SINGLES BAR 35 A round-up of recent EPs and singles

Released to commemorate the 100th anniversary on the end of WWI, ‘Letters From Walter’ is a poignantly movie number from Cambridge folk crew RED VELVET released on Clunk and Rattle in aid of the Riders Branch, Royal British Legion. Written and sung by Les Ray, who plays guitar and banjo, and featuring harmonica by George Harper, it’s based on letters sent home by his grandfather, Private Walter Mabbutt, to his younger sister Edie in Titchmarsh, who, shortly after being despatched to France after training at Felixstowe, died in combat in Picardy, aged 19, just a few weeks before the end of the war. The song also included a spoken passage by Deirdre Muphy who reads from a letter, dated 24th November 1918, sent to Walter’s parent by Lance Corporal W. L Mandeville offering his condolences at Walter’s death, and describing some of the circumstances surrounding it.
www.clunkandrattle.com

Singles Bar 35With war on our minds, punk-folk rockers SKINNY LISTER release ’38 Minutes’ in advance of a new album next year. The song was prompted by a ballistic missile alert in Hawaii earlier this year and is typically high energy as it portrays the sense of impending doom felt by the island’s population. “This is not a drill.
https://skinnylister.com/

Singles Bar 35Here’s a Christmas song with a difference. ‘Xmas Back Home (War Has Begun), in part inspired by John Lennon’s similarly titled song, is the recording debut by MUDDIBROOKE, a mysterious being whose true identity is a secret. It is the story of a young female soldier away from her children but who wants them to have the best Christmas possible in spite of her absence and serves to remind us that it’s not just men who are on the front line. Proceeds from downloads will go to The Royal British Legion.
www.muddibrooke.com

MARINA FLORANCE offers up another self-released EP commissioned by the Warm & Toasty Club, a Colchester-based intergenerational community organisation working in music, arts and social history. Named for the latest project, Colchester Memory Afternoons features three numbers co-written with Jules Fox Allen drawn from the stories and reminscences of some of the town’s senior residents, opening with the gently jogging, ‘Photograph Album’ (part Emmylou, part Don Williams) featuring harmonica, cajon, melodeon and violin with Fox Allen on backing vocals. Perfectly living up to its title, ‘Warm & Toasty’ is a folksier and more specific English nostalgia track closing with spoken samples from residents at Enoch House retirement home with the third number being the violin and trombone-coloured slow waltzer ‘Take Me Back In Time’. A lovely musical comfort blanket all round.
www.marinaflorance.com

Notes To Self is the new EP by MARIA KELLY. It opens with the delicate and fragile ‘Prelude’ which builds up until the repeated last line is lost in the mix, justifying her alt-folk tag. The other tracks are ‘June’, ‘July’ and ‘August’, the first two having already been released as singles. They tend to follow the same template as ‘Prelude’ – a simple acoustic opening building up with sound effects and more instrumentation until the production threatens to overwhelm the song. Maria’s voice is mixed too low or is perhaps not big enough to stand up to this treatment all the time.
www.mariakellymusic.com

JONAS AND JANE are a Surrey-based Americana duo, he on guitar and banjo and the pair sharing vocals. Sedona Rain is their third self-released EP, a five track set that highlights both their harmonies and bluegrass inclinations, although the opening ‘Hold Me’, with Jonas on lead, is a spare and harmonica haunted rootsy ballad. He’s also to the fore on the banjo speckled and equally moody ‘Jumping Ship’, while the three other numbers see them sharing the vocal spotlight. ‘Too Little Time’ is an equally world-wearily paced but more Appalachian flavoured number, while pedal steel bolsters the aching title track. The pace eases up a notch for the remaining track, fingerpicked and dobro styled break-up number ‘Don’t Cry For Me’ being cast in the type of bittersweet break-up song that recalls such classic pairings as Gram and Emmylou, The Civil Wars and Welch and Rawlings
http://www.jonasandjane.com/

Named for the Highland settlement, BIRICHEN is a new project by Catriona Sutherland, a regular performer in the Highlands, mostly with the 10-piece Dancing With Sharks. Working with fiddler Iain-Gordon Macfarlane and Robert McDonald on dobro slide, Hush (Birnam) is the debut EP, a five-track collection that opens with the latter’s ‘Holding On To Each Moment’, the sound of birds and running water backdropping a fingerpicked and fiddle accompanied number about appreciating the time and the things we have.

While steeped in folk, she also brings Americana influences to the table with two covers, first up bring the Welch and Rawlings number Scarlet Town, here given a stark British traditional folk setting with the fiddle serving as a drone-like backing. The other harks back to the music of her raising with a terrific unadorned version of Guy Clark’s ‘L.A.Freeway’ where her pure Scottish tones take on a touch of earthier dirt track roughness .

‘Gonnae Get Good’ is a slightly jazz and blues shaded self-penned number that pulls together a spectrum of influences, the final track being another cover, Jim McLean’s ‘Smile In Your Sleep, sometimes known as ‘Hush, Hush, Time To Be Sleeping’, hence the EP title. Chiming with her own family history and the history of the area, it’s Scottish lullaby set to the tune of the Gaelic air ‘The Mist Covered Mountains’ which charts the eviction and emigration  of  the crofters during the Highland Clearances, her given a nakedly sung reading that gradually gathers in suitably moody instrumentation and features evocative sampled distressed voices and rain and storm effects.  This is, apparently, her first commercial release. Hopefully, there’ll be many more to follow.
http://birichen.com/

An acclaimed bluegrass musician and one half of 10-String Symphony, RACHEL BAIMAN gets into the (American) holiday spirit with Thanksgiving (Free Dirt), a four track EP of introspective songs centred around themes of indigenous rights, home and homelessness, and love in hard times. Opening number ‘Tent City’, a lively bluegrass number with echoes of ‘Gentle On My Mind’ and featuring, among others, Tristan Scroggins and Molly Tuttle, was inspired by a Nashville homeless community and is sung from the perspective of a man fallen into homelessness and addiction, making him a person rather than a statistic.

Taking the tempo down, the title track emerged from a writing residency and concerns indigenous rights and relationships as embodied in the fight against the Dakota Access Pipeline, the song fuelled by “the irony of Thanksgiving being celebrated right as people were being arrested and sprayed with water guns for protecting their right to clean water.”

Again joined by Tuttle with whom she worked up the number during their UK tour, ‘Madison Tennessee’ is a cover of the John Hartford love letter to his home town (to where she herself has recently moved), the EP ending with ‘Times Like These’, a pedal-steel lined and fiddle slow waltz testament to what gets us through the bad, co-written with Thom Shuyler and duetted in harmony with Josh Oliver.
http://www.rachelbaiman.com/

‘I Think I Saw You On The Street’ is the first single from a new EP by MARBL, an Israeli duo possibly based in Germany – the information available is a bit vague in places. It’s a reflective song inspired by a chance encounter with an ex and the thoughts that it provokes – a scenario that everyone can relate to.
www.marblmusic.com

BEANS ON TOAST (aka Jay McAllister) brilliantly tackles the shock of the new with ‘Alexa’ – “Alexa, have you considered your military capabilities?” – the second single from his forthcoming album, A Bird In The Hand. It’s a punkish sort of song with words tumbling over one another as Jay races to beat the three minute mark. It’s all true – we may be suspicious of Amazon but it’s just too damn convenient.
https://beansontoastmusic.com/

Following last year’s debut album, Alight & Adrift, Suffolk-born, York-based mandolinist singer-songwriter TILLY MOSES returns with a new single ‘Cradled And Cared For’ (GingerDog Records), a lovely softly sung fiddle-hued number, about how friendship and a warm kitchen can give you the strength to get through hard times and fight to improve the world.
www.tillymoses.com

‘Haunted Man’ is the debut digital single from THE KILPECKS, a band formed in the Welsh Marches by members of Lonesome Stampede. It’s big and funky with a knockout bass line and a powerful lead vocalist and although it was released for Halloween it has a link to #MeToo. It would be nice to think that an album might be in the wind.
https://thekilpecks.bandcamp.com/releases

Scottish outfit ATTIC LIGHTS have a new album, Love In The Time of Shark Attacks, set for release next year, trailing it with the jangly folk-pop ‘Never By Myself’ (Elefant), a number written on a bus by singer Colin McCardle after somehow being left behind by the band following a show in Inverness. It’s paired with a sparkling cover of ‘Bright Eyes’ given a Teenage Fanclub treatment.
https://www.facebook.com/atticlightsband/

‘Bless The Ground You Grow On’ is the first single from ODETTE MICHELL’s forthcoming debut album. It was produced by Stu Hanna and has the pastoral autumnal feel of Robin Williamson’s ‘October Song’. It’s coupled with ‘The Eastern Seas’, a song about Irish emigration built on shruti drone and acoustic guitar with violin and bouzouki. Odette has a strong voice and songwriting talent that we should be hearing a lot more of in the future.
www.odettemichell.com

SINGLES BAR 25

A round-up of recent EPs and singles with compliments of the season

Singles Bar 25WOLFNOTE are a new trio from Berkshire making their debut with an EP, Frightened Of Your Own F#. The three female members, Bex, Gill and Ceri, have strong voices and harmonise well and between them play guitar, violin, cello, dulcimer and recorders and their silent partner, Mike, plays guitar, bass and cajon. The record starts with a cover of Dylan’s ‘Girl From The North Country’ taken a little more quickly than most people do – it can drag, sometimes. The other songs are originals and ‘Love And Light’ is particularly good. The production is excellent, concentrating on the voices with the instrumental leads clear and bright. A name to watch.
https://www.facebook.com/wolfnoteband/

‘The Tug Of The Moon’ is the first single to be taken from If We Dig Any Deeper It Could Get Dangerous, the forthcoming album by SARAH McQUAID. This could be the only song ever inspired by Newton’s third law of motion and its effect on sidereal time.  Behind the science is the thought that we are all spinning towards the end of the universe and perhaps we should make the most of our time. Sarah creates a wonderful sound with fingerpicked electric guitar drenched in reverb.
www.sarahmcquaid.com

While her new band settles in DARIA KULESH releases a single supported by two of her duo partners, Jonny Dyer and Marina Osman. ‘Vasilisa’ is an old Russian fairy tale from a book that Daria read as a child and still has. The story contains certain elements of Cinderella but far nastier and involves a supposedly deadly errand, the famous witch Baba Yaga and some unpleasant deaths. It has the mysterious air of Daria’s other Russian adaptations with the drone of a shruti box, dramatic piano, percussion and bouzouki.
http://www.daria-kulesh.co.uk/

It’s that time of year, so folk have been getting into the festive mood for seasonal singles. First up comes the rather lovely download (from the usual sources) only ‘What Will Christmas Be’, a melancholic piano (Danny Mitchell) and cello (Chelsea McGough) ballad duet from BEN GLOVER and NATALIE SCHLAB about absence and loss at a time traditionally about being together, set off with a final peal of bells.
https://www.benglover.co.uk/

Season Bright is a seasonal EP from EMILY EWING & ROBERT LANE. Robert is well known to folking readers and Emily is a singer-songwriter with a download EP to her name and a growing reputation. The lead tracks begins with Robert and Emily lamenting the fact that they’ll be spending Christmas alone (surely not) and moves on to the exhortation to “keep your loved ones near” over some lovely ringing electric guitar. The other tracks are the guitar-led ‘Get You’ and ‘Own It’, built around Emily’s piano. Available from iTunes.
http://www.robertlanemusic.co.uk/

