Bonnie Raitt, Van Morrison, Mark Knopfler, Sinead O’Connor, and more, feature on PAUL BRADY: THE VICAR STREET SESSIONS VOLUME 1

VicarStCD400Proper Records, April 27th

Take a veritable galaxy of stars…Bonnie Raitt, Mark Knopfler, Van Morrison, Sinéad O’Connor, Ronan Keating, Curtis Stigers, Gavin Friday & Maurice Seezer, Eleanor McEvoy, Moya Brennan, Mary Black, Maura O’Connell to name but a few…and then add one more… Paul Brady.

Paul Brady. Singer/songwriter/multi-instrumentalist. Revered Irish talent of some 40 years.

The one ingredient that coalesces the mix, the common factor, the king pin, the thread that pulls warp and weft together.

Fourteen years ago Paul Brady did 23 gigs at Vicar Street, Dublin. Many artists have sung Paul’s songs over the years and in October 2001 he decided to invite some of them to play with him. The response was overwhelming. The result an inspired mega coupling.

Joining Paul and his band was a different artist every night, sometimes several. Indeed, as he says himself  “At times I was a spectator in my own show as my guests, my friends, took the roof off Vicar Street. I knew then we’d captured something special.”

This unparalleled set of musical evenings soon became the stuff of legend. And it always remained at the periphery of Paul’s consciousness. Now, finally, a first volume of these remarkable nights is to be released.

Out on Proper Records on April 27th it comprises some of PB’s best loved songs featuring some of the world’s best loved artists. It captures a taste of what it was to have been there on the night – intimate, funny, powerful and above all gloriously musical.

With 16 solo albums already to his credit as well as a fist of collaborations, Paul Brady’s writing effortlessly straddles folk, pop and rock (not to mention his enviable reputation as an interpreter of traditional music).

His songs have been sung by a huge array of stars over the last four decades. Tina Turner, Cher, Carole King, Art Garfunkel, Bonnie Raitt, Joe Cocker, David Crosby, Cliff Richard, Trisha Yearwood and Phil Collins amongst them and, closer to home, Ronan Keating, Joe Dolan, Dickie Rock, Maura O’Connell, Liam Clancy and Mary Black.

The Vicar Street Sessions provides a great tribute to one of Ireland’s finest artists.

1. I Want You To Want Me
2. Baloney Again (feat. Mark Knopfler)
3. The Soul Commotion
4. Nobody Knows (feat. Gavin Friday and Maurice Seltzer)
5. Believe In Me
6. In This Heart (feat. Sinead O’Connor)
7. Irish Heartbeat (feat. Van Morrison)
8. Not The Only One (feat. Bonnie Raitt)
9. Don’t Go Far (feat. Curtis Stigers)
10. The Long Goodbye (feat. Ronan Keating)
11. Last Seen October 9th (feat. Eleanor McEvoy)
12. The World Is What You Make It (feat. Bonnie Raitt)
13. Forever Young

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TIM EDEY TO RELEASE SOLO GUITAR ALBUM – with special Scottish guest musician Patsy Reid

TIM EDEY 2013Tim Edey has announced that he will be releasing a solo album of guitar music this Augustaugmented by a string quartet led by popular Scottish fiddler Patsy Reid (you may remember Patsy from Breabach).  The album will be officially launched at Kent’s Broadstairs Folk Week in Tim’s home town and he will be closing the festival on Friday, August 16 with support from Devon duo Phillip Henry & Hannah Martin (recently featured on folking).

Tim’s hot property in the contemporary worldwide Celtic music scene, his melodeon and guitar playing is featured prominently on Christy Moore’s 2011 album, and his touring and recording credits read like a who’s who of the Celtic scene: Capercaillie, Sharon Shannon, Lunasa, Michael McGoldrick, Seamus Begley, Altan and Mary Black. Tim has also recorded an album with guest musicians Tim Edey: The Collective.

Tim has been in demand since his wins at the RADIO 2 FOLK AWARDS in 2012 where he picked up both BBC  “MUSICIAN OF THE YEAR” and the BEST DUO award (with Brendan Power). He has guested on BBC Radio 2’s Good Morning Sunday, Mike Harding and Simon Mayo  shows, BBC Radio 3’s “World on 3” and Radio 4’s Midweek and been seen on BBC South-East, Ireland’s RTE1 John Murray show and, with The Chieftains on Later with Jools Holland

Dividing his time between Scotland and Kent, he also released the eclectic The Best of Tim Edey – a superb 18-track album that charts the course of his career to date and showcases his collaborations with luminaries from the Celtic music world including Sharon Shannon, Ross Ainslie, Seamus Begley and Mike McGoldrick. It includes the track “Why”? which evolved into a tune questioning the condition OCD to which Tim is no stranger and with which he feels music has helped him cope.

Tim will be making several key appearances across the Atlantic this year. In July, he will perform at one of Canada’s biggest festivals – Stanfest – before appearing with top international fiddler Natalie MacMaster and Donnell Leahy in Ontario and, in October, returning to Cape Breton’s world famous  Celtic Colours festival followed by a Canadian tour with multi award-winning JP Cormier, the Canadian bluegrass/folk/Celtic singer songwriter and multi-instrumentalist.

Back in the UK, Tim will appear at Derbyshire’s Edale Folk Festival in May and in August, Towersey Festival and Broadstairs Folk Week where he will launch his guitar album and do a CD signing. Then in November, he has been invited to return to Dougie Maclean’s Perthshire Amber Festival.

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Artist’s website: www.timedey.co.uk

Mary Black, The Night Is On Our Side (3ú Records/Blix Street)

The Night Is On Our Side is the latest single to be released from Mary’s recent album, Stories From The Steeples– her first studio recording in six years. In a career spanning over twenty-five years, Mary’s success has been attributable to her discerning taste when it comes to choosing material, and not least her ability to get under the skin of a song and tease out its innermost sentiments; Stories From The Steeples offers reaffirmation that this artistry shows no sign of diminishing.

Ever willing to support burgeoning, Irish song writing talent, this latest single comes from the pen of the young Dublin songwriter, Danny O’Reilly. It’s a carefree, pop-tinged number, with lyrics that tend to lean on the brighter side of life. Lead by a breezy arrangement of guitars and piano, the song is underpinned by a string section that adds warmth and class.

And then there’s Mary’s voice- a precision instrument of beauty that the passing years only seem have furnished with yet more grace and compassion. Mike Wilson

Mary’s record company, have given, folking.com exclusive permission, to stream the latest single as part of this feature below… Click on the play button to listen to the track!

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Mary Black – Stories From the Steeples (3ú Records / Blix Street Records)

This is the first studio recording from Mary Black in six years, and it’s a collection that demonstrates an artist in full command of her bewitching vocal prowess. Throughout an impressive career, Mary has consistently demonstrated impeccable taste in her choice of material, and the evidence presented here suggests that her ear for seeking out songs of utmost grace and beauty is as keen as ever. With a voice that has only gained in depth and resonance over the years, Mary brings her trademark warmth and sincerity, casting light and shade amongst the lyrics to create her own personal space amongst the words of carefully chosen songwriters. Never one to rest on her laurels, we’re gifted songs from familiar friends such as Shane Howard, Eric Bogle and Julie Matthews, alongside burgeoning writing talents, including Danny O’Reilly and Ricky Lynch.

Sharing the stage with a number of guests, Stories From The Steeples contains three duets: the beguiling “Lighthouse Light” features Janis Ian in a perfectly balanced performance that whets the appetite for further exploration of this winsome partnership; the robust, soulful voice of Imelda May joins Mary on an affirmative song of place and belonging, “Mountains To The Sea”; and the playful “Walking With My Love” finds Mary exchanging lines with the legendary Finbar Furey. All three performances are notable for their palpable sense of modesty and mutual admiration.

Two stand-out tracks come from particularly close to home, being written by Mary’s son, Danny O’Reilly. “Faith In Fate” paints a stark contrast between the sheer despair of a broken relationship with a determined hopefulness to move on and patch things up. Managing to be simultaneously bleak and uplifting with its heady infusion of hurt and devoted affection, it’s a song that plays to all the strengths of Mary’s typically emotion-wrought interpretation. Offering a similar cocktail of emotions, “Wizard of Oz” is a mournful reflection on the search for strength and happiness, underpinned by a dreamy string arrangement over which Mary lays her heartwarming vocals.

Fulfilling the role of storyteller, Mary excels in bringing lifelike colour to the characters of “Marguerite And The Gambler,” a Ricky Lynch song that recounts the familiar tale of many a traditional folk ballad, with its gamblers, true love, misguided familial intervention, heartbreak and devastation. Those purchasing the extended version of the album are handsomely rewarded with an exquisite reading of Chris Woods’ “One In A Million,” a story of true love that takes the mundanities of life and turns it in to utter magic, and proving beyond any doubt that Mary remains a song’s best friend.

Paul Kelly’s “They Thought I Was Asleep” benefits from a tender reading, cloaked in Mary’s trademark warmth, depicting the torment of a child inadvertently witnessing from the back seat of a car, the emotional breakdown of his parents’ relationship. Equally devastating, though of more epic proportions, Eric Bogle’s “All the Fine Young Men” is made all the more disarming, thanks to the sheer reverence with which Mary furnishes this stark, anti-war anthem.

With a little less polish than some of her earlier releases, Stories From The Steeples steps forward as an intimate, unpretentious collection, bathed in a soft but radiant glow of effortlessness and wholehearted integrity. Time will tell, but Stories From The Steeples may well prove to be Mary’s best yet.

Mike Wilson

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Artist Web Link: https://www.mary-black.net/

TIM EDEY & BRENDAN POWER – Wriggle And Writhe (Gnatbite Records GB 010)

For those that have not seen them before, Tim and Brendan are two of the nicest blokes on the UK ‘folk’ circuit. They are also without doubt (or at the very least probably) the finest collaborators of reed based instruments anywhere on the planet as can be attested by artists the calibre of Sting, Kate Bush, Capercaillie and Mary Black. I have been a fan of the harmonica since I first heard Larry Adler but my allegiance transferred to Brendan when I saw him performing at the opening ceremony of the 1990 Commonwealth Games. Integrating his extensive knowledge of blues with Celtic melodies this engaging New Zealander (originally from Kenya but now based in Kent) along with the accordion wielding Edey manage to breathe expression into every note of their performance. From the opening track “Celtic Thunder/Kent To Kintail” the energy and exuberance of the duo sweep the listener along on a whirlwind tour of all that’s best about this music that we, the ‘folk’ community selfishly claim as our own. If on the other hand you’re looking for something a little more melancholy check out the arrangement of “The Maids Of Mitchelstown/The Morning Star” or their choice of songs…and yes…I didn’t know they sang either. I’ve had the pleasure of playing in session with both these guys and let me tell you the experience left me (and everyone who was there) truly invigorated therefore I have no reservation in suggesting you purchase a copy of this astonishing tour de force at the earliest opportunity and, why not impress your mates by playing them a couple of tracks to show them instrumental wizardry of the highest order.

PETE FYFE

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Artist Web Link: http://timedey.co.uk/