Tickets have gone on sale for the 2019 Shrewsbury Folk Festival as organisers have shared the first names to be added to the bill.
Weekend tickets to the four-day event, that will take place at the West Mid Showground from August 23 to 26, are expected to be in high demand. Last year the first tier of tickets were snapped up in less than 30 minutes and weekend tickets sold out a month before the August Bank Holiday event.
Two of the UK’s top solo stars Kate Rusby and Martyn Joseph will be topping the bill along with the legendary Oysterband and female supergroup Daphne’s Flight, who are returning after a triumphant performance in 2017. Scottish folk rockers Skerryvore have also been invited back after wowing crowds earlier this year.
Gary Stewart’s Graceland – a reworking of the Paul Simon classic – has also been signed up along with solo shows from Show of Hands frontman Steve Knightley, singer songwriter and activist Grace Petrie and appearances from The Phil Beer Band and Merry Hell.
Exclusive to the festival will be a special day of programming on its Pengwern stage by duo Chris While and Julie Matthews to celebrate the 25th anniversary of their musical partnership. The While and Matthews Takeover will see the pair curate performances on August 25th that will culminate in a big band show to close the night.
Other acts will include Chris Elliott and Caitlin Jones, Edgelarks, Geoff Lakeman, Granny’s Attic, Mankala, Paul Downes, Rapsquillion, Reg Meuross, Track Dogs, the Urban Folk Quartet, and Winter Wilson. Festivalgoers will also be able to watch folk opera Here At The Fair by Mick Ryan.
Festival Director Sandra Surtees said many more artists are yet to be revealed.
“As ever the Shrewsbury line-up will feature some of the biggest names in folk, some popular performers that have been requested by our audience and a number of world and Americana acts.
“But the festival is about so much more than just the music – there’s so much to do during the weekend for all ages. The festival has its own magical atmosphere and we have many visitors who wouldn’t class themselves as ‘folkies’ but they just come to enjoy the relaxed and friendly atmosphere with friends and family and listen to great music.
“The festival continues to go from strength to strength with a devoted audience who return year after year, demonstrated by the fact that we regularly sell out in advance.”
The festival has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, workshops, crafts, food village, real ale, cocktail and gin bars and on-site camping and glamping.
There are also fringe events at local pubs with dance displays held in the town centre and a parade through the streets on the Saturday afternoon. Weekend and day tickets can be booked at www.shrewsburyfolkfestival.co.uk/booktickets/.
The Phil Beer Band rocking Haslemere Hall on 19th May – photo by Darren Beech
Phil arrived hot on the heels of the Show of Hands 5th sellout concert at The Albert Hall and the memory of winning the public vote for ‘Best musician’ in this years folking awards still fresh in his mind.
The night was put together by local promoters Auriol and Stuart who are best known for their intimate ‘meal and music nights’ at Applegarth Farm Grayshott. Phil had asked the pair to organise the event as part of his bands first UK Tour in 5 years.
Auriol said ‘for us music is about collaboration and fun, Phil sells out Applegarth every year just before Christmas with a seasonal celebration of music and friendship. So to be asked to promote his full band at Haslemere Hall was a pleasure and honour. We also asked our friend Julian Lewry to collaborate because he does an amazing job putting on live music regularly at Farncombe Music Club and occasionally Haslemere Hall, and like us has a lovely and loyal group of supporters. Stuart summed the evening up by saying that it was one of his favourite gigs ever.
The Phil Beer Band delved into the back catalogues of Phil’s beloved country, rock, folk and blues material which has become the PB Band trademark of the staple diet that have delighted audiences down the years. A rich tapestry of material with that unique PBB ‘folk n roll’ twist thrown in.
There were just too many highlights to name them all but favourites included:
Simon Smith And The Amazing Dancing Bear (Randy Newman) which came with a tale about Phil’s computer technician days when he managed a computer the size of a house and played records on the night-shift to keep the staff entertained. The Randy Newman track was a firm favourite of these sessions and dedicated to his boss at the time.
Devils Right Hand (Steve Earle) – A blistering full band version which had you leaping out your western salon seat, throwing you cards to the floor and shouting “Shot the dog down” at the appropriate point in the song.
Restless Highway (Richard & Linda Thompson) – A trip back to 1978 and the “First Light” Album – this came with a story about Phil calling RT to confirm the lyrics and RT referring Phil to a lyrics website as he couldn’t remember them.
Acadian Driftwood (The Band) – The whole story of a people displaced condensed into one song – special mention to the melodeon mastery of Gareth Turner that reallymade you feel part of the cinematic backdrop of the piece.
Photo by Darren Beech
The Fireman’s Song (D.Bilston) – Great to hear this again, I was first introduced to this song by Pete Coe, who also does a stunning version of it (unique in the fact that it contains a clog dance at the end). I’ve added the video below from the folking archive (Winchester May fest in 2006) so Phil can learn the steps for next time.
More Hills To Climb (Emily Slade) – It was so lovely to hear Emily sing one of her original songs from her first album “Shire Boy”. That finger style guitar method she uses is bewitching to watch and I felt myself drawn in to it again and again as the evening progressed. From where I was sitting, I decided not to annoy everyone by taking film clips of the performance but inspired, I searched my archive and found a performance clip from back in 2004 from one of the Folking live Farnham Maltings shows I did back then. I had to share it (see below). Apologies it not the whole song, my equipment at the time could not do videos over 3 minutes. How technology has changed…
For My Next Trick I’ll Need A Volunteer (Warren Zevon) and Next Best Western (Richard Shindell) were given the full band treatment and we got through both of them without being sawn in half or receiving a guarantee of a bed for the night!
Special mention also has to be given to Olivia Dunn (fiddle) who threw so much energy into the whole evenings performance, that it left you teetering on the edge, thinking that any minute, she was either going to spin out of control, or compose herself in that split second, just as bow and fiddle folk-rocked from one number to the next.
Photo by Darren Beech
Greg McDonald (bass, vocals) had the impossible task of filling the much missed Nick Quarmby’s shoes and Phil told a lovely story of how they made sure that something of Nicks was left on stage every night. On this night, it was a guitar pick that gave you the impression that Nick was smiling down and tapping his foot along with the rest of us. Greg also came on for a solo spot and gave us a new song called “Night Shift” which I believe will be on his new album.
Can’t Keep From Crying Sometimes (Blind Willie Johnson) – This is a PBB blues classic which has to be included in the repertoire together with that firm favourite Willin’ (Little Feat) – I partially liked the story about the Dorset choir singing in harmony to “Weed, Whites and Wine”.
Perfectly Good Guitar (John Hiatt) – Another great tale to introduce this rocking country classic – about the lunacy of Garth Brooks and Ty England smashing a $5000 Takamine guitars up every night on a 50 date tour in 1991 – you do the math!
The Border Song (Arizona Smoke Revue) – This was one of my favourite performances on the night with again another fascinating tale. Phil was part of this band (as was Steve Crickett) which was formed by Bill Zorn in the late 70’s/ early 80’s. Bill was commissioned to write a song for the movie Midnight Express and The Border Song was that song. In the end however, the song was eclipsed by a Jimmy Hendrix track so it never made the cut. However, the band had just enough money left to employ at “stunt guitarist” who took the form of Richard Thompson. The song appears on the “A Thundering On The Horizon” LP and is the last track on the second side.
Photo by Darren Beech
Before The Deluge (Jackson Browne) was the encore and special mention must also go to “The Hawthornes” who gave us a lively and entertaining start to the evening with Louisa Gaylard setting the pace for a vocal driven acoustic romp through a mariachi style upbeat of pop/rock hooks. The band also featured trumpet player, Greg Wilson-Copp from the Roving Crows, Jesse Benns (drums) and Gordy Partridge (Bass).
The Phil Beer Band on the night were: Gareth Turner (melodeons), Olivia Dunn (fiddles), Emily Slade (guitar, vocals), Greg McDonald (bass, vocals) and Steve Crickett (drums).