FolkEast announces 2019 line-up

FolkEast

It’s ‘lucky seven’ time for East Anglia’s unique, fast-rising FolkEast – England’s most easterly folk music festival. Not only is it the seventh year the event has been held in the glorious grounds of Suffolk’s 16th century festival but this year it will offer diverse performances on no less than seven stages.

The 2019 festival will be staged between August 16-18 and has all the promise of being the best yet with an enviable line-up of artists from England, Scotland, Ireland, Wales, Poland, Canada and USA.

Keeping to the Seven theme, FolkEast is delighted to announce seven confirmed top level acts from its highly anticipated line-up as Early Bird tickets go on sale with a special festive season offer. https://folkeast.co.uk/tickets-3/

Leading the way will be formidable folk legend Richard Thompson – a revered singer songwriter and jaw dropping guitarist– who takes to the main Sunset stage as Sunday night headliner. A co-founder of trailblazing folk rockers Fairport Convention, Thompson has carved himself a high class career bringing iconic international status, with anthemic songs like ‘Persuasion,’ ‘Beeswing’ and ‘1952 Vincent Black Lightning’ becoming classics. Named as one of Rolling Stone Magazine’s “100 Greatest Guitarists of All Time” he has been honoured with Lifetime Achievement Awards on both sides of the Atlantic – from the Americana Music Association in Nashville, and the BBC Radio 2 Folk Awards – as well as garnering an OBE (personally bestowed upon him by the Queen at Buckingham Palace)

FolkEast will also field some of folk’s finest female artists – opening night headliner will be the brilliantly inspired Scottish singer songwriter and hot property Karine Polwart performing with her Trio (Stephen Polwart and Inge Thomson). Karine (2018 BBC Radio 2 Folk Awards Folk Singer of the Year) is on a roll having released two hugely successful albums in quick succession – A Pocket Of Wind Resistance and Laws Of Motion and also migrated into the acting world including a role in Radio 4’s drama ‘A Faraway Back Of Beyond Place’, a two hander with Bill Paterson. A songwriter with heart and soul, Stirlingshire-born Karine is a wonderful wordsmith and captivating performer sure to get the festival off to a grand start.

Cara DillonSaturday night at FolkEast will see a very special headline event as the peerless Irish songstress Cara Dillon (“quite possibly the world’s most beautiful female voice” – Mojo) takes to the stage with ‘Cara Dillon and Friends’ celebrating the 10th anniversary of her landmark album Hill Of Thieves which won the coveted Album Of The Year at the 2008 BBC Radio 2 Folk Awards. Derry-born Cara will be joined by the class line-up of husband Sam Lakeman (piano, guitar), Jarlath Henderson (uillean pipes, whistle), Ed Boyd (guitar). James Fagan (bouzouki), Toby Shaer (fiddle, whistles) and Ben Nicholls (bass).

Also from Ireland, the mighty Sharon Shannon Band will be heading to Suffolk. Born in County Clare, Sharon is a show stopping accordionist whose career is soaked in the Irish tradition but takes so many more influences on board. Sharon has played for Presidents Clinton and Obama in The White House, received a Lifetime Achievement Meteor award in 2009, and was honoured for ‘outstanding contributions in music’ at the Irish Books, Arts and Music (IBAM) awards in Chicago to say nothing of her 1991 self-titled debut CD being the best-selling album ever of instrumental traditional Irish music.

Keeping up the Celtic connection, the line-up will be enhanced by Scots-Irish trio Ross Ainslie (Scottish bagpipes, whistles), Jarlath Henderson (uilleann pipes, whistles) and Perthshire’s Ali Hutton whose combined talents create a sound that pushes the boundaries of what Scottish and Irish instruments normally achieve. Dubbed “the new stars of Celtic music,” they’ve crafted music that bursts with fresh energy.

Photograph by Warren Orchard

FolkEast is also thrilled to announce that the eloquent and exquisite English singer-songwriter/guitarist John Smith will join the 2019 line up. Born in Essex, raised by the Devon seaside, and kicking off in the bars and clubs of Liverpool, John has released six albums including his most recent Hummingbird, with over 10 million Spotify streams. His distinctive, gravelly voice has been heard by audiences all over the world in living rooms, festival tents and sold-out concert halls. Steeped in the lineage of British folk, taking his cue from Richard Thompson and John Martyn, Smith has evolved a transatlantic blend of fingerstyle and slide guitar techniques and a repertoire of up close, no hiding place songs of life and love. He has opened for folk greats including John Martyn, Davy Graham and John Renbourn, who called Smith “the future of folk music”.

CalanFlying the flag for Wales will be the effervescent five-piece revivalist traditional band Calan, who sing in both Welsh and English. The band formed in early 2006 when its members ages ranged from just 13 to 22. In 2008, they created great excitement at the Inter Celtic Festival, becoming the only Welsh band to win the coveted international folk band award. They also won best group at the Festival Interceltique de Lorient, Brittany. Playing accordion, harp, guitar, fiddle and Welsh bagpipes, they also have their own champion step dancer.

One of the most singular events on the UK festival calendar, FolkEast was launched six years ago by husband and wife John and Becky Marshall-Potter.

Rekindling the ancient Eastfolk moots on the Glemham Hall estate where for three days a year the folk from the East would meet kith and kin at harvest time for “a bit of a do”, this gathering has Suffolk running through it like letters in a stick of rock – from its locally sourced fare to its suppliers, arts and crafts.

The festival, with its ever present mythical emblem The Jackalope, offers a refreshingly different line-up across its seven stages (including the ‘Sanctuary’ stage at St Andrew’s Church, the open air Sunset Stage and the hidden woodland solar-powered Soapbox Stage), with two authentic ‘village’ pubs serving competitively-priced ales (including Suffolk-based Green Jack Brewery’s festival ale Green Jackalope) plus possibly the smallest pub in the UK, the 6 x 4’ Halfway Inn.

Then there’s the FolkEast Art Arcade, packed dance programme, archery, donkey rides, children’s activities (including den building, storybook making and a mud kitchen linked together in a special new children’s trail) yoga, poetry, storytelling, the Eastfolk Chronicle Kinedrome (showing folk and local interest films) and tours of Glemham Hall by estate owner Major Philip Cobbold.

On board again this year as a media partner will be BBC Radio Suffolk.

The Early Bird Festive Ticket offer is now open until January 6, 2019.

Advance weekend tickets are available price £110 (adult), £99 (full time students, 65+ ) and £75 for Youth tickets (12-17 year old) which must be purchased with an adult ticket. Family weekend tickets for two adults and two 12-17 year olds are £340. A great offer sees free admission for children aged 11 and under; camping under canvas is £20 and camping on wheels £30. More information: info@folkeast.co.uk

As a seasonal bonus those buying tickets by December 16 will be entered into a Santa’s Folk Stocking competition with two goody-filled FolkEast stockings up for grabs.

Located close to the A12, the festival will also be running shuttle buses to the site from Wickham Market station.

Festival website: www.folkeast.co.uk

“In a world where there are hundreds of festivals, FolkEast prospers by doing something unique and doing it brilliantly” – RnR Magazine

DOLPHIN BOY – The Highland Swing (Skye Records SCRCX005)

The Highland SwingThere is story behind this album although I’m not sure I fully understand it. Once upon a time DJ Andy Dolphin, aka Dolphin Boy, was producing what he called “sample-heavy, bootleg-style music”. Late last year he and former Peatbog Faerie Iain Copeland, drummer with techno-folk fusion band Sketch, discussed the idea of producing an album of remixes; Copeland sent Dolphin the tapes of Highland Time and Shed Life and thus was The Highland Swing born.

Sketch mixed club beats with traditional musical forms so you might wonder what Dolphin Boy could do with their music. You would be surprised. The beats are perhaps emphasised but the music remains – mostly, anyway. Most of the music is written by Copeland and Andy Levy with tunes by such distinguished composers as Aidan Burke, Charlie Maclennan and Gordon Duncan. There are some fine musicians who were members of or guested with Sketch – Neil Ewart, Angus Binnie, Ross Ainslie and Ali Levack – and their contributions are highlighted but over all this Dolphin Boy adds his samples.

There is an enormous amount of tongue-in-cheek humour here. The opening track ‘Too Many Fiddles’ should tell you that without the two voices repeating “too many fiddles” over and over again. It’s taken out of context, of course but what the hell. ‘He’s A Piper’ repeats the word bagpipes in similar fashion and ‘Ghetto Pipe’ has people asking Dolphin questions about the pipes, to which the answer is always “I Don’t Know”. The vocal on ‘Kicks’ is mostly a list of perversions (some of which I’ve never heard of) that does go on a bit. I’ll leave you to discover the other delights for yourselves.

This is a strange record but I liked Sketch’s second album, Highland Life, and slowly The Highland Swing grew on me but, being rather too old for the disco, I’m not sure when I’d play it.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://djdolphinboy.co.uk/

Needless to say there isn’t video of any of this!

Hamish Napier announces new album, The Railway

Hamish Napier

The Railway is the much-anticipated new album from Scottish musician Hamish Napier. The follow-up to Hamish Napier’s critically-acclaimed debut solo album The River, Hamish’s newest album will be released on Friday 3rd August.

Returning to his hometown of Grantown-on-Spey, Napier’s collection of new compositions and songs were specially commissioned by the new Grantown East: Highland Heritage & Cultural Centre – the formerly derelict Grantown East railway station that is been lovingly restored as a cultural centre and is set to open on 2nd November 2018.

In 2016, the new owners approached Hamish, as one of Scotland’s finest traditional wooden flute players, to capture the sounds, atmosphere and culture surrounding the old Speyside Line.

In the course of his research for the new album, Hamish conducted interviews with railwaymen closely connected with the Great North of Scotland Railway, including Jimmy Gray (93, a driver from Aviemore), Jocky Hay (94, a driver from Inverness) and James Telfer (94, the last signalman at Grantown-on-Spey East Station). Many of the tunes and songs on The Railway have been inspired by the great stories these men have to tell about their working lives.

The album showcases a stellar line-up of Scottish musicians including Ross Ainslie, Patsy Reid, Ewan Robertson, James Lindsay and Fraser Stone. The Railway also features two songs written for the project by Hamish’s brother Findlay Napier, and cameos from the Strathspey Railway’s whistles, wheels and brakes.

A few words from Hamish on his new album:

“When I performed my debut album in Grantown during the summer of 2016, the new owners of the Grantown East: Highland Heritage and Cultural Centre approached me and asked if I would compose a soundtrack for this fantastic new venture – I was so honoured to be asked!

“‘The Old Railway Station’ as I called it when I was wee, was just over the river from my house. It was haunted and as a dare my brothers, pals and I – including Fraser Stone, the drummer on this album – would sometimes sneak into the forbidden derelict buildings. Over two decades later, with the ruin carefully restored as an important local monument and centre, the ghosts of the railway people are given a platform to tell the world their story.

“This album is dedicated to the railwaymen and women who I spoke to during my research – the inspiration for so much of the material on this album has come from them and the stories they shared with me about their working lives.

“I am so honoured and proud to be given the opportunity to help bring new life to the heritage of my local area with this album. I hope that the listener feels that the music, lyrics, titles and tales capture the atmosphere and sounds of the lost railways of the North and the people that were closely connected with them.”

Hamish Napier is originally from Strathspey in the Scottish Highlands. For over a decade he has been an integral part of Glasgow’s vibrant folk music scene, whilst also touring in Europe and North America.

Hamish’s Celtic Connections’ New Voices commission The River received 4 and 5-star reviews in four national publications, and was released as a highly-regarded debut solo album, named ‘Album of the Week’ on four BBC folk radio shows in Scotland, Shetland, Lancashire and Ulster.

Hamish and his band will present a live performance of The Railway as part of Piping Live Festival in Glasgow on August 17th & 18th, they will also do be performing a live set for BBC Radio Scotland’s Travelling Folk special from the Edinburgh Festival on Sunday 5th August before going on to open the new Grantown East: Highland Heritage & Cultural Centre on Friday 2nd November.

Napier is part of the bold traditional duo Nae Plans with fiddler Adam Sutherland and also performs regularly with Duncan Chisholm, The Jarlath Henderson Band and Ross Ainslie.

He has recorded on over forty folk albums to date, recording with leading Scottish musicians such as Karen Matheson, Donald Shaw, Mike Vass and Eddi Reader.

Over the last decade Hamish has been shortlisted for twelve MG Alba Scots Trad Music Awards, including Composer of the Year, Album of the Year and Tutor of the Year.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.hamishnapier.com

‘1000 Horsepower’ – may contain language:

Read Dai Jeffries’ review of Hamish’s debut solo album here: https://folking.com/hamish-napier-the-river-strathspey-records-srcd001/

ROSS & ALI – Symbiosis II (Symbiosis Records, SYMCD001)

Symbiosis IIIt was only in December that Ross Ainslie’s fantastic solo album, Sanctuary, was released, and he is back again already, this time with Ali Hutton in a very welcome second celebration of their long-standing partnership. Symbiosis II (despite sounding like the title of a particularly difficult contemporary art piece) is a logical successor to their previous album, Symbiosis, and – appropriately – clear lines of connection join the two.

Symbiosis II is dedicated to Hutton’s grandad, who is also the subject of the first tune of the set entitled ‘Grandad’s’. This reflective piece makes a worthy companion, a mirror, to the delicate music box he previously created for his grandma, on the first album’s ‘Grans’.

As with the first album, titles are thematic one-word embodiments of the tunes that lie within (and an apostrophe pedant’s heaven!). The only non-original work on the album is ‘Goretree’, a tender Tommy Peoples cover. A number of the tunes have been specifically commissioned, and are credited accordingly. Whether composed by Ainslie or Hutton, the blending of the individual tunes into a set is never less than sublimely skilful, there’s no sudden lurch, no visible join, it all flows immaculately.

Despite these echoes of the first album, Symbiosis II pushes off into new territory, playing with notional boundaries of traditional music. It’s also definitely more of a “studio” album, given the addition of sound effects and synthesisers. Storm effects on ‘Mick’s’ give way to fast, fierce piping over a dark synth undercurrent, for instance, whilst ‘Birds’ features a clever interplay of whistles and pipes to reinvent the birdsong audio of the intro.

There is some striking, often quite moody, percussion, such as on the terrific ‘Kings’ where it lends an immediacy and a specific modernity to the tune ‘Dine Like Kings’. In the second part, ‘King Of The Mountain’, Patsy Reid’s strings add a dream-like drone, quite unlike the more tense, pulsating backdrop they provide on ‘Mink’. Andrea Gobbi’s thoughtful mixing ensures that nothing becomes overwhelming and a coherent balance is maintained throughout.

The duo’s core sound (Highland pipes, cittern, whistles, guitars and banjo) becomes more richly fleshed out as a result, and they wring a staggering variety of moods from whistles and pipes: lyrical and breathy, writhing and sinuous, beefy and muscular – and every shade in between.

Ross Ainslie and Ali Hutton must surely be two of the most prolific young men around in Scottish music at the moment. Working in a dizzying variety of (often award-winning) projects their output never seems to falter. Symbiosis II is another superb addition to the catalogue.

Su O’Brien

Artist website: http://rossandali.co.uk/

Buy from: rossandali.bandcamp.com

Hogmanay in Edinburgh:

ROSS AINSLIE – Sanctuary (Great White Records, GWR005CD)

SanctuaryIf there’s a more intensely personal album release this year than Ross Ainslie’s third album, Sanctuary, it would be hard to find. It’s a conceptual piece, a celebration of five sober years – no mean feat in the musician’s world, where it’s always pub o’clock somewhere.

Ainslie’s well-known as a champion of the broader context of Scottish instruments and for his work with musicians of an international background, such as India Alba, amongst very many others. So, it’s no surprise that the musical influences here are equally wide-ranging, with its eastern palette of sounds embracing a distinctly Scottish heart.

He’s also keen on Mike Oldfield’s Tubular Bells, apparently, and aimed to produce in ‘Sanctuary’ a similar kind of conceptual soundscape. So, don’t put it on shuffle. Listen to the complex, layered sounds as a continual flow, as intended, and it will repay in spades.

The titles of the twelve tracks on the album (and surely this number is no coincidence?) indicate key milestones, signposts along a determined route, with the calming, beautiful opener ‘Inner Sanctuary’ perhaps the heart and soul of the album. A gently shushing shoreline is overlaid with a tender, swooping elegiac fiddle (a stunning performance by Greg Lawson throughout) with Ainslie managing to extract the inner Scot from the bamboo tones of the Indian bansuri.

Finding a personal retreat has been essential for Ainslie, and he’s found it in his music: his mastery of his instruments is simply outstanding. Whistles brightly dance in ‘Protect Yourself’ and ‘Cloud Surfing’, then are overlaid by frenetic piping in ‘Road To Recovery’, which races along over a choppy guitar and tabla zing. On ‘Surroundings’, his breathing just audible beneath the seamless phrasing of this complex theme, is a reminder of Ainslie’s skilled control – and not just of his flying fingers.

Each musician makes a vital contribution to the flow of the overall sound, each layer builds up into a cohesive whole. There are so many wonderful and talented musicians playing here, but Damien O’Kane’s fierce banjo deserves mention, as a perfect foil for the complex celtic knot of whistles on ‘Happy Place’ and the exuberant highland pipes of ‘Let The Wild Ones Roam’. Tabla player Zakir Hussain and Soumik Datta on sarod lend Indian overtones to the juddering, descending motif of ‘Home In Another Dimension’, a surprisingly rocky track coming after the delicate eastern influences of ‘Beautiful Mysteries’.

The final piece, ‘Escaping Gravity’ an atmospheric poem with a vaguely oriental feel, expresses the conscious choice of sobriety. Its final phrase “Escaping gravity in my inner sanctuary” loops us right back to the album’s beginning, and reminds us that this is a set of mantras to be repeated every day. It’s what “one day at a time” means.

This album’s genesis is as inspiring as its form is delightful. It has a maturity, mellowness and a sense of peace, but it’s also a testament to some real personal grit. Learning to be with yourself and accepting yourself, flaws and all, is no mean feat. Turning such a challenging experience into a warm, accessible piece of music is altogether another level of amazing.

Su O’Brien

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist website: www.rossainslie.com

Album sampler:

Ross Ainslie announces a remarkable third album

Ross Ainslie

Ross Ainslie is one of Scotland’s finest traditional musicians and composers, playing pipes, whistles and cittern. He is renowned for his highly acclaimed solo material, and as a skilled performer and prolific collaborator who performs regularly with bands Treacherous Orchestra (of which he is a founding member), Salsa Celtica, Dougie Maclean, Ali Hutton, Charlie Mckerron, Jarlath Henderson and India Alba.

This third album from Ross brings together a lot of his influences over the years playing in such bands as Salsa Celtica and India Alba. Ross has always been a fan of Mike Oldfield’s album Tubular Bells and this album is based on the same idea and designed to be listened to like a journey. The album plays continuously from start to finish and as a bonus extra for pre-release copies you will receive the album in one track (digital format) the way it should be.

Sanctuary is a term Ross likes to use when describing what music is for him, coming up to five years sober!! Ross has been through some big changes and found ways of coping with certain situations without alcohol.

“I’ve found that I’m spending a lot of time on my own these days, being a travelling musician a lot of the social time is centred around drinking so I found it hard to be around so I would retreat to my room a lot, at first it took some time to get used to my own company but as the years have gone on I’ve found it to be a very productive and creative space, if I’m having a particularly bad day music is always the thing that will pick me up so that’s why this album is called Sanctuary”.

‘Inner Sanctuary’ is a track heavily influenced by his travels to India, it features a debut performance on Bansuri from Ross. The musicians on this album were selected very carefully and are all very comfortable in many genres, this track shows Greg Lawson playing with an Indian style.

‘Home In Another Dimension’ features one of Ross’s favourite musicians in the world, the one and only Zakir Hussain on tabla and also British/Indian Sarod maestro Soumik Datta. This track demonstrates a different style in writing for Ross with a definite Eastern flavour. ‘Let The Wild Ones Roam’ is a straight ahead rocking set of reels with the guys in their natural habitat. Damien O’Kane adds some amazing banjo to this track.

All the music on the album is composed by Ross apart from ‘Surroundings’ which was composed by Ross and Jamie Maclean.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://rossainslie.com/holding/

Here’s the album sampler: