BREABACH – Frenzy Of The Meeting (Breabach Records, BRE005CD)

Frenzy Of The MeetingHaving toured the world, won awards and created an immensely successful album, Astar, zinging with creative fusion, what would Breabach do next? Judging by their latest album, Frenzy Of The Meeting, released in late October, the answer seems to be to find a revitalised inspiration in the traditional music of home.

Never a band to stand still, Frenzy Of The Meeting finds Breabach testing new waters once again. As usual, tracks were initially laid down live in the studio in order to capture the band’s essential sound. The band then enhanced these tracks during further studio sessions, in collaboration with producer Eamon Doorley. The final result is still absolutely Breabach, but in a subtly fleshed out way.

Starting with Bonnie Prince Charlie landing on a chilly beach on Eriskay, the low-slung guitar and bass of ‘Princes Strand’ provide solid ground for a rather wistful tune carried by whistles and pipes, as well as forming the link to ‘Knees Up’. This uplifting two-tune set pits ferocious piping against Megan Henderson’s soaring vocals.

Delicate bouzouki wreathes through ‘Winter Winds’, Calum MacCrimmon’s utterly beautiful song comparing the changing weather to the healing nature of time, “give it time and the sky will change”. Sharply switching mood, the stomping opening to ‘Western Isle Dance’ pairs a lively traditional tune with James Lindsay’s more reflective musing on the nature of alternative facts.

Ewan Robertson and Michael Farrell’s thoughtful ‘Birds Of Passage’, inspired by Longfellow’s poem of the same name, contemplates aspects of migration, its upwardly spiralling instrumentation mirroring the lyrics. The ballsy, sinuous ‘Google This’ follows, intriguingly paired with a traditional waulking song which sounds like it shouldn’t work, although – of course – it does.

The title track, ‘Frenzy Of The Meeting’ opening with a deep bowed bass and lithe fiddle bubbling over mouth harp, is a darkly delicious meshing of Henderson’s tune ‘Incahoots’ with the low chant of a traditional Ceòl Mòr. The album wraps up with ‘Oran Bhraigh Rusgaich’ which builds on its core of atmospheric harmonium drone, airy reverb and sparse guitar into a grand climactic finale, leaving just a trace of whistles hanging on the air.

Frenzy Of The Meeting may not have quite the same immediacy as its predecessor, but it has a satisfying deep richness and texture all of its own. It’s a fascinating new development in Breabach’s work, building yet more layers, more experiment and versatility into their sound.

To see this album in live performance, catch Breabach on tour around the UK now and until February 2019.

Su O’Brien

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

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Artists’ website: www.breabach.com

‘Birds Of Passage’ – official video:

Hamish Napier announces new album, The Railway

Hamish Napier

The Railway is the much-anticipated new album from Scottish musician Hamish Napier. The follow-up to Hamish Napier’s critically-acclaimed debut solo album The River, Hamish’s newest album will be released on Friday 3rd August.

Returning to his hometown of Grantown-on-Spey, Napier’s collection of new compositions and songs were specially commissioned by the new Grantown East: Highland Heritage & Cultural Centre – the formerly derelict Grantown East railway station that is been lovingly restored as a cultural centre and is set to open on 2nd November 2018.

In 2016, the new owners approached Hamish, as one of Scotland’s finest traditional wooden flute players, to capture the sounds, atmosphere and culture surrounding the old Speyside Line.

In the course of his research for the new album, Hamish conducted interviews with railwaymen closely connected with the Great North of Scotland Railway, including Jimmy Gray (93, a driver from Aviemore), Jocky Hay (94, a driver from Inverness) and James Telfer (94, the last signalman at Grantown-on-Spey East Station). Many of the tunes and songs on The Railway have been inspired by the great stories these men have to tell about their working lives.

The album showcases a stellar line-up of Scottish musicians including Ross Ainslie, Patsy Reid, Ewan Robertson, James Lindsay and Fraser Stone. The Railway also features two songs written for the project by Hamish’s brother Findlay Napier, and cameos from the Strathspey Railway’s whistles, wheels and brakes.

A few words from Hamish on his new album:

“When I performed my debut album in Grantown during the summer of 2016, the new owners of the Grantown East: Highland Heritage and Cultural Centre approached me and asked if I would compose a soundtrack for this fantastic new venture – I was so honoured to be asked!

“‘The Old Railway Station’ as I called it when I was wee, was just over the river from my house. It was haunted and as a dare my brothers, pals and I – including Fraser Stone, the drummer on this album – would sometimes sneak into the forbidden derelict buildings. Over two decades later, with the ruin carefully restored as an important local monument and centre, the ghosts of the railway people are given a platform to tell the world their story.

“This album is dedicated to the railwaymen and women who I spoke to during my research – the inspiration for so much of the material on this album has come from them and the stories they shared with me about their working lives.

“I am so honoured and proud to be given the opportunity to help bring new life to the heritage of my local area with this album. I hope that the listener feels that the music, lyrics, titles and tales capture the atmosphere and sounds of the lost railways of the North and the people that were closely connected with them.”

Hamish Napier is originally from Strathspey in the Scottish Highlands. For over a decade he has been an integral part of Glasgow’s vibrant folk music scene, whilst also touring in Europe and North America.

Hamish’s Celtic Connections’ New Voices commission The River received 4 and 5-star reviews in four national publications, and was released as a highly-regarded debut solo album, named ‘Album of the Week’ on four BBC folk radio shows in Scotland, Shetland, Lancashire and Ulster.

Hamish and his band will present a live performance of The Railway as part of Piping Live Festival in Glasgow on August 17th & 18th, they will also do be performing a live set for BBC Radio Scotland’s Travelling Folk special from the Edinburgh Festival on Sunday 5th August before going on to open the new Grantown East: Highland Heritage & Cultural Centre on Friday 2nd November.

Napier is part of the bold traditional duo Nae Plans with fiddler Adam Sutherland and also performs regularly with Duncan Chisholm, The Jarlath Henderson Band and Ross Ainslie.

He has recorded on over forty folk albums to date, recording with leading Scottish musicians such as Karen Matheson, Donald Shaw, Mike Vass and Eddi Reader.

Over the last decade Hamish has been shortlisted for twelve MG Alba Scots Trad Music Awards, including Composer of the Year, Album of the Year and Tutor of the Year.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.hamishnapier.com

‘1000 Horsepower’ – may contain language:

Read Dai Jeffries’ review of Hamish’s debut solo album here: https://folking.com/hamish-napier-the-river-strathspey-records-srcd001/

IAIN MACFARLANE – Gallop To Callop (Old Laundry Productions OLP005)

Gallop To CallopIain MacFarlane is a former member of Blazin’ Fiddles and he’s recruited a few old friends to play on Gallop To Callop, his debut solo album. There’s Ewen Henderson, formerly of Battlefield Band, former Altan melodeon player Dermot Byrne, Breabach’s Megan Henderson, Ewan Robertson and James Lindsay, pianist/flautist Hamish Napier and Iain MacDonald who has played with just about everybody including Ossian and Wolfstone. This is a band with a real pedigree.

You should have a fair idea of what to expect and you won’t be far wrong. There are quite a lot of original compositions and some drawn from the tradition and the standard piping repertoire. The beauty of MacFarlane’s writing is that you are hard-pressed to tell the new from the old. The up-tempo numbers are played in, dare I say, the old-fashioned style with a piano continuo and if you’ve heard Violet Tulloch you’ll know what that is. Some of the piano is undoubtedly by Napier but some is by Iain’s wife Ingrid Henderson who is perhaps better known as a clarsach player and it is that instrument that leads some of the gentler pieces such as the lovely ‘Isobel’s Tune’.

It’s hard to pick favourites as the album whirls past. ‘Tatties On The Manifold’ with MacDonald’s whistle is a particularly fine bouncy tune and that is followed by the breakneck set of ‘Stoddie’s Reels’ and I can’t resist a tune like ‘The Head, The Heart And The Tail’ which describes the process of whisky distillation.

This is the perfect album from lovers of Scottish traditional music. Iain MacFarlane writes and plays with a love and respect for the tradition and you can’t ask for much more than that.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.oldlaundryproductions.com

Iain MacFarlane and Ingrid Henderson. No title (or could it be called ‘Hello’?)

BREABACH – Astar (Breabach BRE004CD)

BREABACH AstarWith most albums it’s good to have the sleeve notes to hand when listening. With Breabach’s sixth outing an atlas is just as important. Astar means distance or journey in Gaelic and the musical ideas are drawn from all round the world.

The album opens with ‘The Midnight Sun’ written by piper James Duncan Mackenzie and inspired by a visit he paid to Tromso to run a marathon on midsummers day when the sun never actually sets. It begins with an oddly oriental sound, presumably an attempt to imitate the sound of a kantele. That is followed by a set of three compositions inspired by the rhythms of the Haka. The parts of ‘Muriwai’ are written by Calum MacCrimmon, Scott Morrison and Mackenzie.

There is brief return to Scotland with Dick Gaughan’s ‘Outlaws And Dreamers’ before we’re off to Scandinavia again with ‘Farsund’, the title track of the medley being composed by Megan Henderson. The third part of the medley is the first traditional tune on the album, ‘Wee Totum Fog’, which itself has an interesting history. ‘Mo Thruaighe Leir Thu ‘Ille Bhuidhe’ gives Megan her first lead vocal of the collection and then we’re off again, this time to Australia. ‘The White Sands Of Jervis Bay’ begins with a ceremonial song from the Aborigine tradition called ‘Guka Manikay’ while MacCrimmon and Mackenzie composed the title piece. It’s interesting to note that no-one seems to have come up with a more politically correct term for the original inhabitants of Australia.

‘Les Pieds Joyeaux’ is inspired by the Quebeçois tradition even though the tunes themselves are Scottish – Le Vent Du Nord join Breabach on vocals for this one. Then there is a visit to the Hebrides for a waulking song and a tune inspired by the waulking rhythm. It would be appropriate to stay in Scotland now but Ewan Robertson’s ‘Ribbon Of Fire’ is a song inspired by the band’s tour of the antipodes and ‘The Last March’ takes us to Cape Breton.

Astar is an album full of musical imagery and imagination – a melting pot of ideas that is varied and satisfying. This could be Beabach’s best.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: http://breabach.com/

Breabach live on their 2015 Highland Blast tour:

Breabach’s new album is on the way

Breabach's new album is on the way

Release Date Friday, 11th March, 2016

Voted ‘Best Live Act 2013’ & ’Best Folk Band 2012‘ at the Scots Trad Music Awards and twice nominated ‘Best Band’ at the BBC Radio 2 Folk Awards; Scottish five-piece Breabach deliver a thrilling and unique brand of contemporary folk music that has earned them international recognition on the world and roots music scene as one of the UK’s most dynamic and exciting bands.

After a whirlwind five years traversing the globe, touring Australia, New Zealand, Asia, North America, Scandinavia and the middle East, Breabach are delighted to announce their fifth studio album Astar (translating from Scottish Gaelic as distance or journey). The music on the album takes inspiration from the beauty of both the places and people the band have visited and the wonderful musicians and cultures encountered along the way. Working with producer Greg Lawson (Moishes Bagel, BBC Scottish Symphony Orchestra, GRIT Orchestra) the band have taken melodic, rhythmic and harmonic ideas from each of the countries they have visited. Some of this is woven into the arrangement, some of this is achieved through self-penned works. Through it all however, it’s their Scottish roots that remain at the core of the recording with work from Burns, Dick Gaughan and Donald Macleod finding it’s way into the mix. Augmenting the album will be some special guests including Yidaki player Mark Atkins (AUS), extraordinary Aborigine artist Yirrmal of Black Arm Band (AUS) Maori tradition bearer Scott Morrison (NZ), Quebecois violinist Olivier Demers of Le Vent Du Nord (Quebec) and Hardanger virtuoso Olav Luksengård Mjelva of Nordic Fiddlers Bloc (NO).

Breabach unite the talent of Calum MacCrimmon (pipes/whistles/bouzouki/vocals), Ewan Robertson (guitar/ vocals), James Mackenzie (pipes/flute/whistles), Megan Henderson (fiddle/vocals/stepdance) and James Lindsay (double bass). Since launching their career as winners of the Open Stage Award at Celtic Connections in 2005 the band have steadily moved from strength to strength, picking up accolades and performing at esteemed events along the way. The 2016 release of Astar sees them reaching new levels of their musical ambition and maturity.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.breabach.com

 

Breabach: New Album – Ùrlar

urlarFINALAfter the critically acclaimed “BANN” comes the wonderful Ùrlar, the fourth instalment from current “Scottish Trad Music Award’s Folk Band of the Year”, BREABACH.

In June of 2013 the band toured Scotland and visited each of their 5 hometowns for a very special night of music. During the visits, the band was able to meet with local tradition bearers, friends and family to source songs and melodies for this release. Ùrlar is centred firmly around community and is undoubtedly the bands most diverse undertaking which has gained further inspiration and direction under the production of multi-instrumentalist and award-winning singer Kris Drever (Lau).

As their “hometown” tour inspired this album, the combination of both, has, in turn, inspired Breabach to undertake a full UK tour, during October/November. See our Tour News section for dates and details.

BREABACH harbours the multiple talents of: Calum Maccrimmon, Ewan Robertson, James Duncan Mackenzie, Megan Henderson and James Lindsay.

Enjoy the album and, hopefully, see you on the tour.

Label – Breabach Records BRE003CD

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Distribution- Proper Distribution & Highlander Distribution

Artist’s weblink: www.breabach.com