There is story behind this album although I’m not sure I fully understand it. Once upon a time DJ Andy Dolphin, aka Dolphin Boy, was producing what he called “sample-heavy, bootleg-style music”. Late last year he and former Peatbog Faerie Iain Copeland, drummer with techno-folk fusion band Sketch, discussed the idea of producing an album of remixes; Copeland sent Dolphin the tapes of Highland Time and Shed Life and thus was The Highland Swing born.
Sketch mixed club beats with traditional musical forms so you might wonder what Dolphin Boy could do with their music. You would be surprised. The beats are perhaps emphasised but the music remains – mostly, anyway. Most of the music is written by Copeland and Andy Levy with tunes by such distinguished composers as Aidan Burke, Charlie Maclennan and Gordon Duncan. There are some fine musicians who were members of or guested with Sketch – Neil Ewart, Angus Binnie, Ross Ainslie and Ali Levack – and their contributions are highlighted but over all this Dolphin Boy adds his samples.
There is an enormous amount of tongue-in-cheek humour here. The opening track ‘Too Many Fiddles’ should tell you that without the two voices repeating “too many fiddles” over and over again. It’s taken out of context, of course but what the hell. ‘He’s A Piper’ repeats the word bagpipes in similar fashion and ‘Ghetto Pipe’ has people asking Dolphin questions about the pipes, to which the answer is always “I Don’t Know”. The vocal on ‘Kicks’ is mostly a list of perversions (some of which I’ve never heard of) that does go on a bit. I’ll leave you to discover the other delights for yourselves.
This is a strange record but I liked Sketch’s second album, Highland Life, and slowly The Highland Swing grew on me but, being rather too old for the disco, I’m not sure when I’d play it.
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Needless to say there isn’t video of any of this!