SINGLES BAR 40 – A round-up of recent EPs and singles

Singles Bar 40EDDI READER releases a new EP, Starlight (Reveal) which lifts the title track and ‘My Favourite Dress’ from her recent Cavalier album and adds three hitherto unavailable covers from the same sessions.

First up, featuring assorted friends and relative son backing vocals, is James Grant’s ‘Scarecrow Song’, a slow waltz lament of an old soldier, home from the wars with no sense of purpose and no welcome. Grant plays guitar on both that and John Douglas’s jauntier waltztime honky tonker ‘No Reply Dot Com’ with John McCusker on fiddle and John Douglas on ukulele. The third stays in waltz mode, but slows it down again for ‘Build High, Build Wide (In Contempt)’, a new musical setting of a folk song by the poet Aaron Kramer and Betty Sander written in protest to the jailings by Senator Joseph McCarthy’s Un-American Activities Committee.
http://eddireader.co.uk/

Singles Bar 40JOHN MOSEDALE says he spent “half a lifetime chasing the dream” in other areas of the business before an encounter with Richard Digance set him on the route to acoustic music.  Twenty Seven is his debut EP. Nothing is overworked and the songs are gentle or gently humorous like ‘My Dog Has 3 Balls’. ‘The Old Man In The Mirror’ is a reflection on aging and the fact that John has begun a new life in his mid-fifties, a theme continued in ‘The River Of Life’. ‘Four Left Feet’ is a charming, if perhaps slightly dated, portrayal of youthful romance and the title track is the first song John that wrote and is one he always finishes his set with. This version was recorded live at Bromsgrove Folk Club.
www.johnmosedale.com

Singles Bar 40Out at the start of May, BEN MORGAN-BROWN self-releases his fourth EP, Nameless Gold, recorded live in the studio on a January morning, all first takes with no edits or overdubs, and featuring three songs and two instrumentals.

One of these is the opener, ‘Windowsills’, a reflective fingerpicked open-tuned number that sets the mood for what follows. The title track continues the mood weaves memories inspired by Ben’s wedding ring, recast using gold from his late father’s, and traces an emotional legacy and heritage from father to son.

Looking back on the past, and how quickly a decade can fly, is also at the heart of ‘Ten Years Passing’, is a lively upbeat circling melody fingerstyle blues that recalls a summer spent living in a caravan, listening to folk music, teaching himself guitar selling fudge and ice-cream and working in the country’s largest bookstore in Piccadilly Circus, the song musing on how the experiences we have shape who we become.

The tempo shifting between slow and frisky, the second instrumental, the fingerpicked ‘Let A Sleeping Dog Lie Pts 1 & 2’, was the only piece of music that Ben’s young rescue Border Collie Jake would settle down to, clearly showing how canines can have great musical taste. It ends with another fingerpicked circling melody number about the passing of time, ‘Only So Young’, inspired by two photographs of his father, one of him holding Ben the day he was born, the other of the two side-by-side shortly before he died, as, punctuated by whoo-hoos, he softly sings of not letting life can pass you by while you wait for it to happen.
https://benmorganbrown.co.uk/

Live At St GilesLive At St Giles is the new EP from the remarkable BRICKWORK LIZARDS who blend middle-eastern sounds with a love of pre-war jazz. ‘Nikriz Longa’ is definitely in the former category with Tarik Beshir’s oud to the fore before Stephen Preston’s trumpet muscles its way in. ‘I Want To Spend The Night With You’ takes us back to the thirties with four close-harmony voices, that distinctive percussion sound and Preston’s trumpet again. ‘Roses’ requires a singer in a white dinner suit while ‘Sama’i Waltz’ takes us eastwards again – an swirling eight-minute epic featuring improvised lyrics by Beshir.
www.brickworklizards.com

Boat To RowBirmingham’s BOAT TO ROW offer a second taster of forthcoming album Rivers That Flow In Circles with ‘On Your Own’, further indication of their journeying into new, unexplored territories. A gorgeous, summery sound with breezy guitars and brass flourishes, as well as backing vocals from Katherine Priddy, it conjures the heady days of 70s Laurel Canyon and the SoCal sounds of Joni, James, CS&N and Seals & Croft.
https://www.boattorow.com/

SiveWe enjoyed ‘Holding’, he last single by Irish singer-songwriter SIVE. It reappears on her eponymous EP but gives ‘Quietly’ the honour of opening the show. Sive has an MA in community music with a special interest in healthcare which emerges in ‘Do It All The Time’, possibly the best song in the set. Sive keeps her public and private lives separate but we do know that she already has two albums to her credit.
http://www.sivemusic.com/

SkylarkAs a prelude to his new album, Songs From Aurora, DAVE FIDLER releases a single of the radio edit and the full album version of ‘Skylark’. It’s an upbeat song featuring finger-picked guitar and just a hint of slide. “The skylark only calls when it’s climbing” is the take-home message and it seems very appropriate for these troubled times.
http://www.davefidler.com/

One More DayCo-written with Jules Fox Allen and arranged for acoustic guitar and violin, MARINA FLORANCE releases ‘One More Day’ (Folkstock), a yearningly simple, heartfelt song of regret at not saying what you feel or doing what you want and then finding it too late.
https://www.marinaflorance.com/

Ultan ConlonWritten over Christmas, which probably explains the festive sway feel to the melody, Ulsterman ULTAN CONLON offers up ‘In The Blink Of An Eye’ (DarkSideOut), which, conjuring familiar mainstream Irish country singalongs, offers encouragement that, whatever trials and tribulations beset us, we will all ultimately recover.
www.ultanconlon.com

Learn To GrowYou’d think that butter wouldn’t melt in IZZY DERRY’s mouth then you hear her sing! ‘Learn To Grow’ is her new single – a taster for her new EP. It’s a pounding slab of folk(ish)-rock with thumping drums, singing electric guitar, bass and piano and a huge voice. This woman will be a star.
http://izziederry.com/

Dance The Hempen JigThe upbeat melody that TIMOTHY HOAD has written seems inappropriate for a title like ‘Dance The Hempen Jig’ but this is a song of survival not a man’s sorry end. “I was never one to dance the hempen jig” emerges as the defiant message after the instrumental break – just keep on going.
https://www.facebook.com/timothyhoadmusic/?ref=page_internal

Field medicFIELD MEDIC (aka Kevin Patrick from Los Angeles) releases ‘The Bottle’s My Lover, She’s Just My Friend’ from his new album Fade Into The Dawn. He backs a suitably cracked vocal performance with a lazy strummed guitar and some rather intriguing sounds in the background. We’ll be reviewing the album very soon.
https://fieldmedic.bandcamp.com/

Chloe FoyOh you are not well, you cannot string your thoughts together” are the opening lines of CHLOE FOY’s new single ‘Oh, You Are Not Well’. Here in the editorial catacombs we know the feeling. Chloe is building quite a name for herself and this richly orchestrated song can do her nothing but good.
https://chloefoy.com/

RatsoAuthor, actor and musician Larry “RATSO” Sloman steps into the limelight at the age of 70 with an album, Stubborn Heart, and a single, ‘Our Lady Of Light’ which features Nick Cave. There’s a lot of Leonard Cohen and a hint of Dr. John about this song, which is more than enough to make you investigate the long player.
http://www.ratso.org/

A Choir Of Ghosts‘Southwest Of The Moon’ is the new single by A CHOIR OF GHOSTS from his debut album, An Ounce Of Gold. He is probably Swedish and there is only one of him but there is very little else we can tell you that makes much sense. It’s a good song, though, and you can watch the video at…
http://www.achoirofghosts.com/

SINGLES BAR 32 A round-up of recent EPs and singles

Singles Bar 32Named for the Virginia city, but based in Nashville, ROANOKE are a rising Folk Americana five-piece led by guitarist Joey Beesley and Taylor Dupuis, alongside fellow band members Zach Nowak on mandolin, acoustic guitarist John Fiorentino and drummer Kyle Breese. Following on from their self-titled 2016 debut, the songs written in a remote Michigan cabin, Where I Roam is a self-released five-track EP that augments the band’s instrumentation with pedal steel, violin, lap steel, bass and keyboards, opening with the Fleetwood Mac-like Tennessee Stone, Dupois playing Nicks to Beesley’s Buckingham. Dupois again on lead, ‘Don’t Let Me Leave The Road’ is more of a keening country persuasion while Beesley steps upfront for slow waltzer ‘Ghost Of Love’.

Their pop sensibilities can be heard to good effect on the harmonies sung violin-emboldened wistful ballad ‘Silent Films’, the collection closing on another ballad note, Breese’s harmonica providing backdrop flourishes as Beesley and Dupois, at her best Southern country soulfulness, trade verses on the organ-backed weary of the road ‘I’m Coming Home’, their harmonies showcased in the build up to the climax. A few UK dates would help spread the word.
http://www.roanokeband.com/

My Home In ArgyllYou won’t be surprised to learn that ELIS MACFADYEN comes from Argyll even though he’s now a well-known figure around Inverness. My Home In Argyll is his debut EP on which he’s accompanied by multi-instrumentalist producer Marc Clement and, on the title track, by Michael J MacMillan. These four songs are all Macfadyen originals, frequently employing a country style that so often suits Scottish songwriters. In fact, ‘The Girl From The Rodeo’ was written for a local country band.

‘Too Young To Settle Down’ is a clever tale of misadventure over the rhythm of a train rattling across the country and initially you think you understand why the young man is in such a hurry only to realize that the situation is quite the reverse. Finally, ‘She Smiled For Me’ abandons the country style for that of a big pop ballad, perhaps a little overdone but it shows off Elis’ musical ambitions.
https://www.facebook.com/elismacfadyenmusic/

The Road BookBorn and bred in the south of Belgium (in an area called Gaume to be precise) NICO G now lives near Stirling, Scotland, where he continues to make music. He is an instrumentalist; a guitar player and a very good one at that. His most recent offering of songs is in the form of a five track EP, titled The Road Book. The format is simple, one man and his guitar – and it works wonderfully.

Four of the five tracks are originals, with the exception of an intriguing arrangement of Rolling Stones’ classic, ‘Paint it Black’ which opens the disc. It’s not overbearing or forced, in fact, it fits the record’s mood perfectly, as similar shades and approaches continue to be found in the folkily fingerpicked ‘From The Beginning’ and its equally folkie companion, ‘No More Questions’. Written in Austria, this is quite possibly the most beautiful track on the disc. It has a wandering, bitter-sweet summer feeling to it, created through its simple melody…that isn’t actually all that simple at all. It has the flowing qualities of classical guitar techniques, as well as those of the folk revivalists. Bowing out on some lovely harmonics, we are gently ushered into the twists and twangles of the penultimate ‘Jour 100’, before Piedmont-esque styled ‘The Wee Blether’ concludes the recording.

It is ironic that a ‘blether’ should end a collection of instrumentals, and indeed a collection of instrumentals might not appeal to everyone, but believe me, this is simply beautiful. Nico’s talent is obvious and this taster of his work only leaves you wanting a little bit more of the uplifting melodies, pitch-perfect harmonics and beautiful guitar playing which make up The Road Book.
www.nico-g.eu

ConsilienceTHE Nth DEGREE are a trio from Cardiff – Will Christofides, Tim Johnston and Sarah Johnston – making their debut with a four-track download EP, Consilience. It opens with the logic-twisting ‘Things’ which has a simple guitar based arrangement until Tim breaks in on cello with Sarah on whistle. Sarah takes over the lead vocals for ‘Summer Night’ while the two chaps enjoy interplaying guitar parts. ‘Broken Earth’ expands the arrangement a little with Tim’s synthesiser – it’s a song protesting the damage done to the land by industry but the lyrics could be clearer. There’s a real twist at the end with ‘Never Weather Beaten Sail’ by Thomas Campion and Charles Hubert Parry. The Nth Degree perform it like a folk trio tackling a hymn with cello for gravitas and harmony vocals. Good as their original songs are, this could be the track that makes them.
thenthdegreeuk.bandcamp.com/releases

WoodsA CHOIR OF GHOSTS is the secret identity of Swedish singer James Auger, whose debut EP, Woods, was released at the end of June. James doesn’t sound very Swedish either stylistically or vocally but the title track was inspired by the sound of tree-felling in the north of the country – timber is a major source of Sweden’s revenue. This isn’t a song of ecological protest however, the sound merely sparked his imagination. ‘Ester’ and ‘Morning Light’ have already been released as singles but it’s worth going for the full set.
http://www.achoirofghosts.com/

Perfect‘Perfect’ is the first single from Welcome To The Batlands, the debut album from Belfast singer ETHAN HANNA. It catches you out at first, opening with a thoughtful acoustic guitar before the band crashes in and once you get over that you’re grooving to a gravel-voiced rocker with a song that’s full of compelling images: “did you want to ink your arms to say ‘look at the mistakes I made’”; “Here’s a tape I made/it follows all the mistakes I made” and “I miss you now that we’re twenty-three/I think we might have lost our fight”. The track peters out with a sad acoustic guitar, a few notes that spell desolation. Excellent stuff.
https://www.facebook.com/EthanHannaOfficial/

WeightJOSH McGOVERN growls his idiosyncratic way through his new single, ‘Weight’ describing, in a very bleak style, the end of a relationship and the state of his mental health. You might think from that description that it’s going to be hard work but far from it. It opens with a stunning line; “On a cold early morning on the hill all my best man fell” – a battle, real or emotional, with the singer as the loser? You can go where you want with that idea.
https://www.facebook.com/Joshmmusic/

Billy LockettSinger-songwriter BILLY LOCKETT has released a double A-side single in advance of his summer/autumn tour. ‘Fading Into Grey’ is a big heartfelt song about a relationship dragging on beyond its use-by date. ‘My Only Soul’ is equally powerful but slightly off-the-wall as the singer wishes that he believed in ghosts so he could see his loved one – his only soul – again.
http://www.billylockett.com

High TideVELVET & STONE have released a rather lovely single, ‘High Tide’ with all the profits going to Cancer Research. It opens with a gentle but insistent acoustic guitar with a few notes of electric guitar before Lara Snowden’s vocals come in and Kathryn Tremlett’s violin lifts the song to another level before her piano leads it away.
https://www.velvetstonemusic.com/