THE POOZIES – Punch (Schmooz SCHMOOZCD003)

PunchI was amused by the quote from Eilidh Shaw (fiddle, vocals) who says that the Poozies are probably fortunate that the charge of witchcraft has gone out of fashion; otherwise they’d be in trouble. In Punch there’s certainly a mischievous mix of musical mayhem, spellbinding showcase instrumentals and probably some frogs legs to boot. True to form, The Poozies are unencumbered by conventional folk idioms, slipping and sliding between cool jazz cadences and the more structured strathspeys. Fortunately, boundaries are never pushed too far and the whole thing hangs together beautifully, albeit with a shimmer of post-modern irony. I just loved it when on ‘Plecthumb’ the tune is suddenly punctured by an almighty scream from one of the women!

Looking back, The Poozies were initially the established harp duet of Mary MacMaster and Patsy Seddon (of Sileas) joined by Sally Barker and Karen Tweed. Always an all-female ensemble, they rode the wave of new Scottish music in the 1990s. One shouldn’t forget they also introduced us to Kate Rusby at that time. There have been many personnel changes since, and only MacMaster remains from the original line-up. Fiddles have replaced harps as the predominant sound and there are no fewer than three fiddle players in the current band: Eilidh Shaw, Sarah McFadyen and Tia Files.

The four women keep you on your toes, and there’s never a dull moment. The stomp box and bass drum allow for gear shifts just when they’re needed and the keen rhythmic edginess serves them well in ‘Knees of Fire’ and ‘Bloodknot’. There’s an even spread of songs and tunes, from the frivolous ‘Soaking’ to a traditional Scots Gaelic ‘Ailein, Ailein’, one of my favourites. Their harmonized vocal talents are particularly noticeable on the final alluring track, ‘Easily Led’ which brings the set to a relatively quiet, though indubitably classy, finish.

So much good music is coming out of Scotland these days, a credit to serious recognition and investments made in traditional arts. We shouldn’t take it for granted. Enjoy the renaissance and marvel at just how good these musicians are and how much memorable fun they can pack into nine tracks.

Jon Bennett

Artists’ website:

‘Knees Of Fire/The Chase’ – live:

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