It ends with another fingerpicked circling melody number about the passing of time, ‘Only So Young’, inspired by two photographs of his father, one of him holding Ben the day he was born, the other of the two side-by-side shortly before he died, as, punctuated by whoo-hoos, he softly sings of not letting life can pass you by while you wait for it to happen.
https://benmorganbrown.co.uk/

Live At St GilesLive At St Giles is the new EP from the remarkable BRICKWORK LIZARDS who blend middle-eastern sounds with a love of pre-war jazz. ‘Nikriz Longa’ is definitely in the former category with Tarik Beshir’s oud to the fore before Stephen Preston’s trumpet muscles its way in. ‘I Want To Spend The Night With You’ takes us back to the thirties with four close-harmony voices, that distinctive percussion sound and Preston’s trumpet again. ‘Roses’ requires a singer in a white dinner suit while ‘Sama’i Waltz’ takes us eastwards again – an swirling eight-minute epic featuring improvised lyrics by Beshir.
www.brickworklizards.com

Boat To RowBirmingham’s BOAT TO ROW offer a second taster of forthcoming album Rivers That Flow In Circles with ‘On Your Own’, further indication of their journeying into new, unexplored territories. A gorgeous, summery sound with breezy guitars and brass flourishes, as well as backing vocals from Katherine Priddy, it conjures the heady days of 70s Laurel Canyon and the SoCal sounds of Joni, James, CS&N and Seals & Croft.
https://www.boattorow.com/

SiveWe enjoyed ‘Holding’, he last single by Irish singer-songwriter SIVE. It reappears on her eponymous EP but gives ‘Quietly’ the honour of opening the show. Sive has an MA in community music with a special interest in healthcare which emerges in ‘Do It All The Time’, possibly the best song in the set. Sive keeps her public and private lives separate but we do know that she already has two albums to her credit.
http://www.sivemusic.com/

SkylarkAs a prelude to his new album, Songs From Aurora, DAVE FIDLER releases a single of the radio edit and the full album version of ‘Skylark’. It’s an upbeat song featuring finger-picked guitar and just a hint of slide. “The skylark only calls when it’s climbing” is the take-home message and it seems very appropriate for these troubled times.
http://www.davefidler.com/

One More DayCo-written with Jules Fox Allen and arranged for acoustic guitar and violin, MARINA FLORANCE releases ‘One More Day’ (Folkstock), a yearningly simple, heartfelt song of regret at not saying what you feel or doing what you want and then finding it too late.
https://www.marinaflorance.com/

Ultan ConlonWritten over Christmas, which probably explains the festive sway feel to the melody, Ulsterman ULTAN CONLON offers up ‘In The Blink Of An Eye’ (DarkSideOut), which, conjuring familiar mainstream Irish country singalongs, offers encouragement that, whatever trials and tribulations beset us, we will all ultimately recover.
www.ultanconlon.com

Learn To GrowYou’d think that butter wouldn’t melt in IZZY DERRY’s mouth then you hear her sing! ‘Learn To Grow’ is her new single – a taster for her new EP. It’s a pounding slab of folk(ish)-rock with thumping drums, singing electric guitar, bass and piano and a huge voice. This woman will be a star.
http://izziederry.com/

Dance The Hempen JigThe upbeat melody that TIMOTHY HOAD has written seems inappropriate for a title like ‘Dance The Hempen Jig’ but this is a song of survival not a man’s sorry end. “I was never one to dance the hempen jig” emerges as the defiant message after the instrumental break – just keep on going.
https://www.facebook.com/timothyhoadmusic/?ref=page_internal

Field medicFIELD MEDIC (aka Kevin Patrick from Los Angeles) releases ‘The Bottle’s My Lover, She’s Just My Friend’ from his new album Fade Into The Dawn. He backs a suitably cracked vocal performance with a lazy strummed guitar and some rather intriguing sounds in the background. We’ll be reviewing the album very soon.
https://fieldmedic.bandcamp.com/

Chloe FoyOh you are not well, you cannot string your thoughts together” are the opening lines of CHLOE FOY’s new single ‘Oh, You Are Not Well’. Here in the editorial catacombs we know the feeling. Chloe is building quite a name for herself and this richly orchestrated song can do her nothing but good.
https://chloefoy.com/

RatsoAuthor, actor and musician Larry “RATSO” Sloman steps into the limelight at the age of 70 with an album, Stubborn Heart, and a single, ‘Our Lady Of Light’ which features Nick Cave. There’s a lot of Leonard Cohen and a hint of Dr. John about this song, which is more than enough to make you investigate the long player.
http://www.ratso.org/

A Choir Of Ghosts‘Southwest Of The Moon’ is the new single by A CHOIR OF GHOSTS from his debut album, An Ounce Of Gold. He is probably Swedish and there is only one of him but there is very little else we can tell you that makes much sense. It’s a good song, though, and you can watch the video at…
http://www.achoirofghosts.com/

SINGLES BAR 39 – A round-up of recent EPs and singles

Singles Bar 39FINDLAY NAPIER & MEGAN HENWOOD don’t seem like an obvious partnership but here they are. They met at a songwriting retreat and Findlay suggested writing a song about maths. Megan, not knowing any better, agreed and so ‘End Of Numbers’ was born to be followed by the other five songs on their debut EP The Story Song Scientists.

The opener is ‘Unnamable Radio’, based on the story of DJ Bob Fass who kept a would-be suicide talking live on air while rescuers rushed to save him. The pair’s songwriting combines Findlay’s somewhat sideways view of life with Megan’s obvious humanity, ‘The Last Straw’ being a perfect example. It’s a song about plastic pollution and manages to incorporate the word “polycarbonate” quite naturally. ‘North Pond Phantom’ is about the Maine hermit Christopher Knight and like a lot of Findlay’s songs it makes perfect sense once you know the story. ‘Wild Wild Country’ is a delightful song more typical of Megan’s style of taking inspiration from her surroundings but the two blend perfectly so there isn’t really a distinction between “his” and “hers”. Findlay and Megan are currently on tour.
http://www.dharmarecords.co.uk/

Arrows StrippedDespite having three albums under her belt, Nashville’s ANGEL SNOW is still a largely unknown quantity in the UK, though many may have become more familiar with her after duetting with Ben Glover on ‘The Wound That Seeks The Arrow’ from his recent award-winning album. Ironically then, released to accompany her ten-date UK tour in March, her new acoustic EP is titled Arrows (Stripped) (Nettwerk), the title track finding her exploring the deeper end of her vocal range on a bittersweet song about two lovers who have to let each other go. Produced by Ben Kramer, it features three further tracks, the fragile, vocally double-tracked, fingerpicked ‘Window Seat’, again tracing a relationship that’s run its course, the fuller arrangement of Maze’, about trying to find your path, with its strummed guitar, piano accompanied and echoey background vocal wash arrangement, and, again featuring piano, the rippling strings adorned ‘Higher Urgency’.
http://angelsnow.net/

Darkness & AngelsRecently expanded from their Les Ray and Deirdre Murphy core to a five-piece and, in the process, a more folk-rock, bluesy sound, Cambridge’s RED VELVET launch the makeover with the self-released Darkness & The Angels EP, the title hinting at the struggles between the forces of negativity and positivity . Sung by Murphy, the anchor track, ‘Ride The Darkness’, with its carnivalesque waltzing melody, spooked piano and sparse guitar and bass backing, stems from 2011 when both she and her brother, Gerard, were diagnosed with cancer, he sadly succumbing in 2013.

It wasn’t the only tragedy to strike, Ray’s mother passing the same year as Deirdre’s brother, the sense of grief, loss and remembrance providing the lyrical bedrock for the fairground carousel-rhythm Self-Storage which, opening with church organ and sung by Les, tells of building up boxes of photos, diaries and other keepsakes that “tell of our loved ones, our lost ones, ourselves”.

Elsewhere, political notes are struck on ‘After The War’, a piano led reflection on post-WWII optimism with the election of Labour and the creation of the NHS, a period clearly held up in contrast to today’s state of the nation. Much musically heavier with its driving rhythm and snarly guitar, ‘The Fourth Freedom’, the title a reference to the EU’s Four Freedoms, is a heads-down grungy riff-driven number concerning the refugee crisis as a family sees the goods they helped manufacture able to move freely while they are denied permission to travel.

By musical contrast, opening and closing unaccompanied, ‘That’ll Never Happen’ is a jaunty, playful pub piano singalong number with Music Hall and Chas n Dave touches that, as the notes say, revisits a book, a play and a film all featuring unlikely events.
www.clunkandrattle.com

Hidden ThingsHANNAH SANDERS & BEN SAVAGE release ‘Hidden Things’, the first of a trio of singles in advance of their tour which begins next month. It’s a beautiful song inspired by the landscape of northern Sweden – how landscapes hold memories and stories. Their unplugged sound has been refined by their time spent touring and despite its apparent simplicity there is a complexity that draws the listener in.
https://www.hannahbenmusic.com/

Stay AroundA lovely liquid guitar introduces ‘Stay Around’, the second single and title track from JJ CALE’s posthumous album which will be released next month. It takes its time getting to the heart of the song, rolling along lazily until JJ’s gruff voice comes in. It’s a gentle song – “stay around, let’s make love one more time” he sings and then that singing guitar comes back, rather more insistently. Gorgeous.
www.jjcale.com

Lover‘Lover’ is the second single from A Golden State, the new album by LUKE SITAL-SINGH which is released next month. It’s lyrically very clever and would be quite Californian if it wasn’t so overloaded by a big arrangement in the choruses. The verses with electric piano and drums are perfect and the song glides along in its own special groove.
www.lukesitalsingh.com

Oh BoyFronted by Lara Snowden and featuring violinist Kathryn Tremmett, with Paddy Blight and bass and Kev Jackson guitar, Essex’s VELVET & STONE tease their upcoming debut album with the self-released ‘Oh Boy’, drums and hummed vocals intro giving way to a breathy delivery underscored by a driving, urgent folk rock beat, sawing fiddle and nervy riffage that, in places calls to mind Fleetwood Mac’s ‘Oh Well’.
https://www.velvetstonemusic.com/

This Is EnglandSleeves like this can make people a bit nervous, although we can be comforted by the fact that the “wrong” sort wouldn’t get anywhere near us. ‘This Is England’, the new single by SEAN TAYLOR, has been available to download for a while but with Brexit fast approaching it’s still relevant. The song is, for want of a better term, a rap but a rap that mentions Morris dancing performed by a man who looks white and sounds black.
https://www.seantaylorsongs.com/

The introduction to ‘Holding’, the new single by Irish singer SIVE, played on what we presume to be kalimba certainly grabs the attention but before you think it’s a bit gimmicky in comes her voice which has quite a range. The chorus is brilliant and the track goes for a big finish in a big way.
https://www.facebook.com/sivemusic/

God's Little Joke‘God’s Little Joke’ is the title track from a new EP by MARTIN ANSELL & CHRIS ROWSEL. It was recorded on a mobile phone in Martin’s taxi which makes one wonder why anyone needs a recording studio. The philosophy of life’s problems an the ills of the world being just an example of divine humour is an interesting one – Roy Harper would say that God is dead, of course – and requires further discussion. Good song, though.
https://martinansell.bandcamp.com/

MIKE ROSS sounds as though he comes from the American backwoods but actually he’s British. ‘Young Man’ is a delicious slice of country blues with rumbling bass, acoustic guitar lead, fiddle and harmonica. The single comes from his forthcoming album, The Clovis Limit.
http://www.mikerossmusic.co.uk/

Here I Am‘Here I Am’ is the first genre single from  S J DENNEY, a sad love song built on acoustic guitar and drums and lots of strings with a gorgeous trumpet break. The guitar echoes behind his voice in a way that evokes a dark and desolate landscape – a wonderful mental picture.
sjsongs.co.uk