Curated by Ian Carter and Nicola Kearey of Stick In The Wheel, the second volume of From Here is every bit as intriguing and entertaining as its predecessor. Recorded wherever the artists were with just two microphones, these performances are sometimes raw and earthy and sometimes delicate and beautiful. Some of the artists are well known, others less so and same is true of the music.
There is a sort of chronology about the album. It begins with what Nancy Kerr calls a mediaeval song, ‘Gan Tae The Kye’, which she pairs with a popular north-eastern tune ‘Peacock Followed The Hen’. From the same geographical area comes ‘The Sandgate Dandling Song’ sung by Rachel Unthank and I must admit that I’ve never really listened to it properly. It’s a lullaby, yes, but with a very hard story wrapped up in it and Rachel’s matter-of-fact delivery emphasises the hardship. The first instrumental set is the delightful ‘Cottenham Medley’ by C Joynes, about whom I know almost nothing.other than the fact that he lives in Cambridgeshire. The other two sets are from the north-east: Kathryn Tickell’s dazzling ‘Bonnie Pit Laddie/ Lads Of Alnwick’ and ‘Nancy Clough’ by Sandra and Nancy Kerr, who thus gets to open and close the set.
The chronology begins to break down now. Richard Dawson’s ‘The Almsgiver’ sounds old but which Richard wrote recently and is perfectly in keeping with the feeling of the project. You may think you know ‘Barbera Allen’ but this version by Mary Hymphreys & Anahata will be new to most listeners. Coincidentally (or not) it also comes from Cottingham. June Tabor revisits ‘The Kng Of Rome’ and rising star Cohen Braithwaite-Kilcoyne tackles ‘Two Lovely Black Eyes’. There are two distinct versions of this song, both by Charles Coborn, and Cohen goes for the political one. Both this and ‘The King Of Rome’ are set around the turn of the 20th century even though the latter was written much more recently. Appropriately, they are followed by Grace Petrie’s ‘A Young Woman’s Tale’, her updating of a song that began with the words “At the turning of the century…”, a clever juxtapositioning. Politics – although with a small “p” – return with Chris Wood’s ‘So Much To Defend’ which would appear to be made up of true stories.
Other, but not lesser, artists are Cath & Phil Tyler, Laura Smyth & Ted Kemp and Belinda Kempster, who is the mother of SITW’s Fran Foote and a very fine singer, now working as a duo with her daughter. That sort of emphasises the idea that we’re listening to a continuing tradition that has been caught in a moment of time.
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Nancy Kerr – ‘Gan Tae The Kye/Peacock Followed The Hen’ – the video of the recording: