SINGLES BAR 43 – A round-up of recent EPs and singles

Singles Bar 43Formed in response to an RSC songwriting competition, Coventry-based THE MECHANICALS BAND are fronted by Wes Finch and feature Nizlopi double bassist John Parker, drummer Ban Haines and Jools Street and Katrin Gilbert on violin and viola, respectively. Following on from their Shakespare-themed debut, Exit, Pursued by Bear they broaden their literary horizons with Miscellany #1 (Silvery) which features settings of poems by W. B. Yeats (‘Meditation of the Old Fisherman’), Edna St Vincent Millay (‘Recuerdo’), Ralph Hodgson (the rousingly jaunty ‘Time You Old Gypsy Man’), and Robert Browning (the traditional flavoured spare guitar and strings ‘Along The Road’). Dating back to 1873, it ends with Arthur O’Shaugnessy’s celebration of the world’s creative artists ‘Ode’ (from which the phrase movers and shakers originated) on which, set to a military beat and anthemic melody, they declare “We are the music makers, And we are the dreamers of dreams”. Seems appropriate.
https://www.facebook.com/WeAreTheMechanicals/

Lonny ZiblatThe new EP by Argentina-born LONNY ZIBLAT consists of five songs from his new album, Dream Hunting, and, as such, has a description rather than a title on its cover. The songs are all acoustic but that doesn’t mean pared back to nothing. The arrangements are satisfyingly full with Lonny playing all the instruments – the only guest is Magdalena Golebiowska, who sings lead on ‘Days Of Peace’ – and he constructs a particularly nice instrumental break on the opening track, ‘Healing’. ‘A Little Secret’ was written for his late father and ‘Stuck’ is a simple ukulele strum. The only weak point is ‘Phony Baits’ on which he seems to be straining for some notes.
www.lionelziblat.com

Singles Bar 43A bluegrass family five piece from West Texas, comprising siblings Arlen, Jessica, Jenna and Galen Ivey alongside Jessica’s husband Sammy Carr THE IVEYS self-release Colors Of Honey, which, at six tracks is either an extended EP or mini-album, but whatever tag you give it comprises some fine Americana that variously draws on influences that range from The Beatles to The Lumineers. It’s a generally musically upbeat set, setting the mood from the start with the choppy country pop bounce of ‘You Got Something’ and the pedal steel keening ‘Whatever Comes’ with Arlen and Jessica duetting before slowing things down with the sisters harmonising on piano ballad ‘Running Wild’. The title track’s another hushed offering, cello and acoustic guitar building to a fuller sound midway before ebbing away again at the end. Again backed by piano, ‘King And Marie’ has Arlen on lead recounting the story of their grandparents’ romance, the set closing with the multiple unaccompanied close harmonies of ‘The Dream’ before a final piano outro. The collection’s title nicely sums up their sound, give them a listen, they’ve got something.
https://theiveysmusic.com/

Singles Bar 43Choose My Company is the second EP by singer-songwriter BETH MALCOLM. The opening track, ‘People Make Glasgow’, tells you where she lives and I reckon that anyone who knows the city will find it raising a smile. It starts gently with just voice and acoustic guitar but then the line “a bloody freezing basement flat on Kelvingrove Street” grabs your attention. It crosses Sauchiehall Street, if you’re interested, and it’s where she found love so she likes it really. Kelvin Grove turns up again in ‘Ghost Tour’ and the title track is a tale of separation, heartbreak and reunion set across the span of a Glasgow winter. Beth plays keys and is accompanied by guitarist Dorian Cloudsley, and jazz-man by preference but, oddly, I keep hearing hints of old pop lyrics.
www.bethmalcolm.com

Siingles Bar 43For her new EP, Inspired (Folkstock), ZOE WREN has covered six female artists who have influenced and inspired her music over the years. First up, perhaps inevitably, is Joni Mitchell, the choice being a beautifully simple voice and piano reading of ‘Both Sides Now’ that stands as one of the finest cover versions of the song. Though it’s been recorded by any number of folk artists, it’s Pentangle and in particular Jacqui McShee who are celebrated with ‘Let No Man Steal Your Thyme’, steering away from echoing their jazz colours in favour of of melancholic, reflective traditional folk reading that changes the chords, adds pedal effects and even introduces a new lively guitar and percussion instrumental bridge section.

Her third selection comes as something of a surprise since it moves away from the film field to cover ‘Joanne’, a song by Lady Gaga. The original was uptempo with acoustic guitars and percussion, but Wren’s is folksier, slower and accompanied by piano to bring an end of evening melancholia. Tracy Chapman’s ‘Talking ‘Bout A Revolution’ hews closely to the original as does a reverential strummed vocally double-tracked take on Sandy Denny classic ‘Who Knows Where The Time Goes’ though it takes Denny’s 1973 Peel session rather than the Fairport recording as its template. It ends with another non-folk artist, Wren digging out her synth cello to add an extra tone to her magnificent piano-led interpretation of the iconic Kate Bush’s ‘The Man With A Child In His Eyes’.
http://www.zoewren.com/zxa8tg7kh95vb4iqoi62jdoo2laias

Singles Bar 43JON WILKS has been mentioned in these pages before in the context of his album, Midlife. Now he follows that up with an EP, The Trial Of Bill Burn Under Martin’s Act. The title track comes from an old broadside which satirised The Cruel Treatment Of Cattle Act 1822 – “a man can’t chastise his own ass” is an unsubtle double entendre. The second track, ‘Holly Ho’, sounds old and mentions chainmakers but was collected as recently as 1958 from a pub where the regulars apparently added new verses every week. Jon recruited Nick Hart and Mikey Kenney to play on this one.

The third track, ‘Who Hung The Monkey?’ comes from Hartlepool and is based on the famous story of the monkey who was washed up on shore and hanged as a French spy although the song would appear to be music-hall piece. Finally we have a gentle, weary reading of ‘Leave Her, Johnny’. Jon is an accomplished finger-picker but doesn’t show off and allows the songs to tell their own stories which is how things should be.
https://jonwilks.online/

Singles Bar 43A painter, poet, songwriter and storyteller, Lancashire’s TORIA WOOFF releases Badlands (Sloe Flower Records), her second EP of “gothic literature and pained Americana telling tales of love and malevolence”. Comprising four tracks, she describes them in terms of synaesthesia, sounds evoking colours which, in turn, represent feelings. Hence the EP being described as ‘browner and orange’ with ‘oaky guitar tones’. In more prosaic terms, that translates to an autumnal 70s folk rock feel of open skies and falling leaves, etched with acoustic guitar and strings on the likes of  the gradually gathering ‘Cases’, the echoingly sung, widescreen ‘Collision Course’ with its Spanish guitar and rocky canyons ambience or the rhythmically curling, martial beat ‘Smoke’. Clocking at just over five minutes, accompanied by cello, ‘For Liam (Souhja)’ is the longest track and also the one most redolent of dreamy Americana shades, the ‘smoky topaz’ of the press release. She can sing a rainbow.
https://www.facebook.com/toriawooff/

Siingles Bar 43In Arden is an EP of four instrumental pieces by STEVE GARRETT AND PETER LOWIT WITH JAMES EDGE. Guitarist Garrett wrote all the music, Lowit plays double-bass and Edge arranged and directed the string quartet on the title track. If you’re wondering about the title, you’re right, it does refer to Tamworth-in-Arden, family home of Nick Drake. Garrett has been honoured to play at the annual Nick Drake Gathering there and this tune reflects Danny Thompson’s bass playing, Robert Kirby’s arrangements and, of course, Nick’s guitar playing. ‘You Called Me’ is a pure jazz tune which gives Lowit the opportunity to stretch out a bit and ‘Mr CC’ is essentially a renaissance jig with a jazz flourish in the middle. Finally, ‘Braw Day’ is a pastoral piece to send you drifting away.
www.stevegarrettguitar.com

TraitorsAvailable from Bandcamp and featuring Cathryn Craig on backing vocals, Brian Willoughby on lead guitar and e-bow and Mark Jolley providing bass and violin, MARINA FLORANCE is in protest mode for ‘Traitors’, a number co-penned with author Richard Pierce Saunderson, a song he describes as about the personal cost of the political situation in the UK with the media-fuelled xenophobia and discrimination against legal immigrants and their descendants as the song asks “Is this still our haven, a place for those in need or are we a country broken, driven by hate and greed?”.
https://www.marinaflorance.com/

If I tell you that brother and sister duo GALLILEO’S FAN are Fi and Martin Vass you might begin to speculate and, of course, you’d be right. Their single, ‘I Won’t Be Found’, is the title track of their new album on which brother Mike appears along such luminaries as Louis Abbott, whose distinctive drumming underpins this track, Graeme Smillie and Euan Burton.  Their sound is indie but capable of great delicacy.
http://www.abadgeoffriendship.com/galileos-fan

Singles Bar 43SJ DENNEY releases the third single in his current bi-monthly series. ‘A Fond Farewell’ is an up-tempo song of hope for the future: “every day we’ve got to chase the demons all away”. The arrangement is big and punchy with nice piano and brass and solid drumming. Are you working up to an album SJ?
http://www.sjsongs.co.uk/

Jm ChorleyJIM CHORLEY has been around for a while but his new single, ‘There’s Nothing Like Your Love’, ups the production values and features a host of guest musicians. This is an old-fashioned love song and although there is some fine playing in evidence the arrangement goes a bit over the top at times but it’s the style he seems to favour.
https://www.jimchorley.com/

The Slow KnifeManchester singer-songwriter LIAM FROST is set to release his first album for ten years in September. ‘The Slow Knife’ is the second single to be taken from The Latchkey Kid – a song about growing apart within a relationship. Liam is still young but pessimistic and although it’s a fine song it may mean more in the album context.
https://www.liamfrost.co.uk/

Eye On YouA nice chunky guitar introduces ‘Eye On You’, the first single by Australian singer/songwriter FENN WILSON to be taken from his debut full-length album Ghost Heroin.  His slightly husky voice complements the bluesy, vaguely country feel of the song although the backing vocals at the end are rather distracting.
https://www.facebook.com/fennwilsonmusic

SINGLES BAR 40 – A round-up of recent EPs and singles

Singles Bar 40EDDI READER releases a new EP, Starlight (Reveal) which lifts the title track and ‘My Favourite Dress’ from her recent Cavalier album and adds three hitherto unavailable covers from the same sessions.

First up, featuring assorted friends and relative son backing vocals, is James Grant’s ‘Scarecrow Song’, a slow waltz lament of an old soldier, home from the wars with no sense of purpose and no welcome. Grant plays guitar on both that and John Douglas’s jauntier waltztime honky tonker ‘No Reply Dot Com’ with John McCusker on fiddle and John Douglas on ukulele. The third stays in waltz mode, but slows it down again for ‘Build High, Build Wide (In Contempt)’, a new musical setting of a folk song by the poet Aaron Kramer and Betty Sander written in protest to the jailings by Senator Joseph McCarthy’s Un-American Activities Committee.
http://eddireader.co.uk/

Singles Bar 40JOHN MOSEDALE says he spent “half a lifetime chasing the dream” in other areas of the business before an encounter with Richard Digance set him on the route to acoustic music.  Twenty Seven is his debut EP. Nothing is overworked and the songs are gentle or gently humorous like ‘My Dog Has 3 Balls’. ‘The Old Man In The Mirror’ is a reflection on aging and the fact that John has begun a new life in his mid-fifties, a theme continued in ‘The River Of Life’. ‘Four Left Feet’ is a charming, if perhaps slightly dated, portrayal of youthful romance and the title track is the first song John that wrote and is one he always finishes his set with. This version was recorded live at Bromsgrove Folk Club.
www.johnmosedale.com

Singles Bar 40Out at the start of May, BEN MORGAN-BROWN self-releases his fourth EP, Nameless Gold, recorded live in the studio on a January morning, all first takes with no edits or overdubs, and featuring three songs and two instrumentals.

One of these is the opener, ‘Windowsills’, a reflective fingerpicked open-tuned number that sets the mood for what follows. The title track continues the mood weaves memories inspired by Ben’s wedding ring, recast using gold from his late father’s, and traces an emotional legacy and heritage from father to son.

Looking back on the past, and how quickly a decade can fly, is also at the heart of ‘Ten Years Passing’, is a lively upbeat circling melody fingerstyle blues that recalls a summer spent living in a caravan, listening to folk music, teaching himself guitar selling fudge and ice-cream and working in the country’s largest bookstore in Piccadilly Circus, the song musing on how the experiences we have shape who we become.

The tempo shifting between slow and frisky, the second instrumental, the fingerpicked ‘Let A Sleeping Dog Lie Pts 1 & 2’, was the only piece of music that Ben’s young rescue Border Collie Jake would settle down to, clearly showing how canines can have great musical taste. It ends with another fingerpicked circling melody number about the passing of time, ‘Only So Young’, inspired by two photographs of his father, one of him holding Ben the day he was born, the other of the two side-by-side shortly before he died, as, punctuated by whoo-hoos, he softly sings of not letting life can pass you by while you wait for it to happen.
https://benmorganbrown.co.uk/

Live At St GilesLive At St Giles is the new EP from the remarkable BRICKWORK LIZARDS who blend middle-eastern sounds with a love of pre-war jazz. ‘Nikriz Longa’ is definitely in the former category with Tarik Beshir’s oud to the fore before Stephen Preston’s trumpet muscles its way in. ‘I Want To Spend The Night With You’ takes us back to the thirties with four close-harmony voices, that distinctive percussion sound and Preston’s trumpet again. ‘Roses’ requires a singer in a white dinner suit while ‘Sama’i Waltz’ takes us eastwards again – an swirling eight-minute epic featuring improvised lyrics by Beshir.
www.brickworklizards.com

Boat To RowBirmingham’s BOAT TO ROW offer a second taster of forthcoming album Rivers That Flow In Circles with ‘On Your Own’, further indication of their journeying into new, unexplored territories. A gorgeous, summery sound with breezy guitars and brass flourishes, as well as backing vocals from Katherine Priddy, it conjures the heady days of 70s Laurel Canyon and the SoCal sounds of Joni, James, CS&N and Seals & Croft.
https://www.boattorow.com/

SiveWe enjoyed ‘Holding’, he last single by Irish singer-songwriter SIVE. It reappears on her eponymous EP but gives ‘Quietly’ the honour of opening the show. Sive has an MA in community music with a special interest in healthcare which emerges in ‘Do It All The Time’, possibly the best song in the set. Sive keeps her public and private lives separate but we do know that she already has two albums to her credit.
http://www.sivemusic.com/

SkylarkAs a prelude to his new album, Songs From Aurora, DAVE FIDLER releases a single of the radio edit and the full album version of ‘Skylark’. It’s an upbeat song featuring finger-picked guitar and just a hint of slide. “The skylark only calls when it’s climbing” is the take-home message and it seems very appropriate for these troubled times.
http://www.davefidler.com/

One More DayCo-written with Jules Fox Allen and arranged for acoustic guitar and violin, MARINA FLORANCE releases ‘One More Day’ (Folkstock), a yearningly simple, heartfelt song of regret at not saying what you feel or doing what you want and then finding it too late.
https://www.marinaflorance.com/

Ultan ConlonWritten over Christmas, which probably explains the festive sway feel to the melody, Ulsterman ULTAN CONLON offers up ‘In The Blink Of An Eye’ (DarkSideOut), which, conjuring familiar mainstream Irish country singalongs, offers encouragement that, whatever trials and tribulations beset us, we will all ultimately recover.
www.ultanconlon.com

Learn To GrowYou’d think that butter wouldn’t melt in IZZY DERRY’s mouth then you hear her sing! ‘Learn To Grow’ is her new single – a taster for her new EP. It’s a pounding slab of folk(ish)-rock with thumping drums, singing electric guitar, bass and piano and a huge voice. This woman will be a star.
http://izziederry.com/

Dance The Hempen JigThe upbeat melody that TIMOTHY HOAD has written seems inappropriate for a title like ‘Dance The Hempen Jig’ but this is a song of survival not a man’s sorry end. “I was never one to dance the hempen jig” emerges as the defiant message after the instrumental break – just keep on going.
https://www.facebook.com/timothyhoadmusic/?ref=page_internal

Field medicFIELD MEDIC (aka Kevin Patrick from Los Angeles) releases ‘The Bottle’s My Lover, She’s Just My Friend’ from his new album Fade Into The Dawn. He backs a suitably cracked vocal performance with a lazy strummed guitar and some rather intriguing sounds in the background. We’ll be reviewing the album very soon.
https://fieldmedic.bandcamp.com/

Chloe FoyOh you are not well, you cannot string your thoughts together” are the opening lines of CHLOE FOY’s new single ‘Oh, You Are Not Well’. Here in the editorial catacombs we know the feeling. Chloe is building quite a name for herself and this richly orchestrated song can do her nothing but good.
https://chloefoy.com/

RatsoAuthor, actor and musician Larry “RATSO” Sloman steps into the limelight at the age of 70 with an album, Stubborn Heart, and a single, ‘Our Lady Of Light’ which features Nick Cave. There’s a lot of Leonard Cohen and a hint of Dr. John about this song, which is more than enough to make you investigate the long player.
http://www.ratso.org/

A Choir Of Ghosts‘Southwest Of The Moon’ is the new single by A CHOIR OF GHOSTS from his debut album, An Ounce Of Gold. He is probably Swedish and there is only one of him but there is very little else we can tell you that makes much sense. It’s a good song, though, and you can watch the video at…
http://www.achoirofghosts.com/

SINGLES BAR 35 A round-up of recent EPs and singles

Released to commemorate the 100th anniversary on the end of WWI, ‘Letters From Walter’ is a poignantly movie number from Cambridge folk crew RED VELVET released on Clunk and Rattle in aid of the Riders Branch, Royal British Legion. Written and sung by Les Ray, who plays guitar and banjo, and featuring harmonica by George Harper, it’s based on letters sent home by his grandfather, Private Walter Mabbutt, to his younger sister Edie in Titchmarsh, who, shortly after being despatched to France after training at Felixstowe, died in combat in Picardy, aged 19, just a few weeks before the end of the war. The song also included a spoken passage by Deirdre Muphy who reads from a letter, dated 24th November 1918, sent to Walter’s parent by Lance Corporal W. L Mandeville offering his condolences at Walter’s death, and describing some of the circumstances surrounding it.
www.clunkandrattle.com

Singles Bar 35With war on our minds, punk-folk rockers SKINNY LISTER release ’38 Minutes’ in advance of a new album next year. The song was prompted by a ballistic missile alert in Hawaii earlier this year and is typically high energy as it portrays the sense of impending doom felt by the island’s population. “This is not a drill.
https://skinnylister.com/

Singles Bar 35Here’s a Christmas song with a difference. ‘Xmas Back Home (War Has Begun), in part inspired by John Lennon’s similarly titled song, is the recording debut by MUDDIBROOKE, a mysterious being whose true identity is a secret. It is the story of a young female soldier away from her children but who wants them to have the best Christmas possible in spite of her absence and serves to remind us that it’s not just men who are on the front line. Proceeds from downloads will go to The Royal British Legion.
www.muddibrooke.com

MARINA FLORANCE offers up another self-released EP commissioned by the Warm & Toasty Club, a Colchester-based intergenerational community organisation working in music, arts and social history. Named for the latest project, Colchester Memory Afternoons features three numbers co-written with Jules Fox Allen drawn from the stories and reminscences of some of the town’s senior residents, opening with the gently jogging, ‘Photograph Album’ (part Emmylou, part Don Williams) featuring harmonica, cajon, melodeon and violin with Fox Allen on backing vocals. Perfectly living up to its title, ‘Warm & Toasty’ is a folksier and more specific English nostalgia track closing with spoken samples from residents at Enoch House retirement home with the third number being the violin and trombone-coloured slow waltzer ‘Take Me Back In Time’. A lovely musical comfort blanket all round.
www.marinaflorance.com

Notes To Self is the new EP by MARIA KELLY. It opens with the delicate and fragile ‘Prelude’ which builds up until the repeated last line is lost in the mix, justifying her alt-folk tag. The other tracks are ‘June’, ‘July’ and ‘August’, the first two having already been released as singles. They tend to follow the same template as ‘Prelude’ – a simple acoustic opening building up with sound effects and more instrumentation until the production threatens to overwhelm the song. Maria’s voice is mixed too low or is perhaps not big enough to stand up to this treatment all the time.
www.mariakellymusic.com

JONAS AND JANE are a Surrey-based Americana duo, he on guitar and banjo and the pair sharing vocals. Sedona Rain is their third self-released EP, a five track set that highlights both their harmonies and bluegrass inclinations, although the opening ‘Hold Me’, with Jonas on lead, is a spare and harmonica haunted rootsy ballad. He’s also to the fore on the banjo speckled and equally moody ‘Jumping Ship’, while the three other numbers see them sharing the vocal spotlight. ‘Too Little Time’ is an equally world-wearily paced but more Appalachian flavoured number, while pedal steel bolsters the aching title track. The pace eases up a notch for the remaining track, fingerpicked and dobro styled break-up number ‘Don’t Cry For Me’ being cast in the type of bittersweet break-up song that recalls such classic pairings as Gram and Emmylou, The Civil Wars and Welch and Rawlings
http://www.jonasandjane.com/

Named for the Highland settlement, BIRICHEN is a new project by Catriona Sutherland, a regular performer in the Highlands, mostly with the 10-piece Dancing With Sharks. Working with fiddler Iain-Gordon Macfarlane and Robert McDonald on dobro slide, Hush (Birnam) is the debut EP, a five-track collection that opens with the latter’s ‘Holding On To Each Moment’, the sound of birds and running water backdropping a fingerpicked and fiddle accompanied number about appreciating the time and the things we have.

While steeped in folk, she also brings Americana influences to the table with two covers, first up bring the Welch and Rawlings number Scarlet Town, here given a stark British traditional folk setting with the fiddle serving as a drone-like backing. The other harks back to the music of her raising with a terrific unadorned version of Guy Clark’s ‘L.A.Freeway’ where her pure Scottish tones take on a touch of earthier dirt track roughness .

‘Gonnae Get Good’ is a slightly jazz and blues shaded self-penned number that pulls together a spectrum of influences, the final track being another cover, Jim McLean’s ‘Smile In Your Sleep, sometimes known as ‘Hush, Hush, Time To Be Sleeping’, hence the EP title. Chiming with her own family history and the history of the area, it’s Scottish lullaby set to the tune of the Gaelic air ‘The Mist Covered Mountains’ which charts the eviction and emigration  of  the crofters during the Highland Clearances, her given a nakedly sung reading that gradually gathers in suitably moody instrumentation and features evocative sampled distressed voices and rain and storm effects.  This is, apparently, her first commercial release. Hopefully, there’ll be many more to follow.
http://birichen.com/

An acclaimed bluegrass musician and one half of 10-String Symphony, RACHEL BAIMAN gets into the (American) holiday spirit with Thanksgiving (Free Dirt), a four track EP of introspective songs centred around themes of indigenous rights, home and homelessness, and love in hard times. Opening number ‘Tent City’, a lively bluegrass number with echoes of ‘Gentle On My Mind’ and featuring, among others, Tristan Scroggins and Molly Tuttle, was inspired by a Nashville homeless community and is sung from the perspective of a man fallen into homelessness and addiction, making him a person rather than a statistic.

Taking the tempo down, the title track emerged from a writing residency and concerns indigenous rights and relationships as embodied in the fight against the Dakota Access Pipeline, the song fuelled by “the irony of Thanksgiving being celebrated right as people were being arrested and sprayed with water guns for protecting their right to clean water.”

Again joined by Tuttle with whom she worked up the number during their UK tour, ‘Madison Tennessee’ is a cover of the John Hartford love letter to his home town (to where she herself has recently moved), the EP ending with ‘Times Like These’, a pedal-steel lined and fiddle slow waltz testament to what gets us through the bad, co-written with Thom Shuyler and duetted in harmony with Josh Oliver.
http://www.rachelbaiman.com/

‘I Think I Saw You On The Street’ is the first single from a new EP by MARBL, an Israeli duo possibly based in Germany – the information available is a bit vague in places. It’s a reflective song inspired by a chance encounter with an ex and the thoughts that it provokes – a scenario that everyone can relate to.
www.marblmusic.com

BEANS ON TOAST (aka Jay McAllister) brilliantly tackles the shock of the new with ‘Alexa’ – “Alexa, have you considered your military capabilities?” – the second single from his forthcoming album, A Bird In The Hand. It’s a punkish sort of song with words tumbling over one another as Jay races to beat the three minute mark. It’s all true – we may be suspicious of Amazon but it’s just too damn convenient.
https://beansontoastmusic.com/

Following last year’s debut album, Alight & Adrift, Suffolk-born, York-based mandolinist singer-songwriter TILLY MOSES returns with a new single ‘Cradled And Cared For’ (GingerDog Records), a lovely softly sung fiddle-hued number, about how friendship and a warm kitchen can give you the strength to get through hard times and fight to improve the world.
www.tillymoses.com

‘Haunted Man’ is the debut digital single from THE KILPECKS, a band formed in the Welsh Marches by members of Lonesome Stampede. It’s big and funky with a knockout bass line and a powerful lead vocalist and although it was released for Halloween it has a link to #MeToo. It would be nice to think that an album might be in the wind.
https://thekilpecks.bandcamp.com/releases

Scottish outfit ATTIC LIGHTS have a new album, Love In The Time of Shark Attacks, set for release next year, trailing it with the jangly folk-pop ‘Never By Myself’ (Elefant), a number written on a bus by singer Colin McCardle after somehow being left behind by the band following a show in Inverness. It’s paired with a sparkling cover of ‘Bright Eyes’ given a Teenage Fanclub treatment.
https://www.facebook.com/atticlightsband/

‘Bless The Ground You Grow On’ is the first single from ODETTE MICHELL’s forthcoming debut album. It was produced by Stu Hanna and has the pastoral autumnal feel of Robin Williamson’s ‘October Song’. It’s coupled with ‘The Eastern Seas’, a song about Irish emigration built on shruti drone and acoustic guitar with violin and bouzouki. Odette has a strong voice and songwriting talent that we should be hearing a lot more of in the future.
www.odettemichell.com

MARINA FLORANCE – This, That & The Other (Folkstock)

MARINA FLORANCE This That & The OtherMarina Florance is one of the new wave of female singer-songwriters emerging from nurturing by the Folkstock organisation alongside Maz O’Connor, Kelly Oliver and Daria Kulesh. This, That & The Other is her second studio album. She came late to performing but brings a wealth of experience to her work.

Marina is an accomplished instrumentalist, using only Roland Garson’s melodeon on two tracks and alto sax from Greg Camburn and guitar from Ben Smith on a third. She is modest about the scope of her talents on the package but the record features hand percussion under multi-tracked guitars and a mandolin weaves its way through some of the tracks while at least one has piano and strings (or synthesiser) and there is some tasty electro-acoustic leads here and there. Actually, sometimes it’s hard to be certain about what is actually being employed.

Songwriting credits are sometimes shared with Julie Fox-Allen, Mick Kennedy and Richard Pierce whose spoken words add something rather special to ‘A Better Song’ but Marina is at the centre of them all. ‘Take A Little Time’ is a song which quickly stands out – powerful lyrics allied to a tune that gets under your skin but it’s not alone in that. ‘Carried Away’ has a definite feel of Americana with mandolin to the fore and something rather more upfront in the way of percussion.

I’d heard only a couple of Marina’s songs before this album but it’s rapidly grown on me. I’m impressed by the way that she keeps everything tight and restrained. even when, as with ‘A Room Of Your Own’, she pours everything into the song.

This, That & The Other is an impressive album that will be launched officially at The Straw Bear Festival next month.

Dai Jeffries

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‘Big Legged Woman’ isn’t on this album but what the hell?

The F Spot Femmes Fatales

Femmes

Strong, sensuous, fascinating and feminine, this compilation of ten compelling self penned songs from women is being released on Folkstock Records on International Womens’ Day on March 8th. Performed by some of the talented female singers we have had the pleasure of working with in the past year and spanning four generations, this distinctive selection hopes to enlighten and inspire with its diversity and be distinguishable from other compilations by its raw honesty and emotion. We thank all the singers for laying bare their soul in this stripped back showcase of their undeniable talent.
This is not just any album full to the brim with female singer songwriting talent.

The F Spot Femmes Fatales has been lovingly conceived, curated and produced to show many different aspects of the feminine psyche.

Lose yourself in the songs and let this album challenge your assumptions about women, whether as musicians, producers of music or consumers of music.

Have you considered how sultry a singer in her 80th year can sound ? track one on this stunning selection will make your jaw drop. Delivered with panache and humour this track was the one which stood out for us on Peggy Seeger’s recent album Everything Changes, and it was our mission to entice Peggy to let us use it to open this compilation ! so you can imagine how thrilled we are to have ‘You Don’t Know How Lucky You Are’ as the first track on the album. Lyrics such as “I am not just any woman, looking for any man, and I don’t intend to change me to fit into your plans. I’m a hell of an angel and you’d better give a damn, you don’t know how lucky you are

Have you ever heard the story of the Mississippi woman ? this strong and wryly observed alternative creation story by Maz O’Connor is the penultimate track on the album and delivered with purity which belies the message, Maz’s beautiful voice captures your heart and lyrics such as these capture your mind.

“She made clothes from the rushes and a bed down by the willow
And when darkness came the riverbank made for her a pillow
Then the angel of the lord came down and said “now you are free”
And she said “lord, make a man out of me, lord, make a man out of me”.

WHO IS ON THE ALBUM ?

Here are the contributors in order. With the information which is presented in the 4 page booklet of the jewel cased CD.

Peggy Seeger – A free thinking pioneer, Peggy Seeger has paved the way for generations of female singer songwriters the world over. Peggy was awarded ‘Most Inspirational Female’ by Music Week in 2014 and we are honoured to have permission to release a song from her recent much acclaimed album Everything Changes thanks to Red Grape Music Ltd.

Roxanne de Bastion tours throughout the UK, Europe and the US, all on trains and busses. The young troubadour self-released her debut album in 2013 and has since then been championed by Tom Robinson on BBC6, John Kennedy on XFM, Ruth Barnes on Amazing Radio. Roxanne’s compositions are routed in the 1960’s, but the tone of voice is very much her own.

Zoe Wren is studying music at Cambridge University and having released her debut EP Pandora’s Box with us in the middle of last year is now working on her debut album. Picked to perform on Stage  2 at Cambridge Folk Festival last year, Zoe is certainly attracting attention and we hope you enjoy this track which is also available on her EP, which can be found on Folkstock Records bandcamp.

Marina Florance is a prolific and revered singer songwriter based in Norfolk. A darling of the East Anglian BBC Stations, Marina has also had her music chosen by Soundcloud as Track of the Day ! Coming to performance of her own material later in life than most, Marina’s sultry ‘chocolate’ voice wins hearts the world over and captivates from the first note.

Minnie Birch  has been played on BBC Radio 1 and has caught the eye of that legend that is Joan Armatrading, supporting her on four gigs over the last two years. Her debut album is due for release this year and will no doubt build on the success of her beautiful EP Settled and consolidate her reputation and take her career to the next level.

Kaity Rae is our youngest contributor and is studying songwriting at The Institute in N. London. Recently awarded ‘Student of the year’, Kaity is on the prestigious resident artist RoundHouse programme, was a finalist in the GIGS: Big Busk song awards, won her category of Love Folk Live & has released her debut EP Spark Nov 2014. This is an acoustic version of one of her EP tracks.

Kelly Oliver  gained a 4* review from The Telegraph for her debut album This Land, which was funded by an Emerging Excellence Award from Help Musicians UK. It also won best female album from FolkWords and was shortlisted by FATEA. With BBC Radio 2 airplay and a video session with Whispering Bob Harris helping to sell out headline gigs, the future is looking bright.

Daria Kulesh’s cut glass vocals conjure an exotic elegance which is prevalent in her songs. Aided by her Russian heritage and ruthless lyrics, her dramatic delivery excites and entices you to carry on listening. This track is from her debut album Eternal Child which is gaining exultant reviews and looks set to provide her with the showcase needed to establish her musical career on a firm footing.

Maz O’Connor is one of Folk’s rising stars and attracted a BBC Radio2 Folk Award nomination as well as a Creative Fellowship from the BBC Performing Arts Fund. 2014 brought a rapturous reception for her acclaimed second album This Willowed Light and we are thrilled that Wild Sound Recordings kindly gave permission for us to re-record a stripped back version of this stunning ‘alternative creation’ story.

Fay Brotherhood  is an enigmatic artist in many senses of the word. Her creative outpourings are at their most visceral in her live performance and her distinctive voice and almost paganistic delivery has attracted much interest and acclaim. Her music transports to the heady, trippy days of the 60’s and brings you bang up to date with a modern twist in the tale.

Label website:  http://www.folkstockartsfoundation.com/