“The Men were up from Kent, and out of Essex too – Though naught but the Thames divides us and unites us onwards – Through all the villages of England and on to London town”. Well maybe not quite the “Wat Tyler” rallying cry (by way of Fairport Convention) … However … Paul Johnson was coming from Kent and I from Hampshire to see Naomi Bedford and Paul Simmonds launch Singing It All Back Home at Cecil Sharp House in North London on Wednesday 5 June and it felt like a traditional folk and Appalachian call to arms.
Many will know Naomi Bedford, but for those that have not made her acquaintance yet, she is an English roots singer that was introduced to the wider world in 2001 after a guest appearance on later with Jools Holland with the band Orbital. Justin Currie from Del Amitri describes Naomi as “An English Emmylou” and Shirley Collins as “A favourite voice of mine… I love to hear her sing”.
Naomi Bedford’s official debut album, Tales From the Weeping Willow was released in 2011 and featured guest contributions from Paul Heaton, Justin Currie, Alasdair Roberts and Paul Simmonds (from The Men They Couldn’t Hang). A History of Insolence (reviewed here – https://wp.me/p5SuEn-4eU) followed in 2014 which picked up a Radio 2 Folk Award nomination in the Best Original Song category (alongside her musical partner Paul Simmonds), for The Spider and the Wolf. This was then followed by Songs My Ruiner Gave to Me (reviewed here – https://wp.me/p5SuEn-aGQ) in 2017 which added Paul Simmonds name officially to the album title.
However, the concert was all about the new album Singing It All Back Home, as indeed was the first half of the show. You could tell it was going to be a special night as the musicians joining Naomi Bedford and Paul Simmonds incorporated the national guitar, banjo and mandolin wizardry of Ben Walker (who also produced the album), the 12-string guitar and backing vocals of Richard Leo, the stunning harmonies of Donna Edmead and the bass of Rhys Lovell.
I Must And Will Be Married kicked things off with some great stage banter on the songs content preceding it. I was also filming and taking photos throughout the performance, so I’m not sure of the exact running order but feel confident that A Rich Irish Lady (learnt from Naomi’s mother from the Hedy West version), Hangman and The Rebel Soldier were all in the first set. Hangman had its roots in the Jean Ritchie and Peggy Seeger version with a nod towards the folk/country/rock versions of Gallows Pole. The Rebel Soldier closed the first set and that wonderful moment was captured in my video below.
In the second set, the Hedy West theme continued (one of Bedford’s seminal influences) with The Sheffield Apprentice, again from the new record. The harmonies throughout the night were really amazing with songs like Hands On The Plough and Who’s That Knocking (again from the new album) benefitting from the full 4 part harmony with Bedford, Simmonds, Edmead and Leo.
In traditional territory, but closer to home came Gypsy Davy (from the album A History of Insolence: Songs of Freedom, Dissent & Strife), with a vocal delivery approach from Bedford that was very much on the other side of the Atlantic, drawing on Jean Ritchie (Naomi’s favourite version) and the Tom Paley and Peggy Seeger version to produce a mashed up version of the two with the sentiment of Woody Guthrie.
The second set also included the chilling The Cruel Mother, this version set in New York to accommodate the arrangement from the album Songs My Ruiner Gave To Me. They closed with Railroad Bill from the album Tales from the Weeping Willow from 2011.
A great night, that breathed new life into their collected versions of Appalachian songs that had very much been rooted in the heart of the English and Scottish song tradition. Cecil Sharp House was the perfect place to launch the album.
Paul Johnson and I caught up with Naomi and Paul after the show. Click the play button below to listen to the interview.
Artists’ website: https://www.naomibedford.com/
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