When Rise Up hit my doormat I realised that it was a long time since I’d heard anything from The Outside Track. In fact it has been six years since Flash Company but an international band based in Scotland is always going to be very busy. There has been a line-up change with Norah Rendell and Cillian Ó’Dálaigh leaving the band to be replaced by Teresa Horgan. Technically, it was an all-female line-up that recorded Rise Up but Michael Ferrie, who plays guitar throughout, has now officially joined them.
The album opens with ‘Dark Reels’, a mighty set of tunes opening gently enough with Ailie Robertson’s harp but getting a bit heavier than you might expect. Two of the three are by Robertson and the third is by Lauren MacColl and they make for an excellent starter. Next is ‘Sweet Lover Of Mine’, a variation of ‘Scarborough Fair’ sung by Horgan followed by ‘Road To Rollo Bay’, a set of three tunes from the band’s homelands: Canada, Scotland and Ireland. The first of these was written by Shirley (or Shelly) Campbell from Prince Edward Isle and the others are by Jenna Reid and Neil Vallely.
‘The Banks Of Sweet Dundee’ is an unusual tale of attempted matrimony and successful homicide while ‘The Wife Of Usher’s Well’ presents a slightly unfamiliar take on the story set over a pulsing arrangement. ‘Neillí Pluincéad’ is one of the few titles that seems better in English than Irish and it’s unusual to hear O’Carolan’s words as well as the tune of ‘Eleanor Plunkett’. This is perhaps most haunting track. In contrast to the opener, ‘The Happy Reels’ is a pair of tunes written by Horgan and Mairi Rankin to cheer us up and ‘The Silver Bullet’ is a set of rocking tunes from Cape Breton.
Finally, ‘Lady Diamond’ is a big take on another celebrated murder ballad in all its gory detail and a fitting end to another splendid album from The Outside Track.
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‘The Banks Of Sweet Dundee’ – live: