Born, raised and still based in the West Country, when she was 23 aspiring singer-songwriter Mo Dewdney had a motorbike accident that left her paraplegic. For some years, music was no longer part of her life, but, then, after the birth of her son, she found herself playing out words and music in her head. She began putting these down on paper, began singing with a local band and, eventually, decided to try her luck by singing her own material in a capella settings. This in turn led her to link with other folk musicians from the region, such as Anthony Chipperfield, and, now, her self-released debut album, You Belong With Me… recorded in collaboration with folk luminaries Lukas Drinkwater, on guitar, bass and harmonies, and fiddler Ciaran Algar.
As their involvement might indicate, Dewdney is of a traditional persuasion, although all but one of the numbers are self-penned, her pure, clear and often yearning vocals and phrasings having earned comparisons with Judy Collins and Sandy Denny. The collection opens with the contemplative ‘shine on’ optimism of ‘Starlight’, leading to an unaccompanied introduction to ‘Marriage Bands’, a song that strikes a rather less upbeat note with its tale of a warrior spirit woman losing her independence, freedom and spirit in the chains of loveless marriage, the cycle repeating itself with her daughter in the last verse; however, buoyed up by Algar’s rustic backwoods fiddle and Drinkwater’s waltz time guitar melody, the nature imagery dressed ‘Kiss All The Stars’ has a rosier view of love’s binding power.
With Drinkwater adding drums, as per the suggestion of the title, ‘The Woad – The Last Battle of Maidens Castle’ takes on traditional ballad form, returning to warrior imagery for the story of a woad-painted tribe facing the end of their dream, the vocals adopting drone line tone, complemented by hollow plucked fiddle and a hypnotic war dance rhythm.
Underpinned by Algar’s lullabying fiddle, another celebration of love, ‘You Belong To Me’ with its dreamy chorus is a warmer affair, while, again in waltz time, ‘Grampa Sam’ sets Dewdney’s lyrics to a tune by Jim Causley in a touching tribute to an elderly gent who took her under his wing when she first moved to the country, taught her to garden, told her tales of his life’s joys and tragedies and became a grandfather to her child.
The musically upbeat mood continues with the fingerpicked jauntiness of ‘The Moment I Now’, a call to do the right thing by the planet on which she live, its love of the natural world and eco message echoed in the album’s sole cover, Drinkwater playing guitar and harmonising on Stan Rogers’s classic ‘Northwest Passage’.
It ends with again just the two of them, this time Drinkwater also adding bass, on ‘Down By The Fire’, the sound of the sea backdropping a final affirmation of finding a place and a partner with whom to share your life. With another project already in hand in collaboration with Greg Hancock, you might want to climb aboard and share yours with her.
Artists’ website: www.themellowship.co.uk
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