Jo Whitby aka LAURENCE MADE ME CRY mirrors the mood with her download single ‘It’s Not You, It’s Christmas’ (from her bandcamp site), a slow walking fuzzed reverb guitar (sounding like a kazoo on acid) and drums ditty about choosing to spend the festivities alone at home, although she still wishes everyone seasonal cheer.
http://laurencemademecry.com/

SKINNY LISTER also get into the act with ‘Christmas Calls’ (XtraMile), an epic sounding arms-linked swayalong anthem very much in the Pogues ‘Fairytale’ mould, complete with military drums, bells and whistles.
http://skinnylister.com/

From last year’s Edison Gloriette album, JESS MORGAN releases download Jay Chakravorty remix of the Moonstruck-inspired ‘Come To The Opera With Me Loretta’ (Drabant Music) that removes the piano, putting more focus on the vocals and giving it an anthemic seasonal synths and drums shimmer makeover.
http://www.jessmorgan.co.uk/

Away from the holly and ivy,Yorkshire’s FRAN WYBURN self-releases ‘Foolish Sea’, George Birkett’s fingerpicking and Rachel Brown’s cello backdropping her pure, little girl vocals on a quirky tale of unrequited love that serves as a taster to her forthcoming album.
http://www.franwyburn.com/

There is not so much Christmas spirit but an awful lot of pain in ‘Love Left Lost’, the second single from Brighton-based singer-songwriter JOSH McGOVERN. Quite which subterranean depths that voice comes from is hard to say but the tragedy is delivered over minimal acoustic and with soulful backing vocals on the choruses.
https://www.facebook.com/Joshmmusic

To mark the twentieth anniversary of the death of blues guitarist LUTHER ALLISON Ruf records have released a limited edition eleven disc box set of his later work. As a taster there is a 7” vinyl single: ‘You Can’t Always Get What You Want’ and ‘Night Life’. The lead track starts with a deceptively simple Hammond organ and Luther waits until the chorus comes round for the band to kick in and then it takes off with some wonderful “doo-de-doo” backing vocals.
http://www.rufrecords.de

SKINNY LISTER – Down On Deptford Broadway (XtraMile)

Skinny ListerThough based in Greenwich, London, the band have roots all over England and further afield, melodeon and mandolin player Max Thomas and singer sister Lorna hail from Leicestershire, frontman Dan Heptinstall from Bridlington, concertina player Sam Brace (now back in the fold after being briefly replaced by Andy Black on guitar and mandolin) is from Hastings and double bassist Michael Camino from, well, Hawaii, actually.

The album was recorded way back in December 2013 and quite why it’s taken over a year to appear is a matter of speculation, but you’ll be pleased to know that it’s even more of a beer-swilling offering than their debut, Forge & Flagon; and that was even named after a pub. Clanging opener ‘Raise A Wreck’, a song which pretty much revolves around the title’s chorus refrain, serves reminder of their reputation for rousing shanty-punk, crashing straight into ‘Trouble In Oxford Street’, a bounce along tale of a punch up, while, Laura sharing lead and evocative of the booze-sodden flurry that was the first Pogues album, ‘George’s Glass’ is an ode to pub lock ins, ‘Six Whiskies’ is a drunken sway home after throwing out time and ‘Bold As Brass’ clatters along with the narrator singing about seeing his ex swagger into the pub with her new bloke.

They do have a couple of quieter, slower moments, both showcasing Laura and both with a traditional feel, the simple, airy shanty ‘Bonny Away’ and fiddle accompanied album love song closer ‘The Dreich’, but it’s the breakneck stompers that are their forte, whether jubilant as on ‘Cathy’, defiant as with the concertina driven battle cry ‘This Is War ‘or, sounding a lot like a cross between The Men They Couldn’t Hang and Tenpole Tudor, ‘Ten Thousand Voices’.

While probably best experienced live, turned up loud and with some accompanying suitable lubrication, the album is a rollicking affair and, for a band named after the pioneer of antiseptics they’re certainly far from sterile.

Mike Davies

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Artists’ website: http://skinnylister.com/

‘Trouble On Oxford Street’ – the official video: