THE MELLOWSHIP – You Belong With Me … (own label)

You BelongBorn, raised and still based in the West Country, when she was 23 aspiring singer-songwriter Mo Dewdney had a motorbike accident that left her paraplegic. For some years, music was no longer part of her life, but, then, after the birth of her son, she found herself playing out words and music in her head. She began putting these down on paper, began singing with a local band and, eventually, decided to try her luck by singing her own material in a capella settings. This in turn led her to link with other folk musicians from the region, such as Anthony Chipperfield, and, now, her self-released debut album, You Belong With Me… recorded in collaboration with folk luminaries Lukas Drinkwater, on guitar, bass and harmonies, and fiddler Ciaran Algar.

As their involvement might indicate, Dewdney is of a traditional persuasion, although all but one of the numbers are self-penned, her pure, clear and often yearning vocals and phrasings having earned comparisons with Judy Collins and Sandy Denny. The collection opens with the contemplative ‘shine on’ optimism of ‘Starlight’, leading to an unaccompanied introduction to ‘Marriage Bands’, a song that strikes a rather less upbeat note with its tale of a warrior spirit woman losing her independence, freedom and spirit in the chains of loveless marriage, the cycle repeating itself with her daughter in the last verse; however, buoyed up by Algar’s rustic backwoods fiddle and Drinkwater’s waltz time guitar melody, the nature imagery dressed ‘Kiss All The Stars’ has a rosier view of love’s binding power.

With Drinkwater adding drums, as per the suggestion of the title, ‘The Woad – The Last Battle of Maidens Castle’ takes on traditional ballad form, returning to warrior imagery for the story of a woad-painted tribe facing the end of their dream, the vocals adopting drone line tone, complemented by hollow plucked fiddle and a hypnotic war dance rhythm.

Underpinned by Algar’s lullabying fiddle, another celebration of love, ‘You Belong To Me’ with its dreamy chorus is a warmer affair, while, again in waltz time, ‘Grampa Sam’ sets Dewdney’s lyrics to a tune by Jim Causley in a touching tribute to an elderly gent who took her under his wing when she first moved to the country, taught her to garden, told her tales of his life’s joys and tragedies and became a grandfather to her child.

The musically upbeat mood continues with the fingerpicked jauntiness of ‘The Moment I Now’, a call to do the right thing by the planet on which she live, its love of the natural world and eco message echoed in the album’s sole cover, Drinkwater playing guitar and harmonising on Stan Rogers’s classic ‘Northwest Passage’.

It ends with again just the two of them, this time Drinkwater also adding bass, on ‘Down By The Fire’, the sound of the sea backdropping a final affirmation of finding a place and a partner with whom to share your life. With another project already in hand in collaboration with Greg Hancock, you might want to climb aboard and share yours with her.

Mike Davies

Artists’ website: www.themellowship.co.uk

SAM KELLY & THE LOST BOYS – Live at Cambridge Junction, City Roots Festival, 5 March 2018

Sam Kelly & The Lost Boys
Photograph by Philip O’Brien

Battling snow and ice on tour for the past week has clearly taken a toll on this group of musicians (amongst many others no doubt), but that won’t stop them putting on a storming show this evening.

Support act, Honey And The Bear (aka Jon Hart & Lucy Sampson) deliver a half-hour set of earwormy, catchy songs, culminating in ‘William’ from their 2016 EP, About Time Too and the galloping, riffling ‘Wristburner’. Their slightly low-key stage presence belies their lively, well-crafted and perfectly performed music. And it turns out that there’s so much more to this versatile duo: manning the merch stall, driving the van and even providing the evening’s sound tech. Headliners, book them now, while you can.

A short while later, the seven-piece line-up of Sam Kelly & The Lost Boys fills the stage as percussionist Evan Carson sets a grinding groove for the first song, ‘Hickathrift’, the tale of a legendary Norfolk giant-killer.

With so many big, sing-along tunes on both the band’s albums to date, from ‘The Golden Vanity’ via the deceptively jolly ‘Angeline The Baker’, the call-and-response of ‘The Keeper’ or the barrelling ‘Jolly Waggoners’, featuring a frenzied banjo part from Jamie Francis, it’s blindingly obvious why this band is such a festival success.

Then there’s the dry, irreverent and often charmingly unfiltered humour that allows them to respect what they do without being in thrall to it. If you’re after reverential folk that won’t poke fun at the often ludicrous and/or plain old sexist scenarios of some songs, this might not be the band for you. If you want a solid, tight set of superb musicians who know how to have a good time, then they’re a must-see.

Still, it’s not all wall-to-wall party. The well-paced set contains many quieter moments, such as the tender rendition of ‘If I Were A Blackbird’, and Cornish ballad ‘Grwello Glaw’ (‘Let It Rain’). Originating from Kelly’s time with The Changing Room, it’s an appropriate choice for a St Piran’s Day gig. (Also, we’re told, it will be the first dance the band plays for Hart and Sampson’s wedding in June. Altogether now: aaahhh!).

A rather different sound comes with ‘The Shiny Ship’, an effect-laden track from the Pretty Peggy album that has been reworked for the live environment. Carson’s shimmering cymbals and hard rapping drum offset Graham Coe’s shoulder-slung, psychedelic, droning cello to create an atmosphere of moody mystery.

For the family members present in the audience, Kelly dedicates a cover of Dire Straits’ ‘Sultans Of Swing’ which starts leisurely before building into a floorshaker. Finishing with Archie Moss’s melodeon leading the mischievous cross-dressing tale, ‘The Close Shave’ and buffered by tunes from Ciaran Algar and Toby Shaer, the set ends on a whirling high.

As the audience erupts in appreciation, the band returns in typically self-deprecating fashion. “The dressing room was locked” deadpans Algar. Meanwhile, there are two clear contenders for an encore among the crowd. Carson holds a vote, defying Algar’s sardonic, “This is not a democracy”. 48% want ‘The Chain’, but 52% are pro ‘Greenland Whale’, so there it is. Luckily, this is one vote that doesn’t cause deep or lasting division, as we all sing happily together before going our separate ways home.

Su O’Brien

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: http://www.samkelly.org/

‘Sultans Of Swing’ – live at the other Cambridge Festival:

BLUES & FOLK STARS LINED UP FOR GATE TO SOUTHWELL 2018

There’s a perfect blend of rising stars, festival favourites and music legends lined up for next year’s Gate To Southwell.

Already booked for the East Midlands’ premier roots and acoustic event are hugely-successful veteran Geordies Lindisfarne, award-winning folkies The Young’uns, one of Ireland’s greatest singers Cara Dillon performing with special guests, Danish roots stars Habadekuk, brilliant Devon guitarist and singer-songwriter John Smith, acclaimed Canadian fiddlers The Fitzgeralds and 2017 BBC Folk Singer of the Year Kris Drever. There’ll also be a special Blues Night featuring Britain’s number one R&B band Nine Below Zero, Louisiana bluesmen The Lil’ Jimmy Reed Band and the UK’s best slide guitarist Johnny Dickinson.

Early Bird tickets (at discounted prices while stocks last!) are now available for the four-day event in beautiful Nottinghamshire countryside from Thursday June 7th to Sunday June 10th. Just follow this link to Gate To Southwell 2018 and grab a bargain – www.gtsf.uk

Also joining the eclectic, international bill there’s Scotland’s Blue Rose Code, the Canadian jazz-meets-klezmer-meets-folk of The Boxcar Boys, acclaimed Southwell regulars Greg Russell & Ciaran Algar, 2017 BBC Group of the Year The Furrow Collective, the megafolk of Birmingham’s The Destroyers, much-loved global troubadour Rory McLeod, highly-rated harmonious Celts Mongoose and award-winning songstress Vikki Clayton.

Plus, with more names still to be announced, there’s the East Anglian Americana of The Shackleton Trio, Derbyshire’s Rogue Embers and promising folk duo Harbottle & Jonas, who’ll all add to the party atmosphere at this most family-friendly of festivals, which also features music workshops, ceilidhs, dance displays, children’s entertainment, a craft fair plus great food and drink stalls.

Still led by Rod Clements, one of their original singer-songwriters, it’s 45 years since Lindisfarne’s first hit ‘Meet Me On The Corner’ cracked the UK charts and made their second LP ‘Fog On The Tyne’ the best-selling British album of 1972. Since then the Geordie folk-rock kings have scored with hits such as ‘Lady Eleanor’, ‘Run For Home’ and ‘We Can Swing Together’. Headlining the Big Top on Friday June 8th, with the late Alan Hull’s son-in-law Dave Hull-Denholm joining the latest line-up, Lindisfarne are guaranteed to get the Southwell audience singing and swinging along.

Gate To Southwell 2009 was The Young’uns first “proper festival” and since then they’ve returned to great acclaim in both 2011 and 2015. Described by Mike Harding as “one of the best live acts I have ever seen”, the life-enhancing North Easterners will headline the festival on Saturday June 9th. Following the great success of their ‘Another Man’s Ground’ collection, their 2017 release ‘Strangers’ looks certain to gather even more folk awards.

Topping the bill on Sunday June 10th, Cara Dillon is regarded as one of the best vocalists and interpreters of traditional songs on the planet. Mojo magazine stated she possessed “what may well be the world’s most beautiful female voice” as showcased on her seventh studio album, this year’s ‘Wanderer’. Cara will perform alongside her husband and musical partner Sam Lakeman plus some very special guests.

Making his first appearance at Southwell, the acclaimed singer-songwriter and innovative guitarist John Smith has become a star of the British acoustic music scene over the past 10 years, performing alongside artists such as Jackson Browne, Richard Hawley, Jarvis Cocker and Rodney Crowell, and guesting on albums by David Gray, Lisa Hannigan and LeAnn Rimes. His recent album’, ‘Headlong’, is a fine example of a “master craftsman at work” (Folk Radio).

Anyone who caught Habadekuk’s last visit to Gate To Southwell will welcome them back with open arms and dancing feet. Regarded as one of the most exciting live folk bands, the Danish nine-piece mix it up with salsa, polkas and big band jazz. Appropriately, their motto is “we blow you away”.

Kicking off the festival on Thursday June 7th, there’s a great feast of blues from Nine Below Zero, Lil’ Jimmy Reed Band and Johnny Dickinson. NBZ formed at the height of punk and went on to become one of the most respected blues bands on the Eighties and Nineties, working with artists such as Eric Clapton, Gary Moore and Chuck Berry. Their extended eight-piece big band appearance at Glastonbury in 2016 won them a new generation of fans and recently they’ve toured extensively with Squeeze.

21st century bluesmen don’t come much more authentic than 77 year old Lil’ Jimmy Reed, who was born on the Mississippi and who’s been playing harp and guitar since the early 1950s, sharing stages with blues legends such as BB King and Bobby ‘Blue’ Bland. He’s guaranteed to bring the gritty sounds of the deep South to Southwell and his band will feature acclaimed blues and boogie pianist Bob Hall. Also on Thursday, while Johnny Dickinson might hail from Morpeth rather than Baton Rouge, he’s rightly regarded as one of Britain’s best blues and slide guitarists. Having recovered from serious illness, this is a great opportunity to enjoy a rare talent.

To buy tickets and find out much more about all the artists who’ve been booked so far, visit the Gate To Southwell 2018 website – www.gtsf.uk.

Dan Walsh Trio announce spring tour dates

Dan Walsh Trio
Photograph by Kate Gallow

After a mammoth solo world tour promoting the release of the critically acclaimed Verging On The Perpendicular album, BBC Folk Award nominee Dan Walsh’s annual UK tour offers an exciting change for 2018 seeing the launch of the all-new Dan Walsh Trio. This exciting new outfit sees him team up with award winning fiddler Ciaran Algar and long-time collaborator Nic Zuppardi on mandolin. Although a few favourites from Dan’s previous highly praised albums will be in the set, the gigs are mostly to be shaped around brand new and innovative material. At the heart of the trio’s sound is British, Irish and American folk music delivered with a healthy dose of funky grooves. Add to all that poignant songs, astonishing musical departures and lively humour and the result is sure to be a truly memorable live show featuring three of the most in demand musicians on the folk scene today.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Dan Walsh Trio UK Tour Dates

20 April COVENTRY Big Comfy Bookshop
https://www.thebigcomfybookshop.co.uk/ 07396 029448

04 May DERBYSHIRE North Wingfield Resource Centre http://www.liveandlocal.org.uk/ 01246 856451

08 May STAFFORD Gatehouse Theatre
https://www.staffordgatehousetheatre.co.uk/en-GB/shows/dan%20walsh%20trio%20with%20support%20from%20kyshona/info
01785 619080

11 May KINGSWINFORD Woodman Folk Club http://www.woodmanfolk.co.uk/ 01384 560462

12 May PEAK DISTRICT Alstonefield Village Hall
http://www.wegottickets.com/event/420258 01335310121

15 May DARTFORD Dartford Folk Club http://www.dartfordfolk.org.uk/ 01322 277218

16 May LONDON Slaughtered Lamb
http://www.folkonmonday.co.uk/dan-walsh-trio/ 020 7253 1516

17 May WINCHESTER Hyde Tavern https://www.hydetavern.co.uk/ 01962 862592

18 May BURTON ON TRENT Burton Folk Club http://burtonfolkclub.org.uk/

19 May GUILDFORD Trinity Folk Festival (12pm) http://www.trinityfolkfestival.co.uk/

19 May STAFFORDSHIRE Chebsey Parish Hall (Solo) http://www.liveandlocal.org.uk/ 01785 760660

20 May OXFORD Holywell Music Rooms
https://www.wegottickets.com/event/423382 ​07464 252847

22 May NEWCASTLE The Cumberland Arms 0191 265 725 http://www.wegottickets.com/

23 May SHEFFIELD The Greystones http://www.wegottickets.com/event/426595

24 May BISHOPS CASTLE Sparc Theatre http://www.sparctheatre.co.uk/ 01588 630321

25 May OSWESTRY Willow Gallery http://www.willowgalleryoswestry.org/ 01691 657575

29 May LEICESTER The Musician http://www.greenbirdpromotions.net/ 07775 896681

20 June PRESTON Willows Folk Club www.thewillowsfolkclub.co.uk 01253 640959

Saskia Griffiths-Moore announces new album

Saskia

Having left school with not much more than a GCSE in Astronomy, Saskia went into alternative therapy and established a practice on Harley Street, London.

She then quit it all to travel and write music; to learn her craft on the streets while busking, gigging, crowdfunding and touring, gaining regular BBC radio play, festival performances, and arts council supported national tours.

Night And Day, featuring multi award winning musicians, Ciaran Algar, Lukas Drinkwater, Jack Cookson and Evan Carson, is Saskia’s third studio album, which she describes as Anglicana – a roots inspired alt-folk fusion of acoustic meets pop. It was produced by Gareth Young at Cube Recordings in Cornwall.

The whole album explores themes of light and dark, love and loss, and joy in defeat, and revolves around her title track, ‘Night And Day’, which expresses Saskia’s vision of unity between people through love.

This album was crowdfunded by Saskia’s fans, raising £8000 in total and achieving her goal of £3000 within 10 hours of launching. She has also teamed up with Word Forest to make this album carbon neutral by offsetting through planting trees.

Artist’s website: www.saskiagm.com

‘Write Me A Song’:

SAM KELLY & THE LOST BOYS – Pretty Peggy (Navigator NAVIGATOR 102)

Pretty PeggyBased in Bristol, but born in Norfolk, Kelly stakes a claim for a Best Album nomination in next year’s Radio 2 Folk Awards to add to this year’s Horizon win. Backed by his six-piece live band, comprising Jamie Francis on banjo, fiddler/guitarist Ciaran Algar, percussionist Evan Carson, Graham Coe on cello with Toby Shaer and Archie Churchill-Moss providing woodwind and melodeon, respectively, Pretty Peggy their first album together, also features contributions from folk stalwarts Cara Dillon, Damien O’Kane, Mike McGoldrick and Geoff Lakeman.

Save for three numbers, all the material is traditional, refashioned and refurbished, opening with a rousing haul away tempo take of the whaling shanty ‘Greenland Whale’ that can’t help but bring Seth Lakeman to mind. Dillon and McGoldrick’s Uillean pipes complement ‘Bonnie Lass Of Fyvie’, the pretty Peggy-o of the title, a jaunty Celtic-hued version that successfully avoids sounding like any of the many previous recordings.

A tale of lost childhood love regret, the equally lively, thigh-slapping, fiddle-driven ‘Angeline The Baker’ has Appalachian roots and then comes the first of the original numbers, ‘When The Rievers Call’, a Jamie Francis song about the raids on the Scottish borders during the middle ages featuring, unsurprisingly, some fiery banjo work and again recalling that Seth Lakeman sound.

Returning to the traditional repertoire and featuring O’Kane on electric tenor guitar with a melodeon solo, ‘If I Were A Blackbird’ is a lovely, lilting and gently ripping take on the Irish love song, reversing the lyric’s genders and set to a tune based around Chris Wood’s ‘Ville De Quebec’. This is followed by the darkly menacing ‘The Shining Ship’, a suitably spooked and nervy six minute tale, sung in low, at times whispery tones with swirling sonics, of a woman lured aboard a ghost ship by her long lost lover and based on the 17th century Scottish ballad ‘Demon Lover’.

Featuring himself on piano and Shaer on fiddle, the only Kelly original is ‘Chasing Shadows’, another lively tune about understanding that “the deepest dark comes just before the dawn”, and one of the more contemporary sounding tracks. Then comes the comic relief, ‘The Close Shave’ being New Zealand singer Bob Bickerton’s variation of the traditional romp, ‘Barrack Street’, about a gold miner relieved of his treasure by a man posing as a woman.

The obligatory instrumental track comes with ‘Shy Guy’s Serve’, a jaunty fiddle medley of Shaer’s ‘Josh’s Slip’ and Algar’s ‘Rookery Lane’, before they dig into the more obscure pages of the Dylan songbook and turn up the volume for ‘Crash On The Levee’, a punchy and driving version of ‘Down In The Flood’ off The Basement Tapes. The penultimate number is another traditional English folk song, drums, fiddles and flutes pumping along sexually euphemistic ‘The Keeper’ with its call and response derry derry down chorus, the album ending with the intitially subdued but gradually gatheringly strident strains of The Rose, Kelly’s translation of the French song ‘Le Beau Rosier’, originally by Belgian outfit Naragonia with whom he played mandolin last year.

Having practised his art as a youngster singing to the family’s cows, in 2012 Kelly was a finalist for Britain’s Got Talent (the one won by Pudsey), at which time he said “I don’t want to make a mediocre album of covers just to sell as many as possible on the back of BGT…musical integrity is really important to me.” He’s clearly lived up to his words.

Mike Davies

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the SAM KELLY & THE LOST BOYS – Pretty Peggy link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artists’ website: www.samkelly.org

‘Angeline The Baker’: