Underneath The Stars announces its 2019 line-up

Underneath The Stars

The Proclaimers, Billy Bragg, Kate Rusby, The Unthanks, Hope & Social and TV writer and actor Ruth Jones are just some of the names topping a stellar line-up for the sixth Underneath The Stars festival.

Run by the production team behind folk artist Kate Rusby, Underneath The Stars features performance arts, crafts and more for the whole family plus food, drink and shopping, sourced from independent vendors, brought together in the stunning rural setting of Cinderhill Farm, Barnsley.

Independent family festival Underneath The Stars is set to return for its sixth year on 2-4 August 2019, bringing three days of live music, performance arts and scrumptious food to its cosy corner of rural South Yorkshire. Founded and run by the family production team of award-winning folk singer Kate Rusby, the festival boasts a stellar musical line-up of internationally renowned musicians and emerging talent from Yorkshire and beyond, performing in the idyllic countryside setting of Cinderhill Farm, Barnsley.

Bringing together a wealth of artists spanning folk, pop, acoustic, world, Americana and more, Underneath The Stars proudly announces its full 2019 line-up: The Proclaimers, Billy Bragg, Kate Rusby, The Unthanks, Hope & Social, Ruth Jones, Le Vent du Nord, CoCo and the Butterfields, Baskery, CC Smugglers, Talisk, Sam Kelly Trio, Damien O’Kane with family & friends, Old Man Luedecke, Ruth Notman & Sam Kelly, K.O.G & the Zongo Brigade, Cut Capers, The Bar-Steward Sons of Val Doonican, You Tell Me, The Local Honeys, Shadowlark, Laurel, Biscuithead & the Biscuit Badgers, Bess Atwell, Hannah Read, Alden Paterson and Dashwood, Barnsley Youth Choir, Milly Johnson, Emma McGrath, Katherine Priddy and Toby Burton.

Headlining on Friday, The Proclaimers – aka twin brothers Craig and Charlie Reid – have carved out a niche for themselves where pop, folk, new wave and punk collide, promising a formidable live experience. Topping Saturday’s bill, Billy Bragg has been a fearless recording artist, tireless live performer and peerless political campaigner for over 35 years, his songs skilfully straddling popular and political. The festival will be brought to a close by the Barnsley nightingale, Kate Rusby, performing traditional folk and stunning self-penned songs from her newly released album Philosophers, Poets and Kings.

The Unthanks full band will be bringing their North-East flavoured art-folk with a booming socially conscious heart and Hope & Social are returning by popular demand, throwing themselves wholeheartedly into their anthemic songs and infectious melodies. Best known for her award-winning television writing, Ruth Jones makes a special festival appearance. She’ll discuss her famed roles including the incorrigible Nessa in her hit TV series Gavin and Stacey and Sky 1’s Stella, during An Audience with Ruth Jones. Renowned as the foremost ambassadors of Quebec’s traditional folk music revival, Le Vent Du Nord’s driving music has seen then win multiple awards. CoCo and the Butterfields have developed an enviable reputation for their exhilarating live shows. Baskery are three sisters who take roots and Americana and turn it on its head, blending the straightforwardness of punk with the subtlety of singer-songwriting. Fronted by the charismatic Richie Pyrnne, CC Smugglers blend of old-time, world and folk styles. Young Scottish firebrands Talisk have stacked up several major awards for their explosively energetic yet artfully woven sound.

Innovative Irish folk musician Damien O’Kane has appeared at every Underneath the Stars, both with his wife Kate Rusby and his own bands. This year Damien will be joined by his entire immediate family members and other guests, for a special one-off show. Renowned for his storytelling art, song craft and comic timing Canadian roots singer-songwriter Old Man Luedecke appears hot on the heels of his new album Easy Money. Ruth Notman and Sam Kelly are two of the finest young folk singers in the UK, who recently joined forces to record a dynamic duo album, Changeable Heart. Sam will also be appearing with his acclaimed Sam Kelly Trio earlier in the day. K.O.G & the Zongo Brigade sees Ghanaian force of nature Kweku Sackey, aka K.O.G, and the whirlwind of energy that is Jamaican rapper Franz Von Song, together with the rest of the Zongo Brigade deliver infectious, high-energy West African grooves. Cut Capers is a nine-piece band with a style based in live hip-hop and swing, known for their high energy shows. Don your knitwear – as from the not-as-posh-end of Barnsley, The Bar-Steward Sons of Val Doonican are making their festival return. With their talent for Bar-Stewardizing famous songs with comedy lyrics and various folk instruments, they promise to rock you… but gently!

You Tell Me are Peter Brewis, half of Field Music, who has been honing the craft of pop songwriting for almost fifteen years and Sarah Hayes, who has been exploring contemporary folk in her solo work, and the world of indie-pop via her band Admiral Fallow.  From the rolling hills of the Bluegrass and the foothills of the Appalachian Mountains, The Local Honeys deliver hard-driving fiddle tunes, singing the high lonesome sound. Shadowlark combine the ethereal and visceral with unnerving aplomb with the trio’s front-woman, Ellen Smith, bleeding her personal experiences into raw and emotive compositions. Laurel is a rising young artist whose debut album, Dogviolet, features raw guitars and stirring melodies. The surreal Biscuithead and the Biscuit Badgers play tuba, piano, drums, ukulele all while tickling and rubbing your senses into a fun stew. Ethereal punk princess Bess Atwell’s dynamic live show with a full-live band will showcase the gifted singer-songwriter’s stunning vocals; From Scotland but now based in Brooklyn, Hannah Read is known for her fiddle playing and songwriting and as member of Songs of Separation, was described as one of “the finest singers of the day.”

In Conversation with Milly Johnson will see the multi-million Barnsley based author, one of the Top 10 female fiction authors in the UK, reading and discussing her work. Norwich based folk trio Alden Patterson and Dashwood weave rich vocal harmonies, fiddle, dobro and guitar around beautifully written melodies, depicting tales of young travellers, sleepy seas and their affection for home. Barnsley Youth Choir consists of over 400 singers and is ranked 5th in the World Rankings in its category, winning first prizes in some of the biggest international competitions in the world. Emma McGrath makes her festival debut. An 18-year-old singer-songwriter heralding from Harpenden, North London whose ascent is firmly on the rise. Birmingham Folk’s starlet Katherine Priddy is a fresh talent whose debut EP, Wolf, has been receiving critical acclaim. Toby Burton is a 21-year-old singer-songwriter from Penistone, who sites his influences as being City and Colour, Paolo Nutini and Passenger.

Alongside the musical line-up are lively street-arts performers, storytellers, art installations and host of workshops to take part in, including everything from ukulele, swingdance and Tai Chi, to singing workshop with a Kentucky US flavour by The Local Honeys and singing, songwriting and instrumentation with Alden Patterson Dashwood.

Underneath the Stars handpicks food traders and prioritises quality ingredients and value for money. In addition to its boutique street food vendors and bar areas, the Makers Market showcasing local independent traders returns for 2019. It is committed to fair and ethical trading and making environmental sustainability a priority, pledging to be plastic-free in 2019.

A non-for-profit community interest company, the festival is born from a genuine passion for music and offers a charming and friendly experience with its welcoming atmosphere, teams of volunteers and circus-style set-up, making it a firm favourite with festival goers of all ages. A great deal of attention has been put into guest comfort, with provisions for a high level of accessibility for those with disabilities. Live music is performed in two striking circus-style big top tents and the main stage offering a seated arena. There are four campsites to choose from, including two boutique luxury options.

Folk artist Kate Rusby, Underneath the Stars festival ambassador, says “It’s thrilling to be announcing these incredible musicians who will be brought together for Underneath the Stars, including the festival’s biggest headliners to date, award-winning artists from all over the world and talents from our very own little pocket of Yorkshire. Underneath the Stars has been built on my family’s passion for music and a desire to feed back into our local community. In its sixth year it’s a real honour to see Underneath the Stars becoming firmly established on the UK festival scene as a highly creative, unique and quality festival for all generations to enjoy and experience together – we can’t wait to welcome them in August.”

Tickets are available from www.underthestarsfest.co.uk

THE UNTHANKS – Lines (RRM021S / RRM021SLP)

LinesLines is a trilogy of song cycles inspired by poetry, focusing on three female perspectives across time: Hull fishing worker Lillian Bilocca; World War One poets; and writer Emily Brontë. Lines is available on general release from February 22nd .

After discovering Brian Lavery’s book, The Headscarf Revolutionaries, the actor and writer Maxine Peake created the play The Last Testament of Lillian Bilocca as part of Hull’s hugely successful City of Culture events. Bilocca was the woman who changed policy and regulations following the loss of three trawlers in close succession in early 1968. She led women from the Hessle Road area of Hull (where many of the trawlermen came from) in protest against the lack of safety in the trawling industry. The protests led to a meeting with the government in London and then to eighty-eight safety measures being enacted.

The play had an original live score by The Unthanks and this album has five tracks. The music is predominantly written by Adrian McNally. A couple of the songs have lyrics by Peake – but the album also includes Bolling and Fishman’s ‘Lonesome Cowboy’ (which is a surprise until you relate the lyrics to the long journeys of the trawlermen). I didn’t get back to Hull to see the play, but based on this album, I regret it even more than I did at the time – the music is magnificently atmospheric, with rich but hushed tone set by McNally’s piano and supported by equally soft vocal and playing from the rest of the band.

It isn’t possible to understand Hull, particularly West Hull, without understanding its trawling history. Peake’s play with its focus on the events of 1968 has helped unite this fishing tradition into the modern city of culture. To give an idea of the significance of the women’s protests, Brian Lavery quotes one of Bilocca’s colleagues on her return to Hull from London as saying that the women of Hessle Road “did more in six days than Trade Unions and politicians had done in a century”. The definitions of folk music are many and varied but one of them is “the people’s music”. The Unthanks album will help preserve the story of Lillian Bilocca and the Headscarf Revolutionaries. It will also widen the audience that knows the story.

Mike Wistow

The second part of Lines comprises six songs concerning the Great War and, of course, there is a back story. The songs were originally written for a project marking the beginning of the war and have now been recorded to mark its end. Such projects tend to be collaborative affairs and so the first voice we hear isn’t an Unthank but Sam Lee who sings the first part the long opener ‘Roland And Vera’. Roland was Roland Leighton who was shot and killed two days before Christmas 1915 and Vera was his fiancée Vera Brittain. The song is based on her memoir and there’s lots about her to look up.

‘Everyone Sang’ is the first set of words by a contemporary poet, in this case Siegfried Sassoon with music by Tim Dalling who also sings on this recording. Sassoon was also responsible for the harrowing ‘Suicide In The Trenches’. Adrian McNally takes over as composer from this point beginning with ‘War Film’ by Teresa Hooley, although the poem was probably written in the 1920s. We don’t often think of women as war poets but Jessie Pope, who wrote the final piece ‘Socks’ is one such. Wilfred Owen dedicated Dulce Et Decorum Est to her which shows the regard in which she was held at the time.

The short poem ‘Breakfast’ was written by Wilfrid Wilson Gibson, the leading Georgian poet. It’s typical of the way wrote about the minutiae of life and The Unthanks expand it including lines from ‘Hanging On The Old Barbed Wire’ which are perfectly in keeping. The music is, perhaps inevitably, dominated by McNally’s piano with extra strings brought in to bolster Niopha Keegan’s fiddle and Chris Price’s bass and guitar

Dai Jeffries

As the concluding part of The Unthanks’ Lines trilogy, part three is based on the poetic works of Emily Brontë. Commissioned by the Brontë Society to commemorate the bicentenary of Wuthering Heights, this set of scored poems also forms an audio trail around the Haworth Parsonage (until 31 March 2019; free, but equipment booking required).

Unlike the epic adventurousness of some of their more recent work, this album has a direct simplicity, featuring only Rachel and Becky Unthank’s voices accompanied by Adrian McNally’s piano. McNally composed and performed on the parsonage’s 5-octave cabinet piano, which no doubt informed the hypnotic minimalism of the resulting music. Ambient sounds derive from on-site recording sessions, which took place after museum hours.

As we enter ‘The Parsonage’ the crows take raucous flight from the churchyard next door. Opening the door, only footsteps and the chiming and ticking of clocks disturb the stifling stillness. Nature, time, death. A triumvirate of forces scouring across Emily Brontë’s life and work.

Brontë’s nature is not manicured or cultivated, but an untamed, raw beauty. As the little piano riffles of ‘High Waving Heather’ sketch in the endless moor-top breeze (just as likely to be a bitterly whipping wind!), Becky and Rachel sing alternate lines, before they run together in a harmonic stream.

Connecting with nature is therapeutic. ‘Shall Earth No More Inspire Thee’ makes a plaintive and heartfelt cry for its subject to re-embrace nature to gain relief from inner torment. Yet ‘Lines’ conveys the sadness of finding that nature cannot soothe those who do not allow it in.

‘Remembrance’ has been set to an arrangement of a traditional tune, which pairs very well with this heavily Romantic lament. But it’s the deceptively simple and placatory dissembling of ‘She Dried Her Tears And They Did Smile’, set to a slow waltz, that really gets under the skin.

Some of the songs comprise several poems in well-considered conjunctions, such as ‘Deep Deep Down In The Silent Grave’ partnered with the equally solemn ‘Oh Hinder Me By No Delay’. But it’s ‘The Night Is Darkening Around Me’ where the dread and defiance of “I will not, cannot go” is perfectly counterpointed by the tender ‘I’ll Come When Thou Art Saddest’. Bridging back to the first poem via a short poem fragment, ‘I Would Have Touched The Heavenly Key’, this is a delightfully constructed track.

The refrain of crows, clocks and footsteps opening ‘O Evening Why’ suggests this as a logical end to the album, but perhaps it’s just too downbeat, as Becky sings the first poem in a dirgey minor before Rachel joins with the equally tonally bleak ‘It’s Over Now; I’ve Known It All’. Instead, the brighter ‘I’m Happiest When Most Away’ escorts the listener back to the moors and leaves them contemplating the shifting night skies at the top of the world.

Su O’Brien

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Artist website: www.the-unthanks.com

Recording the Brontë song cycle:

Towersey Festival announces top names

Towersey

Hothouse Flowers, Seth Lakeman, Steve Harley, and The Unthanks are among the acts headlining the 55th Towersey Festival.

The annual four-day folk and roots festival takes place from 23-26 August 2019, in Thame, Oxfordshire, and also boasts appearances from folk rock legends Oysterband, the Ukulele Orchestra of Great Britain, Two-Tone heroes The Selecter, and shanty singers Fisherman’s Friends.

Former buskers, Hothouse Flowers hit the international stage when Dublin hosted the Eurovision Song Content in 1988. Since performing as an ‘interval act’, they’ve forged a reputation as a blistering live band, combining rock, soul and folk.

Steve Harley emerged from the London acoustic scene in the early 1970s and set the charts alight. A contemporary of Bowie and T.Rex, his hits include summer anthem ‘Here Comes The Sun’ and the enduring ‘Make Me Smile (Come Up And See Me)’.

Five years from his last appearance at the festival, Seth Lakeman arrives in the wake of an acclaimed globe-trotting stint as part of Robert Plant’s Sensational Space Shifters. Expect to hear tracks from across the West Country musician’s career, including ninth album The Well Worn Path.

Remarkably, The Unthanks first ever live gig was at Towersey in 2004. Fifteen years on, and the Mercury Prize-nominated band have established themselves as one of contemporary music’s most inspiring, surprising and enquiring acts.

Also returning are Fisherman’s Friends. A huge success with audiences at 2018’s festival, the story of their incredible rise from Port Issac’s quayside to the UK album charts has now been turned into a film starring James Purefoy and Daniel Mays (in cinemas from 15 March 2019).

Others joining the line-up include Welsh/ African duo Catrin Finch and Seckou Keita, winners of the fRoots Album of the Year 2018 Critics Poll; Show Of Hands’ guitarist Steve Knightley; BBC Scots Trad Music Award 2018’s Best Live Act, Elephant Sessions; and representing an exciting new generation of British singer-songwriters, troubadours Beans On Toast and Will Varley.

Towersey Festival Director Joe Heap said: “After an amazing 2018, we’ve really set out to capture what people love so much about the festival.

“As a result, 2019 is one of our most exciting and eclectic line-ups, with some of the biggest names in folk and roots music, from Seth and The Unthanks to shanty superstars Fisherman’s Friends, alongside major musicians from across the British Isles, Africa, and North America. There’s also the usual collection of names, such as Beans On Toast, who may be new to Towersey audiences, but who we know they’ll love.

“There’ll be loads of other surprises too,” enthuses Joe, who adds that further announcements are to follow shortly, including details of Saturday night’s headliner and more information about the festival’s celebration of the life and work of musician, tutor, activist and Towersey Patron Roy Bailey, who sadly passed away in November.

Situated in easy reach of London and Birmingham, on the Oxfordshire/ Buckinghamshire border, and established in 1965, Towersey is one of the UK’s longest running independent music festivals. Boasting nine venues, alongside an extensive music programme the festival also features over 30 hours of ceilidh, daily workshops, well-stocked bars, street food, spoken word, film screenings, roaming performers, an acclaimed programme of activities for children and younger festival-goers, and more.

Tickets for Towersey Festival, which runs from Friday 23 to Monday 26 August 2019 at Thame Showground in Oxfordshire, are available now (Tier 2) from £129 (adult), £120 (conc), £90 (youth), £65 (child). For further information, and to book, see: www.towerseyfestival.com

Adrian McNally talks to Dave Freak about The Unthanks and Molly Drake

Molly Drake
Photograph by Sarah Mason

The songs of Molly Drake have been slowly seeping into public consciousness for the best part of a decade. There was a fleeting glimpse of her home recordings on the Nick Drake-and-co compilation Family Tree in 2007, followed by an album of her home recordings in 2013. Tracey Thorn and Eliza Carthy are among the artists who’ve since recorded cover versions, but it’s arguably The Unthanks’ The Songs And Poems Of Molly Drake which really pushes Molly into the spotlight.

Released last year as the fourth in The Unthanks’ ongoing Diversions series, the project (spread over two albums, the second billed as Extras) was created with the direct input of Molly’s daughter, actress Gabrielle Drake, and has been described by the band as some of their best work.

For many, Molly – who passed away in 1993 – has been simply the mother of treasured songwriter Nick Drake whose reputation, based on three previously obscure (though now ridiculously popular) albums, continues to grow. And while her influence on Nick has been acknowledged, the arrival of the private demos tell us she was more than a footnote, but an equally rare and impressive talent in her own right.

“Certainly I think that an element of Gabrielle’s motivation to release her mother’s music was to show the world that her brother, the troubled troubadour, who we are often encouraged to think was born into a stuffy upper middle class English family, with parents who didn’t understand him, in fact had a mother with as much emotional introspection and poetic articulacy as he,” says The Unthanks Adrian McNally. “We can see now that Nick was from a close and loving family, with inspiration and talent passed down.”

When it came to arranging Molly’s starkly recorded material the band explored two approaches.

“On some songs, we have been quite faithful and sympathetic. With others, we have created totally different chordal and arrangement structures, retaining Molly’s story, sentiments and tune, but removing the vernacular of the time she wrote them in, to present them in a way that hopefully shows the quality of the song as being completely independent of the music of the time,” says McNally.

“Some of the creativity that produced those results was born out of necessity. As a piano player, I do not have Molly’s chops. I am not versed in the styles and ornamentations of her day. In most cases, my starting point, which is a common one in The Unthanks, was to get Rachel or Becky to do an iPhone recording of themselves singing a Molly song unaccompanied. I work to that only, so I am free from and not influenced by the song’s original chords and voicings, which often results in a completely different sounding song – because of course, a melody can be given a totally different emotion resonance, if it is set to different chords or rhythms.

“Only in instances where that route proves to be a dead end, do I then go to Molly’s originals.

“This is not a hard and fast rule. There are some instances when just through listening, a decision is made to remain faithful, or that an alternative idea is instantly recognised.

“In all cases, it is the song that comes first,” he stresses. “If we rework, it’s because we can see another way of capturing or putting a different spin on the sentiment of the song, or if we don’t, it’s because we cannot see a better way of expressing the sentiment of the song.

Touring the album last year, McNally and the band were touched by the way audiences connected with the material.

“The show is very subtly lit, so it was more possible than normal, to see faces in the audience, and quite how many tears were being shed!” he says.

“Molly’s writing is the very essence of bittersweet. In defence of her mother’s leanings towards darkness, Gabrielle has said of her mother that ‘happiness was something she understood profoundly – the more so, because she was so conscious of its opposite – sorrow.

“It’s the understanding and acceptance of both as part of life that brings about the condition of yearning that is equal parts hopeful and melancholic, and it’s the equality between beauty and tragedy that breaks our hearts, I feel.”

And while the songs have been the main focus for many, as The Unthanks’ album rightly pointed out, there’s also Molly’s poems too, which were recorded for the project by Gabrielle.

“It’s not just the songs. Her poetry too, through Gabrielle’s performances, is incredibly effecting. Every one of Gabrielle’s performances caused a strong emotional reaction in me on first listen, be that tears or laughter – both of which were caused by the same ingredient – beauty.

“Molly’s messages are profound, but the joy I feel is towards the brilliance and precision with which the truth of that message is articulated. The success of any art should ultimately be judged on how successful the artist has been in conveying what they intended to.

“On those terms, Molly’s writing is amongst the best I’ve ever heard.”

Dave Freak

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The Unthanks perform The Songs Of Molly Drake at Lunar Festival (26-29 July 2018) in Tanworth-In-Arden, Warwickshire (the home of the Drake family) on Friday 27 July 2018. Other artists appearing at the festival include Goldfrapp, The Stranglers, Amadou and Mariam, Songhoy Blues, and Jane Weaver.

For more information, see: lunarfestival.co.uk

Promo video:

The 2018 Folking Awards

Welcome to the 2018 Folking Awards and thank you again to everyone who participated last year. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with considered argument and arm-wrestling by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have impressed our writers during 2017.

As with the format last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

*The Public Vote for each category will close at 9.00pm on Sunday 1st April (GMT+1).


Soloist Of The Year

 Jon Boden
Ange Hardy
Daria Kulesh
Richard Thompson
Chris Wood


Public Vote

*And the winner is: Open envelope!

 


Best Duo

Kate & Raphael
O’Hooley & Tidow
Kathryn Roberts & Sean Lakeman
Laura Smyth & Ted Kemp
Winter Wilson


Public Vote

*And the winner is: Open envelope!

 


Best Band

Sam Kelly & The Lost Boys
Merry Hell
Peter Knight’s Gigspanner
Police Dog Hogan
The Unthanks


Public Vote

*And the winner is: Open envelope!

 


Best Live Act

CC Smugglers
Eliza Carthy & The Wayward Band
Fairport Convention
Lau
Merry Hell


Public Vote

*And the winner is: Open envelope!

 


Best Album

Bring Back Home – Ange Hardy
Pretty Peggy – Sam Kelly & The Lost Boys
Long Lost Home – Daria Kulesh
A Pocket Of Wind Resistance – Karine Polwart/Pippa Murphy
Strangers – The Young ‘Uns


Public Vote

*And the winner is: Open envelope!

 


Best Musician

Kevin Crawford
Seth Lakeman
Richard Thompson
Karen Tweed
Ryan Young


Public Vote

*And the winner is: Open envelope!

 


Rising Star

Sam Brothers
Siobhan Miller
Jack Rutter
Sound Of The Sirens
The Trials Of Cato


Public Vote

*And the winner is: Open envelope!!

 


Best International Artist

Rodney Crowell
Anna Coogan
Michael McDermott
Le Vent Du Nord
The Wailin’ Jennys


Public Vote

*And the winner is: Open envelope!

 


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Folkies 2018

You Are Wolf announces her second album

You Are Wolf
Photograph by Dannie Price

You Are Wolf is the alt-folk project of award-winning composer and vocalist Kerry Andrew. Releasing her second album Keld in March, it is the follow-up to her 2014 debut Hawk To The Hunting Gone, a record that explored British birds and folklore. Now working as a trio with multi-instrumentalist Sam Hall and percussionist Peter Ashwell, Keld – an old Northern English word meaning “the deep, still, smooth part of a river” – is an album that explores and develops the theme of freshwater. Wild swimming is a key passion and inspiration of hers, and she can often be found dipping into lochs, lakes, rivers and the sea in all weathers. Though there are countless traditional songs about the sea, there are less about our inland waterways, and Kerry decided to use this as a challenge: to source traditional material and write originals all inspired by freshwater folklore.

It was an aim of Kerry’s to find songs that featured an array of strong female characters, and Keld includes traditional songs about waterfall banshees, killer female water sprites, drowning boys and powerful witches. Original songs are inspired by wild swimming, vengeful rivers, nymphs and naiads, and even an Anglo-Saxon charm. You Are Wolf brings these ancient songs and stories into the present, with bold arrangements inspired by leftfield pop, new classical music and electronica.

The album is produced by MaJiker, best known for his work on French alt-pop queen Camille’s Victoire-winning albums. He has also remixed / worked with Fever Ray, Nitin Sahwney and Gaggle, and brings an experimental pop sensibility to the album. Where Hawk To The Hunting Gone was heavily vocal, with lots of vocal looping – inspired by the likes of Camille, Bobby Mcferrin, Meredith Monk and tUnE-yArDs – Keld is more expansive. With a wider palate of sounds including drums, ‘cello, vibraphone, trumpet, found sounds and field recordings, it’s an album that not only draws from innovative contemporary folk artists including Lisa Knapp (who features here on “The Weeper”), Sam Lee and The Unthanks, but also by music outside the folk sphere: everything from minimalist composer Steve Reich to PJ Harvey, traditional Central African Pygmy music and Julia Holter. The brilliant poet Robin Robertson also appears.

You Are Wolf is a regular on Radio 3’s The Verb and performed her debut short story with music on BBC Radio 4’s Stories From Songwriters series. Elsewhere, as Kerry Andrew, she is a composer of experimental vocal music and choral music, has a PhD in Composition and is the winner of four British Composer Awards. Kerry has written for The Guardian and is an occasional presenter on BBC Radio 3. Her debut novel, Swansong, based on a folk ballad, is published by Jonathan Cape on January 25th 2018. The novel has been praised by Robert Macfarlane as “spiky, strange and contemporary, but always with a dark undertow of myth and folklore tugging at its telling” and by folk legend Shirley Collins as “a subtle, supernatural tale told in a present-day voice.”

Please support us and order via our UK or US Storefront 


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Artist’s website: http://www.youarewolf.com/

‘All Things Are Quite Silent’ – live: