VIDEO WALL 9

It’s been a few months since we posted a selection of videos so let’s see what’s lurking in the inbox. First is Liverpool band VILE ASSEMBLY and ‘Last Century Man’, released as a single in April.

In case you missed it, here’s a live performance of ‘Thou Shalt Not Kill’ from the War And Peace project featuring BELLA HARDY, FINDLAY NAPIER and GREG RUSSELL.

Next is AMY LAWTON with a single, ‘Don’t Bring Louise’. This is really nice.

HANNAH SANDERS & BEN SAVAGE will release a trilogy of singles during 2019. This was the first – ‘Hidden Things’.

Here’s the video for the foot-stomping ‘Pink Lemonade’ by New Yorkers DADDY LONGLEGS.

Read Su O’Brien’s review of their album Lowdown Ways here.

From their upcoming album, Lust And Learn, THE SLOW SHOW released ‘Hard To Hide’ as a single.

Pep Talks, the new album by JUDAH & THE LION will be released in a day or two. Here’s the single, ‘Why Did You Run?’

‘Girls’ is the new single by Manchester singer, HARRIET CURRY.

SINGLES BAR 39 – A round-up of recent EPs and singles

Singles Bar 39FINDLAY NAPIER & MEGAN HENWOOD don’t seem like an obvious partnership but here they are. They met at a songwriting retreat and Findlay suggested writing a song about maths. Megan, not knowing any better, agreed and so ‘End Of Numbers’ was born to be followed by the other five songs on their debut EP The Story Song Scientists.

The opener is ‘Unnamable Radio’, based on the story of DJ Bob Fass who kept a would-be suicide talking live on air while rescuers rushed to save him. The pair’s songwriting combines Findlay’s somewhat sideways view of life with Megan’s obvious humanity, ‘The Last Straw’ being a perfect example. It’s a song about plastic pollution and manages to incorporate the word “polycarbonate” quite naturally. ‘North Pond Phantom’ is about the Maine hermit Christopher Knight and like a lot of Findlay’s songs it makes perfect sense once you know the story. ‘Wild Wild Country’ is a delightful song more typical of Megan’s style of taking inspiration from her surroundings but the two blend perfectly so there isn’t really a distinction between “his” and “hers”. Findlay and Megan are currently on tour.
http://www.dharmarecords.co.uk/

Arrows StrippedDespite having three albums under her belt, Nashville’s ANGEL SNOW is still a largely unknown quantity in the UK, though many may have become more familiar with her after duetting with Ben Glover on ‘The Wound That Seeks The Arrow’ from his recent award-winning album. Ironically then, released to accompany her ten-date UK tour in March, her new acoustic EP is titled Arrows (Stripped) (Nettwerk), the title track finding her exploring the deeper end of her vocal range on a bittersweet song about two lovers who have to let each other go. Produced by Ben Kramer, it features three further tracks, the fragile, vocally double-tracked, fingerpicked ‘Window Seat’, again tracing a relationship that’s run its course, the fuller arrangement of Maze’, about trying to find your path, with its strummed guitar, piano accompanied and echoey background vocal wash arrangement, and, again featuring piano, the rippling strings adorned ‘Higher Urgency’.
http://angelsnow.net/

Darkness & AngelsRecently expanded from their Les Ray and Deirdre Murphy core to a five-piece and, in the process, a more folk-rock, bluesy sound, Cambridge’s RED VELVET launch the makeover with the self-released Darkness & The Angels EP, the title hinting at the struggles between the forces of negativity and positivity . Sung by Murphy, the anchor track, ‘Ride The Darkness’, with its carnivalesque waltzing melody, spooked piano and sparse guitar and bass backing, stems from 2011 when both she and her brother, Gerard, were diagnosed with cancer, he sadly succumbing in 2013.

It wasn’t the only tragedy to strike, Ray’s mother passing the same year as Deirdre’s brother, the sense of grief, loss and remembrance providing the lyrical bedrock for the fairground carousel-rhythm Self-Storage which, opening with church organ and sung by Les, tells of building up boxes of photos, diaries and other keepsakes that “tell of our loved ones, our lost ones, ourselves”.

Elsewhere, political notes are struck on ‘After The War’, a piano led reflection on post-WWII optimism with the election of Labour and the creation of the NHS, a period clearly held up in contrast to today’s state of the nation. Much musically heavier with its driving rhythm and snarly guitar, ‘The Fourth Freedom’, the title a reference to the EU’s Four Freedoms, is a heads-down grungy riff-driven number concerning the refugee crisis as a family sees the goods they helped manufacture able to move freely while they are denied permission to travel.

By musical contrast, opening and closing unaccompanied, ‘That’ll Never Happen’ is a jaunty, playful pub piano singalong number with Music Hall and Chas n Dave touches that, as the notes say, revisits a book, a play and a film all featuring unlikely events.
www.clunkandrattle.com

Hidden ThingsHANNAH SANDERS & BEN SAVAGE release ‘Hidden Things’, the first of a trio of singles in advance of their tour which begins next month. It’s a beautiful song inspired by the landscape of northern Sweden – how landscapes hold memories and stories. Their unplugged sound has been refined by their time spent touring and despite its apparent simplicity there is a complexity that draws the listener in.
https://www.hannahbenmusic.com/

Stay AroundA lovely liquid guitar introduces ‘Stay Around’, the second single and title track from JJ CALE’s posthumous album which will be released next month. It takes its time getting to the heart of the song, rolling along lazily until JJ’s gruff voice comes in. It’s a gentle song – “stay around, let’s make love one more time” he sings and then that singing guitar comes back, rather more insistently. Gorgeous.
www.jjcale.com

Lover‘Lover’ is the second single from A Golden State, the new album by LUKE SITAL-SINGH which is released next month. It’s lyrically very clever and would be quite Californian if it wasn’t so overloaded by a big arrangement in the choruses. The verses with electric piano and drums are perfect and the song glides along in its own special groove.
www.lukesitalsingh.com

Oh BoyFronted by Lara Snowden and featuring violinist Kathryn Tremmett, with Paddy Blight and bass and Kev Jackson guitar, Essex’s VELVET & STONE tease their upcoming debut album with the self-released ‘Oh Boy’, drums and hummed vocals intro giving way to a breathy delivery underscored by a driving, urgent folk rock beat, sawing fiddle and nervy riffage that, in places calls to mind Fleetwood Mac’s ‘Oh Well’.
https://www.velvetstonemusic.com/

This Is EnglandSleeves like this can make people a bit nervous, although we can be comforted by the fact that the “wrong” sort wouldn’t get anywhere near us. ‘This Is England’, the new single by SEAN TAYLOR, has been available to download for a while but with Brexit fast approaching it’s still relevant. The song is, for want of a better term, a rap but a rap that mentions Morris dancing performed by a man who looks white and sounds black.
https://www.seantaylorsongs.com/

The introduction to ‘Holding’, the new single by Irish singer SIVE, played on what we presume to be kalimba certainly grabs the attention but before you think it’s a bit gimmicky in comes her voice which has quite a range. The chorus is brilliant and the track goes for a big finish in a big way.
https://www.facebook.com/sivemusic/

God's Little Joke‘God’s Little Joke’ is the title track from a new EP by MARTIN ANSELL & CHRIS ROWSEL. It was recorded on a mobile phone in Martin’s taxi which makes one wonder why anyone needs a recording studio. The philosophy of life’s problems an the ills of the world being just an example of divine humour is an interesting one – Roy Harper would say that God is dead, of course – and requires further discussion. Good song, though.
https://martinansell.bandcamp.com/

MIKE ROSS sounds as though he comes from the American backwoods but actually he’s British. ‘Young Man’ is a delicious slice of country blues with rumbling bass, acoustic guitar lead, fiddle and harmonica. The single comes from his forthcoming album, The Clovis Limit.
http://www.mikerossmusic.co.uk/

Here I Am‘Here I Am’ is the first genre single from  S J DENNEY, a sad love song built on acoustic guitar and drums and lots of strings with a gorgeous trumpet break. The guitar echoes behind his voice in a way that evokes a dark and desolate landscape – a wonderful mental picture.
sjsongs.co.uk

HANNAH SANDERS & BEN SAVAGE – Awake (Sungrazing Records SGR003)

AwakeBefore The Sun, Hannah and Ben’s debut album as a duo, caused a few ripples in folk circles. I predict that Awake will cause a real splash; from its remarkable cover design to the mix of songs it takes everything that its predecessor had and doubles it.

Hannah’s background as an anthropologist gives us the source of some of the songs. The opening ‘Selkie Song’ is their own composition and is, of course, a retelling of ‘The Great Silkie’ with a twist and ‘Reynardine’ reminds us that Hannah recorded ‘The Werewolf’ on her solo album, Charms Against Sorrow. The use of Tarot artwork in the booklet emphasises the mystical elements of the album but in one or two cases I really would prefer the words.

Like its predecessor Awake is very much a transatlantic album, again recorded in Toronto by David Travers-Smith. Although ‘Selkie Song’ might be thought of as a very British song, it is Chris Coole’s banjo that is the key sound. ‘I Met A Man’ is very much Hannah’s song – a pop ballad with acoustic guitar and pedal steel decoration – in which she finds her inner Kate Bush. Then comes a surprise. ‘Way Over Yonder In The Minor Key’ is Billy Bragg’s setting of Woody Guthrie’s words, not a typical Guthrie lyric at that, and Hannah and Ben treat it so delicately even as the accompaniment swells behind them. It’s partnered here by ‘Santa Fe Trail’, that oh-so-evocative depiction of the American west, and Pete Seeger’s lullaby ‘One Grain Of Sand’.

‘7’ utilises the children’s magpie rhyme as its chorus which brings us back to the mystical but it’s preceded by ‘Every Night When The Sun Goes In’, a guitar instrumental of beautiful simplicity and a definite American feel. ‘Reynardine’ rocks as hard it can with acoustic instruments with Hannah taking most of the lead vocal and Ben singing the part of the nocturnal rambler.

Awake is an album that will take a long time to get to the bottom of. You can easily enjoy it but sooner or later you’ll find yourself asking ‘what’s that?’ or ‘why did they do this?’. That’s what is really great about it, apart from ‘Santa Fe Trail’, of course.

Dai Jeffries

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‘Way Over Yonder In The Minor Key’ – official video:

Hannah Sanders & Ben Savage announce their new album

Hannah Sanders & Ben Savage

Two years ago, Hannah Sanders & Ben Savage stirred the folk and acoustic world with a stand-out debut album and there’s been little slumbering since. Now they are set to release an arresting second studio album, Awake. The combination of Hannah’s outstandingly pure, clear voice, their perfect fit harmonies and Ben’s exquisite dobro are the rock-solid foundations of this rising duo, first witnessed in the 2016 album, Before The Sun. This quality pairing unarguably has hypnotic effect, painting aural dreamscapes around them in resonant songs that are given room to breathe.

When Hannah’s folk family travels across Europe and sojourn in America ended and she returned to her native East Anglia, a chance meeting at a Cambridge folk club with The Willows band member Ben was the start of something special. Ben went on to produce Hannah’s solo album Charms Against Sorrow before they ventured into duo territory uncorking a beguiling, intricately woven, ethereal sound all their own. Before the Sun saw them named in many Albums of the Year lists including the 2016 fRoots Critics Poll and hinted at a largely untapped song writing talent amongst the expertly executed traditional arrangements and covers. That song writing skill moves more centre stage in Awake – an album that shows them fulfilling all the promise heaped on them.

Once again, they have returned to Toronto, putting Grammy-nominated Canadian producer David Travers-Smith (Madison Violet, The Wailin’ Jennys) at the helm for this album crafted with infinite care. The eleven-track release has six strong originals alongside innovative arrangements of traditional songs and captivating covers from the Pete Seeger and Woody Guthrie cannons. The eye-catching album cover by psychedelic artist Alan Forbes depicts the High Priestess and a deer as The Hanged Man from the tarot card deck and tarot icons run through the CD booklet. Says Hannah:

“We used tarot throughout the recording process to help us think and feel more deeply about the music.”

A duo who delve into the mysterious and often like to release music in line with the lunar calendar, their live show sees them huddled around a single microphone, drawing the audience in. And so it is with this magnetic album.

Alongside Hannah’s trademark mountain dulcimer and Ben’s delicious dobro, they both play guitars on the album. Adding their magic are guest musicians from both sides of the Atlantic – from the UK Jon Thorne on double bass, Evan Carson on percussion and Norwich singer songwriter Jess Morgan, Katriona Gilmore and Jamie Roberts on additional vocals and from Canada Chris Coole on banjo, David Travers-Smith on horns and organ, Burke Carroll on pedal steel and on vocals, Vancouver-born American-Canadian alt country singer songwriter Suzanne Ungerleider who performs under the name Oh Susanna.

Entwined in the sturdy roots of English and North American music, Awake stirs with two original Sanders/Savage numbers – the mythical sea woman yearns to return to her spiritual sea home in the banjo-laced ‘Selkie Song’ and there is more heartache in ‘I Met A Man’, a modern retelling of the ancient story of love between a woman and a green man, with Burke Carroll weaving in his wonderful pedal steel.

The original material continues in ‘A Thousand New Moons’ – a luminous, gossamer-spun reflection on endings and beginnings, with Ben on lead vocal. The symbolic number 7 is the title of a song Hannah wrote for those who search for omens in the natural world, prompted by a friend desperate for a life change. The haunting instrumentation adds pedal steel and horns to Hannah and Ben’s guitar duet and the popular ‘One For Sorrow’ magpie nursery rhyme provides the chorus. The beautiful title track was originally written by Ben to tempt a talented friend out of a musical hiatus but has taken on a wider meaning and here it enjoys a lush vocal crescendo with the duo joined by Jess Morgan and Oh Susanna. Reaching is an exquisite, mellow, pin-drop perfect love song written by Hannah which closes the album in this duo’s soft tread style, building to a flourish which unusually features Ben on drums.

Awake is an album that stirs the soul and further endorses the empathetic class act that is Sanders and Savage. Released on May 11 on the Sungrazing Records label it will be distributed by Proper Distribution.

Please support us and order via our UK or US Storefront 


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Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us. Can’t find what you are looking for? Search Amazon Store below.

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‘Way Over Yonder In The Minor Key’ – official video:

Holywell Music & Folk – more 2018 concerts

Holywell Music
Photograph by Jo Elkington

Passionate music love and promotor Geoff Smith is keeping Holywell’s music tradition alive and singing in the heart of Oxford with a regular new concert series which is already off to a flying start: Holywell Music & Folk.

Holywell Music Room first opened its beautiful auditorium to the ears of the discerning music lover in 1748, and the room has hosted the best around for over 269 years now, from Handel to the Oxford Philharmonic. Now, thanks to lifelong music fan Geoff Smith, the driving force behind the exciting new live music venture Holywell Music & Folk, some of the best artists from the folk and singer-songwriter scene are now playing in this historic venue in the heart of Oxford.

Geoff has attracted some exciting support from Patron artists of this new venture, all of whom will be performing at the venue in 2018:

“I am thrilled to be joining the 2018 line up at Holywell Music and Folk myself and will bring real-life stories of inspirational and relatable people from the past including songs from my latest project No Petticoats Here” says Louise Jordan. Acclaimed Somerset singer-songwriter Reg Meuross is looking forward to performing in July “This is a fantastic initiative by Holywell Music & Folk and I’m proud to support it in every way I can.” Brilliant Folk Award nominees Ninebarrow are also excited: “The Holywell Music Room is stunning! There is an intangible, magical quality to the space. So, when you take a city as vibrant as Oxford, a concert programme of world class folk and roots music, and a venue the calibre of the Holywell Music Room, you really have got a recipe for something rather special – and we can’t wait for you to experience it!”

The programme in this unique U-shaped auditorium kicked off in January with a very special one off one-man show with Teddy Thompson, the son of Richard and Linda Thompson, described by the New York Times as “one of the most gifted singer-songwriters of his generation.  Next came a sell out show from Oxford based Anglo-Cymraeg-Galego four-piece folk band Xogara followed by an extraordinary performance from Russian born singer-songwriter Daria Kulesh.

2018 dates

September 2nd The Willows exclusive CD release launch –  first date of tour *tickets available soon

Saturday 20th October Ninebarrow  (Support Ben Cipolla)

Saturday 10th November Sera Louise Owen  ​(Support: Genevieve Miles)

Saturday 8th December Emily Mae Winters  (Support Three Pressed Men)

Saturday 14th December A Winter Tour Ben Savage & Hannah Sanders, Jade Rhiannon with Gilmore and Roberts *tickets available soon

Club website:  www.holywellmusicandfolk.co.uk and tickets are available online from  wegottickets.com

Tickets also available from Truck Store 101 Cowley Rd. £12.50 includes £1 handling fee and cash only please

Holywood Music & Folk gigs will all be held at the Holywell Music Room, Holywell Street, Oxford, OX1 3SD.

HANNAH SANDERS & BEN SAVAGE – Before The Sun (Sungrazing Records SGR002)

Before The SunHannah Sanders first solo album, Charms Against Sorrow, was produced by Willows guitarist Ben Savage who also played on the record and shared in the arrangements. With Before The Sun their partnership has been formalised but little else has changed except that the duo went to Toronto to record with David Travers-Smith.

To the mix of traditional songs and covers is now added some originals and the first ‘The Fall (Hang)’ opens the set. I’m still puzzling over this track – it could be a reinterpretation of a murder ballad or a macabre accident like Bob Pegg’s ‘The Hanged Man’. I think I lean towards the former. Next is the first traditional song, ‘Come All Ye Fair & Tender Maids’, a mid-Atlantic version finished with a playground round. ‘What’s It Tonight My Love?’, another original, sees Ben take the first lead vocal. Its description of night in the city puts me in mind of ‘Chimes Of Freedom’ even though there is no resemblance between the two songs, other than the feeling that it leaves you with.

Next come three traditional songs. The first is ‘Lady Margaret’, an English song with variants in the United States. ‘Clayton Boone’ is definitely American and gives Ben another lead vocal and the chance to play Dobro. It is, of course, a variant of ‘Gypsy Davy’. Finally in this section we have the haunting ‘Deep Blue Sea’, a version that doesn’t quite match any set of lyrics that I can find. Hannah and Ben’s version is rather more gentle than the standard text and rather lovely.

Hannah and Ben play guitars, dulcimer and autoharp and are joined by Kevin Breit and Katriona Gilmore on melody instruments with Evan Carson and Jon Thorne on percussion and double bass. For the most part they are used sparingly but they do get to have a blow on Richie Stearns’ ‘Ribbons And Bows’. Joining them on vocals are Jim Causley, Robin Gillan and Jade Rhiannon.

The final track is ‘Boots Of Spanish Leather’ sung as a duet as it is written. They slow it down a bit and the singing is sad and wistful where Dylan managed a blend of bitterness and resignation. He knew the back-story, of course, and it all happened fifty years ago but I’d advise anyone tackling the song to read the relevant section of a biography. It’s beautifully performed, as is the whole of the album, but to an old curmudgeon like me it misses something.

Dai Jeffries

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Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us. Can’t find what you are looking for? Search Amazon Store below.

Artists’ website: http://www.hannahbenmusic.com/

‘Come All Ye Fair And Tender Maids’ – official video: