Des Horsfalls Kuschty Rye Collaborates with Pete Townshend

Des Horsfalls Kuschty Rye Collaborates with Pete Townshend

When Pete Townshend heard that roots/country rock singer / songwriter Des Horsfall was recording a trilogy of albums inspired by, and dedicated to, the memory of one of Britain’s musical greats Ronnie Lane, he simply had to be involved.

Pete insisted on writing a track dedicated to his old mate Ronnie. When Ronnie’s ex-wife and muse, Kate Lane, supplied the lyrics, the song came together quite naturally. The result is a collaboration which is a love letter from Kate to Ronnie that will move you to tears.

The voices of Des and Pete combine to bring out emotions and feelings that are so rarely expressed these days.

Des Horsfall has supported such luminaries as Joe Ely, Steve Earle, Emmylou Harris and many others.  Des was a protégé of the legendary Alexis Korner and in his own words “had a few skirmishes with fame”.  Late in life Des discovered and fell in love with Ronnie Lane’s post Faces project, Slim Chance.  In fact, Des became so obsessed he decided to make a trilogy of albums inspired by and dedicated to the spirit and humour of one of this country’s greatest musical mavericks.

The first album in the series was 2011’s The Good Gentleman’s Tonic which was critically acclaimed for its masterly song writing.

‘Chameleon’ is taken from the second album in the series, The Bastards Tin, and this will be the first track available as a single download.

‘Chameleon’ is available to download from all the usual sources now and the album The Bastards Tin will be released in the New Year.

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Website: http://www.kuschtyrye.net/

‘Chameleon’ – the video:

The new debut album from Dan Raza

Dan has already established a considerable reputation on the UK singer songwriter and folk roots scene. His distinctive approach has won him many fans and led to his supporting Joan Armatrading on a recent European tour, as well as opening for artists such as Mary Gauthier, Badly Drawn Boy, Cara Dillon, Chris Farlowe and Slaid Cleaves at concerts throughout the UK and USA. He also had a song, Every Little Dog endorsed by Neil Young when Shakey chose it for his ‘Living with War’ website.

His live performances are noted for their strong emotional impact and his songs are informed by literary influences such as Ben Okri and also the influence of painters like Marc Chagall. Indeed, Dan’s songs receive colourful treatment on this his first album. From the enigmatic longing of 40 Miles to the vibrant energy of Cool Dark Night and No-One Shed A Tear, the intense originality of his writing is balanced by strong and varied musical texture.

Dan is of mixed Indian and British origin. Many of his songs draw on images from his turbulent childhood and reflect on a search for belonging that remains elusive. There is a wistfulness and yearning at the heart of his writing which reveals itself strongly in songs like Home, Again. The lyrics of this track look back on his journey since moving away from his native Bedfordshire as a teenager and see him trying to make peace with his roots. In a similar vein is Rivertown which follows one man’s restless spirit as he travels through the rubble of the past trying to make sense of where he’s been so he can see where he’s going. The song has an almost supernatural quality and lyrics that fuse otherworldly images with an undertone of loss: ‘help me sweep the ashes from the floor/help me see the way I did before.’ The record concludes with the beautiful closing track, Can’t Go Back, which features the West African Griot musician, Mosi Conde, on kora. Written in Texas while on tour, it was inspired by the themes of displacement he heard in so many country songs while there and the personal experience of leaving behind all he knew, to follow someone, only to see it come apart.

A chance meeting at a gig in South London led Dan to record his debut album with Charlie Hart, who has worked previously with Ronnie Lane, Ian Dury, Eric Clapton and Mose Allison. It features a stellar array of guest appearances from Geraint Watkins (Van Morrison, Paul McCartney), BJ Cole (Dolly Parton, Martin Simpson) Steve Simpson (Eric Bibb, Ronnie Lane), Frank Mead (Albert King, Eric Clapton) and Mosi Conde (Mory Kante, Salif Keita).

Dan Raza has waited a long time to make his first full album after earning plaudits from some of the most notable songwriters on both sides of the Atlantic. There is no doubt he has a lot of promise. This is the first clue to what he might do with it.

 “One of the best support acts I’ve seen in two or three years…an artist that makes you take note and listen to the songs.” Slaid Cleaves

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

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Artist Web link: www.danraza.com

ROY HARPER – Songs Of Love And Loss – SALVO SALVOCDC222

Roy Harper is seventy and living in semi-retirement as far as making new music is concerned. He has, however, been preparing to make his complete catalogue available as digital downloads for the first time beginning with this double set which is also released on CD.

These are, as the title suggests, love songs so there are none of the long musical excursions that Roy is also noted for. Thinking of a song like ‘I Hate The White Man’ it’s easy to pigeon-hole Roy as a political song-writer but that’s not really the way he is. Certainly he has strong views and principles that have made for edgy relationships with record companies. He is firmly opposed to organised religion of any kind but his thoughts on the existence of a deity are more complicated than the simplistic “God is dead”. Most of his songs are about people, family and lovers, and England in all its beauty and ugliness. Included in this set is ‘South Africa’ which could be an ode to a country imprisoned by apartheid or a metaphor for a woman of whom he says “We have never met each other but it can’t be long”. That’s the beauty of Roy Harper: you can analyse his lyrics fruitlessly for hours.

This album includes some of Roy’s perennial favourites: ‘Francesca’, ‘Commune’, ‘Another Day’ and ‘North Country’ amongst them but there are songs from later, perhaps lesser-known albums: songs like ‘Sleeping At The Wheel’, ‘On Summer Day’ and ‘Waiting For Godot’. The quality of the remixing/remastering is astonishing. Even listening in the car I swear I can hear things I’ve never heard before. The tracks drawn from Valentine are gorgeous with David Bedford’s orchestrations soaring and leaping from the speakers. Most of my Harper albums are on vinyl and although I’d never part with them I’m seriously considering supplementing them with new digital versions. Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

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Artist Web Link: www.royharper.co.uk

ROY HARPER – ‘SONGS OF LOVE AND LOSS’

Few survivors from the golden age of British folk-rock have kept their reputations intact. Of the generation of troubadours who came of age in the folk clubs of Londonin the mid-1960s, there is one figure whose body of work, comprising 23 studio LPs and almost as many live and compilation releases, has come to stand for a particularly single-minded form of integrity. That man is Roy Harper.

On September 19th Union Square Music/Salvo Records releases the physical version of the 2CD set ‘Songs of Love and Loss’ Volumes 1 & 2 – 23 songs of raw, uncompromising honesty and emotion spanning Harper’s work from 1966 to 1992. One of the most innovative song writers to come out of the mid 60’s folk boom, ‘Songs of Love and Loss’ displays his remarkable array of styles, from the early folk finger pickings of Black Clouds and mysterious All You Need Is, to the bluesy ‘Little Lady’, the resonating ‘Frozen Moment’ and the lamenting ‘Another Day’.

Now officially ‘retired’, and living in a secluded corner of Ireland, Harper has recently been hailed as a key influence by a much younger generation of devoted starsailors who instinctively recognise his innovations, his refusal to compromise and his visionary world view. The likes of Fleet Foxes, Joanna Newsom and Jim O’Rourke are avowed fans; and in previous decades he has enjoyed public endorsements and tributes from the likes of Led Zeppelin, Kate Bush, Pink Floyd’s Dave Gilmour and many more.

Born in 1941 near Manchester, he was raised by a father and Jehovah’s Witness stepmother (his mother died when he was a baby) and developed an early aversion to dogma and organized religion. Running away he joined the Royal Air Force as a teenager, but didn’t take too well to their rules and regulations. Leaving wasn’t so easy as running away from home, however, and Harper opted to plead insanity to get his release. Part of the discharge deal meant he had to undergo unpleasant ECT treatment at a mental hospital. Harper later drifted throughout Europe, and by 1965 was a mainstay of London’s Les Cousins folk club, performing alongside the likes of Paul Simon, Joni Mitchell, and Nick Drake.

In 1966 the tiny indie label Strike issued Harper’s debut LP, The Sophisticated Beggar; the record brought him to the attention of Columbia, which released his sophomore effort, Come Out Fighting Genghis Smith, the following year. In 1968, Harper mounted a series of free concerts in London’s Hyde Park, which greatly expanded his fan base in preparation for the release of 1969’s Folkjokeopus, which included “McGoohan’s Blues,” the first of his many extended compositions.

After meeting Pink Floyd manager Peter Jenner, Harper was signed to EMI’s Harvest subsidiary, and in 1970 he issued Flat Baroque and Berserk, recorded with contributions from members of the Nice; that same year marked the appearance of Led Zeppelin III and its track “Hats Off to Harper,” a tribute penned by longtime friend Jimmy Page. Upon relocating to the Big Sur area of California, Harper began writing 1971’s Stormcock, regarded by many as his finest record; the following year he starred in the film Made, releasing the music he composed for the picture’s soundtrack in 1973 under the title Lifemask.

Valentine, a collection of love songs, appeared in 1974, and was quickly followed by the live album Flashes from the Archives of Oblivion, featuring appearances by Page, Keith Moon, Ronnie Lane, and Ian Anderson. In 1975, Harper formed Trigger, a backing group including guitarist Chris Spedding and drummer Bill Bruford; however, after releasing just one LP, HQ, the unit disbanded. In 1975 Harper also took lead vocals on “Have a Cigar,” a track on Pink Floyd’s Wish You Were Here.

Harper rode the unsteady waves of the music industry during the 1980s but kept up a productive output and in 1994, he set up his own record label, Science Friction, to curate and re-release his entire back catalogue, along with a clutch of CDs of live and unreleased material covering his entire career. In his book, The Passions Of Great Fortune (2003), he published his complete lyrics together with photos, annotations and re-evaluations of every one of his songs. In 2005, old pal Jimmy Page presented him with the prestigious Mojo magazine Hero Award.

2011 will see a great deal of Roy Harper activity; Roy celebrates his 70th birthday, ITV Home Studios are to release a live concert DVD newly recorded at Metropolis studios and Roy will also play a sell-out gig at the Royal Festival Hall. Along with the reissue of a number of his original albums in digital form, Roy Harper’s incredible, visionary catalogue of work enters the digital domain in time for his music to take on a new, urgent and timely appeal, in an age in which the hypocrisies and injustices he railed against are more present than ever before. It’s been a damned good innings and he’s still not out.

Track listing sequence:

Volume 1

1.Black Clouds
2. Girlie
3. All You Need Is
4. Francesca
5. East Of The Sun
6. Little Lady
7. North Country
8. I’ll See You Again
9. Naked Flame
10. Commune
11. Frozen Moment

Volume 2

1. Davey
2. Another Day
3. South Africa
4. Hallucinating Light
5. Sleeping At The Wheel
6. Waiting For Godot
7. The Flycatcher
8. On Summer Day
9. Cherishing The Lonesome
10. My Friend
11. One More Tomorrow
12. Forever

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

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Artist Web Link: http://www.royharper.co.uk/

A Crooked Mile – by Society

Following on from their hugely successful release SONGS FROM THE BRICKHOUSE, Society are back in 2011 with A CROOKED MILE. This stunning new release is guaranteed to bring the trio even more praise from media and audiences alike. For those that don’t know Society are a three piece country rock band from West Sussex who specialise in gorgeous three part harmonies that set them apart from the current crop of Americana or country rock wanabees in the UK. The band comprise guitarist Matt Wise, bassist Ben Lancaster and holding down the beat, F.Scott Kenny on drums. Their recorded and live sound has echoes of C.S.N.Y, The BandThe Heartbreakers, The Jayhawks and the late great Ronnie Lane and Slim Chance. Matt Wise composes most if not all of their material and when all three sing in harmony the result is simply stunning, this shown perfectly at the 2011 Maverick Festival where they had the audience spellbound listening to their live performance.

Since forming in 2004 Society have supported many great artistes including Eve Selis, Deadstring Brothers, Corb Lund, Luke Doucet and The Wailin’ Jennys. Apart from their own UK headline shows, Society have completed two tours of Canada along with a string of dates in the American mid-west gaining a whole new legion of fans in the USA.

This constant touring has honed both their musical and vocal chops and in the summer of 2011 Society returned to the studio to produce A CROOKED MILE, recorded both at the Brickhouse Studios near Brighton and the bands own Downland Studios located near Gatwick. Matt Wise was in the producers’ chair, ably assisted by engineer James Gasson.

The album is once again a collection of eleven original songs from the pen of Matt Wise and arranged by all three band members. Guest musicians featured on the album include Spencer Cullum who is one of the foremost young pedal steel players around today, Ben Davies and James Batchelar on keyboards, Pat Kenneally on melodica/piano and added pedal steel is supplied by Chris Pritchard.

The songs on A CROOKED MILE once again echo their love and passion for all things West Coast USA, Laurel Canyon and the great country rock music produced in the late 1960s/early 70s, yet their sound is brought into the 21st century with a distinctly indie feel. Stand out tracks include 40 Days, a stunning and anthemic crowd pleaser, Blues Flag, reminiscent of The Band at their finest, the bluegrass influenced Davey and the perfect opening track Wheels A’ Turning, country rock at its very best.

2011/2012 will see Society touring the UK to support the release of A CROOKED MILE and already the band are confirmed for several festival appearances in 2012.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

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Des Horsfall’s Kuschty Rye – THE GOOD GENTLEMAN’S TONIC

Honouring the legend of the late great Ronnie Lane, in the only way he knew how, roots-rocker Des Horsfall and his band Kuschty Rye embarked on a journey. It was a journey which resulted in the superbly packaged album you have in your hands today, entitled THE GOOD GENTLEMAN’S TONIC.

Recorded at Valve Studios with producer Andy Bell at the helm, the release takes in folk, country, blues, rock and pop influences, reminiscent of Ronnie Lane’s own post Faces work with the legendary Slim Chance. To create a truly fitting tribute to the legend, Des enlisted the help of many of Ronnie’s contemporaries to fully evoke the feel of the Travelling Show that Slim Chance was famously known for. The album has a laid back 1970s feel to it, evident in Lane’s output from his Slim Chance period and the release is given a seal of authenticity by including guest appearances from original Slim Chance members Benny Gallagher, Charlie Hart and Steve Simpson.

This forward looking, though at times nostalgic record is further enhanced by contributions from Spiral Earth Awards nominee Katriona Gilmore, renowned folk accordionist Hannah James and noted pedal steel player PJ Wright.

As a nod to the material on the debut Slim Chance record ANYMORE FOR ANYMORE, Des has covered and kept faithful to Ronnie’s version of Careless Love while totally reworking hit single The Poacher to poignantly end the record. Of the songs penned by Des, prime cuts include the Cajun swing of Nothing New, the anthemic Little Girl and live favourite Long Long Time, a track that cries out to be a hit single.

A very special feature of the release is the ‘Unwinese Mix,’ the story of the album’s inception narrated by John Unwin, son of the late great Professor Stanley Unwin who invented the Unwinese language used to great effect in the Small Faces recording OGDENS NUT GONE FLAKE album. The ‘Unwinese Mix’ tells the story of how Des was inspired by Ronnie Lane and, as if by magic, hit up on the idea to create his own travelling show. I can well remember during the 1970s when Ronnie Lane and Slim Chance toured all over the UK travelling in a convoy of circus vehicles setting up their big top and performing shows in parks and on public land when the authorities would allow, indeed the famed Viv Stanshall of the Bonzo Dog Doo Dah Band acted as ringmaster on several of the shows. THE GOOD GENTLEMAN’S TONIC is the first in a trilogy of Kuschty Rye albums mirroring Ronnie Lane’s three Slim Chance releases.

A contribution of £1 from the sale of each album sold at live shows will be donated to The Multiple Sclerosis Trust in memory of Ronnie Lane.

For more information and the latest tour news, please visit www.kuschtyrye.net

“First pass through ‘The Good Gentleman’s Tonic’ made me grin like a fool, put a tear in my eye and even made the hair stand up on my arms. Nothing has touched my heart like this album. What was needed wasn’t someone who did a good imitation of Ronnie Lane, or was handy with a resonator- it’s the soul, the vibe, the spirit of the little bugger… and Des Horsfall has nailed it completely in this bunch of songs”. Brian Robbins (Relix Magazine USA).

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.