ROSE’S PAWN SHOP set to release DANCING ON THE GALLOWS

Rose’s Pawn Shop dancing on the gallowsSinger-songwriter Paul Givant grew up on the disparate array of popular musical styles any late 20th century kid did. And in that mishmash of rock, punk, country, pop, rap, and all the rest, it was American Folk and Bluegrass music that rooted deepest, transforming him and his songs. Having played in various rock bands since early high school, in 2004 Paul decided it was time to take his growing batch of old style/new school folk songs, and build them into something greater, more ferocious. The songs were there, volatile, almost flammable, but if they were to attain their potential greatness, he was going to need help.

Through a series of chance meetings and twists of fate Paul hooked up with kindred spirits in Sebastian St. John, Derek O’Brien, Bill Clark, Derek Swenson, and John Kraus and in 2005 they laid the foundations of the band that would soon become Rose’s Pawn Shop. They combined the old style American sounds of Woody Guthrie, Bill Monroe, and Hank Williams, the high energy punk of The Ramones, and The Pogues, and the melodic songwriting sensibilities of Elliott Smith and The Beatles, creating something musically unique.

The final ingredient was added one fateful day when Paul’s scorned ex-girlfriend/former band mate, in an act of revenge, stole the band’s instruments and gear and took them down to the local pawn shop. Priceless. Rose’s Pawn Shop was born…

In spring of 2006 after months of playing live and breaking ground around Los Angeles, the band recorded and released their debut album The Arsonist, which soon won critical praise from numerous print and online publications and they’ve been touring the United States almost non-stop ever since. On any given day you might find Rose’s Pawn Shop playing the Georgia Theatre in Athens, busking the streets of Jackson Square in New Orleans, opening for Jack White and The Raconteurs at the Henry Fonda Theatre in Los Angeles, ripping the walls off the club in their month long residency at the Parkside Lounge in New York City, or hitting the main stage of Floydfest in Virginia. On any given day they’re out there, growing their music, igniting their passion, and converting an ever increasing congregation of loyal fans.

More recently, Rose’s Pawn Shop entered the studio with renowned producer Ethan Allen (Patty Griffin, Counting Crows, Luscious Jackson) to record the second album, Dancing On the Gallows, on which Rose’s Pawn Shop rise to a new level of song craft and sound experimentation, while retaining the same fiery intensity and excitement of their early material.

With wisdom beyond their years, they fearlessly confront traditional country music themes of loss, lamentation, and redemption, while throwing in some drinking-songs for good measure. Sure, they’re borrowing pages from the books of Hank Williams, Bill Monroe, and Johnny Cash, but Rose’s Pawn Shop takes those pages, tears them up and sets them on fire with breakneck speed, bluegrass instrumentation, 3 and 4-part vocal harmonies and lyrics that’ll break your heart.

Whether it’s the dreamy snake-charm-thump of ‘Lone Rider’, the wistful whisky-soaked wisdom of ‘Down The Line’, the honky-tonk ruckus of ‘Funeral Pyre’, or the Gypsy-infused mandolin twang of ‘Reckoning’, Rose’s Pawn Shop will hook you. Like catfish from the creek, they’ll reel you in. And they won’t let you go.

Rose’s Pawn Shop is now: Paul Givant (lead vocals, acoustic guitar, banjo), John Kraus (banjo, electric guitar, vocals) Tim Weed (fiddle, mandolin, vocals) Stephen Andrews (upright bass) and Christian Hogan (drums).

Artist’s website: www.RosesPawnShop.com

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“Rose’s Pawn Shop makes a statement with their music. Life is hard and we’re gonna sing about it and get over it. Sometimes its upbeat, sometimes its slow and sorrowful. Regardless, they know their roots and that is remarkably bold.” KEXP, Seattle

“You can feel the whole barn rumble on Dancing On The Gallows … with booming bass drum, in your face fiddle,and runaway-train banjo… will, bluegrass fan or not, have the toe of your worn leather boot tapping in no time.” No Depression

Bap Kennedy THE SAILORS REVENGE

For nearly any singer/songwriter on the planet, the idea of collaborating with Mark Knopfler would be the stuff of fantasy. But for Bap Kennedy, it was just the latest in a long line of projects with high profile, and highly respected, musical legends. For a man who has worked with Steve Earle and Van Morrison, to name just two, an offer to record an album in the Dire Straits frontman’s own studio was another musical milestone. THE SAILOR’S REVENGE, the album that Kennedy wrote and Knopfler produced, features songwriting that grows stronger with every listen, assisted of course by Knopfler’s distinctive delicious guitar and tasteful widescreen production.

“The best singer songwriter I ever saw” Steve Earle

Bap’s first encounters with the record business were as rhythm guitarist, lead singer and primary songwriter for Belfast rockers Energy Orchard, with whom he recorded 5 albums. When the band left Belfast, they established themselves as legends of London’s live music scene. It was while he was in Energy Orchard that Kennedy first worked with compatriot Van Morrison, who gave the band several support slots to supplement their own hectic touring schedule of both the USA and Europe.

When Energy Orchard split up, Bap had little time to rest, because alt-country superstar, and longtime Energy Orchard fan, Steve Earle soon contacted him, suggesting that he would produce Bap’s first solo album.

Kennedy agreed, and soon found himself on the plane to Nashville, TN, where he would record DOMESTIC BLUES. The album featured several of Nashville’s most highly regarded musicians, including Jerry Douglas, Peter Rowan and Nanci Griffith. It was a real success, getting into the top ten of the Billboard Americana chart.

The follow-up album, LONELY STREET, was an artistic project based on, and dedicated to; two of Bap’s childhood musical heroes, Hank Williams and Elvis Presley and his next album THE BIG PICTURE would see Bap returning to work with Van Morrison, who had supported Kennedy since his Energy Orchard days. THE BIG PICTURE was recorded at Morrison’s studio, and included a Bap and Van co-write, Milky Way. The album also featured guest vocals from Shane MacGowan, lead singer of the Pogues, on the song On the Mighty Ocean Alcohol, and a reading from Carolyn Cassady, one of the leading figures from the Beat generation of American writers, at the end of the beautifulMoriarty’s Blues.

For Howl On, released in 2009, Bap recorded in his native Northern Ireland for the first time in his solo career and, much like with LONELY STREET, returned to writing a series of songs on a subject that had fascinated Bap in childhood.

THE SAILOR’S REVENGE features Kennedy’s most mature and sophisticated songwriting to date, an achievement in itself when you consider his back catalogue. Bap is joined by guest musicians such as Jerry Douglas, Glenn Worf and of course Mark Knopfler, all combining to ensure that the musicianship on the album is every bit as good as the songwriting. When it comes to the songs there are simply too many superb compositions to list here. Highlights include the album opener Shimnavale, a place that sits between the Irish Sea and the mountains of Mourne in County Down, inspired by old photographs of a family who lived there and Bap’s own experience as an immigrant. Working Man tells of Bap’s life as a builders labourer in the mid eighties while waiting for a record deal to come along and Jimmy Sanchez was written about the Chilean miners rescue where nineteen year old Jimmy, the youngest miner trapped was quoted as saying that God must want him to change, powerful words, hence the line in the song “I know I must change”.

THE SAILOR’S REVENGE is a phenomenal body of work and as “game changing” as a Freewheelin’ Bob Dylan with no brakes… We urge you all to buy it! folking.com

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Bap Kennedy is touring the UK, this month (March 2012), more information and the latest tour dates can be found at www.bapkennedy.com