TOM PETTY AND BOB DYLAN – New York 1986 (Rox Vox RV2CD2128)

New York 1986In the mid-80s and in the midst of his own musical wasteland, Bob Dylan went down a number of different angles in a bid to rejuvenate his career. While some of these efforts were more successful than others, one of the more favourable endeavours from this time was his work with the late Tom Petty. Prior to their work with The Travelling Wilburys super group, Dylan and Petty took to the road, with the extensive True Confessions tour, beginning in February 1986. This double disc, New York 1986, released on the ‘Rox Vox’ label presents an entire concert recording, from a rainy night in Saratoga Springs, New York, from July of that year.

Opening with Dylan’s onstage entrance, it is immediately clear that this is not a recording, originally intended for release, and indeed there are several, similar cuts throughout the duration of the 32 song double album. With the backing of Petty’s Heartbreakers, the lion’s share of the set comes from Dylan, who draws from his own extensive catalogue; fusing solid gold classics, with some of his lesser remembered 1980s works.

Decent live versions of ‘I’ll Remember You’ and ‘When The Night Comes Falling From The Sky’ from 1985’s ‘Empire Burlesque’ are worth a listen, as are Tom Petty’s contributions; particularly ‘Straight Into The Darkness’, ‘Even The Losers’, ‘Spike’ and ‘Waiting’ – even if on-stage sound issues detract from the audio quality of this particular version. From the Dylan camp, there are re-workings of 60s classics; including a punchy version of ‘Positively 4th Street’, an enjoyable guitar and harmonica led rendition of ‘Mr Tambourine Man’, a rock n roll styled ‘Rainy Day Woman #12 & 35’ as well as alternative, electric delivery of ‘House Of The Rising Sun’. Some songs don’t translate as well however, ‘Masters Of War’, for example, doesn’t need a minute long guitar solo. What makes the recording most interesting, however, is the handful of covers, performed and confined by Dylan to his 1980s tours. ‘Unchain My Heart’ which opens the album is a good example of this, as is ‘Lonesome Town’ by Ricky Nelson which kicks off disc two – although it does take so long to start you may find yourself double checking that you actually pressed ‘play’. Renditions of Ry Cooder’s ‘Across The Borderline’ and ‘We Had It All’ (by Donny Fritts and Troy Seals) are also worthwhile inclusions.

While I do like Tom Petty, I’m generally really not a fan of mid-80s Bob, but overlooking some of this recording’s audio inconsistencies, this is actually a very enjoyable album. It is a live document of a curious partnership which failed to produce an official studio album. The song selection is relatively unusual and true to Dylan form, for better or worse, the live versions of the live standards are unique to their own time and place.

Christopher James Sheridan

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‘Positively 4th Street’ live from 1986: