Born in Cambridge, raised in St Neots and now based in Somerset, Pledger’s been quietly building a following over the past 20 years, relying on just his voice, guitar and some damn fine songwriting. This is his second album and he describes the song as being concerned with “the power of the apparently powerless to achieve what often feels like an impossible task.” So, contemporary social protest songs basically, occasionally leavened with matters of the heart, Pledger’s fingerpicked and strummed guitar augmented here and there by Lukas Drinkwater on double bass, Tanya Allen on fiddle, and harmonica and accordion from Giles Newman Turner and Andrew Rock, respectively. The luminously talented Ange Hardy also joins him to add harmonies to the chokingly sung, heart-piercing end of a relationship a cappella number ‘There We Are’.
Listening to ‘People Who Care’ and the barbed ‘This Land Is Pound Land’ it’s impossible not to think of Martyn Joseph, one of Pledger’s acknowledged influences, and I’d suspect Martyn himself would be flattered by the comparison, though elsewhere you’ll also hear Don Maclean (the lyrically anthemic ‘take a stand’ ‘Matches In The Wind’), Woody Guthrie (‘The Parable of Intent’, a call to accept the reponsibility we have to the earth and those less fortunate than ourselves) and, on the bluesy mid-tempo harmonica blowing ‘Quit Blubbin’ In The Cheap Seats’ (a song about the real mindset of the austerity brigade), maybe also Billy Bragg, while the bluesy folk guitar playing on ‘Beneath The Sun’ suggests Davey Graham’s in the mix too.
Pledger’s songs have the ability to cut to the emotional quick, as potently evidenced by the strummed, fiddle-accompanied, slow waltz ‘A Heart Filled With Nothing To Do’, inspired by an old lady who, her care service withdrawn, died alone with nobody aware of her situation, and the simple vocal and guitar ‘Friends & Fathers’, a song that relates the impact that the post-traumatic fallout from war can have on a family as the narrator recalls his mother telling him how, before his father left, he used kneel at his bedside, crying and saying how much he loved him. It’s impossible to listen without welling up.
There are brighter moments too, ‘Loving Condescension’ with its account of seeing two lovers taking a selfie while he was driving along the North Devon coast’ and ‘Days Like These’, a fingerpicked love song written for his wife’s birthday, the album balancing the light with the dark, the hope with the anger to kindle a spark and keep the fire burning.
Artist’s website: http://www.stevepledger.co.uk/
‘Friends & Fathers’ from Steve Pledger’s new album:
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