Shrewsbury Folk Festival – tickets are now on sale

Shrewsbury Folk Festival
Kate Rusby

Tickets have gone on sale for the 2019 Shrewsbury Folk Festival as organisers have shared the first names to be added to the bill.

Weekend tickets to the four-day event, that will take place at the West Mid Showground from August 23 to 26, are expected to be in high demand. Last year the first tier of tickets were snapped up in less than 30 minutes and weekend tickets sold out a month before the August Bank Holiday event.

Two of the UK’s top solo stars Kate Rusby and Martyn Joseph will be topping the bill along with the legendary Oysterband and female supergroup Daphne’s Flight, who are returning after a triumphant performance in 2017. Scottish folk rockers Skerryvore have also been invited back after wowing crowds earlier this year.

Grace Petrie – photograph by David Wilson Clarke

Gary Stewart’s Graceland – a reworking of the Paul Simon classic – has also been signed up along with solo shows from Show of Hands frontman Steve Knightley, singer songwriter and activist Grace Petrie and appearances from The Phil Beer Band and Merry Hell.

Exclusive to the festival will be a special day of programming on its Pengwern stage by duo Chris While and Julie Matthews to celebrate the 25th anniversary of their musical partnership. The While and Matthews Takeover will see the pair curate performances on August 25th that will culminate in a big band show to close the night.

Granny’s Attic

Other acts will include Chris Elliott and Caitlin Jones, Edgelarks, Geoff Lakeman, Granny’s Attic, Mankala, Paul Downes, Rapsquillion, Reg Meuross, Track Dogs, the Urban Folk Quartet, and Winter Wilson. Festivalgoers will also be able to watch folk opera Here At The Fair by Mick Ryan.

Festival Director Sandra Surtees said many more artists are yet to be revealed.

“As ever the Shrewsbury line-up will feature some of the biggest names in folk, some popular performers that have been requested by our audience and a number of world and Americana acts.

“But the festival is about so much more than just the music – there’s so much to do during the weekend for all ages. The festival has its own magical atmosphere and we have many visitors who wouldn’t class themselves as ‘folkies’ but they just come to enjoy the relaxed and friendly atmosphere with friends and family and listen to great music.

“The festival continues to go from strength to strength with a devoted audience who return year after year, demonstrated by the fact that we regularly sell out in advance.”

The festival has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, workshops, crafts, food village, real ale, cocktail and gin bars and on-site camping and glamping.

There are also fringe events at local pubs with dance displays held in the town centre and a parade through the streets on the Saturday afternoon. Weekend and day tickets can be booked at  www.shrewsburyfolkfestival.co.uk/booktickets/.

VARIOUS ARTISTS – Resound (Shrewsbury Folk Festival)

ResoundCurated by Hannah James and released by Shrewsbury Folk Festival, Resound is a multi-tasking album. Firstly, it’s a tribute to Alan Surtees, founder and organiser of the festival and secondly, it’s a fundraiser for the Alan Surtees Trust which aims to give grants to young musicians and new musical projects. All the music comes from artists who have been associated with Shrewsbury over the years, often through projects commissioned by the festival.

The album has been, for the most part, cleverly sequenced. It opens with Oysterband’s powerful acapella version of ‘Bright Morning Star’ which certainly makes you sit up and pay attention and follows that with Jon Boden’s mighty ‘Audabe’. The foot comes off the loud pedal just a little wiith Patsy Reid’s ‘Thugainn’. I like the way that ‘Song For Lola’ by Lucy Ward is followed by Fay Hield’s ‘Raggle Taggle Gypsy’ – two unashamedly northern voices side by side. Perhaps living in those climes during my formative years has made me equate the accent with authenticity. I wish that Kefaya’s ‘Indignados’ had been placed beside Grace Petrie’s ‘They Shall Not Pass’ – two songs about Spanish politics, albeit separated by several decades should be available to compare and contrast. The Demon Barbers’ version of ‘Ranzo’ is as good as anything they do but perhaps it could have been saved for a big finish.

The album now turns to pastoral themes. ‘The Lincolnshire Song’ by Miranda Sykes is gorgeous (although I’m holding out for the Peak District, Miranda) and Leveret’s ‘Bagpipers’ is one of their gentler pieces. ‘Vanished Birds’, another fine song by Jack Harris is followed by the lightest version of ‘Neil Gow’s Lament’ I’ve ever heard. Hannah modestly saves her own contributions for late in the proceedings. First comes ‘Tuulikki’s Tune’ from her Jigdoll album and then ‘Order & Chaos’ by Lady Maisery.

Karine Polwart’s ‘We’re All Leaving’ makes for an appropriate ending although I can never decide if a record like this is better served with a period of reflection at the end or something rousing and defiant. Whatever you think, you should buy this album – you wiill enjoy it and you’ll be contributing to a good cause.

Dai Jeffries

Project website: www.shrewsburyfolkfestival.co.uk/more/alan-surtees-trust/

‘Tuulikki’s Tune’ – live:

The Passerine to make its debut at Shrewsbury Folk Festival

Passerine

Refugees and migrant musicians from Sudan, Egypt, Iran, Pakistan, Israel and India have been named in the line up of a new world music ensemble that will make its debut at this year’s Shrewsbury Folk Festival.

The Passerine band, led by folk duo O’Hooley & Tidow, will present fresh arrangements of new and traditional music that will explore and celebrate diverse world cultures during its premiere on the festival’s Bellstone stage on Sunday August 27.

The musicians involved in The Passerine are:

– Belinda O’Hooley (UK/Ireland) – musical director/vocals/piano/accordion

– Heidi Tidow (UK/Ireland/Germany) – musical director/vocals/foot percussion

– Sarah Yaseen (UK/Pakistan) – vocals/guitar/darbouka

– Shurooq Abu Nas (Sudan) – vocals

– Avital Raz (Israel) – vocals/guitar/tampura/glockenspiel

– Arian Sadr – (Iran) – daf/goblet drum

– Mina Salama – (Egypt) – oud/ney/vocals/nailute/kawala/duduk/kanun/mandolin/udu-drum

– Vijay Venkat – (India) – violin/flute

– Performance poet Dean Atta (UK/Jamaica/Cyprus) will join the ensemble as narrator and relate new and existing work at the performance.

The Passerine, which means songbird, is one strand of the festival’s Room for All project that will celebrate cultural diversity and highlight the plight of refugees and immigrants. Room for All came as a direct response to the racial hatred and opposition to refugees, migrants and other cultures that emerged during the Brexit campaign.

Belinda O’Hooley said: “The musicians have been handpicked by us. We all have a story about how we came to be in England and how our ethnicity has shaped our experiences and lives; whether we were born here to migrant parents or migrated here ourselves.”

Heidi Tidow added: “The Passerine will include stories of flight to safer havens, away from conflict and political oppression, as well as the experience of xenophobia and racial prejudice within the UK. Above all, however, it will be a celebration of the wide-ranging and amazing culture in the UK today.”

Room for All also includes a programme of education and outreach work in the rural county that has relatively little exposure to world music and dance. It is being part funded by a £95,000 investment from Arts Council England. Shropshire Council has awarded the festival a £1,000 Arts Revenue Grant. It follows on from the festival’s successful All Together Now programme that focused on introducing a new audience to world music and dance during 2015 and 2016.

This year’s festival is from August 25 to 28 at the West Mid Showground and tickets are available at  www.shrewsburyfolkfestival.co.uk

Belinda and Heidi introduce The Passerine:

Room For All: Shrewsbury Folk Festival launches new cultural diversity project

Room For All

A new project to celebrate cultural diversity and highlight the plight of refugees has been launched by Shrewsbury Folk Festival.

Organisers of the annual four-day music festival have secured a £95,000 investment from Arts Council England for the 18-month Room For All initiative that will include a new music commission featuring refugee musicians and a programme of education and outreach work in the county. Shropshire Council has awarded the festival a £1,000 Arts Revenue Grant.

Room For All follows on from the festival’s successful All Together Now programme that focused on introducing a new audience to world music and dance during 2015 and 2016.

The new music commission will be led by duo O’Hooley & Tidow and an ensemble of refugee musicians and will premiere at this year’s festival.

Room For All will include performances by culturally diverse musicians at the 2017 and 2018 festival, an outreach talent development programme for young people led by inspiring artists to pass on different folk traditions and nurture new talent, music workshops in Telford schools giving young people an introduction to folk music, Indian Kathak dance workshops in schools, continued support for the Shropshire Youth Folk Ensemble and for Shropshire’s only school rapper side at Ford Trinity School, which is a legacy from All Together Now.

Festival Director Alan Surtees said the idea for Room for All came as a direct response to the racial hatred and opposition to refugees that emerged during the Brexit campaign.

“We felt so despondent and downhearted at the division, negativity and prejudice that surfaced during the campaign we decided to try and bring some decency and optimism to the plight of refugees, if only to our own small event,” he explained.

“Room for all to grow and thrive encapsulates the festival’s welcoming philosophy of celebrating diversity and fostering talent. Through this project, we are hoping to encourage understanding of different cultures in a world that can sometimes seem less that welcoming or tolerant and, with that deeper cultural understanding, we can build a better legacy for the future.”

Peter Knott, Area Director, Arts Council England, said: “We’re delighted to be investing in Shrewsbury Folk Festival’s plans to celebrate and promote cultural diversity through this new project.

“It’s essential that England’s diversity is reflected in our arts and cultural landscape, Room for All is a perfect example of how that can be done. By collaborating with traditional and refugee musicians as well as hosting workshops and promoting outreach work this project will inspire new artists and nurture talent in rural Shropshire.”

Project Manager Joy Lamont said the festival’s growing commitment to education and outreach work had been widely welcomed by the schools it had reached so far.

“We recognise that in many rural parts of Shropshire it can be hard to promote cultural diversity and understanding through the arts. Room for All aims to continue the work we started with All Together Now and provide high quality and multi cultural arts activities to schools and young people in Shropshire.”

This year’s festival runs from August 25 to 28 at the West Mid Showground and tickets are available at
www.shrewsburyfolkfestival.co.uk.

Plans for new archive of Shropshire folk tunes revealed

archive of Shropshire folk tunes
John Kirkpatrick

Plans to create a unique archive of traditional music from Shropshire have been revealed by Shrewsbury Folk Festival.

Organisers of the annual music event have commissioned county folk musician John Kirkpatrick to pull together the first ever collection of music that has its origins in the county as part of its All Together Now project.

All Together Now is the festival’s two-year programme of activities for musicians, dancers, schoolchildren and communities to introduce a new audience to folk and world music.

The project received an £86,410 investment from the National Lottery through Arts Council England, a £5,000 Arts Development award from Shropshire Council, and £2,000 from Shrewsbury Town Council. The festival will meet the remaining cost. 

John, who lives near Bishops Castle, will put together a collection of tunes that are specific to Shropshire. It will form an online teaching resource pack including music, notes and short video demonstrations that will be available to Shropshire schools and others and he will perform some of the music at the 2017 festival.

John is one of the most prolific and respected figures on the English folk show, known for performing solo and with groups including The Albion Band, Steeleye Span and Brass Monkey. He also formed one of the county’s leading morris sides, the Shropshire Bedlams.

John said: “I am honoured to have been asked to take on this important project that will preserve and share the music from our amazing county with future generations.

“Part of the appeal of folk music is its ability to give us an insight into how times have changed. Some of this music has been played for dances and social events for many years. Having lived in the county since 1973, I consider myself a Salopian and I am delighted that the festival is making history with the first ever formal collection of Shropshire dance music.”

All Together Now Project Manager Joy Lamont added: “The archive will be a wonderful legacy of this project. As well as commissioning new pieces of work, we felt it was important to make sure that tunes that originated in our county were not forgotten and could be permanently recorded in an archive so they didn’t disappear from our history.”

The All Together Now project has already included new music and dance commissions performed at the 2015 festival, music workshops and mentoring opportunities and the launch of the Shropshire Youth Folk Ensemble for gifted and skilled young musicians.

Future initiatives will see percussive dance workshops in Shropshire schools and dance schools, with a premiere showcase at the festival in August 2016. There will also be a two-week music residency in two Shropshire primary and two secondary schools that will result in a short performance piece to be shown at the festival.

For more information about the festival, go to www.shrewsburyfolkfestival.co.uk. Tickets are on sale now for the 2016 event that will be held at the West Mid Showground, Berwick Road, Shrewsbury, from August 26 to 29.

Headliners including Grammy Award winning American singer songwriter Rosanne Cash, folk rockers The Levellers, Eliza Carthy And The Wayward Band, Tom Robinson, and world music star Raghu Dixit.

Ray Cooper releases new video – Destroying Angel

Ray Cooper releases new video - Destroying Angel
Photograph by Günther Wolffe

From the depths of the Swedish forest, Destroying Angel is a new video from Ray Cooper. Shot by two Danish film makers, Jens Th and Carsten Jensen it features a horse, a cello, a beautiful girl, an enchanted island, and Cooper singing a song which tells of the danger of meeting a beautiful stranger in the wilderness, it’s a cautionary tale.

Ray Cooper, singer, writer, cellist and multi instrumentalist, was for many years a member of Oysterband but left two years ago to forge a solo career. He has released two solo albums, Tales Of Love War And Death By Hanging in 2010 and Palace Of Tears in 2014. His first song book Ray Cooper Songs will be published in August 2015.

Ray is now resident in Sweden and defines himself as a North European. His music certainly reflects that.

Ray, who tours mainly on the continent will be making a rare UK appearance at the Shrewsbury Folk Festival on Monday 31st August.

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Artist’s website: www.raycooper.org