Fairport Convention Rising For The Moon: Deluxe Two-Disc Edition UMC/Island August 26th 2013

Fairport Convention Rising For The Moon Deluxe EditionFolking has just had word of the new deluxe edition of Fairport Convention’s fabulous 1975 recording, Rising For The Moon, an album that marked the only studio recording with Sandy Denny and the band members since her return to the group in 1974.

In 1969, the “classic” Fairport line-up recorded and released three albums (What We Did On Our Holidays, Unhalfbricking, Liege & Lief) all within a single year. At the end of that frenetic period, Sandy  quit the band to form Fotheringay, This again was short-lived as Sandy soon embarked on a distinguished solo career (some of these albums have also been released as Deluxe Edition series) before being drawn back into Fairport fold. She ‘officially’ re-joined in February 1974 during a four night stint at LA’s Troubadour club. A remarkable live recording of this legendary shows form part of this new release released and can be found on the second disc on this new edition of Rising For The Moon.

Fairport Convention Rising For The Moon Band PromoIt was 26 January 1974, when Fairport became the first rock band to play the Sydney Opera House, the Nine album line-up (featuring: Dave Swarbrick, Dave Pegg, Dave Mattacks, Trevor Lucas, and Jerry Donahue) had been augmented by Sandy Denny, who was now married to Lucas.  The result was the ground breaking Fairport Live Convention album (released in America as A Moveable Feast) which confirmed how much the band had benefited from having Sandy back on board. Then only weeks later, Sandy was fully integrated into the band again and the LA Troubadour dates present a Fairport that was at the top of its game. As was often the case with Fairport’s luck in the seventies, the band’s perilous financial situation meant that they couldn’t afford to purchase the tapes from Wally Heider’s Mobile organisation. Over the years, odd selections trickled out but it was only on the 2010 definitive 19 CD Sandy Denny box-set that the tracks featuring Sandy were properly mixed to their natural audible glory. Now, with additional performances by Trevor Lucas and Dave Swarbrick included, fans can enjoy this brief but memorable line-up at its absolute best.

Fairport Convention Rising For The Moon Band ColourThe set list at the Troubadour is also unusual in that it was substantially different to the songs performed on Fairport Live Convention. In fact the recording features several songs that the band have never performed again including: Trevor Lucas’ ‘Ballad Of Ned Kelly’ originally on the ‘Fotheringay’ album, and ‘Down Where The Drunkards Roll’ (Trevor had sung background vocals on the original version on Richard and Linda Thompson’s I Want To See The Bright Lights Tonight). Sandy performs a passionate version of Dylan’s ‘Knocking On Heaven’s Door’ and her own ‘Crazy Lady Blues’ performed here with an added verse and, dipping into the Fairport back-catalogue, with a haunting ‘She Moves Through The Fair’.

Further highlights include ‘Solo’ and ‘Like An Old Fashioned Waltz’ from Sandy’s third album, and a spirited cover of Dylan’s ‘Down In The Flood’. Swarb delivers an effortless version of the ‘The Hens March through the Midden’ and a spirited break-necked performance of ‘The Hexamshire Lass’. Sandy’s signature ‘Who Knows Where The Time Goes’ is there in all its majesty as well as a definite version of ‘Matty Groves’. The band also rocks out on ‘Six Days On The Road’ and ‘That’ll Be The Day’.

With Sandy back in the band, Island Records made a greater commitment to Fairport’s next studio recording and, to that end, Glyn Johns was brought in as producer for Fairport’s 10th studio album. Johns’ pedigree was impeccable: Rolling Stones, Beatles, the Who, the Eagles… and was emphatic that he wanted the new sessions to include only original material with no covers or traditional material.

The album was recorded at Olympic Studios in two blocks. The first sessions began in December 1974, but during a break in January, Dave Mattacks quit and was replaced by ex-Grease Band drummer Bruce Rowland, who played on the remaining tracks and stayed on for the tours following the album release in June 1975.

Fairport Convention Rising For The Moon Band MonoThe album included songs from all members of the band although seven of the album’s eleven tracks were penned in whole or partly by Sandy. Johns made them rehearse the new material, then sifted through to find the best and, on many levels, Rising For The Moon was indeed a triumph. Sandy is in fine vocal form; the band gels instrumentally and songs like the title track, ‘Stranger To Himself’ and ‘One More Chance’ (featuring blistering guitar from Jerry Donahue) are among Fairport’s best ever. Swarb’s ‘White Dress’ was sufficiently strong and was chosen as the album’s only 7” single.

Even Sandy – though happy with the finished album – recognised that the financial and personal strain it had put on the band made a split inevitable and by the end of 1975 guitarist Jerry Donahue and then Sandy and Trevor decided to leave the group. The original Rising For The Moon is now ripe for reappraisal whereas at the time it raised the question was it a Sandy Denny album or a Fairport album? Of course it’s both and, whichever way you look at it, it is one of Fairport’s and Sandy’s best and most underrated records.

Now enriched on this Deluxe edition by 21 additional tracks – including; a beautiful, previously unreleased performance of ‘White Dress’ (discovered in the LWT archive), an alternate mix of ‘Dawn’; a studio demo with Sandy and Trevor of ‘What Is True’; plus Sandy’s home demos of ‘After Halloween’, and ‘King And Queen Of England’, the latter written for the album but never recorded.

The album reviews at the time were largely positive. The Guardian judged the album “their best for six years… it ought to re-establish Fairport as a significant British band.” In the end it wasn’t to be; the rigours of touring and financial problems essentially drove the band to split. A truncated Fairport went on to record their final album for Island, Gottle O’ Gear, and in 1976, Jerry Donahue went off to work with Joan Armatrading; Trevor went on to produced Sandy’s 1977 album, Rendezvous; but within a year Sandy was dead and the folk scene lost its greatest heroine. Despite her solo success, the Sandy many of her admirers remember with most fondness is the lady who fronted Fairport Convention during their glory years. So here then, are the beautiful songs she wrote and the music she made with the band second time around.

DISC ONE

01: RISING FOR THE MOON  ( 4.08 )
02: RESTLESS   ( 4.01 )
03: WHITE DRESS   ( 3.44 )
04: LET IT GO  ( 2.00 )
05: STRANGER TO HIMSELF  ( 2.51 )
06: WHAT IS TRUE ?   ( 3.33 )
07: IRON LION   ( 3.27 )
08: DAWN   ( 3.42 )
09: AFTER HALLOWEEN   ( 3.38 )
10: NIGHT-TIME GIRL   ( 2.56 )
11: ONE MORE CHANCE   ( 7.58 )

BONUS TRACKS

12: WHITE DRESS ( 3:24 ) Live on LWT – 9/8/1975
13: DAWN – ALTERNATE VERSION ( 4:11 )
14: WHAT IS TRUE ? –  STUDIO DEMO ( 3:16 )
15: AFTER HALLOWEEN – DEMO ( 3:00 )
16: THE KING AND QUEEN OF ENGLAND – HOME DEMO ( 3:12 )

DISC TWO – LIVE AT THE LA TROUBADOUR

01: DOWN IN THE FLOOD    ( 3:13 )
02: BALLAD OF NED KELLY ( 3:59 )
03: SOLO ( 5:40 )
04: IT’LL TAKE A LONG TIME ( 5:35 )
05: SHE MOVES THROUGH THE FAIR ( 4:09 )
06: THE HENS MARCH THROUGH THE MIDDEN & THE FOUR POSTER BED (3:17 )
07: THE HEXAMSHIRE LASS ( 2:44 )
08: KNOCKIN’ ON HEAVENS DOOR ( 4:33 )
09: SIX DAYS ON THE ROAD ( 3:38 )
10: LIKE AN OLD FASHIONED WALTZ ( 4:19 )
11: JOHN THE GUN ( 5:10 )
12: DOWN WHERE THE DRUNKARDS ROLL ( 4:14 )
13: CRAZY LADY BLUES ( 3:54 )
14: WHO KNOWS WHERE THE TIME GOES ( 6:54 )
15: MATTY GROVES ( 7:05 )
16: THAT’LL BE THE DAY

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UK debut album by AlascA

AlascA liveOn their debut UK release ACTORS & LIARS, AlascA play eleven tales and songs that have the tendency of lodging themselves in the old grey matter. AlascA’s music has a novel and poetic quality, which to me anyway, will leave a lasting impression.

The tales grow on you and the melodies that guide the lyrics to their end have a place in the past, the present and the future. Their lingering melodies will appeal to the listeners of current indie-folk, but will likewise inspire those who loved the folk sounds, close harmonies and lyrical subtleties of the ‘60’s and ‘70’s.

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ACTORS & LIARS by AlascAACTORS & LIARS was produced by Grammy-award winning engineer and producer Alan Branch (U2, Jeff Beck, Yusuf Islam, Blur, Nine Inch Nails). When released in the Netherlands in 2012 it peaked at No 9 in the Dutch charts in the week after its release (and stayed in the top 50 the subsequent six weeks) and received much critical acclaim in the Netherlands and Belgium. AlascA’s live performances are characterized by their shifts from intimate singer-songwriter tales to bombastic folk-rock explosions. AlascA are based near Amsterdam and consist of Frank Bond (vocals, guitars, bass), William Bond (harmonies, keys), Ferdinand Jonk (harmonies, banjo, 12-string guitar) and Louis van Sinderen (drums, percussion).

AlascA Photo: www.marcobakker.comThe band are inspired by a diverse collection of bands including the Beatles, Love, the Zombies, Beach Boys, Buffalo Springfield, CSNY, Neil Young, Bob Dylan, Tim Buckley, Gene Clark, the Doors, Fleetwood Mac, Pentangle, David Bowie, Big Star, Jeff Buckley, Radiohead, The Dears, The Shins, Fleet Foxes, Sufjan Stevens, Midlake, Yeasayer and Iron & Wine. AlascA have played on De Wereld Draait Door, the Dutch leading prime time television programme and have played at most of the major radio stations in the Netherlands such as Radio 1, Radio 2, Radio 3FM and Omrop Fryslan.

All the songs on the album apart from Déjà Vu, written by Ferdinand Jonk, were written by Frank Bond. Frank studied English Literature and Literary Sciences at the University of Amsterdam and obtained his Master of Arts Degree in 2009. Frank’s Ma Thesis is on Bob Dylan and provided a critical look into the most prominent academic approaches to Bob Dylan’s lyrics. The thesis was praised for its line of argument and the fact that it proposes a more productive and adequate analysis which also attempts to incorporate the musical elements of Dylan’s song lyrics. After graduation, the thesis was published. Frank, however, is and was not satisfied with the scope of the thesis and is currently working on a revision of his methods of analysis. He is also working on several essays on the various aspects of the current day music industry. In line with his background, Frank’s songwriting and lyrics are inspired by literature and philosophy, in particular Shakespeare, Keats, Coleridge, Yeats, Hemingway, Rimbaud, Pound, Joyce, Lucebert, Sartre, Foucault, Fowles, Kafka, Twain and Lawrence.

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For more information and the latest tour dates visit http://www.alascamusic.com/

Anna Coogan and Daniele Fiaschi Release The Nowhere, Rome Sessions

It is often said that music is a universal language that transcends culture, borders, and boundaries. For Anna Coogan and Daniele Fiaschi, who don’t share a language, much less a culture or even a time zone, music is the only language. She is a New Englander, from the East Coast of the USA, a former opera singer and biologist turned touring songwriter. He is a Roman whose Etruscan roots go as far back as anyone can remember, raised  on classic rock and touring with some of Italy’s biggest pop acts. Introduced by producer JD Foster in 2010, they embarked on a journey that spanned two continents, numerous snowstorms, and stages of every size, often held together by little more than an Italian-English dictionary and a mutual love of The Beatles. “The frustrating and often hilarious communication problems we have are part of our story.” Coogan explains. “We really have to work by feel, nuance, and mood, because words aren’t going to cut it.” One Dutch venue described it as one of the best shows in their history, and another described them as “a match made in heaven.” Audiences adored the passionate sound and immediately began clamouring for a record that mirrored the live show – no production, no distractions, just the two of them.

Convening with thousands of other pilgrims during Holy Week, Coogan and Fiaschi recorded The Nowhere, Rome Sessions at Nowhere Studios in Rome on April 6 and 7 2012, and mixed it the next day. The result is a gorgeous snapshot of that weekend: sunshine, cigarette smoke, red wine, espresso, laughter – and the sheer joy they experience playing together.

Nowhere was recorded with minimal overdubs and even fewer edits, often recording each song seven times in a quest for the perfect take. A collection of their six most popular songs and three previously unreleased songs, the record aches with emotion and the raw energy the two have become known for.  Also included is a live track from their much heralded performance at the 2011 Roepaen Festival in Ottersum, Holland.

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Artist’s website: www.annacoogan.com