Iain MacFarlane is a former member of Blazin’ Fiddles and he’s recruited a few old friends to play on Gallop To Callop, his debut solo album. There’s Ewen Henderson, formerly of Battlefield Band, former Altan melodeon player Dermot Byrne, Breabach’s Megan Henderson, Ewan Robertson and James Lindsay, pianist/flautist Hamish Napier and Iain MacDonald who has played with just about everybody including Ossian and Wolfstone. This is a band with a real pedigree.
You should have a fair idea of what to expect and you won’t be far wrong. There are quite a lot of original compositions and some drawn from the tradition and the standard piping repertoire. The beauty of MacFarlane’s writing is that you are hard-pressed to tell the new from the old. The up-tempo numbers are played in, dare I say, the old-fashioned style with a piano continuo and if you’ve heard Violet Tulloch you’ll know what that is. Some of the piano is undoubtedly by Napier but some is by Iain’s wife Ingrid Henderson who is perhaps better known as a clarsach player and it is that instrument that leads some of the gentler pieces such as the lovely ‘Isobel’s Tune’.
It’s hard to pick favourites as the album whirls past. ‘Tatties On The Manifold’ with MacDonald’s whistle is a particularly fine bouncy tune and that is followed by the breakneck set of ‘Stoddie’s Reels’ and I can’t resist a tune like ‘The Head, The Heart And The Tail’ which describes the process of whisky distillation.
This is the perfect album from lovers of Scottish traditional music. Iain MacFarlane writes and plays with a love and respect for the tradition and you can’t ask for much more than that.
Artist’s website: www.oldlaundryproductions.com
Iain MacFarlane and Ingrid Henderson. No title (or could it be called ‘Hello’?)
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