Le Vent Du Nord are back on tour and with a new album which is always good news. Territoires sees the band expanded to a quintet with André Brunet, poached from La Bottine Souriante, making his presence felt with three compositions.
The band has evolved in subtle ways since their previous studio album, Têtu, some four years ago but at their heart remains the history and old songs of their native Quebec, mixed with their own compositions. Sometimes it’s hard to know where the old ends and new begins particularly when they blend a traditional song with an original tune. The first song, ‘Le Pays De Samuel’, pays tribute to Samuel de Champlain, a figure little known outside Canada who founded New France and the City of Quebec. The song was written by Nicolas Boulerice as was the next, ‘Adieu Du Village’, released as a single last year. The song tells of a man who killed his lover but was spared execution because the hangman’s rope broke. You would have thought that they would just get another. This track is typical of the band’s style – foot percussion, jew’s harp and massed voices on the chorus.
The instrumental set, ‘Cotillon Du Capitaine’ sounds not unlike an American country dance, apart from the percussion and jew’s harp, until Bouderice’s jazzy piano takes over in the second half and you begin to suspect that Le Vent Du Nord are looking towards new horizons. The a capella ‘Louisbourg’ tells of the fall of the first French-Canadian city on Cape Breton. It’s now a museum and there you can learn how the British cheated by hauling their cannons over impassable ground to bombard the city from above. This and the lovely, slow ‘La Mère À L’Échafaud’ which follows suggest a new seriousness about the band.
Several times I gave up trying to write and just let the album play. Territoires is the sort of album that sweeps you along on a wave of pleasure and it may be Le Vent Du Nord’s best work
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‘Adieu Du Village’ – official video: