Sam Amidon releases Bright Sunny South on May 13 2013

sam amidonTo coincide with the release of his Nonesuch Records debut, Sam Amidon will play a show at Bush Hall in London on May 23.

Nonesuch Records releases the new album, Bright Sunny South, on May 13. Produced by Amidon with his childhood friend and longtime collaborator Thomas Bartlett (a.k.a. Doveman) and legendary English engineer Jerry Boys (Buena Vista Social Club, Vashti Bunyan, R.E.M.) and recorded in London, the record features a band made up of Bartlett and multi-instrumentalists Shahzad Ismaily and Chris Vatalaro. Jazz trumpeter Kenny Wheeler also makes a cameo. Amidon himself not only sings but also plays banjo, fiddle, acoustic guitar, and piano on the album. It includes the single ‘My Old Friend’, which is featured below.

Amidon describes Bright Sunny South as a “a lonesome record” and a return to the more spare sound of his 2007 self-recorded debut, But This Chicken Proved Falsehearted: “There was an atmospheric quality to my last two records; those albums are like a garden of sounds,” says Amidon, “but this one is more of a journey, a winding path. The band comes rushing in and then they disappear. It comes from more of a darker, internal space.” A longtime admirer of Boys’ work, Amidon was particularly enamoured of his recordings with Martin Carthy in the 1970s, as well as the Ali Farka Touré/Toumani Diabaté duet albums on World Circuit/Nonesuch: “Those are so beautiful. I listened to all of that. I loved the sense of documentation, the unadorned quality. Everything sounded so clear.”

The Vermont-born and raised, London-based Amidon is known for his reworking of traditional melodies into a new form. In addition to country ballads and shape-note hymns, Bright Sunny South features interpretations of traditional and contemporary songs, including Tim McGraw’s ‘My Old Friend’ and Mariah Carey’s ‘Shake It Off’. The record also includes a version of ‘Weeping Mary’, a shape-note hymn that his parents, Peter and Mary Alice Amidon, had recorded with the Vermont-based Word of Mouth Chorus for Nonesuch Records on the 1977 disc Rivers of Delight: American Folk Hymns From the Sacred Harp Tradition.

Bright Sunny South follows 2010’s critically acclaimed I See the Sign, which earned Amidon praise from SPIN for his ‘Quirky alchemy…contrasting pretty sounds with violent lyrical undercurrents’

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In addition to his solo albums, Amidon has collaborated on performances pieces with musical polymath Nico Muhly, toured as part of Thomas Bartlett’s group Doveman and the Brooklyn band Stars Like Fleas, collaborated with Beth Orton, and embarked on a series of live shows with the guitarist Bill Frisell.

Artist’s website: www.samamidon.com

ANI DIFRANCO RETURNS WITH HER FIRST NEW ALBUM IN MORE THAN THREE YEARS…

Singer/songwriter/guitarist Ani DiFranco has announced the upcoming release of her eagerly awaited new album. ¿Which Side Are You On? arrives via the Grammy-winning artist’s own Righteous Babe Records on January 17, 2012.

¿Which Side Are You On? marks DiFranco’s first studio album in more than three years. The collection features 11 new songs alongside a radically reworked rendition of the classic title song, famously popularized by the one and only Pete Seeger nearly five decades ago, but no less relevant today. Backing DiFranco is a remarkably diverse line-up of stellar musicians, including members of her own crack touring band as well as such guest players as Ivan and Cyril Neville (of New Orleans’ first family of funk and R&B, The Neville Brothers), avant-saxophonist Skerik (Pearl Jam, R.E.M., Bonnie Raitt, The Meters), acclaimed singer/songwriter (and Righteous Babe recording artist) Anaïs Mitchell, guitarist Adam Levy (Norah Jones, Tracy Chapman, Amos Lee), and a host of New Orleans-based horn players known for their work in such outfits as Galactic, Bonerama, and The Rebirth Brass Band.

What’s more, Ani is joined on her stunning new version of “¿Which Side Are You On?” by the aforementioned Pete Seeger, whom she praises as “my elder, my forefather in folk music and political song.” DiFranco was inspired to record the famed protest anthem after being invited to perform at Seeger’s 90th birthday celebration at Madison Square Garden in May 2009. She contributed her own straight-from-the headlines verses to the song and has used it to close her own live shows ever since. The newly recorded version of “¿Which Side Are You On?” is a funk-fueled epic, incorporating not just Ani’s band, but Seeger himself on banjo and vocals alongside The Rivertown Kids, a Hudson Valley-based children’s chorus, and The Roots of Music Marching Crusaders, a brass band consisting of students from The Roots of Music, a music education program for at-risk middle-school students in New Orleans.

“All of my musical community, my comrades, are in there,” says Ani of the cross-generational recording. ¿Which Side Are You On? was co-produced by DiFranco and her longtime collaborator Mike Napolitano over a series of sessions in 2010 and 2011. The basic tracks feature two slightly different versions of Ani’s touring band, recorded at Bogalusa, Louisiana’s renowned Studio In The Country, Brooklyn, New York’s Brooklyn Bridge Studio, and her own New Orleans home studio, The Dugout.

The album represents an extraordinary snapshot of DiFranco’s own life as well as her sense of where the country stands at this particular moment in time. The long gap since 2008’s acclaimed Red Letter Year offered an array of new opportunities, including a backlog of songs and the ability to painstakingly fine-tune new recordings.

Many of the songs featured on ¿Which Side Are You On? are reflections on growing older and being totally okay with that process. As she sings on “If Yr Not,” “If yr not getting happier as you get older/then yr f**king up.” Elsewhere, Ani tackles some of the many crises that are currently confronting the nation and the world, spanning environmental disaster, government inaction, and a culture hooked on comfort and acquisition at any cost. Songs such as “Amendment” and “J” see DiFranco addressing these issues with a directness that is striking even for an artist long known for her activism and outspoken point of view. “I’m testing deeper waters with the political songs on this album,” she says. “I feel a little bit frustrated, politically desperate. After having written hundreds of songs over decades, I think, ‘Now what? How far can I go with this? Can you sing the word ‘abortion,’ can you sing the word ‘patriarchy’ – what can you sing and get away with? I guess I’ve been pushing my own boundaries of politics and art. Seeing what people have the ears to listen to. How big is my mouth? What can I get out of it successfully?

The last two decades have seen DiFranco staking a historic claim on popular music, spanning 16 studio albums and countless live recordings (including 1997’s RIAA gold-certified Living in Clip), EPs, and compilation contributions. Along the way she has amassed a devoted fan following, received numerous awards and nominations, earned rapturous reviews, and basically rewrote the rules of the recording industry. Now Ani’s recommendation about the album’s opening track “Life Boat” can be said to apply to ¿Which Side Are You On? as a whole: “Just listen, drop your idea of who is singing and what you already know they’re saying, and go somewhere else, open yourself up to a new story.”

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