SINGLES BAR 44 – A round-up of recent EPs and singles

Singles Bar 44As a taster for his somewhat delayed album, From Coalfield To Battlefield, GARY MILLER releases his DLI EP. The DLI is The Durham Light Infantry and the final track, featuring Ferryhill Town Band, has previously been released as a single. The long opening track, ‘The Final Letter Of Jimmy Durham’, is the story of the first African to join the British army. He became a bandsman and a popular man in the regiment but sadly died of pneumonia in Ireland in 1908. In contrast is ‘Ballad Of Lance-Sergeant William Stones’ who was executed for cowardice in 1916. Like so many others, Stones was posthumously pardoned when it was far too late to make amends.‘Euphonium And Cornet’ is about the bandsmen who, like the Scottish pipers, put themselves in harm’s way to rally their comrades. Gary’s powerful voice and equally powerful songs are complemented by big brass arrangements. We’re looking forward to the album.
www.garymillersongs.com

Featuring Orkney fiddler Louise Bichan alongside American colleagues guitarist Ethan Hawkins, mandolin player Ethan Setiawan and recent addition Casey Murray on cello and clawhammer banjo, Boston-based CORNER HOUSE release their second EP, Smart Folks, a collection of four originals and two contemporary Irish numbers that ranges cross Irish, Scottish, Appalachian stringband and bluegrass influences. It’s Ireland that provide the opening instrumental ‘Slip Jigs’ (‘Farewell To Whaley Range’ and ‘Soggy’s’) before they follow on with ‘Happy Now, a number about depression and family life penned, as is ‘You’re Great’, as low, minimalist spooked-mandolin ballad which briefly perks up rhythmically midway before a fiddle solo, by Hawkins. Setiawan, contributes the musically shape-shifting instrumental title track before, starting slow and gathering pace, a third instrumental, ‘Through The Snow-Covered Pines’, Murray’s clawhammer evoking the quartet’s Appalachian aspects, brings things to a close. They’re due to return to the UK in 2020 for a Spring tour, I suggest you keep a close eye out.
http://www.cornerhouseband.com/

THE PORTLAND BROTHERS are Steven Adams and Tim Victor and their first EP is the download set First EP. Fortunately, their music is rather more imaginative than their titling. The key to their sound is their tight harmony singing over acoustic guitars sometimes bolstered by organ but the lead track, ‘Shake Off The Dust’, begins with a decidedly country vibe and it’s a while before you realise that they are from neither Oregon nor Maine but actually got together in Cambridge. They aren’t exactly informative on their web page but this is clever songwriting – deceptively simple but also complex and raising questions. Is ‘Invisible Love’ about hiding one’s sexuality or is that reading too much into it? Steve and Tim could really go somewhere.
https://www.portlandbrothers.com/

An echo of Simon Garfunkel comes with the self-released The Kivalina EP from New England/Nashville duo JESSE TERRY & ALEX WONG, the title referring to the Alaskan village where the indigenous population have hunted whales for generations.  However, climate change and thinning ice has made both this, and indeed their very existence difficult with experts predicting Kivalina will be uninhabitable by 2025, making them the first climate change refugees.

As such the six tracks revolve around the villagers’ predicament, extending it to more personal and universal considerations, opening with the shimmering, percussion cascading, gradually swelling ‘Landfall’ and proceeding through the similarly styled ‘Nowhere’, the more musically muscular ‘Dangerous’ and the introspective, softly sung fragility of ‘Thieves’. It ends with the tumbling drums and keening harmonies of the lyrical desperation of ‘Ten More Years’ and, finally, the simple strum of the strings-coloured ‘Fight Or Flight’. A simple but beautifully crafted and performed record that delivers a timely and important narrative.
https://www.jesseterrymusic.com/

ERIN RAE adds her contribution to the current spate of covers with the download only Lagniappe Session EP (Aquarium Drunkard), opening up a dreamy 60s psychfolk reading of Gene Clark’s ‘Some Misunderstanding’. Formerly recorded by The Monkees, Carole King’s ‘As You Go Along’ here, Rae on 12-string, more recalls a slow burn Byrds, leading on to a loose late 60s West Coast vibe take of Jonathan Richman’s ‘You Must Ask The Heart’. The final cut is an ambitious interpretation of Scott Walker’s ‘Duchess’, featuring Jerry Bernhardt on fuzz guitars, 12 string acoustic and Casiotone, a fine conclusion to an excellent indulgence.
https://www.erinraemusic.com/

Mandolin, Violin And Saw is one of the best titles we’ve come across all year. It belongs to an EP by DAVID SQUIRE AND THE LONG LAST LOOKS and being recorded in Tennessee it’s pure(ish) country – David says the song is inspired by his maternal grandfather. To confuse things, David is actually from Bristol and despite many years living in the USA he doesn’t really have the accent – whether by chance or design is impossible to say. He is back in England now but his lyrics betray his love of all things American – ‘Savannah Days And Nights’ being a perfect example. As well as mandolin and violin there are guitar, piano, organ and drums but the band’s sound is light and gently rolling and the songwriting is excellent.
https://www.davidsquireandthelonglastlooks.com/

A UK Americana four-piece comprising siblings Callum on vocals and rhythm guitar, drummer Theo and lead guitarist Jack Lury with Peter Dixon on brass, THE BLUE HIGHWAYS make the running with their self-titled, self-released debut EP. An energetic four-track collection it kicks off with the Southside Johnny saloon soul swagger of ‘He Worked’, a horns-embellished song about an old man reflecting on his life now he’s retired and to the future of his kids, continuing in a similar but Stonesy blues style with piano-accompanied lying-themed ‘Blood Off Your Hands’. Co-penned with David Burn from Orphan Colours, ‘Matter Of Love’ is an upbeat swaggering Southern country pop track about not having the courage to end a relationship and they end with the reined in reflective acoustic balladry chug of ‘Have You Seen My Baby’, coloured by Henry Senior on mournful pedal steel. It doesn’t push the envelope, but it handles the staple ingredients in solid style
https://thebluehighwaysband.com/

After a run of singles, SJ DENNEY releases a six-track EP, Forgotten Friends. The most recent of the singles is ‘A Fond Farewell’, the final track in the set while ‘Here I Am’ opens it..’(Feels Like I’m) Hearing Things’ is something of a departure in musical style, spikier than his usual material and a powerful song and the drive carries over into ‘All The Signs Were There’, the predecessor to ‘A Fond Farewell’. SJ is big on brass solos in his arrangements which give him a distinctive sound and the pounding drums on ‘The Good Times’ are equally powerful.
sjsongs.co.uk

BANDITS ON THE RUN are a NYC-based trio consisting guitarist Adrian Enscoe, cellist Sydney Shepherd and Regina Strayhorn on percussion and xylophone, all three handling the vocals. Bandits Live At The Power Station (The MTA) is the latest EP, a four track collection of three originals and one cover kicking off a splash of Hispanic musical colours on ‘Potted Plant’ before the intertwined harmonies of the folksier, blues shaded ‘Sweet Thing’. The swayalong feckless lover-themed ‘Cowboy On The Run’ takes you to the New Mexico desert, complete with cod coyote howl, closing up with their inspired, sultgrily-sung, cello-led lurching take on Amy Winehouse’s ‘Back To Black’. It certainly makes you want to check out their studio recordings too.
http://www.banditsontherun.nyc/

Folking award winner REG MEUROSS releases a new solo album, Raw, very soon but before that we have a single, ‘We Looked Away’, which has to be one of his best ever songs. There’s a delightful hint of Dylan in the melody that serves to root the track in the protest movement of the 60s and if ‘We Looked Away’ doesn’t make you question yourself and everything that is going on in the world you have no soul.
www.regmeuross.com

JOSHUA RADIN serves up a taster for his forthcoming new, eighth, album with ‘Here, Right Now’ (Netwerk Music Group), a fingerpicked acoustic-based, whisperingly sung number about embracing the moment that, featuring Maria Taylor, on harmonies, calls to mind early Simon & Garfunkel.
https://www.joshuaradin.com/

‘Mud’ is the new single from Londoner YVONNE McDONNELL. It has a beautiful, ethereal sound and according to her PR it’s an important song. Sadly, the production and stylised vocals are such that it’s impossible to make out a single word of the lyric.
http://www.yvonne-music.net/

SINGLES BAR 43 – A round-up of recent EPs and singles

Singles Bar 43Formed in response to an RSC songwriting competition, Coventry-based THE MECHANICALS BAND are fronted by Wes Finch and feature Nizlopi double bassist John Parker, drummer Ban Haines and Jools Street and Katrin Gilbert on violin and viola, respectively. Following on from their Shakespare-themed debut, Exit, Pursued by Bear they broaden their literary horizons with Miscellany #1 (Silvery) which features settings of poems by W. B. Yeats (‘Meditation of the Old Fisherman’), Edna St Vincent Millay (‘Recuerdo’), Ralph Hodgson (the rousingly jaunty ‘Time You Old Gypsy Man’), and Robert Browning (the traditional flavoured spare guitar and strings ‘Along The Road’). Dating back to 1873, it ends with Arthur O’Shaugnessy’s celebration of the world’s creative artists ‘Ode’ (from which the phrase movers and shakers originated) on which, set to a military beat and anthemic melody, they declare “We are the music makers, And we are the dreamers of dreams”. Seems appropriate.
https://www.facebook.com/WeAreTheMechanicals/

Lonny ZiblatThe new EP by Argentina-born LONNY ZIBLAT consists of five songs from his new album, Dream Hunting, and, as such, has a description rather than a title on its cover. The songs are all acoustic but that doesn’t mean pared back to nothing. The arrangements are satisfyingly full with Lonny playing all the instruments – the only guest is Magdalena Golebiowska, who sings lead on ‘Days Of Peace’ – and he constructs a particularly nice instrumental break on the opening track, ‘Healing’. ‘A Little Secret’ was written for his late father and ‘Stuck’ is a simple ukulele strum. The only weak point is ‘Phony Baits’ on which he seems to be straining for some notes.
www.lionelziblat.com

Singles Bar 43A bluegrass family five piece from West Texas, comprising siblings Arlen, Jessica, Jenna and Galen Ivey alongside Jessica’s husband Sammy Carr THE IVEYS self-release Colors Of Honey, which, at six tracks is either an extended EP or mini-album, but whatever tag you give it comprises some fine Americana that variously draws on influences that range from The Beatles to The Lumineers. It’s a generally musically upbeat set, setting the mood from the start with the choppy country pop bounce of ‘You Got Something’ and the pedal steel keening ‘Whatever Comes’ with Arlen and Jessica duetting before slowing things down with the sisters harmonising on piano ballad ‘Running Wild’. The title track’s another hushed offering, cello and acoustic guitar building to a fuller sound midway before ebbing away again at the end. Again backed by piano, ‘King And Marie’ has Arlen on lead recounting the story of their grandparents’ romance, the set closing with the multiple unaccompanied close harmonies of ‘The Dream’ before a final piano outro. The collection’s title nicely sums up their sound, give them a listen, they’ve got something.
https://theiveysmusic.com/

Singles Bar 43Choose My Company is the second EP by singer-songwriter BETH MALCOLM. The opening track, ‘People Make Glasgow’, tells you where she lives and I reckon that anyone who knows the city will find it raising a smile. It starts gently with just voice and acoustic guitar but then the line “a bloody freezing basement flat on Kelvingrove Street” grabs your attention. It crosses Sauchiehall Street, if you’re interested, and it’s where she found love so she likes it really. Kelvin Grove turns up again in ‘Ghost Tour’ and the title track is a tale of separation, heartbreak and reunion set across the span of a Glasgow winter. Beth plays keys and is accompanied by guitarist Dorian Cloudsley, and jazz-man by preference but, oddly, I keep hearing hints of old pop lyrics.
www.bethmalcolm.com

Siingles Bar 43For her new EP, Inspired (Folkstock), ZOE WREN has covered six female artists who have influenced and inspired her music over the years. First up, perhaps inevitably, is Joni Mitchell, the choice being a beautifully simple voice and piano reading of ‘Both Sides Now’ that stands as one of the finest cover versions of the song. Though it’s been recorded by any number of folk artists, it’s Pentangle and in particular Jacqui McShee who are celebrated with ‘Let No Man Steal Your Thyme’, steering away from echoing their jazz colours in favour of of melancholic, reflective traditional folk reading that changes the chords, adds pedal effects and even introduces a new lively guitar and percussion instrumental bridge section.

Her third selection comes as something of a surprise since it moves away from the film field to cover ‘Joanne’, a song by Lady Gaga. The original was uptempo with acoustic guitars and percussion, but Wren’s is folksier, slower and accompanied by piano to bring an end of evening melancholia. Tracy Chapman’s ‘Talking ‘Bout A Revolution’ hews closely to the original as does a reverential strummed vocally double-tracked take on Sandy Denny classic ‘Who Knows Where The Time Goes’ though it takes Denny’s 1973 Peel session rather than the Fairport recording as its template. It ends with another non-folk artist, Wren digging out her synth cello to add an extra tone to her magnificent piano-led interpretation of the iconic Kate Bush’s ‘The Man With A Child In His Eyes’.
http://www.zoewren.com/zxa8tg7kh95vb4iqoi62jdoo2laias

Singles Bar 43JON WILKS has been mentioned in these pages before in the context of his album, Midlife. Now he follows that up with an EP, The Trial Of Bill Burn Under Martin’s Act. The title track comes from an old broadside which satirised The Cruel Treatment Of Cattle Act 1822 – “a man can’t chastise his own ass” is an unsubtle double entendre. The second track, ‘Holly Ho’, sounds old and mentions chainmakers but was collected as recently as 1958 from a pub where the regulars apparently added new verses every week. Jon recruited Nick Hart and Mikey Kenney to play on this one.

The third track, ‘Who Hung The Monkey?’ comes from Hartlepool and is based on the famous story of the monkey who was washed up on shore and hanged as a French spy although the song would appear to be music-hall piece. Finally we have a gentle, weary reading of ‘Leave Her, Johnny’. Jon is an accomplished finger-picker but doesn’t show off and allows the songs to tell their own stories which is how things should be.
https://jonwilks.online/

Singles Bar 43A painter, poet, songwriter and storyteller, Lancashire’s TORIA WOOFF releases Badlands (Sloe Flower Records), her second EP of “gothic literature and pained Americana telling tales of love and malevolence”. Comprising four tracks, she describes them in terms of synaesthesia, sounds evoking colours which, in turn, represent feelings. Hence the EP being described as ‘browner and orange’ with ‘oaky guitar tones’. In more prosaic terms, that translates to an autumnal 70s folk rock feel of open skies and falling leaves, etched with acoustic guitar and strings on the likes of  the gradually gathering ‘Cases’, the echoingly sung, widescreen ‘Collision Course’ with its Spanish guitar and rocky canyons ambience or the rhythmically curling, martial beat ‘Smoke’. Clocking at just over five minutes, accompanied by cello, ‘For Liam (Souhja)’ is the longest track and also the one most redolent of dreamy Americana shades, the ‘smoky topaz’ of the press release. She can sing a rainbow.
https://www.facebook.com/toriawooff/

Siingles Bar 43In Arden is an EP of four instrumental pieces by STEVE GARRETT AND PETER LOWIT WITH JAMES EDGE. Guitarist Garrett wrote all the music, Lowit plays double-bass and Edge arranged and directed the string quartet on the title track. If you’re wondering about the title, you’re right, it does refer to Tamworth-in-Arden, family home of Nick Drake. Garrett has been honoured to play at the annual Nick Drake Gathering there and this tune reflects Danny Thompson’s bass playing, Robert Kirby’s arrangements and, of course, Nick’s guitar playing. ‘You Called Me’ is a pure jazz tune which gives Lowit the opportunity to stretch out a bit and ‘Mr CC’ is essentially a renaissance jig with a jazz flourish in the middle. Finally, ‘Braw Day’ is a pastoral piece to send you drifting away.
www.stevegarrettguitar.com

TraitorsAvailable from Bandcamp and featuring Cathryn Craig on backing vocals, Brian Willoughby on lead guitar and e-bow and Mark Jolley providing bass and violin, MARINA FLORANCE is in protest mode for ‘Traitors’, a number co-penned with author Richard Pierce Saunderson, a song he describes as about the personal cost of the political situation in the UK with the media-fuelled xenophobia and discrimination against legal immigrants and their descendants as the song asks “Is this still our haven, a place for those in need or are we a country broken, driven by hate and greed?”.
https://www.marinaflorance.com/

If I tell you that brother and sister duo GALLILEO’S FAN are Fi and Martin Vass you might begin to speculate and, of course, you’d be right. Their single, ‘I Won’t Be Found’, is the title track of their new album on which brother Mike appears along such luminaries as Louis Abbott, whose distinctive drumming underpins this track, Graeme Smillie and Euan Burton.  Their sound is indie but capable of great delicacy.
http://www.abadgeoffriendship.com/galileos-fan

Singles Bar 43SJ DENNEY releases the third single in his current bi-monthly series. ‘A Fond Farewell’ is an up-tempo song of hope for the future: “every day we’ve got to chase the demons all away”. The arrangement is big and punchy with nice piano and brass and solid drumming. Are you working up to an album SJ?
http://www.sjsongs.co.uk/

Jm ChorleyJIM CHORLEY has been around for a while but his new single, ‘There’s Nothing Like Your Love’, ups the production values and features a host of guest musicians. This is an old-fashioned love song and although there is some fine playing in evidence the arrangement goes a bit over the top at times but it’s the style he seems to favour.
https://www.jimchorley.com/

The Slow KnifeManchester singer-songwriter LIAM FROST is set to release his first album for ten years in September. ‘The Slow Knife’ is the second single to be taken from The Latchkey Kid – a song about growing apart within a relationship. Liam is still young but pessimistic and although it’s a fine song it may mean more in the album context.
https://www.liamfrost.co.uk/

Eye On YouA nice chunky guitar introduces ‘Eye On You’, the first single by Australian singer/songwriter FENN WILSON to be taken from his debut full-length album Ghost Heroin.  His slightly husky voice complements the bluesy, vaguely country feel of the song although the backing vocals at the end are rather distracting.
https://www.facebook.com/fennwilsonmusic

SINGLES BAR 39 – A round-up of recent EPs and singles

Singles Bar 39FINDLAY NAPIER & MEGAN HENWOOD don’t seem like an obvious partnership but here they are. They met at a songwriting retreat and Findlay suggested writing a song about maths. Megan, not knowing any better, agreed and so ‘End Of Numbers’ was born to be followed by the other five songs on their debut EP The Story Song Scientists.

The opener is ‘Unnamable Radio’, based on the story of DJ Bob Fass who kept a would-be suicide talking live on air while rescuers rushed to save him. The pair’s songwriting combines Findlay’s somewhat sideways view of life with Megan’s obvious humanity, ‘The Last Straw’ being a perfect example. It’s a song about plastic pollution and manages to incorporate the word “polycarbonate” quite naturally. ‘North Pond Phantom’ is about the Maine hermit Christopher Knight and like a lot of Findlay’s songs it makes perfect sense once you know the story. ‘Wild Wild Country’ is a delightful song more typical of Megan’s style of taking inspiration from her surroundings but the two blend perfectly so there isn’t really a distinction between “his” and “hers”. Findlay and Megan are currently on tour.
http://www.dharmarecords.co.uk/

Arrows StrippedDespite having three albums under her belt, Nashville’s ANGEL SNOW is still a largely unknown quantity in the UK, though many may have become more familiar with her after duetting with Ben Glover on ‘The Wound That Seeks The Arrow’ from his recent award-winning album. Ironically then, released to accompany her ten-date UK tour in March, her new acoustic EP is titled Arrows (Stripped) (Nettwerk), the title track finding her exploring the deeper end of her vocal range on a bittersweet song about two lovers who have to let each other go. Produced by Ben Kramer, it features three further tracks, the fragile, vocally double-tracked, fingerpicked ‘Window Seat’, again tracing a relationship that’s run its course, the fuller arrangement of Maze’, about trying to find your path, with its strummed guitar, piano accompanied and echoey background vocal wash arrangement, and, again featuring piano, the rippling strings adorned ‘Higher Urgency’.
http://angelsnow.net/

Darkness & AngelsRecently expanded from their Les Ray and Deirdre Murphy core to a five-piece and, in the process, a more folk-rock, bluesy sound, Cambridge’s RED VELVET launch the makeover with the self-released Darkness & The Angels EP, the title hinting at the struggles between the forces of negativity and positivity . Sung by Murphy, the anchor track, ‘Ride The Darkness’, with its carnivalesque waltzing melody, spooked piano and sparse guitar and bass backing, stems from 2011 when both she and her brother, Gerard, were diagnosed with cancer, he sadly succumbing in 2013.

It wasn’t the only tragedy to strike, Ray’s mother passing the same year as Deirdre’s brother, the sense of grief, loss and remembrance providing the lyrical bedrock for the fairground carousel-rhythm Self-Storage which, opening with church organ and sung by Les, tells of building up boxes of photos, diaries and other keepsakes that “tell of our loved ones, our lost ones, ourselves”.

Elsewhere, political notes are struck on ‘After The War’, a piano led reflection on post-WWII optimism with the election of Labour and the creation of the NHS, a period clearly held up in contrast to today’s state of the nation. Much musically heavier with its driving rhythm and snarly guitar, ‘The Fourth Freedom’, the title a reference to the EU’s Four Freedoms, is a heads-down grungy riff-driven number concerning the refugee crisis as a family sees the goods they helped manufacture able to move freely while they are denied permission to travel.

By musical contrast, opening and closing unaccompanied, ‘That’ll Never Happen’ is a jaunty, playful pub piano singalong number with Music Hall and Chas n Dave touches that, as the notes say, revisits a book, a play and a film all featuring unlikely events.
www.clunkandrattle.com

Hidden ThingsHANNAH SANDERS & BEN SAVAGE release ‘Hidden Things’, the first of a trio of singles in advance of their tour which begins next month. It’s a beautiful song inspired by the landscape of northern Sweden – how landscapes hold memories and stories. Their unplugged sound has been refined by their time spent touring and despite its apparent simplicity there is a complexity that draws the listener in.
https://www.hannahbenmusic.com/

Stay AroundA lovely liquid guitar introduces ‘Stay Around’, the second single and title track from JJ CALE’s posthumous album which will be released next month. It takes its time getting to the heart of the song, rolling along lazily until JJ’s gruff voice comes in. It’s a gentle song – “stay around, let’s make love one more time” he sings and then that singing guitar comes back, rather more insistently. Gorgeous.
www.jjcale.com

Lover‘Lover’ is the second single from A Golden State, the new album by LUKE SITAL-SINGH which is released next month. It’s lyrically very clever and would be quite Californian if it wasn’t so overloaded by a big arrangement in the choruses. The verses with electric piano and drums are perfect and the song glides along in its own special groove.
www.lukesitalsingh.com

Oh BoyFronted by Lara Snowden and featuring violinist Kathryn Tremmett, with Paddy Blight and bass and Kev Jackson guitar, Essex’s VELVET & STONE tease their upcoming debut album with the self-released ‘Oh Boy’, drums and hummed vocals intro giving way to a breathy delivery underscored by a driving, urgent folk rock beat, sawing fiddle and nervy riffage that, in places calls to mind Fleetwood Mac’s ‘Oh Well’.
https://www.velvetstonemusic.com/

This Is EnglandSleeves like this can make people a bit nervous, although we can be comforted by the fact that the “wrong” sort wouldn’t get anywhere near us. ‘This Is England’, the new single by SEAN TAYLOR, has been available to download for a while but with Brexit fast approaching it’s still relevant. The song is, for want of a better term, a rap but a rap that mentions Morris dancing performed by a man who looks white and sounds black.
https://www.seantaylorsongs.com/

The introduction to ‘Holding’, the new single by Irish singer SIVE, played on what we presume to be kalimba certainly grabs the attention but before you think it’s a bit gimmicky in comes her voice which has quite a range. The chorus is brilliant and the track goes for a big finish in a big way.
https://www.facebook.com/sivemusic/

God's Little Joke‘God’s Little Joke’ is the title track from a new EP by MARTIN ANSELL & CHRIS ROWSEL. It was recorded on a mobile phone in Martin’s taxi which makes one wonder why anyone needs a recording studio. The philosophy of life’s problems an the ills of the world being just an example of divine humour is an interesting one – Roy Harper would say that God is dead, of course – and requires further discussion. Good song, though.
https://martinansell.bandcamp.com/

MIKE ROSS sounds as though he comes from the American backwoods but actually he’s British. ‘Young Man’ is a delicious slice of country blues with rumbling bass, acoustic guitar lead, fiddle and harmonica. The single comes from his forthcoming album, The Clovis Limit.
http://www.mikerossmusic.co.uk/

Here I Am‘Here I Am’ is the first genre single from  S J DENNEY, a sad love song built on acoustic guitar and drums and lots of strings with a gorgeous trumpet break. The guitar echoes behind his voice in a way that evokes a dark and desolate landscape – a wonderful mental picture.
sjsongs.co.uk