FAIRPORT CONVENTION – What We Did On Our Saturday (Matty Grooves MG2CD055)

Our SaturdayIf you’ve ever been to a Cropredy Festival you’ll know exactly what they do on Saturday. They gather together a bunch of former band-mates and old friends and play a mammoth set long into the darkness (subject to health and safety restrictions, of course). These days, Fairport Convention don’t need an excuse to mount a celebration but 2017 marked the band’s fiftieth anniversary and so this was the perfect opportunity to tell the band’s story in music – although not strictly in the right order. Thus we have What We Did On Our Saturday, packaged in an homage to their second album.

The album begins with their first album and (almost) their first line-up. For younger readers that was Ashley Hutchings, Simon Nicol, Richard Thompson, Iain Matthews and Judy Dyble now with Dave Mattacks on drums. They kick off with ‘Time Will Show The Wiser’ and ‘Reno Nevada’ and I was impressed at the way Richard played the sort of guitar lead appropriate to 1967. He couldn’t help himself, of course, and went off on one but I don’t suppose that anyone complained.

Chris While took over on lead vocals for ‘Suzanne’, a slightly less off-the-wall arrangement than the original. Chris does a very good Sandy Denny particularly on the rockier numbers but she’s her own woman and the grace notes and decorations are all her own. Judy and Iain get time off and the others take it in turns so the current line-up doesn’t actually appear until ‘Crazy Man Michael’ when Gerry Conway briefly wrestles the drum stool away from DM. The remainder of the first disc is taken up with selections from Liege & Lief and Full House and they keep ‘Sloth’ to under ten minutes.

The second disc opens with ‘Now Be Thankful’, a song which Chris Leslie is rapidly making his own, even though Richard elbows him off the mic on this occasion. It’s worth noting that Chris doesn’t get a break after the third track until the Fotheringay homage of ‘Ned Kelly’ and ‘Rising For The Moon’ which feature Sally Barker and PJ Wright and introduce Maartin Allcock to the stage. The latter is a feature of the revamped Fotheringay’s set but sadly, of course, Jerry Donahue isn’t available. I have to say, in passing, that Simon does a wonderful job with ‘Fotheringay’. Maart gets to lead ‘A Surfeit Of Lampreys’ and Ralph McTell takes centre stage for ‘White Dress’ but Simon keeps ‘The Hiring Fair’ for himself.

There is only one song that originates with the current line-up and that’s Chris Leslie’s ‘Our Bus Rolls On’ and now we’re on the downhill run. You know how it ends: ‘Matty Groves’ – with both drummers – and ‘Meet On The Ledge’ with everyone back on stage.

As you might imagine, I own a lot of Cropredy recordings and all have their own attractions. For me the 25th anniversary set stands out while the earlier ones: A.T.2 and The Boot have the particular ramshackle charm that we used to associate with Fairport Convention thirty-odd years ago. What We Did On Our Saturday is tight and slick without much in the way of stage chatter – an appropriately serious set to go with such a milestone in Fairport’s history. Exemplary performances as we’ve come to expect, of course, but sometimes I do miss Simon playing rhythm viola!

Dai Jeffries

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‘Meet On The Ledge’ – what else?

Albion Christmas Band announce their annual tour

Folk music fans can start their Christmas celebrations early with the help of the Albion Christmas Band when the band hits the road for its annual tour on Saturday 9 December.

The band’s annual foray into the musical joys of the winter festival has been described by many as the perfect start to Christmas. This popular show will start in Birmingham then visit fourteen venues around the country before finishing at Bury St Edmunds just a few days before Christmas itself.  The show features a mixture of seasonal carols, spoken word, humorous readings and dance, enhanced by great musicianship and a wicked sense of humour. The band adds a modern twist to its arrangements of traditional tunes and showcases some newly written songs. The show reminds audiences of the simpler pleasures and values of a traditional Christmas and offers them a chance to escape the hustle and bustle of festive preparations.

This year the four band members will share their personal favourites from their extensive back catalogue that to each of them best signify the meaning of Christmas, as well as songs from their latest album Magic Touch. “We’ve spent many years spreading our take on Christmas around the country and have made so many friends on our travels” Simon Nicol explains. “Every night on the tour feels like a family celebration so we get to enjoy Christmas for the whole of December not just one or two days”.

The Albion Christmas Band has been kicking off the Christmas season for nearly twenty years, but it was the last incarnation of the Albion Band that originally created special seasonal shows. From an initial idea by melodeon player Simon Care, a previous Albion band member himself, the Albion Band founder Ashley ‘The Guv’nor’ Hutchings brought together two other previous Albion Band members to create an autonomous band to present a guided tour through the Christmas customs of Britain. Joining Care and Hutchings are Simon Nicol (founder member of Fairport Convention) on acoustic guitar and vocals, and Kellie While (Albion Band), acoustic guitar, vocals and percussion.

Full tour details can be found online at http://www.albionchristmas.co.uk

‘Mad World’ live at Under The Apple Tree:

Fairport Convention – 50th anniversary box set

Fairport Convention

July 28th sees the release of this lavish Fairport Convention CD box set, Come All Ye – The First 10 Years. Compiled by Andrew Batt, the curator of the very successful show, The Lady – A Tribute To Sandy Denny, which toured the UK in 2012, this collection celebrates Fairport’s first 10 years, beginning with their eponymous debut for Polydor in 1968, through all of their seminal albums for Island Records and finishing with tracks from their two albums for Vertigo, The Bonny Bunch of Roses and Tipplers Tales.

Of the 121 tracks featured here, fifty-five are previously unreleased. Highlights include key tracks from all of their classic albums, single B-sides, BBC Radio Sessions, five songs from the French TV programme, Pop 2 (December 1970), five songs from the television show, The Man They Couldn’t Hang (1971) and the audio for an entire concert at The Fairfield Halls, Croydon (December 16th 1973) plus two songs recorded live for the Scottish Television programme, Anne Lorne Gillies – The World of Music (1976). The set comes complete with liner notes by respected English writer, Patrick Humphries, author of many highly regarded books including,  ‘Nick Drake – The Biography’ (Bloomsbury 1998 ), ‘Richard Thompson – The Biography’  ( Music Sales Ltd 1997 ) and ‘The Many Lives of Tom Waits’ (Omnibus Press 1989).

Since 1979 the band have been hosting their very own yearly festival, Cropredy, the annual highlight of which is the Saturday night headlining performance by the current incarnation of Fairport Convention plus past members and guests. This year’s festival promises to be very special as it marks the band 50th anniversary.
http://www.efestivals.co.uk/festivals/cropredy/2017/

Formed in London in 1967, Fairport Convention are the hardy perennials of the British Folk scene and are credited with inventing the genre known as folk rock on the release of their influential album Liege And Lief in 1969. Over the years they have enjoyed a shifting line-up, which has helped to launch the successful solo careers of founder members Richard Thompson, Judy Dyble, Ashley Hutchings and Simon Nicol and subsequently the careers of Sandy Denny, Dave Swarbrick and Dave Pegg.

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Not the best quality but a real piece of Fairport Convention history – rehearsing at The Angel and live on stage in 1970:

BBC Radio 2 Folk Awards 2017 Winners Announced

The winners of the Radio 2 Folk Awards 2017 have been announced in a ceremony broadcast live from the Royal Albert Hall, London.

Now in their 18th year, the Awards are a key highlight of the folk music calendar and serve to raise the profile of folk music. Talent, new and old, received accolades including Folk Singer of the Year, Best Duo, Best Album, Musician of the Year, Young Folk Award and more. Lifetime Achievement Awards were presented to Ry Cooder and Al Stewart.

American roots-rock musician and songwriter, Ry Cooder, took to the stage for a rare UK performance, singing Jesus On The Mainline. A career-long champion of folk music, he is renowned for his inspired slide guitar playing, and through his own work and collaborations with others, from The Rolling Stones to The Chieftains and Buena Vista Social Club.

British singer-songwriter Al Stewart also took to the stage for a performance of his 1977 song, On The Border. Al started his career on the 1960s London folk scene, and has worked alongside Bert Jansch, Jimmy Page, John Renbourn, Rick Wakeman, Tori Amos, Roy Harper and many more. Appearing at the first Glastonbury Festival in 1970, he became known for his brand of folk-rock, which he combined with tales of characters and events from history. He’s best known for his 1970s hits Year of the Cat and Time Passages.

Tony Blackburn presented Al Stewart with his award and regaled the audience with his own personal story of Al. He explained that in the early 1960s, he had in fact been the lead guitarist in Tony’s own group, ‘Tony Blackburn and the Swinging Bells’.

Tony said: “We used to practice at my parents’ house and, as good as he was, he always played his electric guitar far too loud as it always drowned out my vocals… The fact I’m here tonight will do Al’s credibility a lot of damage but I don’t care as I’ve enjoyed playing ‘Year of the Cat’ very much over the years and I haven’t seen him in a long time. It really is an honour to present this Lifetime Achievement Award to such a talented musician.”

The evening opened with a rousing performance by Afro Celt Sound System. And across the night there were spectacular performances from Shirley Collins MBE (performing Washed Ashore), Daoirí Farrell (Van Diemen’s Land), Jim Moray (Fair Margaret And Sweet William), Billy Bragg (I Ain’t Got No Home), and Fara (Three Fishers).

There was a powerful and moving performance taken from the Ballads of Child Migration, which tells the story of the enforced migration of over 100,000 children to Australia and Canada between 1863 and 1970. The specially-curated performance was narrated by Barbara Dickson with original songs performed by Kris Drever, Jez Lowe, While & Matthews, Boo Hewerdine, O’Hooley & Tidow, John McCusker, Andy Cutting and Michael McGoldrick.

Folk icon Woody Guthrie was inducted into the Radio 2 Folk Awards Hall of Fame, to celebrate his lasting influence. Billy Bragg performed a special tribute with a rendition of Guthrie’s I Ain’t Got No Home. The celebration marked 50 years since Guthrie’s death in 1967, aged 55. The musician wrote some of the most enduring standards in the genre with his life and work dedicated to supporting and documenting the rights of workers and the downtrodden. His songs have been covered by countless singers from Bruce Springsteen to Lady Gaga and he was a mentor to a young Bob Dylan and Ramblin’ Jack Elliott.

Lewis Carnie, Head of Radio 2 said: “Huge congratulations to all the winners of the Radio 2 Folk Awards 2017 – the calibre of all the nominees was outstanding. This annual event is a wonderful celebration of the vibrant folk music scene and tonight’s show was spectacular, featuring some of folk’s most long standing, biggest and newest stars which Radio 2 is committed to supporting throughout the year.”

The Folk Awards will be broadcast on BBC Four on Sunday 9 April at 10pm as an hour-long highlights programme which will include all the performances.

Alternatively, click on any of the links below to see the individual performances:










The full list of winners:

FOLK SINGER OF THE YEAR presented by Sharleen Spiteri
Kris Drever

BEST DUO presented by Peter Lord of Aardman Animations
Ross Ainslie & Ali Hutton

BEST GROUP presented by Sir Ray Davies
The Furrow Collective

BEST ALBUM presented by Mark Kermode
Songs of Separation – Songs of Separation

HORIZON AWARD presented by Rachel and Becky Unthank (of The Unthanks)
Daoirí Farrell

MUSICIAN OF THE YEAR presented by Gus Unger-Hamilton from Alt-J
Rachel Newton

BEST ORIGINAL TRACK presented by Susie Dent
If Wishes Were Horses by Kris Drever

BEST TRADITIONAL TRACK presented by Pauline Black of The Selecter
Van Diemen’s Land by Daoirí Farrell

BBC RADIO 2 YOUNG FOLK AWARD presented by Simon Nicol of Fairport Convention
Josie Duncan & Pablo Lafuente

LIFETIME ACHIEVEMENT AWARD presented by Tony Blackburn
Al Stewart

LIFETIME ACHIEVEMENT AWARD presented by Nick Lowe
Ry Cooder

HALL OF FAME INDUCTEE
Woody Guthrie

Building up to the Awards, Simon Mayo’s Radio 2 Drivetime programme was broadcast live from the Royal Albert Hall. In the show, Simon counted down the Top 10 Most Played Folk Songs on Radio 2. Compiled by PPL, the Number 1 track was Yusuf/Cat Stevens’ Wild World – released in 1970, which featured on his fourth album, Tea for the Tillerman. It wasn’t released as a single in the UK, but reached No 11 on the US Billboard chart. Jimmy Cliff released his recording of Wild World in 1970 – produced by Cat Stevens – reaching No 8 in the UK; with Maxi Priest hitting No 5 with his version in 1988. Cat was presented with the Lifetime Achievement honours at the Radio 2 Folk Awards in 2015. Number 2 of the Top 10 Most Played Folk Songs on Radio 2 was Fleet Foxes’ White Winter Hymnal; at No 3 was Bellowhead’s Roll the Woodpile Down; at No 4 was Meet Me On The Corner by Lindisfarne; No 5 was Underneath The Stars by Kate Rusby; at No 6 was River Man by Nick Drake; No 7 was Fisherman’s Blues by The Waterboys; No 8 was Thea Gilmore & Sandy Denny’s London; at No 9 was Streets of London by Ralph McTell and at No 10 was Roll Away Your Stone by Mumford and Sons.

Yusuf/Cat Stevens said: “I’m surprised that we actually pipped to the post all these great folk singers and that it’s still being played. That makes me feel very satisfied and it shows that the song and the meaning is still relevant. Of course it is relevant because wild world is exactly what it is and exactly what we’re living in right now and it’s getting wilder perhaps.”

FAIRPORT CONVENTION – 50:50@50 (Matty Grooves MGCD054)

50:50@50Opportunities for celebration come round with increasing frequency when you’ve been in the business as long as Fairport Convention has. The current line-up has been together for almost twenty years and before that they have a back catalogue so large that they can never hope to play it all. This year sees the band’s fiftieth birthday and the title of 50:50@50 describes its contents: seven new recordings and seven live tracks. Fairport haven’t done anything obvious, though. You’ll look in vain for the old favourites that their audiences demand they play every gig – no ‘Matty Groves’ and no ‘Meet On The Ledge’.

The album opens with the first of Chris Leslie’s new songs, a return to his favourite maritime themes. ‘Eleanor’s Dream’ feels like a sequel to ‘Lord Franklin’ and indeed it mentions Lancaster Sound, part of the fabled Northwest Passage. But Lady Franklin was Jane so Chris has given us a puzzle. The first live track is ‘Ye Mariners All’, originally from Tippler’s Tales, recorded at The Mill in Banbury, venue for the famous Cropredy warm-ups. In fact the band returns to the tradition on this album more than they have done in recent years.

‘Step By Step’ is a pretty but rather slight song and it’s followed by ‘The Naked Highwayman’ also live and a real vocal tour de force by Simon Nicol. So far so not unexpected but don’t sit back and relax just yet. Ric Sanders has re-recorded his ‘Danny Jack’s Reward’ subtitled “expensive version!” with a host of friends, woodwinds and brass and a guest appearance from Joe Broughton. It’s a superb reading of the piece but the surprises aren’t over yet. Next is another live track, ‘Jesus On The Mainline’, with Fairport taking on the role of Robert Plant’s backing group!

I’m not sure if Chris Leslie’s ‘Devil’s Work’ is autobiographical – I can’t see a professional musician doing manual work any more hazardous than fettling a fiddle. That’s another puzzle he’s set us. The next live track, ‘Mercy Bay’, is another of his epic sea songs and that’s followed by ‘Our Bus Rolls On’, a song in praise of the band. It’s a bit twee for my taste but if you can’t blow your own trumpet when you’re fifty when can you? A rewrite of ‘Angel Delight’ would have been great fun – Simon and Peggy remain from the original but I expect that their tastes have matured over the years.

Next is a superb live version of ‘Portmeirion’, possibly the best I’ve heard, and then another surprise. Fairport Convention don’t really do traditional songs like they used to but here is a new addition, ‘The Lady Of Carlisle’, with lead vocal by Jacqui McShee followed by a live version of ‘Lord Marlborough’, originally recorded a mere forty-six years ago. Unexpectedly, PJ Wright contributes ‘Summer By The Cherwell’ – self-referential, of course, but I can see it being a live hit at every Cropredy from now on.

The final live track and the album’s closer is another surprise. Guess what it might be and I bet you won’t say ‘John Condon’. This is a sensitive, thoughtful reading of the song as befits its subject matter with Gerry Conway’s brushes holding the rhythm but not intruding on Ric’s fiddle or Simon’s vocals. One second thoughts, a song of reflection is an appropriate way to send this set. We all have more to look back on than look forward to.

Dai Jeffries

Please support us and order via our UK or US Storefront 


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Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us. Can’t find what you are looking for? Search Amazon Store below.

Artist’s website: www.fairportconvention.com

‘Mercy Bay’ – live at The Union Chapel:

FLEETWOOD CAVE – People Like Us (Rhythm Records FCPLU2016))

People Like UsMarion Fleetwood and Gregg Cave met with the formation of TRADarrr and things went from there. Unlike their parent band, Fleetwood Cave’s debut album, People Like Us, consists of original material plus one cover version. Supporting Marion and Gregg are Tali Trow and Paul Johnston on double bass and drums with guest appearances from Simon Nicol, Chris Leslie, Anna Ryder, Gerry Colvin, Edwina Hayes, Debs Earl and Chris Cleverley.

Like TRADarr Fleetwood Cave enjoy big arrangements with lots of fiddle but the opener, ‘18th Day Of May’ is a relatively simple and very catchy slice of folk-rock beginning with gorgeous acapella harmonies and a nod to ‘Bonny Black Hare’ in its refrain. ‘Dancing Girls’ follows: initially a gentle song with Marion’s voice and Gregg’s acoustic guitar and some delicate electrics (Gerry Colvin?). It ups the power after a couple of minutes but maintains the mood even through its big finish mainly because Marion avoids the histrionics that pop music would demand.

There are delightful twists all the way through the album so ‘Guinea Golden’ slips into a Morris tune in the middle; ‘Gypsy Queen’ sounds biographical but is probably a rural myth written sometime last year and ‘Passage Of Time’ turns into a growling, driving rock song. There is one instrumental, the wild flying ‘Lazarus’ which gives everybody chance to go to town and the cover is Fairport Convention’s ‘Wizard Of The Worldly Game’ taken rather more slowly than the original. It’s an overlooked part of the Fairport canon but this version will undoubtedly revive its popularity.

There is a huge amount of festival potential here with anthemic songs and great hooks. I can imagine sitting in the sun singing “The bigger the tree, the deeper the roots”. This is a really good debut.

Dai Jeffries

’18th Day Of May’ – live: