UK debut album by AlascA

AlascA liveOn their debut UK release ACTORS & LIARS, AlascA play eleven tales and songs that have the tendency of lodging themselves in the old grey matter. AlascA’s music has a novel and poetic quality, which to me anyway, will leave a lasting impression.

The tales grow on you and the melodies that guide the lyrics to their end have a place in the past, the present and the future. Their lingering melodies will appeal to the listeners of current indie-folk, but will likewise inspire those who loved the folk sounds, close harmonies and lyrical subtleties of the ‘60’s and ‘70’s.

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ACTORS & LIARS by AlascAACTORS & LIARS was produced by Grammy-award winning engineer and producer Alan Branch (U2, Jeff Beck, Yusuf Islam, Blur, Nine Inch Nails). When released in the Netherlands in 2012 it peaked at No 9 in the Dutch charts in the week after its release (and stayed in the top 50 the subsequent six weeks) and received much critical acclaim in the Netherlands and Belgium. AlascA’s live performances are characterized by their shifts from intimate singer-songwriter tales to bombastic folk-rock explosions. AlascA are based near Amsterdam and consist of Frank Bond (vocals, guitars, bass), William Bond (harmonies, keys), Ferdinand Jonk (harmonies, banjo, 12-string guitar) and Louis van Sinderen (drums, percussion).

AlascA Photo: www.marcobakker.comThe band are inspired by a diverse collection of bands including the Beatles, Love, the Zombies, Beach Boys, Buffalo Springfield, CSNY, Neil Young, Bob Dylan, Tim Buckley, Gene Clark, the Doors, Fleetwood Mac, Pentangle, David Bowie, Big Star, Jeff Buckley, Radiohead, The Dears, The Shins, Fleet Foxes, Sufjan Stevens, Midlake, Yeasayer and Iron & Wine. AlascA have played on De Wereld Draait Door, the Dutch leading prime time television programme and have played at most of the major radio stations in the Netherlands such as Radio 1, Radio 2, Radio 3FM and Omrop Fryslan.

All the songs on the album apart from Déjà Vu, written by Ferdinand Jonk, were written by Frank Bond. Frank studied English Literature and Literary Sciences at the University of Amsterdam and obtained his Master of Arts Degree in 2009. Frank’s Ma Thesis is on Bob Dylan and provided a critical look into the most prominent academic approaches to Bob Dylan’s lyrics. The thesis was praised for its line of argument and the fact that it proposes a more productive and adequate analysis which also attempts to incorporate the musical elements of Dylan’s song lyrics. After graduation, the thesis was published. Frank, however, is and was not satisfied with the scope of the thesis and is currently working on a revision of his methods of analysis. He is also working on several essays on the various aspects of the current day music industry. In line with his background, Frank’s songwriting and lyrics are inspired by literature and philosophy, in particular Shakespeare, Keats, Coleridge, Yeats, Hemingway, Rimbaud, Pound, Joyce, Lucebert, Sartre, Foucault, Fowles, Kafka, Twain and Lawrence.

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For more information and the latest tour dates visit http://www.alascamusic.com/

Coty Hogue – When We Get to Shore

It’s exceedingly difficult to create a great live album, but with When We Get to Shore, Northwest US songwriter and folk singer Coty Hogue seems to have succeeded at just that. When recording live music, there’s no safety net. There’s no autotune to adjust the singing, or do-overs to cover up mistakes, but Coty Hogue clearly needs none of that. Her live album crackles with electricity and showcases her distinctly beautiful voice. It’s the kind of voice that’s equally at home singing a subtle, acoustic version of Bruce Springsteen’s “I’m On Fire” as it is singing songs from her own pen, or a mournful Appalachian ballad. Few singers today can claim that kind of diversity, but Coty Hogue walks these lines easily.

All these influences come from a life well-lived. Raised in Montana, Coty Hogue grew up with the awe-inspiring wide open skies and rugged mountains of her hometown embedded in her music. She left at a young age to move to Bellingham, WA, a small arts-based city nestled into the waters of the Puget Sound about an hour and a half North of Seattle. She nurtured her songwriting talent there, collaborating with other artists, including fellow songwriter Sarah Fulford (whose song “Jonah” opens the album, and whose songs have featured on all of Coty’s albums). In 2009, Coty moved across the country to Boone, North Carolina to work for a Masters in Appalachian Studies. She studied the old songs and ballads of Southern old-time music, immersing herself in their sparse, haunted landscapes. Returning to Bellingham, where she now lives, Coty’s carved out a space for herself in the national folk scene as a uniquely versatile singer, an artist whose music resonates with knowledge of our past history and hope for a bright future.

When We Get To Shore was recorded live before a joyous audience at Seattle’s renowned Empty Sea Studios. Recording engineer Michael Connolly has perfected the art of live recording, and it really shows on this album. Joined by fellow Bellingham musicians Aaron Guest (vocals/guitar) and Kat Bula (fiddle/vocals), Coty’s sound is rich and warm, but also intimately alone, unbuffered by studio trickery. The songs run the gamut of her influences, from a Fleetwood Mac cover (“Second Hand News”) to beautiful, thoughtful renditions of traditional songs like “Wedding Dress” and “Handsome Molly.” Coty’s songs feature prominently, like the graceful mourning of “Cannot Deliver,” and the bitter taste of “Fire and Ashes.” The album closes with a song from Bill Monroe and a song from Hazel Dickens, cementing Coty’s love for American roots music. Each song is treated with careful reverence, as Coty draws out its inner essence.

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Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us. Can’t find what you are looking for? Search Amazon Store below.