NAOMI BEDFORD & PAUL SIMMONDS – Singing It All Back Home (Dusty Willow Records DWR005)

Singing It All Back HomeIt has been my experience that any record with Naomi Bedford’s name on it is worth listening to and adding Paul Simmonds to the mix practically makes it mandatory. With Singing It All Back Home they turn their back on their customary songwriting and present a set of Appalachian songs with roots in English and Scottish traditional songs. Despite their southern English backgrounds, Naomi and Paul sound authentically American particularly when they hit their harmonies.

Alone, they are just two voices and acoustic guitar but here they’ve assembled a cast of musicians who work together seamlessly well. Dan Stewart and Ben Walker, who co-produced the album, play banjo because you can’t have an Appalachian album without banjo and Ben also plays guitar and mandolin. Ben Paley plays fiddle, Rory McLeod adds harmonica and Lisa Knapp supplies hammered dulcimer. All of this comes over the engine room of Rhys Lovell’s bass and Billy Abbot’s drums and percussion.

The first few titles are the less familiar ones – Naomi and Paul have delved deep into the archives – but from the first notes you know what these songs are and where they are from. The first, ‘I Must And I Will Be Married’, begins in a Celtic style but when Walker’s slide guitar comes in you know that you’ve crossed the Atlantic. The melody of ‘The Fateful Blow’ sounds vaguely like ‘Johnny Todd’ but not quite and ‘A Rich Irish Lady’ surfaced later as the better-known ‘Pretty Saro’.

The first well-known track is a raucous ‘Hangman’ (‘Prickle-Eye Bush’ or ‘Gallows Pole’ if you prefer) and ‘Matty Groves’ needs no introduction but here there are rarely sung verses and variations I haven’t heard before. ‘The Sheffield Apprentice’ isn’t a song I expected to find here but I should have known that Hedy West recorded back in the 60s. Finally we have ‘The Foggy Dew’, a song well-known on both sides of the water.

If I must be critical, I would have liked notes about the origins of these versions. Not only is Singing It All Back Home a very enjoyable album, and it can be listened to on that basis, but also an important collection, particularly for someone like me – by no means a scholar but with a more than passing interest in the history of the songs.

Dai Jeffries

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link to the US Storehttps://folking.com/folking-us-storefront/


Artists’ website: www.naomibedfordandpaulsimmonds.bandcamp.com/

‘Who’s That Knocking’:

Naomi Bedford and Paul Simmonds announce new album of Appalachian songs

Naomi Bedford and Paul Smmonds

The Appalachian ballad form has been liberally sprinkled throughout Naomi Bedford and Paul Simmonds’ albums to date. For the next project, they have recorded a full set of songs with English and Scottish roots entitled Singing It All Back Home.

This is no museum piece. In keeping with the folk tradition, the songs have been revised and re invigorated whilst staying true to the heart of the stories.

The project began with a very simple premise; to rediscover, explore and celebrate the ballads that had been such a strong influence throughout Bedford’s childhood. It’s only the most vital works that can survive nearly three centuries as living, still valid pieces and the Appalachian ballads are certainly that.

Greatly aided by the marvellous Shirley Collins, who generously donated her time, encouragement and research materials, and by Folk Award winner Ben Walker on production and multi instrumental duties, the material was chosen, rehearsed and recorded live in the summer and autumn of 2018 in Brighton. With a cast that also included Justin Currie, Rory McLeod and Lisa Knapp, the album moulds influences from England, Scotland and South East USA to stir the great melting pot of folk and roots styles.

Launching officially at home of folk music Cecil Sharp House in London on June 6th, the project will then tour throughout the UK in 2019. With new arrangements and the power of Bedford’s evocative voice, these legendary songs continue their transatlantic voyage.

‘A partnership that is complementary in every respect’ Songlines Magazine

‘Easy to get besotted with’ Froots Magazine

‘Thrills, soothes and haunts in equal measure’ Uncut Magazine

Artists’ website: www.naomibedford.com

‘I Must And I Will Be Married’ live: