Gate To Southwell Festival update

Gate To Southwell Festival

With the 13th Gate To Southwell Festival on the horizon, over five thousand visitors are expected in the Nottinghamshire town from June 6th to 9th. The family festival kicks off with a special Thursday Americana night starring Los Pacaminos (featuring Paul Young) supported by Louisiana’s Truckstop Honeymoon, young Californians Blue Summit and Joshua Cook, plus a special new Midlands’ artists showcase on the Frontier Stage.

More than 50 artists will be performing on five stages over four days.  Friday June 7th welcomes Steve Harley & Cockney Rebel, Leicester protest singer Grace Petrie, punk veterans Otway & Barrett and Hotel Palindrone from Austria.  Sam Kelly & The Lost Boys headline Saturday night (8th) with great international support from Canadians Gordie MacKeeman & His Rhythm Boys, Welsh stars Calan, former BBC Folk Singer of the Year Nancy Kerr and acclaimed ceilidh band Blackbeard’s Tea Party. With top quality artists will appearing across the weekend, the festival will reach a climax on Sunday 9th with a special European concert (led by Korrontzi and BOC from Spain) followed by a Celtic finale with Scottish stars Skipinnish, the excellent Edinburgh singer-songwriter Blue Rose Code and Irish favourites Ranagri.

There will be dance sides from all over the UK – the traditional procession through Southwell takes place on Saturday 8th – plus children’s entertainment, workshops, storytelling, ceilidhs, poetry, comedy, craft fairs and food stalls.  The subsidized Festival Shuttle Bus will link the town to the festival site near Southwell Racecourse.

Ahead of the festival, residents and local businesses will be participating in the annual Decorate The Gates competition in Southwell over the May Bank Holiday weekend (25th to 27th). To enter decorated gates register via the website www.gtsf.uk (under ’Get Involved’) before midnight on Wednesday 22nd May.  The winners will receive a full family weekend ticket to the Gate To Southwell Festival worth £350 and a cup donated by Kirkland & Lane.

Topic Records celebrates its first 80 years

Vision & Revision: The First 80 Years of Topic Records

Vision & Revision: The First 80 Years of Topic Records is a deluxe double CD and double vinyl of the cream of contemporary British folk artists interpreting a song of their choice from Topic’s vast back catalogue (the only stipulation being that the song was at some time released on Topic). It includes newly recorded and never-before-released tracks by Martin Simpson, Richard Thompson, Lankum, Peggy Seeger, John Smith, Sam Lee, Martin Carthy, Olivia Chaney, Lisa O’Neill, Oysterband, Nancy Kerr, Chris Wood, Josienne Clarke & Ben Walker, Lisa Knapp, Kitty Macfarlane, Sam Kelly & The Lost Boys, Emily Portman & Rob Harbron, Rachael McShane & The Cartographers, Eliza Carthy & Olivia Chaney and The Oldham Tinkers. These artists have delved deep into Topic’s treasure chest to pull out all manner and variety of ballads and broadsides and breathed new life into them.

With its origins in the Workers’ Music Association, through the mid-20th century folk revival to the present day, Topic Records has established itself as not only the pre-eminent British folk music label, but one widely respected throughout the world. Topic has survived, grown and flourished – proof, if any were needed, that “grass roots” interest in traditional music, the artists and the label itself, has remained constant and strong. Topic has released some of the most influential folk recordings of modern times by a host of revered artists, from Anne Briggs to Peggy Seeger to June Tabor to Ewan MacColl and many, many more.

For 80 years, Topic Records has been a fervent and consistent champion of “the people’s music”. During that time, it has withstood wars, shortages, austerity, economic disaster, the vagaries of fashion, corporate onslaught and various cataclysmic shifts in the fortunes of the recording industry, to retain its proud and distinctively individual role as a beacon of integrity and true values. This fortitude has resulted in its unquestionable claim for being the oldest, surviving truly independent record label in the world.

“Folk music never goes away. You may not hear it, but it is always there, just over your cultural horizon. It lives in families, in communities, in the villages and towns and cities, and in the hearts of the people. Each generation takes what it needs and gives what it can to the tradition, each wave of newcomers turning another furrow, sowing new seeds. For eighty years, Topic Records has played a major role in this process, ensuring the old voices are still audible and creating a space for those that hear them to make new recordings of their own. Formats come and go, but like the music, Topic endures. Long may it do so.” – Billy Bragg

This 20-track double album comes in CD and vinyl gatefold formats, both housed in a special deluxe, debossed, silver foil-blocked sleeve. The vinyl issue is limited to 1000 copies only. A digital version of the album is also available.

Vision & Revision: The First 80 Years of Topic Records will be released on May 31st 2019.

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Label website: www.topicrecords.co.uk

Gate To Southwell Festival – first tickets on sale

Gate To Southwell Festival

Steve Harley & Cockney Rebel and Los Pacaminos featuring Paul Young, are among the star names being added to next year’s Gate To Southwell Festival in rural Nottinghamshire (June 6th to 9th).  Joining an already eclectic international line-up that includes Sam Kelly & The Lost Boys, Skipinnish, Nancy Kerr, Blue Rose Code, Gordie MacKeeman & His Rhythm Boys and many more brilliant folk roots and acoustic music artists, Los Pacaminos and Steve Harley will headline the festival on Thursday and Friday respectively.

Paul Young, one of the UK’s best-loved vocalists (‘Wherever I Lay My Hat’, ‘Love Of The Common People’, ‘Every Time You Go Away’) has been the charismatic front-man and guitarist of the highly-entertaining Tex-Mex show band Los Pacaminos since 1993: “It’s real bar room stuff: foot stompers, not too many slow songs – a real party atmosphere”.  Steve Harley – famous for worldwide hits such as ‘Judy Teen’, ‘Mr Soft’, ‘Sebastian’ and ‘Make Me Smile (Come Up And See Me)’ – has been performing for almost 50 years, producing a series of great albums such as Cockney Rebel’s The Human Menagerie and The Psychomodo. ‘Make Me Smile (Come Up And See Me)’ was a global Number One in 1975.  Both artists will be playing Southwell for the first time.

The increasingly-popular four day music festival at Southwell Racecourse will welcome back folk singer and activist Grace Petrie, California blues rocker Joshua Cook, trad supergroup The Tweed Project, the bluegrass-meets-country-soul-meets-punk sounds of Louisiana’s Truckstop Honeymoon, and the multi-instrumental virtuosity of Ranagri.  Plus BBC Young Folk Award winners Josie Duncan & Pablo Lafuente, fantastic dance band Blackbeard’s Tea Party, famous punk veterans Otway & Barrett, Nottingham’s own gypsy jazz hot clubbers Maniere Des Bohemiens, world-fusion crowd favourites The Activators, the highly-acclaimed Bird In The Belly folk collective, the rich harmonies of Norwich’s Alden Patterson & Dashwood and the sweetly addictive songs of pop rockers Morrissey & Marshall.

In the great Southwell tradition of celebratory events such as Dylan@75 and the Summer Of Love, there’ll be a Woodstock@50 concert on the Saturday afternoon followed by Sunjay’s Tribute To Buddy Holly on the Sunday.  Plus there’s a special Continental event featuring diverse European acts such as brilliant Spanish Basque folk dance band Korrontzi, the beautiful Dutch harmonies of SYA (Suddenly Years Align) and French-born festival favourite Flossie Malavialle.

Alongside all this there’ll be a family-friendly, something-for-everyone mix of pub gigs, ceilidhs, fine food stalls, dance displays, music workshops, beer and cider festivals and top class children’s entertainment (including the return of genius juggler Dan The Hat).

Bargain priced Tier One tickets are now on sale from www.gtsf.uk.  Plan ahead for summer 2019 and grab yourself a New Year bargain.

The 2018 Folking Awards

Welcome to the 2018 Folking Awards and thank you again to everyone who participated last year. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with considered argument and arm-wrestling by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have impressed our writers during 2017.

As with the format last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

*The Public Vote for each category will close at 9.00pm on Sunday 1st April (GMT+1).


Soloist Of The Year

 Jon Boden
Ange Hardy
Daria Kulesh
Richard Thompson
Chris Wood


Public Vote

*And the winner is: Open envelope!

 


Best Duo

Kate & Raphael
O’Hooley & Tidow
Kathryn Roberts & Sean Lakeman
Laura Smyth & Ted Kemp
Winter Wilson


Public Vote

*And the winner is: Open envelope!

 


Best Band

Sam Kelly & The Lost Boys
Merry Hell
Peter Knight’s Gigspanner
Police Dog Hogan
The Unthanks


Public Vote

*And the winner is: Open envelope!

 


Best Live Act

CC Smugglers
Eliza Carthy & The Wayward Band
Fairport Convention
Lau
Merry Hell


Public Vote

*And the winner is: Open envelope!

 


Best Album

Bring Back Home – Ange Hardy
Pretty Peggy – Sam Kelly & The Lost Boys
Long Lost Home – Daria Kulesh
A Pocket Of Wind Resistance – Karine Polwart/Pippa Murphy
Strangers – The Young ‘Uns


Public Vote

*And the winner is: Open envelope!

 


Best Musician

Kevin Crawford
Seth Lakeman
Richard Thompson
Karen Tweed
Ryan Young


Public Vote

*And the winner is: Open envelope!

 


Rising Star

Sam Brothers
Siobhan Miller
Jack Rutter
Sound Of The Sirens
The Trials Of Cato


Public Vote

*And the winner is: Open envelope!!

 


Best International Artist

Rodney Crowell
Anna Coogan
Michael McDermott
Le Vent Du Nord
The Wailin’ Jennys


Public Vote

*And the winner is: Open envelope!

 


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Folkies 2018

SAM KELLY & THE LOST BOYS – Live at Cambridge Junction, City Roots Festival, 5 March 2018

Sam Kelly & The Lost Boys
Photograph by Philip O’Brien

Battling snow and ice on tour for the past week has clearly taken a toll on this group of musicians (amongst many others no doubt), but that won’t stop them putting on a storming show this evening.

Support act, Honey And The Bear (aka Jon Hart & Lucy Sampson) deliver a half-hour set of earwormy, catchy songs, culminating in ‘William’ from their 2016 EP, About Time Too and the galloping, riffling ‘Wristburner’. Their slightly low-key stage presence belies their lively, well-crafted and perfectly performed music. And it turns out that there’s so much more to this versatile duo: manning the merch stall, driving the van and even providing the evening’s sound tech. Headliners, book them now, while you can.

A short while later, the seven-piece line-up of Sam Kelly & The Lost Boys fills the stage as percussionist Evan Carson sets a grinding groove for the first song, ‘Hickathrift’, the tale of a legendary Norfolk giant-killer.

With so many big, sing-along tunes on both the band’s albums to date, from ‘The Golden Vanity’ via the deceptively jolly ‘Angeline The Baker’, the call-and-response of ‘The Keeper’ or the barrelling ‘Jolly Waggoners’, featuring a frenzied banjo part from Jamie Francis, it’s blindingly obvious why this band is such a festival success.

Then there’s the dry, irreverent and often charmingly unfiltered humour that allows them to respect what they do without being in thrall to it. If you’re after reverential folk that won’t poke fun at the often ludicrous and/or plain old sexist scenarios of some songs, this might not be the band for you. If you want a solid, tight set of superb musicians who know how to have a good time, then they’re a must-see.

Still, it’s not all wall-to-wall party. The well-paced set contains many quieter moments, such as the tender rendition of ‘If I Were A Blackbird’, and Cornish ballad ‘Grwello Glaw’ (‘Let It Rain’). Originating from Kelly’s time with The Changing Room, it’s an appropriate choice for a St Piran’s Day gig. (Also, we’re told, it will be the first dance the band plays for Hart and Sampson’s wedding in June. Altogether now: aaahhh!).

A rather different sound comes with ‘The Shiny Ship’, an effect-laden track from the Pretty Peggy album that has been reworked for the live environment. Carson’s shimmering cymbals and hard rapping drum offset Graham Coe’s shoulder-slung, psychedelic, droning cello to create an atmosphere of moody mystery.

For the family members present in the audience, Kelly dedicates a cover of Dire Straits’ ‘Sultans Of Swing’ which starts leisurely before building into a floorshaker. Finishing with Archie Moss’s melodeon leading the mischievous cross-dressing tale, ‘The Close Shave’ and buffered by tunes from Ciaran Algar and Toby Shaer, the set ends on a whirling high.

As the audience erupts in appreciation, the band returns in typically self-deprecating fashion. “The dressing room was locked” deadpans Algar. Meanwhile, there are two clear contenders for an encore among the crowd. Carson holds a vote, defying Algar’s sardonic, “This is not a democracy”. 48% want ‘The Chain’, but 52% are pro ‘Greenland Whale’, so there it is. Luckily, this is one vote that doesn’t cause deep or lasting division, as we all sing happily together before going our separate ways home.

Su O’Brien

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Artists’ website: http://www.samkelly.org/

‘Sultans Of Swing’ – live at the other Cambridge Festival:

SAM KELLY & THE LOST BOYS – Pretty Peggy (Navigator NAVIGATOR 102)

Pretty PeggyBased in Bristol, but born in Norfolk, Kelly stakes a claim for a Best Album nomination in next year’s Radio 2 Folk Awards to add to this year’s Horizon win. Backed by his six-piece live band, comprising Jamie Francis on banjo, fiddler/guitarist Ciaran Algar, percussionist Evan Carson, Graham Coe on cello with Toby Shaer and Archie Churchill-Moss providing woodwind and melodeon, respectively, Pretty Peggy their first album together, also features contributions from folk stalwarts Cara Dillon, Damien O’Kane, Mike McGoldrick and Geoff Lakeman.

Save for three numbers, all the material is traditional, refashioned and refurbished, opening with a rousing haul away tempo take of the whaling shanty ‘Greenland Whale’ that can’t help but bring Seth Lakeman to mind. Dillon and McGoldrick’s Uillean pipes complement ‘Bonnie Lass Of Fyvie’, the pretty Peggy-o of the title, a jaunty Celtic-hued version that successfully avoids sounding like any of the many previous recordings.

A tale of lost childhood love regret, the equally lively, thigh-slapping, fiddle-driven ‘Angeline The Baker’ has Appalachian roots and then comes the first of the original numbers, ‘When The Rievers Call’, a Jamie Francis song about the raids on the Scottish borders during the middle ages featuring, unsurprisingly, some fiery banjo work and again recalling that Seth Lakeman sound.

Returning to the traditional repertoire and featuring O’Kane on electric tenor guitar with a melodeon solo, ‘If I Were A Blackbird’ is a lovely, lilting and gently ripping take on the Irish love song, reversing the lyric’s genders and set to a tune based around Chris Wood’s ‘Ville De Quebec’. This is followed by the darkly menacing ‘The Shining Ship’, a suitably spooked and nervy six minute tale, sung in low, at times whispery tones with swirling sonics, of a woman lured aboard a ghost ship by her long lost lover and based on the 17th century Scottish ballad ‘Demon Lover’.

Featuring himself on piano and Shaer on fiddle, the only Kelly original is ‘Chasing Shadows’, another lively tune about understanding that “the deepest dark comes just before the dawn”, and one of the more contemporary sounding tracks. Then comes the comic relief, ‘The Close Shave’ being New Zealand singer Bob Bickerton’s variation of the traditional romp, ‘Barrack Street’, about a gold miner relieved of his treasure by a man posing as a woman.

The obligatory instrumental track comes with ‘Shy Guy’s Serve’, a jaunty fiddle medley of Shaer’s ‘Josh’s Slip’ and Algar’s ‘Rookery Lane’, before they dig into the more obscure pages of the Dylan songbook and turn up the volume for ‘Crash On The Levee’, a punchy and driving version of ‘Down In The Flood’ off The Basement Tapes. The penultimate number is another traditional English folk song, drums, fiddles and flutes pumping along sexually euphemistic ‘The Keeper’ with its call and response derry derry down chorus, the album ending with the intitially subdued but gradually gatheringly strident strains of The Rose, Kelly’s translation of the French song ‘Le Beau Rosier’, originally by Belgian outfit Naragonia with whom he played mandolin last year.

Having practised his art as a youngster singing to the family’s cows, in 2012 Kelly was a finalist for Britain’s Got Talent (the one won by Pudsey), at which time he said “I don’t want to make a mediocre album of covers just to sell as many as possible on the back of BGT…musical integrity is really important to me.” He’s clearly lived up to his words.

Mike Davies

Paul Johnson and Darren Beech caught up with Sam backstage at Cropredy 2018. It was the last interview of the weekend and a lot of fun! Have a listen below:

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the SAM KELLY & THE LOST BOYS – Pretty Peggy link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artists’ website: www.samkelly.org

‘Angeline The Baker’:

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