A round-up of recent EPs and singles
In the wake of his criminally underrated album Rain Machine, RICK FOOT returns with a six-track EP, Songs Of Idiocy & Expedience. It’s pared down even from the minimalism of the album and Rick says that the songs were arranged with an eye to live performance. It is amazing what you can do with just voice, double bass and a bit a technology. Rick double-tracks himself and throws in some percussive noises on ‘Your House: Full Of Twigs’.
Rick’s voice is laid back and sounds despairing at times and there is a political dimension to several songs. The opener, ‘Whoever You Vote For’ leads inexorably to the tag-line “the government still gets in” and ‘Your House’ is, I think, about a collapsing or collapsed society. Rick’s lyrics are often witty and sometimes quite surreal so ‘Potato’ and ‘House Of Cows’ require further study. The idiocy comes in ‘Lincolnshire Poachers’ but I won’t spoil it by telling you the story. Just go out and buy Rick’s records.
Anglo-Welsh trio THE TRIALS OF CATO formed in Beirut but now they are back home with an eponymous EP. They sound thoroughly traditional and it’s only when you start to listen carefully that you realise that these are original songs. ‘Matthew VanDyke’ has the rolling feel of an eighteenth century sea song but like the origins of the band it’s centred on the tragedy of the Middle East. ‘Reynard And The Goose’ is a conversation between the titular creatures – think ‘The False Knight On The Road’ – and is very clever. ‘Fighting Jack’ takes us back to the army and back to the war zones while ‘Aberdaron’ is sung in Welsh and paired with ‘The Shaskeen Jig’. There is so much potential here – we should hear more from The Trials of Cato before too long.
At first JOE MARTIN sounds American but the subtlety of his lyrics suggest otherwise – he’s really based in Leeds. He’s supported on Small World by Andy Leggett on double bass and Henry Senior on pedal steel. ‘Denver’ is pure Americana as is ‘When The Time Is Right’. The former has a lovely wistful lyric with a clever closing line that suggests that he’s not totally subsumed into the genre but can also look in from the outside. Joe’s acoustic guitar playing is clever without being flashy and his voice, and indeed his songs, are front and centre.
‘Trouble’ is the new digital-only single from the rather wonderful Brooklyn-based singer-songwriter ANNIE KEATING. A smooth country blues, ‘Trouble’ follows on from Annie’s recent album, Trick Star, and heralds her upcoming UK tour. It settles quickly into its groove with a simple bass line echoing her acoustic guitar decorated with restrained slide guitar.
Falkirk band THE NICKAJACK MEN make their recording debut with an EP, Wasting Away. They fall somewhere in the alt-rock/country field but the best track here is probably the nearly-folky ‘Marilyn’ with some really nice echoey vocals by Lewis White and the slow bluesy ‘Erb’ is pretty good, too. Twin guitars and keyboards give The Nickajack Men a full, rich sound over the bass and drums of Jamie Burns and Matthew McAlister. An excellent debut.
MARIA KELLY releases her first EP in download-only format. The Things I Should follows three singles all produced by Matt Harries. The second track ‘Far Below’ reveals a hidden strength in her voice as the arrangement cranks up the pressure. In contrast ‘Where’s The Worth’ is more delicate with lots of strings and a spare drum arrangement while ‘Pretend’ takes a more folk-pop direction.