Simon Todd announces new album

Simon Todd
Photograph by Peter Morrison

Half Empty/Half Full is the eagerly awaited new album from Simon Todd, produced by Boo Hewerdine, ably assisted by Chris Pepper. The album is a collection of songs based upon the concept of considering a wide variety of situations from alternative perceptions. When discussing song selection for this album, Boo Hewerdine (who Simon is so grateful and honoured to have had as a producer) suggested that he select songs that fit together around a theme. Simon immediately had five or six come straight to mind that involve looking at situations from alternative, multiple, or different perspectives. That’s how the album was born; there can be a positive and a negative in everything. Life is about choices. Make yours the right ones.

The songs cover a wide-range of subjects, some very personal, others as an observer or even being completely fictional. Regret and a search for redemption, looking for positives in the peak of personal grief, the horror and futility of the Great War, mental illness, the environment, love & heartache, and the corruption of the many by the few; it’s all here. Working with Boo and Chris Pepper was nothing but an absolute pleasure, and although Simon has never been one for self-praise or promotion, if this wasn’t his music, he’d turn it up when it came on the radio and buy it!

Hailing from the North East of England, Simon Todd is gifted with a powerful voice with a considerable range. He has, over the years, honed his song-writing into a craft, placing equal importance on lyrics, melody and chord structure.

In June 2008, Simon spent a week in Crete with Nashville recording artist and producer, Kevin Montgomery, at Songs In The Sun. Also in attendance were ex Brooks and Dunn drummer Dale Dorman, and the legendary Tommy Allsup – one-time Buddy Holly, and Bob Wills Texas Playboys guitarist; the man who flipped the coin with Ritchie Valens for a seat on the plane  that took Valens, Buddy and The Big Bopper from us on “The day the music died”. “Sitting by the pool in such a beautiful location”, said Simon; “singing ‘True Love Ways’, whilst being accompanied by Buddy Holly’s guitarist, is something that will stay with me forever”.

The experience inspired Todd, who returned home to attack his work with a renewed vigour, ultimately resulting in his debut solo CD release Contracts For The Sale Of Land in 2009. Whilst predominantly writing on his own, there have been collaborations with the likes of Karine Polwart, Findlay Napier, Ali Ingle, Tom Bem, Rosie Bell, Dave Fenley, Kellys Collins, and Pete Sallis. In addition, Simon has also been involved with song-writing retreats organised by the likes as Squeeze’s Chris Difford, and has rubbed shoulders with such luminaries as Darden Smith, and Duke Special. He has performed on both sides of the Atlantic (UK-wide, Texas & Nashville). Previously a regular contributor at the once annual “Heroes & Scarecrows”, Alan Hull (Lindisfarne) celebration night, he toured the UK in 2012 with multi-award winning Texan singer-songwriter, Dave Fenley.

Simon’s songs are guaranteed to get your foot tapping, your mind thinking, or your ears wondering why they haven’t heard him before, and how soon they can do so again.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.simontodd.co.uk/

‘Demons’:

EDDI READER – Cavalier (Reveal 077CDX)

CavalierForty years into her career, Reader’s 11th solo studio album, Cavalier, continues the recent trend of mixing original and traditional material with, naturally, something from Robert Burns.

Recorded in Glasgow and co-produced with husband John Douglas, and featuring a plethora of musicians, Boo Hewardine, John McCusker, Siobhan Miller, Phil Cunningham and Michael McGoldrick among then, it opens on a traditional note with the gently waltzing Irish tune ‘Maiden’s Lament (An Charraig Donn)’, with whistles, Martin Kershaw’s clarinet and Miller and Annie Grace on backing. The first of the original numbers comes with the poppy Douglas co-penned ‘Wonderful’, a song about learning to let go of trying to control your children’s lives as they transition to adults, the collaboration (along with Simon Dine) also providing the hushed slow waltzer ‘My Favourite Dress’, a nostalgic song reminding how short life is, written for his aunt Mary, in care and suffering from dementia.

It’s Douglas who provides the equally poppy, R&B brass-embellished uptempo title track about sharing the load, his other credits including the slower sway of ‘Fishing’, a number about learning that troubles always pass, even rainy evening, and the following ‘Maid O’The Loch’, a number written as a fundraiser to refurbish the titular boat that takes tourists around Loch Lomond. He also shares a co-write with Phil Cunningham on the gradually swelling ‘A Sailor’s Farewell To The Sea’, the latter putting words to the latter’s Christmassy instrumental and featuring both brass ensemble and accordion.

Hewardine provides two numbers, the first being the 50s-like jazzy shimmering, brushed drums, clarinet and brass-kissed ‘Starlight’ (to which Reader added a final verse), given a Mills Brothers-styled arrangement. The other, ‘Old Song’, takes on a very Scottish waltzing feel courtesy of Alan Kelly’s accordion, a romantic hymn to how music can touch memories and lift hearts.

Turning to Reader’s solo material, coloured by whistles and accordion, ‘There’s A Whole In The Desert Dear Darling’ is a swaylong waltzing lullaby of sorts written in memory of Milou Bedssa, a close friend from her teens who had recently passed away. The other is the album’s penultimate track, the lovely, ukulele-accompanied, percussion rippling ‘Go Wisely’, another song for the kids, both a benediction as they embark on their own lives and a reminder that phone calls don’t cost a lot.

Which just leaves the other traditional numbers. Given a rolling and tumbling Celtic rhythm, ‘Meg O’The Glen’ takes its lyrics from two 18th century poems by Paisley’s Robert Tannahill telling the tale of a lass of low fortune being forced to marry a rich old man she didn’t want, song seguing into an instrumental coda of Jerry Holland’s ‘Brenda Stubbert’s Reel’.

Found among songbooks during a late relative’s house clearance, picked out on the harmonium inherited at the same time, ‘Deirdre’s Farewell To Scotland’ is based on the Celtic myth ‘Deirdra Of The Sorrows’, about a pregnant Irish girl forced to seek sanctuary and the fate of her daughter, the story resonating with the contemporary refugee crisis.

Learned from a version by American jazz singer Kurt Elling, ‘The Loch Tay Boat Song’ is familiar number of love and leaving in the Scottish tradition, here given a laid back late night jazz arrangement for Steve Hamilton’s piano and dedicated to Davy Steele. It’s followed in lively fiddle-laced and wheezing accordion style by ‘Pangur Bán And The Primrose Lass’, a cocktail of an Irish poem about a cat hunting mike (the title translates as White Cat) that rolls into the instrumental interlude, a tune that apparently appeared on an early 70s Steeleye Span album as ‘The Primrose Lassie’, originally collected by Douglas’s great uncle, Irish song archivist Colm Keane. It features Monica Queen on harmonies, prompting thoughts that’s she’s long overdue an album of her own.

And so, Douglas on piano and McCusker on fiddle and whistle, it ends with another nod to her favourite Scottish songwriter, a four verse version of Burns’ classic ‘A Man’s A Man For A’ That’. She says she chose the album title to reflect how she’s feeling. The thesaurus defines it as offhand, high-handed or careless, but also, as a Caballero or a Quixotic figure. Long may she tilt at windmills.

Mike Davies

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.eddireader.co.uk

‘Wonderful’ – official video:

SERIOUS CHILD – Empty Nest (TCR Music TCRM75099)

Empty NestThe core of Serious Child – or as the CD sleeve has it, SERIOUS CHiLD – consists of Alan Young on guitar and vocals, Carla March on vocals, and Steve Welch on bass. However, a fine selection of well-performed songs by Alan Young is further lifted on the CD Empty Nest by the support of an impressive number of highly-rated musicians. Among the names you may well recognize are Boo Hewerdine (who produced the album, and indeed persuaded Alan to record it in the first place) and Neill MacColl of The Bible, John McCusker, Gustaf Ljunggren, and three members of The Changing Room. The overall feel of the album is nearer to soft rock than folk, but none the worse for that: this is a quality performance.

  1. ‘Blue Is Only A Colour’ is an affecting ballad, particularly well sung. While Alan Young has a style all of his own, I could almost imagine the Walker Brothers singing this rather well.
  2. ‘Paul The Bag’ is a rock-flavoured and somewhat alarming song about an ageing gangster with something to prove: based on a real-life encounter.
  3. ‘Time Keeps Rolling’ is a reminiscent song about comfort through personal ritual and the passing of time, loosely tied to Paul Robeson’s recording of ‘Ol’ Man River’.
  4. ‘Kind Man’s Bluff’ features The Changing Room’s Tanya Brittain on vocals and accordion, on a moving song about a mother’s feelings as her child leaves home. “But no one dies of heartbreak, so let me help you pack…“. This one could be a keeper.
  5. Most of the way through, ‘I Don’t Remember Venice’ sounds like a pleasant piece of poppy nostalgia but features a sharp twist to the lyric towards the end. Clever.
  6. ‘Cinnabar’ seems to reflect a changed relationship filtered through Alan’s childhood obsession with crimson moths. Interesting.
  7. ‘The Last Chance’ is a little more conventional, but catchy, particularly in the chorus.
  8. While most of the tracks here are not particularly folky, ‘Three Hail Marys’ has an instrumental line-up that would fit in with many an Irish folk group, with prominent whistle, bodhran and banjo, and a lyric that wouldn’t disgrace the Pogues at their best.
  9. I guess we’ve all kept checking our phone for a message that someone somehow hasn’t left. ‘No Missed Calls’ seems to recall that hollow ambivalence, and has a nice guitar-dominated arrangement.
  10. ‘Open Skies’ has a slightly country-rock feel.
  11. ‘Speeding’ for some reason reminds me of John Miles. In a good way.
  12. ‘You Wear The Smile’ is a slow ballad that finishes the album in fine style.

Alan Young has long been known as a talented and versatile vocalist, but it turns out that he’s also rather a good, late-flowering songwriter – apparently he’d never written a song until he was 50. Hopefully, now that he’s discovered this extra string to his bow – um, guitar… – we’ll hear more of his songs in the future. Empty Nest is scheduled for release on the 22nd of June.

David Harley

Artist’s website: www.seriouschild.com

‘Time Keeps Rolling’ – live:

Serious Child announce debut album

Serious Child

Empty Nest is the affecting and impressive debut album from Serious Child, a talented trio fronted by singer/songwriter and guitarist Alan Young with Carla March on vocals and Steve Welch on bass. On Empty Nest they are joined by a range of folk and rock musicians, including Boo Hewerdine (the album’s producer) and Bible bandmate Neill MacColl, John McCusker and three members of The Changing Room (Tanya Brittain, Jamie Francis and Evan Carson).

The acclaimed, Ivor Novello Award nominated, English singer-songwriter and producer, Boo Hewerdine played a crucial role in bringing about the creation of Empty Nest. A talented vocalist, Alan Young had never written a song prior to his fiftieth birthday, when his wife bought him a place on a five day workshop in the Scottish Highlands. Following a second workshop, Boo, who recognised his significant skills as a songwriter, persuaded an initially reluctant Alan to record an album that he would produce.

The result is Empty Nest, an album whose theme is formed around a quote from Samuel Beckett’s one act play, Krapp’s Last Tape. The words were printed below a photo of a magnificently craggy Beckett in his 70s, in a shabby office where Alan was a research student. The photo and the quote stayed with him over the years and are to be found in the songs, the album cover and the forthcoming videos.

Most of the songs are stories about transitions between different stages of life and the fire that keeps burning as we move through them. ‘Kind Man’s Bluff’ is about a mother facing up to her child leaving home and ‘Paul The Bag’ is about an ageing gangster who is compelled to prove to strangers that he’s not too old.

Serious Child will be holding a launch event for Empty Nest at Cecil Sharp House in London on Wednesday 20 June. The formal release date for the album will be Friday 22 June. The band will be performing at various festivals over the summer and will be on tour in the autumn in the UK (dates to be announced).

Empty Nest is released by TCR Music, an independent folk label based in Cornwall, which has launched the careers of Sam Kelly & The Lost Boys, The Changing Room and Kitty Macfarlane.

Artists’ website: http://seriouschild.com/

‘Time Keeps Rolling’ – live:

The Ballads Of Child Migration on tour

Child Migration

With award-winning folk artists:

John McCusker, Michael McGoldrick,

Boo Hewerdine, O’Hooley & Tidow,

Chris While, Julie Matthews,

John Doyle, Jez Lowe,

Andy Seward and Andy Cutting

Narrated by Barbara Dickson

In November 2018, a collective of brilliant and respected musicians and singers are taking to the road to tell the moving story of Britain’s forced child migrants.

The concert, presented as a series of songs, narration, slides, audio and film clips, premiered at last year’s Celtic Connections festival in Glasgow, where it was described as “without doubt the most memorable concert of the festival.”

The songs in this concert were recently heard as part of a major BBC Radio 2 dramatisation of Michael Morpurgo’s book Alone On A Wide Wide Sea, which deals with the same subject. The radio drama, including the music, starred Toby Jones and Jason Donovan and reached an estimated audience of 6 million listeners.

“One of the pre-eminent song collections of recent times, poignantly re-telling one of the most important stories to have emerged from these islands” – Mark Radcliffe, BBC Radio 2

Forced child migration is a little known and dark part of the history of Britain. More than 100,000 children from Britain were sent overseas (to places including Australia and Canada) with the promise of finding a better life. Some did find the happy lives they longed for; many others found only hardship, abuse and loneliness.

The Ballads Of Child Migration is a tribute to those children, some of whom were sent abroad as recently as 1970.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

After each concert there will be a short Q&A session where members of the audience can ask questions of the performers and other experts about child migration.

* * *

This tour is supported by the Arts and Humanities Research Council, and is produced by 7digital – the digital music and radio services company that also produced the BBC Radio version of Alone On A Wide Wide Sea.

Tour Dates – November 2018

Monday 12th – Folk In The Barn, Gulbenkian, Canterbury

Tuesday 13th – Saint James Church, Clerkenwell, London

Wednesday 14th – Corn Exchange, Cambridge

Thursday 15th – The Albert Hall, Nottingham

Friday 16th – Floral Hall, Southport

Tickets available from www.ticketline.co.uk / 0844 888 9991

For Gulbenkian – www.thegulbenkian.co.uk / 01227 831 493

JILL JACKSON – Are We There Yet (own label JJR001CD)

Are We There YetAre We There Yet was released a few days ago on May 18th. The album was produced by Boo Hewerdine and has that classy feel you’d expect from “the wonderful man of magic” as Jill Jackson calls him on the sleeve notes. At the age of 22, Jackson had a pop career signed to a major label, and has paid her youthful dues on tour with the boyband Blue in arenas – whilst hankering for Nashville. So she went there, played at the Bluebird Café and began the musical journey she wanted to have. Are We There Yet is her fifth album.

The opening song ‘1954’ tells the story of Jackson’s grandparents, clearly an inspiration to her throughout her life, a smoochy vocal on the verse turning into a country chorus. The title track is a tale of the family holidays packed into the car, fighting with her sister on the back seat, singing ‘That’ll Be The Day’ and ‘Rave On’ and chanting every child’s summer holiday question “Daddy, are we there yet, there yet, there yet” to a pleasant earworm of a tune matching the child’s question.

There are a couple of tracks, ‘My Baby’ and ‘Needle and Thread’ that capture the feel of thirties music – Jackson describes it as her obsession with Lindy Hop. Musically they’re fun and unsurprisingly they enjoy playing with words. On ‘Needle and Thread’ you have jocularity and sincerity combined, as with pre-war song: “We go together like needle and thread/Like butter and bread, like belt and braces/ We go together like rhythm and blues/ Like socks and shoes, like cars and races” – you need a good vocal to make lines like this work and Jackson has a delightful voice capable of delivering the complex jauntiness of these jazz/swing lyrics just as well as she does the country songs.

‘Worries’, ‘Sweet Lullaby’ and ‘Dynamite’ are musically joyful while lyrically dealing with tough times in Jackson’s life – generally a country feel, but with an up tempo pop-ish edge in the back of the arrangement. It’s an album that’s grown on me.

As for Jackson herself, not only does she have a voice with a great range in her intonation and her mix of styles, she has written all the songs. There’s a consistent quality in the writing, but I’d pick out two, both very personal, which show her depth. ‘Hope And Gasoline’ is a tale of teenage escape, a slow verse building to a rising chorus to capture a seventeen year old’s sense of adult freedom from having a car and “All I need is hope and gasoline….All I see is being 17/ and I wanna know you love me/ and I’m a little more than nothing”. The album closes with ‘Goodbye’, a haunting elegy to Jackson’s gran, gently powerful “How will I spend my time without you by my side/I’m not ready for that goodbye.” Both musically and lyrically, this is a grown up album.

Jill Jackson is on tour from 25th May to June 14th playing a dozen concerts from Scotland to London.

Mike Wistow

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.jilljackson.co.uk

Video preview: