Almost exactly seven years have passed since Show of Hands last appeared before an audience at Wells Cathedral; an interval of time that many would conclude has seen the world become an ever-more uncertain and unpredictable place. In these days when the news amounts to a cavalcade of increasingly unsettling events its reassuring that some cherished institutions remain steadfast and dependable, enshrining values that continues to inspire. As part of the fittingly titled ‘Sanctuary’ tour it was a joy to see two much revered institutions reunite – musical act and sacred building – each casting the other in new and unexpected light.
The first member of Show of Hands to appear before tonight’s audience – a congregation comprising the band’s staunchly loyal audience and the cathedral’s parishioners – was Phil Beer. Illuminated at the altar, Beer introduced the evenings supporting artist, Kirsty Merryn. His warm words of praise were swiftly borne out by a distinctive set, most notable for Merryn’s liquid clear voice cascading over the deft piano runs of her original compositions. Many of the songs, drawn from Merryn’s debut album, ‘She and I‘ provided a fresh perspective on the achievements of esteemed female figures from history including Jane Austen and Grace Darling. As ever, Show of Hands had picked an artist to accompany them on this tour of cathedrals who genuinely was the ‘special guest’ of the evening rather than a mere supporting artist.
When, after the interval, the band appeared it was, as is so often the case, without any grand gesture or musical fanfare. Instead the performance began with the solitary figure of Steve Knightley walking down the cathedral’s central aisle as he gently intoned the words of ‘The Old Lych Way’, a composition by Topsham songwriter and musician, Chris Hoban. The song focuses on a longer and yet more ancient route that traverses a remote stretch of Dartmoor along which the faithful would bear the deceased to a final resting place at Lydford Church. A suitably contemplative and mystic atmosphere was conjured beneath the Cathedral’s hallowed arches, setting the tone for much of what was to follow. Next came ‘The Preacher’ from 1995 album ‘The Lie of the Land’, a song in which the prayers of a lonesome island-dwelling cleric lead to guilt and self-recrimination.
While some of Show of Hands best loved numbers were absent from this evening’s performance – there was to be no regaling of ‘Cousin Jack’ – this was entirely fitting since the set list had clearly been compiled to highlight the spiritual questing evident in so much of Show of Hands’ material. Phil Beer, a more vocal presence during this evening’s show than is often the case, offered an exquisite rendition of Sydney Carter’s masterpiece ‘The Crow on the Cradle’, a song that focuses on the power of mankind to avoid the horrors of war.
Throughout the evening Show of Hands’ stunning music was complemented by equally impressive lighting effects. The St. Andrew’s Cross, an enormous arched structure that occupies the east end of the nave was often spectacularly lit while the carved stone work that lies immediately behind it was frequently illuminated to produce a striking contrast. As Steve Knightley himself pointed out, the band’s music became in this context just one element of the experience. Perhaps the lighting was at its most dramatic during a rendition of ‘Innocent’s Song’, the words of Cornish poet, Charles Causley set to music. As the song was performed the massive stone backdrop was bathed in red – powerfully representing the blood of the innocents murdered by the biblical King Herod. Another highlight was Phil Beer’s tune ‘Gwithian’, the music’s urgent fiddle-driven rhythm increasingly intensified by the hand claps of an enraptured audience.
At intervals throughout the evening Show of Hands were joined by the Dartmoor Folk Choir whose contributions highlighted the anthemic quality of many of the songs while providing an apt accompaniment for performance in a cathedral. Also present at times to further embellish the music with accordion was Chris Hoban, who Knightley commended as a songwriter who “sometimes writes better songs than me”. When at an earlier point in the evening Show of Hands double-bassist Miranda Sykes, sang a captivating version of Hoban’s song ‘The Lilly and the Rose’ it was difficult not to agree.
The great care evident in the content of this evening’s show in terms of the songs chosen, guest musicians and lighting design all served to elevate Show of Hands’ performance far beyond the ordinary infamous while reconfirming the outstanding quality of so much of their material. An inspiring evening indeed.
Kirsty Merryn is one of the most arresting new young singer songwriters on the UK folk roots scene, with a style uniquely her own.
London-based and New Forest-born Kirsty will launch her debut album She And I at London’s Union Chapel on November 9 whilst supporting Show of Hands on their UK Cathedrals tour (Oct 4-Nov 31).
Produced by in-demand Gerry Diver, the album focuses on the diverse stories of inspirational women in history – from Emma Hamilton to Annie Edson Taylor – the first person to survive going over Niagara Falls in a barrel! The sharply observed piano-based narrative songs include the beguiling Forfarshire about lighthouse keeper’s daughter Grace Darling and her heroic rescue of shipwrecked mariners. She is joined on the haunting song by Steve Knightley on guest vocals while BBC Folk Awards double nominee Luke Jackson also guests on the album on the song Delilah and Samson.
Last year I was a Cropredy virgin, but this year on THAT field in August, I knew what the score was. Well, until I tried to do the camping and putting up the tent thing! Every year will bring new things I guess!
Arriving at the Folkmaster’s abode on Wednesday 9th August, things were in full swing for the journey to meet the other Folkingdotcommers in Tesco car park, on the outskirts of Banbury, early the following morning. The kitchen sink was being loaded into the Folkmaster’s car in an orderly fashion, and it was suggested that if I hadn’t bought wellies with me, that I should go out and buy some. Talk about the 11th hour, I found a store and paid for them at 5.29pm when the store closed at 5.30! I was a bit anxious at this point as surely it wasn’t going to rain? I don’t do wet camping, I don’t do camping generally!
Sparrow spit early Thursday morning came, and off we went to Banbury. Not a bad journey, although I slept most of it! (NO – I wasn’t driving)! We all arrived at mostly the same time, Paul, Jonny Mac, No Chance and ourselves were too early for breakfast, so spent some money in Tesco, before we had breakfast. Full English were ordered by all but 2 of us, and then off we set, into the midst of Cropredy bound Festival goers. All wanting to get the best fields and parking. Last year I remember the queues, but this year was plain sailing. We soon found out why, because loads of others had started out before us, so we should have forgone breakfast! We were shepherded in to Field 7B, ended up right in the middle of the field, miles away from the few loos and the even fewer showers. I was panicking already!
Tent time. Paul was in his van, so all he had to do was connect his awning. Few minutes and he was ready. No Chance had a smaller tent and he knew what he was doing, Folkmaster had a new tent which was an air based one, so he got his instructions out and sorted his out, Johnny Mac was ably putting his tent up, and there was little old me, with a new tent. Poles and all.
I tried, dear readers, I really did. The lads were brilliant though, and thank them all for it. It was suggested I wore my new wellies, as mud could well be present, due to the onslaught of rain in the days leading up to the Festival. Visions of Glastonbury encroached in my mind……
We were a bit early when finished, as we couldn’t get into the arena field until 2pm, so were twiddling our thumbs for a while. The usual banter flowed. We were expecting another member of the Folking team – Paul Johnson – but he was nowhere to be seen or heard, so we did the Chariots Of Fire walk with our chairs and bags and waited for the gates to open. On the way there, we were serenaded by medieval musicians, Myal Pyper, who were a delight to listen to.
We finally got in, and headed for our usual spot. Looking at the Stage we headed left, near Leon’s food stall, always a lovely experience to savour their food. The queue for Fairport merchandise was already growing rapidly and that did not stop all day and evening. The staff in that tent were heroes! It was the same the following day!
4pm finally arrived and Fairport Acoustic opened the Festival. Riotous applause from the crowd, a full packed arena, for the Thursday is not what usually happens apparently. A mostly cracking line up and one that I didn’t want to miss. Feast Of Fiddles came next featuring an array of the best fiddle musicians this country has produced, such as Peter Knight of Gigspanner, Hugh Crabtree – melodeon player with attitude, Garry Blakeley, Tom Leary, Ian Cutler, Brian O’Neill and Fairport’s own superb fiddler – Chris Leslie. Phil Beer, Marion Fleetwood and Sophie Crabtree came on later on in the set to enhance the line-up, totalling nine fiddle players! Legendary drummer Dave Mattocks was over from America, Martin Vincent and Dave Harding on guitars and Alan Whetton on sax and keyboards. Awesome!
Show of Hands next – favourites of mine, they played an absolutely blinding set. Highlight was their rendition of Don Henley’s classic – ‘Boys Of Summer’. The whole field was talking about how fab it was.
Chris While guested for ‘Dark Fields’ and it was indeed a lovely occasion to witness her singing on this again. Phil told us that he will be virtually taking next summer off to revive his Folkboat activities, which is why this year they have so many festivals booked and Steve will be doing solo work next summer. Really enjoyed the whole set.
Eventually we met up with our lost team mate – Paul Johnson – who had had a nightmare putting up his tent apparently, and his mobility scooter had a flat battery. Could only happen to Paul!
Next up – The Trevor Horn Band – consisting of three producers – Trevor Horn, Steve Lipson and Lol Crème (of Godley & Crème) who had played and or produced songs for other artists. A kind of covers set but all perfectly connected to these three fine producers. They sounded good too. They got the crowd going and singing along to numbers we all knew, such as ‘Two Tribes’, ‘Relax,’ ‘Video Killed The Radio Star’, ‘Rubber Bullets’ etc. They have over 200 hit singles and albums to choose from and it was very pleasant and lively set. Nice mix.
Headliners for Thursday evening were The Divine Comedy. Frontman Neil Hannon came on and his first sentence had the ‘f’ word in it. He seemed star struck initially about the big crowd and following Trevor Horn and Lol Crème. He didn’t do it for me but I hear that they went down well with some people.
Friday came and rain was forecast. Oh no!! Kick off was at midday after the gates being opened at 11am for the festival goers.
Paul Johnson tests the folking digital interview recorder on Paul Miles, the original co-founder of folking.com – its quite funny so we have kept it in…
Josie Duncan & Pablo LaFuente (2017 BBC Radio 2 Young Folk Award Winners) opened up the proceedings and I could see why they had won this accolade. Scottish traditional, Gaelic, and other influences, songs from the mines and cotton mills. They have played some well-known festivals including Cambridge and in their short time together, are certainly making a mark for themselves.
Another favourite of mine – Gerry Colvin Band – delighted the crowd, for those that were aware of his music and for those that didn’t. A cracking set from Gerry and the Band. Gerry is a delight to watch and although is so hyper, can sing, play and write a fab song. Particularly ‘Watching Feathers Fall’ from his Colvin/Quarmby days. Nick Quarmby, Gerry’s sidekick who left us last year, would have been so proud of Gerry taking centre stage at Cropredy. Gerry gained a lot of fans during that set.
A Cropredy moment for me was asking Gerry later, as I came across him backstage, how he felt and could obviously tell he was ecstatically happy, he said he had met Pet Clark. She spoke to him and said get out of her dressing room. I’m sure he was joking, he usually is!!
Quill were a new name to me. Quite Gothic and I thought the lead singer Joy had a little Kate Bush about her. They have been going since the 70’s, have loyal audiences, and are amazing story-tellers. Really enjoyed them.
Darren Beech and Paul Johnson caught up with Joy from Quill shortly after the set. The Elephant in the Room EP that Joy discusses in the interview will be released on the 23rd of August.
Next up Gigspanner, who a lot of folks were waiting to see (especially the folkmaster, the editor Dai Jeffries and Paul Johnson who are huge fans). While I admire their immense talent, I am not a huge fan myself, but respect that Peter Knight and the Big Band are all superb musicians. They are a little too trad for me.
CC Smugglers were another new one on me, and were superb, in my eyes. The effervescence of the lead singer was palpable and infectious. His shirt was wet through by the time he finished. The rain had arrived by this time but didn’t dampen theirs or the audience’s spirits. CC Smugglers are a band of buskers, who had come together, to form this band. They have even performed at Glastonbury! Definitely ones to watch.
Darren Beech and Paul Johnson caught up with Chris on the Friday.
The annual Chris Leslie Cropredy interview has become a bit of a tradition for us at folking.com and Chris tells us that he looks forward to it as much as we do.
Click the play button below to take a listen.
The absolutely brilliant Pierce Brothers twins came on to a stunning welcome. They were so happy to be there and in tears of happiness! Great guys, great musicians, great energy and great stage presence. So glad the organisers brought them back after last year’s success. Something that is rarely done two years on the trot. I hope they make it third time lucky.
The amazing event of having Petula Clark attend her first festival ever at Cropredy was certainly a scoop. A favourite of my mothers, she would have loved it. Pet at 84 years of age looked and danced as though she was in her 50’s. She sounded great. She performed her hits pitch perfect and aired some numbers from her new album – From Now On, Awesome. She had the crowd eating out of her hand, and they all sang along. A very special moment. Pet did say at the end of her set that she had enjoyed it immensely, and she certainly seemed to have done so, from the audience’s point of view.
Headliner for Friday evening was the Folk Rock Legend Richard Thompson OBE. A co-founder of Fairport in the 60’s he helped pioneer British Folk Rock. He is known as one of the world’s most critically acclaimed and prolific songwriters. He didn’t disappoint. Just amazing. You would have thought four guitarists were on the stage and it was only him, doing it all. His fingers were a blur as he worked so fast. I had the pleasure of meeting Richard at the signing his new album – Acoustic Classic 2, and he was very quiet and unassuming, and lovely to talk to. No ego at all.
I will say at this point that compere for the weekend was Anthony John Clarke, who did a marvellous job of introducing artists and keeping dedications flowing and read them out to the audience. Excellent choice for an MC.
Richard Digance was missed from his usual spot on kicking off proceedings on the Saturday, but he sent a message to say he was busy touring and not to forget his album and books in the merchandise tent. When he came on to the big screens, the audience applauded him, even though it was a pre-recorded message. Lovely.
Richard’s slot was taken by the Ashley Hutchings Morris On Band, who did a marvellous job of performing some classics from the Morris On album, and we had Morris Dancers dancing on stage to complete the scene. Hankies were at the ready and the audience took part in what is usually Richard Digance’s attempt at getting the whole crowd to wave hankies Morris style! A superb sight to see.
Next up ex-Fairport member Judy Dyble and the Band Of Perfect Strangers who took us on a musical journey, ending with her promoting her autobiography – An Accidental Musician – published last year.
Plainsong included another ex-Fairport Member – Iain Matthews and was formed 45 years ago. A very pleasant set, and Iain obviously has his fans.
I then went to try and find a shower, hopefully no queues at this time, so sadly I missed most of the Cats In Space set. I could hear them from afar, but they were visual, and glad I could see even a short bit. Surprisingly only formed last year, they were a tight knit of pop rock genre. All six of them. I enjoyed what I saw. Blew a few cobwebs away!
Marillion followed. Not my cup of tea, but they clearly had their fans there, and were enjoyed by them.
Scottish multi award winning singer-songwriter Dougie McLean OBE followed. He has a global following. I hadn’t seen him before, and certainly did enjoy his set. Full of stories and song, and lots of audience participation. Particularly on his ‘Caledonia’, which has a high regard in Scotland. He also has a Lifetime Achievement Award from the BBC Radio 2 Folk Awards. Superb.
Now was the time for the BIG set!!! Three hours of Fairport and friends. And what a gift to us!!
Difficult to put this all into words as to how the atmosphere of what it was. You just had to be there. Fairport’s Golden Anniversary and an extremely emotional crowd.
Their guests came on during the course of the evening. The wonderful Chris While who picked up the vocal batton for Come All Ye, The Deserter, Tam Lin and Who Knows Where the Time Goes. Richard Thompson came back into the set after the early years stint for Walk Awhile, Poor Will and the Jolly Hangman, Sloth, Now Be Thankful and Sir Patrick Spens. As did Judy Dyble for I Don’t Know Where I Stand andIain Matthews for Time Will Show The Wiser, Reno Nevada and Suzanne in the early years opening piece. Ralph McTell sang us a version of ‘White Dress’ which was the song Dave Swarbrick wrote for Sandy Denny. That was Ralph’s only contribution, which was a shame as he is a great favourite of the Cropredy crowd. All the Folking Team gave a big cheer and Paul Miles kept saying I love him, I love him I don’t know how many times, bless him! Don’t we all!
Former Fairport member Maartin Allcock dazzled us with A Surfeit of Lampreys and Jewel in the Crown with his playing and that electric blue suit . He looked very dapper. We had Sally Barker who also sang ‘Rising For The Moon’, Ashley Hutchings, Dave Mattacks joining Gerry Conway on drums and percussion. Such a wealth of talent, emotion and music was enjoyed by all. The finale of ‘Meet On The Ledge’ had the audience spilling tears all over the now dry grass.
You came, we saw, and you conquered Fairport and all. Congratulations on your Golden Anniversary can’t wait for next year for the start of a new decade.
All Jean Camp’s Cropredy 2017 photos can be viewed HERE
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Squelch… Wickham Festival finally kicked off to a great start with sets from Low, Barker, Morris & Tunstall which sounds like a firm of solicitors instead of musical, dance and poetry partners in festival law; Andy Fairweather Low, Les Barker, the Wickham Morris Sides and KT Tunstall.
Now tell me… where are you going to get a “bend me, shake me, a sermon from the church of the holy undecided, a strip the willow and a black horse and a cherry tree all the the same place!
Here is the moment when the sun came out and everyone forgot about the thirteen days of rain that fell on the site the day before it opened which caused the “elf and safety” three hours delayed start.
The main Thursday night event on the All Time Grates Stage was 10CC, who played all their hits, which they performed as a masterclass in song-writing. They even offered us the following words of wisdom from their extensive mantra…
Life is a minestrone
Served up with parmesan cheese
Death is a cold Lasagne
Suspended in deep freeze …
Friday afternoon had a definite garden party feel that went off with a Wizz, bang and Spooky side-splitting Tickell. It all started with the legendary Wizz Jones who rolled out all his hits including ‘When I Leave Berlin’ which Bruce Springsteen covered.
TheSpooky Men’s Chorale followed, the Antipodean Blue Mountain settlers, that worry local livestock to such a degree that the local farmers club together to pay for their international tours (so long as they agree to do reworked Abba and Bee Gees choral arrangements). Luckily, Kathryn Tickell was there to restore order, Northumbrian Pipe Style, who together with The Side brought Wickham back into the hear and now with evocative slow airs that could break your heart one minute and then fling you seamlessly into life-affirming jigs and reels the next.
In between Tickell and the Spookies (great idea for a band name!) I managed to dash across to the Hapi Stage to catch a bit of the fab Portsmouth based band Bemis. I also managed to grab a copy of their excellent new album A World of Difference that I encourage you all to go and check out for free here
There was barely enough time for a quick change over before it was pedal to metal down the West Country highway in search of Fishy Friends, Seth Lakeman and Show of Hands. All three did the West Country proud and I think its was a great bit of programming to put Port Isaac’s Fisherman’s Friends, Seth Lakeman and Show of Hands all on the same stage and evening bill.
Here is my favourite moment of Friday night, when Show of Hands treated us to a slowed down version of the Don Henley classic “Boys of Summer” . Hope you enjoy it as much as I did.
Saturday opened with more Wickham Festival goodies… Alas, Tim Brooke-Taylor, Graeme Garden, and Bill Oddie didn’t make it for the reunion but folk legends, Steve Tilston & Jez Lowe turned up on the All Time Grates Stage in the afternoon. Then it was a quick hop and skip across to the Hapi Stage for a blistering set from Gilmore & Roberts with festival energy in a bakers bun-dance. Then back again to the All Time Grates Stage as master Dhol drummer, Johnny Kalsi fired up the furnaces of the drums of the mighty Dhol Foundation to create a high-energy, pulsating folking brilliant musical soundscape of Punjabi beat, rhythm and intensity.
If that was not enough excitement for one day, there was a just enough time to sponge down before the main evening event of the big punk-folk-rock 3. I’m sure you will all know who they all are, as the Saturday evening, three in a row line-up, for many, was one of the dream festival programming highlights of this year (dreamt up by the mind of that festival organising genius, Mr Peter Chegwyn) which even included a returning Chopper as part of the Oysterband mix. For those who have not worked it out, it was of course The Men They Couldn’t Hang, Oysterband and The Levellers. I also legged it across to the Hapi Stage to see some of my old matesChris Sherburn & Denny Bartley set with the lovely Emily.
Time had flown by and before anyone knew it, it was “Sunday folk fun-day” and the fourth day of Wickham.
I’ll start with Ray “Chopper” Cooper who opened on the Hapi stage…
Fay Hield then blew in with the Hurricane Party on the All Time Grates Stage and Glasgow boys Imar followed and got the main stage dancing. Wickham festival favourite Duncan Chisholmfollowed with his Gathering before the afternoon slot was brought to a riotous close with Tankus The Henge (a great festival band).
LAU opened the Sunday evening slot which felt like a kaleidoscope of colour washing over the All Time Grates Stage. The power went off at one point so we even got a couple of un-amped numbers.
The finale for me was the crowned Queen of the Wickham Festival crowd, Eliza Carthy with Sam Sweeney & the rest of her merry Wayward Band. Unfortunately, I had to leave early so missed the Peatbog Faeries set but Eliza said that they tore the place apart, so I have been lamenting the early departure ever since.
I was bitten by a Ferocious Dog on the way out and am looking forward to repeating the experience at one of their other gigs soon.
Darren Beech caught up with Peter Chegwyn just before the festival and had a chat about what we could expect from Wickham this year.
Many of the UK’s finest traditional singers and musicians appeared at the Wickham Festival near Fareham which took place between Thursday 3rd and Sunday 6th August.
They included Seth Lakeman; Show of Hands; Oysterband: Eliza Carthy & The Wayward Band; Kathryn Tickell; The Peatbog Faeries; The Fisherman’s Friends; Lau; Edward II; Boo Hewerdine; The Dhol Foundation; The Spooky Mens Chorale; Steve Tilston & Jez Lowe; Wizz Jones; Talisk; Fay Hield & The Hurricane Party; Les Barker; TradArr plus many more.
Also appearing at Wickham 2017 were the 70s chart-toppers 10cc; top Scottish singer-songwriter KT Tunstall; Festival favourites The Levellers; plus Andy Fairweather-Low & The Low Riders; John Otway; The Selecter plus many more well-known names.
The Wickham Festival was voted the UK’s Best Small Festival at the Live UK Music Awards in 2015 and has also been described as one of Britain’s top boutique and family-friendly festivals by The Guardian newspaper.
The festival featured live music on four stages plus a host of other attractions including storytelling, street theatre, dance displays, childrens entertainers, a digital funfair, laser arena, traditional crafts fayre, exotic foods fayre, real ale & cider festival and a late night festival club.
Festival organiser Peter Chegwyn says it’s “a real coup for a small village festival like Wickham to attract so many top artistes who have performed at major music festivals throughout the world.
“The Wickham Festival is known for its relaxed, friendly atmosphere and the high quality of the music on offer. People travel from all over the UK and abroad to attend. This year’s ticket sales are running at a record level and we are confident that our 10th birthday festival at Wickham will be our best yet.”
I couldn’t finish without putting up one of Peters favourite videos from the Gosport and Fareham Easter festival back in 2010 when Alan Burke dedicating “I will go” to the man himself.
So here they are: the Folking Award winners of 2017.
First of all, a big thank you to everyone who voted – more than 20,000 votes were cast. Congratulations to the winners and commiserations to the runners-up, although all our nominees are winners to the writers who enjoyed their music, either live or on record, over the last year and placed them on the short list. Here are the public vote winners and now, may I have the first envelope please… no, not that one!
Soloist of the Year – Ralph McTell
Listen to the Darren Beech/ Paul Johnson interview with Ralph at Cropredy 2016 here
Best Duo – Show Of Hands
Read all about Show Of Hands’ Big Gig at the Royal Albert Hall here
Best Band – Harp And A Monkey
This was a very close vote but we’re delighted that Harp And A Monkey triumphed in the Best Band category even though they narrowly beat another of our favourites.
As before, there are no actual trophies to present (but if anyone would like to tender for making some in the future please let us know). However, everyone on the long lists and on the short lists as well as the winners can rejoice that they made an impression on a lot of people during 2016.
Have another great musical year!
The Folking team
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