Fairport’s Cropredy Convention three-day open-air music festival announces the line-up for the 2020 event.
Now in its forty-first year, the festival will take place on Thursday 13, Friday 14 and Saturday 15 August 2020 on its usual farmland site in north Oxfordshire.
“We’re really pleased with this year’s line-up”, says Fairport bassist Dave Pegg. “It consolidates Cropredy’s core appeal, celebrates Fairport’s rich heritage and also introduces a wide and diverse range of music. It’ll be a particular pleasure to have Richard Thompson playing with us again during our three-hour headline set on the Saturday evening.”
Cropredy will feature two sets by host band Fairport Convention. On Thursday 13 August they will open the festival with a short acoustic set. On Saturday they will close the event with their customary extended headline performance.
Fairport’s Saturday set will include a fiftieth anniversary celebration of Full House, the band’s acclaimed 1970 LP. The Full House line-up of Simon Nicol, Richard Thompson, Dave Mattacks, and Dave Pegg will be joined by Chris Leslie (standing in for the late Dave Swarbrick) to play the whole album.
Thursday 13 August
Host band Fairport will open the festival on Thursday with a short acoustic set
This London-based bluegrass outfit plays barn-storming blues-infused Irish, American, and English folk music.
Cropredy favourites Edward II play a fusion of world music, folk and reggae blending the rhythms of the Caribbean with traditional British songs.
Multi-award winning band Clannad has arguably done more than any other band to bring Irish music to a worldwide audience.
Trevor Horn Band
One of the most influential producers in popular music, Trevor has worked with Frankie Goes To Hollywood, Grace Jones, Pet Shop Boys, Seal and Robbie Williams among many others.
Friday 14 August
Cropredy will present a set by singer-songwriter Maddie, winner of the 2019 BBC Radio 2 Young Folk Award.
A Cropredy debut for this acclaimed Australian singer-songwriter and multi-instrumentalist whose repertoire encompasses Americana, country and folk.
Co-fronted by John Tams and John Kirkpatrick, Home Service is one of the UK’s best-loved folkrock groups and is characterised by a distinctive brass sound and great repertoire.
Legendary singer/songwriter Martin returns to Cropredy with his rich voice and spellbinding songs.
The Slambovian Circus of Dreams
Hillbilly meets Pink Floyd in this surreal New York band. Rootsy psychedelia from the cool end of Americana.
The Sharon Shannon Quartet
Irish musician Sharon is known for button accordion, fiddle and whistle. Springing from Irish folk, her music reveals wide-ranging influences.
Indie folk rockers Turin Brakes are making their first appearance at Cropredy. They have seven studio albums and a million record sales to their credit.
Steve Hackett – Genesis Revisited
One of the most Britain’s most accomplished and celebrated guitarists returns to Cropredy. Steve’s extraordinary musical versatility draws on influences as diverse as jazz, world and blues to recreate the unique sound of prog-rock legends Genesis.
Saturday 15 August
BAFTA nominee Richard returns to his traditional Saturday slot to get the day off to a flying start.
Holy Moly & The Crackers
Fronted by vocalist Ruth Patterson, this Newcastle sextet mixes British folk with dollops of rock’n’soul, indie, balladeering and a touch of psychedelia. They describe their sound as “riotous party music for the masses.”
The Bar-Steward Sons of Val Doonican
This comedy folk and parody band from Barnsley completely stole the show when they played Cropredy in 2018 and are back by popular demand.
Rosalie Cunningham is an English singer/songwriter with a distinct style who has appeared on Later with Jools Holland and supported Jack White’s UK tour.
Matthews Southern Comfort
Fronted by ex-Fairport singer Iain Matthews, Matthews Southern Comfort plays melodic laid-back Americana.
Virtuoso guitarist and renowned songwriter Richard will take the Cropredy stage twice in 2020; in his own solo set and as part of the fiftieth anniversary of the Full House album.
Saturday’s traditional extended headline set from Fairport will include the band’s 1970 line-up playing the whole of Full House in album order plus the current line-up performing a wealth of material old and new.
Cropredy tickets on sale
Cropredy three-day tickets are on sale from today.
The first 1,000 orders will receive a Christmas card signed by all five members of Fairport Convention the first 2,000 will get a souvenir Cropredy car window sticker.
FOLK ON THE PIER
Pavilion Theatre Cromer, North Norfolk
8, 9, 10 May 2020
Nineteen highly talented acts plus an extended Fringe Festival will ensure Cromer’s Folk on the Pier festival will be offering twenty of the best for 2020.
Taking place on 8, 9 and 10 May in the prestigious Pavilion Theatre the festival will feature a bumper bundle of established artists and rising stars from the folk-rock and acoustic music scenes. And with the Fringe Festival taking over many venues in the town there will be something for everyone to enjoy.
This year’s line-up is peppered with award winners – among the headliners are BAFTA Nominated TV Entertainer Of The Year and The British Academy Gold Award of Composers recipient Richard Digance, and Wizz Jones who recently picked up a Lifetime Achievement Award at the BBC Radio 2 Folk Awards.
The ever evolving Demon Barbers XL who also won a BBC Radio Award for Best Live Act will present their new show Rise Up and festival Patron Ashley Hutchings MBE who has been the recipient of numerous awards will present ‘Dylancentric’ – his tribute to Bob Dylan.
And closing the festival on the Sunday evening is ‘the band without whom’ there would not be a Folk on The Pier – Fairport Convention. Little did they know when they invented British folk-rock that it would become the inspiration for what has become a very popular music festival.
PAVILION THEATRE PROGRAMME
FRIDAY 8TH MAY
AFTERNOON CONCERT – 2.00PM ONWARDS
Urban Folk Quartet
EVENING CONCERT – 7.30PM ONWARDS
Alden, Patterson & Dashwood
Demon Barbers XL – ‘Rise Up’
SATURDAY 9TH MAY
AFTERNOON CONCERT – 2.00PM ONWARDS
The Shackleton Trio
Ashley Hutchings’ Dylancentric
EVENING CONCERT – 7.30PM ONWARDS
Feast of Fiddles
SUNDAY 10TH MAY
AFTERNOON CONCERT – 2.00PM ONWARDS
Gerry Colvin Band
EVENING CONCERT – 7.30PM ONWARDS
2020 Showcase Winner
AFTERNOON CONCERTS – £21.00
EVENING CONCERTS – £25.00
FULL WEEKEND SET OF TICKETS TO SAVE £20.50 OVER THE SIX EVENTS AT £117.50 . SELECT ALL SIX EVENTS AND THE DISCOUNT WILL BE APPLIED AUTOMATICALLY.
Please go to www.cromerpier.co.uk
It is that time of year again and I had an invite to join the lads from folking.com and ‘do’ the 2016 Cropredy Festival. As a Cropredy virgin and non-camper, three days before the event I was filled with trepidation and angst, although the music beckoned! How could you not with such a line up?! This is what kept me going.
I arrived at Folkmaster Towers the day before, to be greeted by camping equipment and God knows what else – strewn all over the front lawn. Were we packing for the army? Decisions of which tent to take, go wash this, do that, but it kept my mind off sleeping in a cow field the next night! I announced I had bought a pop up tent for the occasion as it was quick and easy to put it up, I confidently said, I was told they are a nightmare to put down……..that’s another story!!! A visit to Waitrose followed the front lawn episode.
The day dawned. We were to meet the rest of the team at the ungodly hour of 7am at a service station over an hour and a half away. Everyone turned up at the appointed time, and we sped off in convoy to all arrive at the same time, to be in the same field and set up the Folking.com camp. Paul turned up with a transit van, complete with proper bed, fairy lights, toilet but no kitchen implements or the food and cooking equipment he was supposed to be bringing.
Great start but we had a laugh! We ended up in Field 4, full of cow pats but no cows thankfully. My tent went up a breeze with the help of the wonderful Chris, but our Beloved Leader was hampered by a slight drizzle and size of his tent, and then fluffed about filling it with comfy mattress and everything including the kitchen sink. Jon, Chris myself and Paul just amused ourselves while we were waiting the two and a half hours it took him to create the classic boudoir experience for himself which was only marred by the forgotten sarong which was meant to have provided some sort of Bedouin shade.
Onwards to The Field…. The Festival was opened by Fairport MC – Anthony John Clarke and Thursday kicked off with a Fairport Acoustic set, lots of people already in attendance and we had a good view from where we were, and two huge screens were either side the stage for those further back.
I was on photo duty, so could get to the stage area easily to capture the artists. One of the acts – Coco And The Butterfields were a new name to me and were suggested by Debs Earle and her daughter Rosie from Folk In The Barn, to the Fairport Team, and a good choice. Energetic vocals from these Canterbury buskers.
These were ably followed by Hayseed Dixie, whom I have wanted to see for ages. A rip-roaring Bluegrass Rock with attitude!
Madness with front man Suggs, completed the first day as Headliners. They certainly didn’t disappoint and belted out their hits and more with gusto.
We returned to our tents. I discovered a hill where my head was going to be and managed 4 hours sleep!
Friday dawned very hot, not normal Cropredy weather I’m told , went off for a shower to find the Cricket Pavilion showers blocked. I was the last one and was told I couldn’t have a shower there. Darren suggested that I should have used the excellent Fairport free ones (which he promised to point out to me, but never actually got round to doing). This advice was provided after he paid his two pounds fifty at the Cricket Pavilion, had queued, showered and dressed within ten minutes… Well, if it was going to happen to someone… It was going to happen to me! By this time the acts had started and I missed A J Clarke and Peggy, also BBC R2 YFA winner Brighde Chaimbeul, although I could hear them. Thankfully I surfaced for the female rock duo – Sound Of The Sirens who I had seen earlier this year supporting Rick Astley, they are a favourite of R2 presenter Chris Evans, have performed at Glastonbury, and are so energetic and a joy to watch and listen to. Definitely ones to watch out for.
I had to visit the medical tent… again… it could only happen to me… went in to get some different tablets for a water infection as the ones I had were not working and came back out having being wired up to an ECG machine for an irregular heartbeat. I said I had a Festival to go to, was a first time camper, had a shower disaster, had lost my tooth brush, so what did they expect!? If my ticker was dicky it would last until Sunday! (No alcohol had been consumed by the way).
Another band I enjoyed but had heard before were Willie And The Bandits who are labelled as a classic blues rock band, but they are so much more. They have played Glastonbury and all over Europe. The Cropredy crowd loved them.
Next came festival favourites Steeleye Span with Maddy Prior, who had everyone on the field eating out of their hands. Performing a mixture of songs including their latest album – The Wintersmith and of course – All Around My Hat! In 47 years, the band has notched up a family tree of member changes and like Fairport, have been one of the bands responsible for putting folk-rock on the map. They still sound great!
Friday ended with Headliners – The Bootleg Beatles – who have appeared some years ago at Cropredy. As expected, they belted out a variety of Beatle Hits and a couple of dress changes denoted different eras the Beatles went through. “George” wowed the audience with a fantastic rendition of “While My Guitar Gently Weeps.” I think Cropredy were lucky to get them as they are touring all over the world shortly. Apparently they are the most successful Beatles Tribute act ever. I’m not surprised. Fabulous!
After the main act finished, the rest of the crew (all bar Chis and me) headed off to see the other Paul, Mr. Johnson who was camped near the bottom of the disabled field to listen to him do a couple of his own songs as well as meeting up with his daughter and daughters partner “Dave Longboat’ who had lost his way on the Thursday night back to campsite 4, misplaced his footing and ended up in the Canal. Dave asked me to extend his thanks to the Cropredy villagers, who were having a party at the time and came to the rescue with towels. My camping buddy Paul said, “there are only two things that go in a canal, one a longboat and the other is Dave”, hence the name. I believe that the folkmaster penned a poem to mark the occasion and Paul Johnson is rumoured to be writing a tune for it for next year.
Saturday – main day and another hot one in more ways than one – early start for getting a decent spot on The Field. Richard Digance kicked off the day’s proceedings and was so funny. He can sing well too and play a mean old rag! We ended up with 20,000 people plus doing a Morris dance with hankies! Had to be seen to be believed! Good fun.
Other highlights for me were Maia, who call themselves sci-fi folk genre. Certainly different and very watchable. Then we had Gilmore & Roberts who were a duo I had wanted to catch up with and they didn’t disappoint. They played as a four piece band and I enjoyed them very much.
The Pierce Brothers from Australia brought the house down! The brothers were overwhelmed as they had not played such a big crowd before, and seem very humbled by the response they got from the enthusiastic crowd. Fairport’s Simon Nicol said later that The Pierce Brothers had been knocked for six by the audience reaction to their music. Hope to see them back in the UK soon.
Damien Barber and his Demon Barbers was something else! An energetic fusion of song, dancing, hip hop, trad folk, everything all rolled into one. Very visual and entertaining.
Highlight of the Festival for me was the legend who is Ralph McTell. A classic gifted wordsmith, prolific guitarist and a truly genuine guy. The set included, amongst others, Barges, Pepper and Tomatoes and a rousing rendition of From Clare to Here and he had the audience eating out of his hand and rightly so. A truly fabulous performance from our National Treasure. Of course, Streets of London was there as well, and hearing 20,000 or more people singing it, was a joy in itself. You could tell by the huge smile on Ralph’s face when he finally said goodnight that the love was following in both directions with abundance! Lovely that Paul Johnson and Darren (aka Folkmaster) had done such an amazing interview with Ralph the previous day (listen again below).
Fairport Convention ended the evening and the weekend. They opened with some very funny Olympic themed visuals which you can watch again on the “Fairporters” Facebook group if you missed it. Simon Nicol made a superb speech to the memory of Fairport founder virtuoso fiddler Dave Swarbrick, who sadly died a few months ago, but who has left a fantastic musical legacy and will not be forgotten. Dave has inspired so many people to take up the fiddle over the years and will also be remembered for his song writing, sense of humour and character. The compilation of Swarb photos from across the years was also a lovely touch as well.
An outstanding set from Fairport followed which included a guest appearance from 11-year-old blues guitar wonder-boy Toby Lee, who played the lead on ‘Mr. Lacey’ (I think). Plus the traditional ‘Matty Groves’ and of course, ‘Meet On The Ledge’ ending, the point where the field, all twenty thousand of us, unify around the song that examplifies the reason we all go. My team mates and I all linked up together to sing this and felt myself welling up. I had so enjoyed my first Cropredy, been introduced to some new and amazing artists and their music, and was sorry to have to say goodbye for another year. Yes, I will be going next year for Fairport’s 50th year celebration!
You know it’s going to be a great night when you see the broadly grinning expectations of the ‘sold out’ audience come streaming through the doors carrying with them the thoughts that tonight is going to be extra special. Of course it’s an expectation born of the rumours that a ‘legend’ is playing a local ‘folk club’ and that legend just happens to be Richard Digance (yes, him off the telly!). With an easy-going presentation that a lot of young ‘folk’ performers could do well to learn from Digance is everything to every man (and woman). Such is his delivery of well observed anecdotes that they appear as well lobbed audio grenades eliciting guffaws of laughter without the need for offensive language unlike a lot of ‘so-called’ comedians these days. Reminiscing is what it’s all about and in this respect he offers it on a plate. Drawing on vignettes as a performer he makes each and everyone feel as if they’ve known him personally all of their lives and, indeed, many of us have. The songs, storytelling and banter of his East-End upbringing even if not one hundred percent historically correct as in the case of “The Ballad Of Johnny Puller” it is the attention to detail that makes you believe in the character. Such was the warmth and bond with tonight’s very respectful crowd Richard even felt comfortable enough to try out several new songs including an ode to the painter John Constable that, with two choruses was unusual but met with an appreciation Vaughan Williams might have expected the first time he performed ‘Lark Ascending’. His well deserved encore “Letter From Afghanistan” with its snipe at English football players in general (and deservedly so) should be required listening by ‘the team’ and if tonight’s audience were anything to go by I would say he hit the goal every time…right to the back of the net. If you get the chance to see him in the intimacy of a club…take it, you won’t be disappointed and I’m sure you can ask anyone who was at Dorking for a shining endorsement! By the way for those of you reading this review that didn’t get the chance to buy his CDs check out the link below.
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Anyone who can include sound-bites of God Rest Ye Merry Gentlemen, In The Bleak Midwinter, Ding Dong Merrily On High and We Wish You A Merry Christmas with lyrics that evoke childhood memories (however convoluted) of that famous trenches football match in 1914 gets a resounding thumbs up from me. Richard’s account of “The Ballad Of Johnny Puller” is a powerful evocation on the futility of war proving the old adage that the pen can indeed be mightier than the sword especially in the hands of someone this creative. There’s no mawkish sentimentality here just well observed, wry smile inducing moments that however fabricated…the names may not be real but the story is…relate a boys-own tale far more than McCartney’s “Pipes Of Peace” or Jona Lewie’s “Stop The Cavalry” ever did. Talking (as one does) about nostalgia it’s always played a pivotal role in Digance’s performance and perhaps none more so than on the title track and his homage to the East End with an enjoyable rendition of “The Houses In Between” originally popularised by Music Hall’s Gus Elen. More often than not he is joined throughout the recording on various tracks by Matt Black (keyboards), Neil Vine (drums), Arnie Cottrel (mandolin) and Vicki Hobbs (vocals) and for good measure there’s even a solo guitar instrumental “The Plaistow Tune” that utilises (to me at least) a fairground carousel style melody. As ever from Richard there’s a little bit of this, a little bit of that and for the majority of those of us that have followed his career from the early days he always manages to make his observations on life interesting and yes, at times thought provoking.