Lincoln Alive announces its festival line-up

Lincoln Alive

Before we know it summer will be upon us, and by popular demand, so will this festival……

Solid Entertainments is delighted to announce that the festival will be returning to the county and taking place at Lincoln Alive on Saturday 14th July 2018

Following the great success of last years festival, the line-up had to be “equally…….if not more impressive” and with Jacqui McShee’s Pentangle headlining, special guest Julie Felix and four other very different striking acts; this will most definitely be a musical experience not to miss!

Born in London on Christmas day 1943 Jacqui McShee grew up listening to music played on her parents gramophone – from Fats Waller, Ella Fitzgerald and big bands through to popular classics.  Jacqui showed little interest in music though until she heard Miles Davis and John Coltrane at CND friends, becoming the most important thing for her – it quite literally changed her life.  On CND marches she would lead the singing with her sister Pam and did many gigs locally in South East London for charities such as War On Want and Oxfam.

Jacqui’s beautiful crystal-clear vocals set the standard for female British folk and the band was legendary on the folk-rock scene with virtuoso guitarists John Renbourn and Bert Jansch, Danny Thompson and Terry Cox.  The original Pentangle expanded the frontiers of Folk in the 1960s and ’70s and since then, Jacqui McShee’s Pentangle has progressed and expanded the original concept and continues to make ground-breaking music.

In 1964 Julie Felix arrived in England after leaving California and became the first solo folk artist to be signed to a major British record company when she signed with Decca.  In 1966 Julie became the resident singer on the amazingly popular TV programme The Frost Report, and quickly became a household name.  She went on to appear in her own TV series on BBC1 and BBC2 and recorded hit singles on Mickey Most’s RAK label.

In October 2013, Julie was invited to Buckingham Palace to meet the Queen, Prince Philip, Prince Charles and Camilla.

The full line-up comprises

  • Jacqui McShee’s Pentangle – features saxophonist Gary Foote, bassist & guitarist Alan Thompson, drummer & percussionist Gerry Conway and Spencer Cozens on keyboards!
  • Julie Felix – with over 50 years in the music world, Julie will be celebrating her 80th birthday in 2018 with a special concert at the Charing Cross Theatre in London!
  • Blair Dunlop – in a short four year career is astounding alone but what sets Blair apart from his peers is the lyrical and musical maturity with which he writes!
  • Galley Beggar – with a sound that incorporates all manner of unexpected elements while always celebrating the mischievous spirit of folk music across the centuries!
  • Said The Maiden – three friends who discovered a mutual love of folk music when they reunited several years after spending their school years together in Hertfordshire!
  • The Beaubowbelles – combining the swing, wit and class of a vintage vocal harmony group with the depth, heart and energy of a contemporary English folk band!

No need to worry about searching for food and drinks on the day either, there will be a range of alcoholic/non-alcoholic beverages, real ales available and a varied menu that should meet everyone’s taste!

Early Bird Tickets are only £23.00 and to book, please call 01472 349 222 or go online at http://www.lincolnfolkfestival.co.uk/tickets.html

SAID THE MAIDEN – Here’s A Health (own label)

HealthFollowing on from last years EP, ‘Of Maids And Mariners’, Hertfordshire folk trio Jess Distill, Hannah Elizabeth and Kathy Pilkinton return with their much anticipated second album, Here’s A Health, another fine collection of traditional, self-penned and cover material that again spotlights their immaculate harmonies.

Variously playing violin, piano accordion, mandolin, flute, clarinet, whistles, electric bass and Appalachian mountain dulcimer, they’re also joined on a couple of tracks by Lukas Drinkwater and Chris Cleverley.

Following the brief a capella ‘Preamble’, an invitation to “come lift up your voices”, things get under way proper with the traditional ‘The Bird’s Courting Song’, a three-part seventeenth-century children’s nursery rhyme from the Appalachians that features Jess on flute and comes with a “towdy, owdy, di-do dum” chorus. Hannah provides the violin-driven tune for the waltzing ‘The Maid Of The Mill’, a traditional eighteenth-century ballad, supposedly about Mary Leonard, a Hertfordshire lass who spurned any number of admirers before finally marrying, the words penned by the local curate, one of the unsuccessful suitors, with Drinkwater on double bass.

The traditional seam continues to be mined with their arrangement of ‘Sweet William’s Ghost’, Jess providing the tune for this cut up lyric tale of a woman being visited by her lover’s ghost and being invited to share his grave, the vocals given a simple dulcimer backing.

Another nod to the trio’s playful nature, next up is an unaccompanied cover of Tom Paxton’s quirky children’s song, ‘Jennifer’s Rabbit’, then, again featuring Drinkwater, it’s back to the traditional meadow with another three-part harmony showcase in ‘The Bonnie Earl O’Moray’, a traditional Scottish ballad about the murder of James Stewart, the titular earl, by his arch rival, the Earl of Huntly, in 1592, supposedly because the former was accused of plotting against King James VI. Interestingly, the line about him being laid upon the green gave rise to the term Mondegreen, meaning a misheard song lyric that changes the meaning, on account of the American writer Sylvia Wright hearing it as ‘Lady Mondgreen’ and assuming it to be his lover.

The first of the original material comes with ‘Polly Can You Swim?’, co penned by Distill and Pilkington and featuring Andrew Simmons Elliott as the sailors chorus, a sprightly sea shanty rather at odds with its words about accounts of women being thrown overboard for fear of them placing curses on ships. Of course, testing by sink or swim was also applied to witches and, sure enough, it’s followed by Distill’s particularly grisly ‘Black Annis’ based on the Leicestershire legend of a child-eating witch told by parents to keep their kids in after dark, Jess taking lead against the harmonies and accompanied by a vocal drone.

Keeping things dark, piano accordion introduces the traditional American murder ballad, its drone complemented by dulcimer in an otherwise a capella reading of ‘In The Pines’ inspired by recordings by both Lead Belly and Nirvana before Hannah’s spare mandolin makes its appearance in the final stretch.

Spirits are suitably raised with a return to native soil and an unaccompanied version of the erotic euphemistic Norfolk reel ‘The Bird In The Bush’, otherwise known as ‘Three Maids A-Milking’, ahem, from whence comes the album title. Pilkington’s contribution to proceedings is ‘Take The Night’, a sprightly strummed acoustic and violin-coloured tale based on the legend of a Hertfordshire highwaywoman, Cleverley joining them on banjo, the album then closing with a fine unaccompanied take on Richard Farina’s ‘Quiet Joys Of Brotherhood’, learned at the request of the late Dave Swarbrick when they supported him in 2015.

Maybe it’s just the time of the year, but there’s a crispness and ambience to the album that conjures bracing winter mornings and nights around the fire, but really, this is an album for all seasons.

Mike Davies

Artists’ website: www.saidthemaiden.co.uk

‘Jennifer’s Rabbit’ – live and just for fun:

Said The Maiden announce their second album and tour dates

Said The Maiden

Once in a while a group of young musicians get together that make you stop, look and listen… Said The Maiden is one such gathering……

The great news for folk fans, live music lovers and aspiring musicians across the country, is that this multi award-winning Hertfordshire based folk trio have embarked on a 22 date UK tour and are about to release their second studio album.

Said The Maiden was awarded Bristol Folk Festival’s prestigious Isambard Folk Award in 2015, and in the same year were voted ‘Best Act’ by the audience at the Great British Folk Festival’s Introducing Stage, securing an appearance on the festival’s main stage in 2016.

2017 has seen further recognition for Said The Maiden including winning the 2017 Folking Awards ‘Rising Star’ prize, and an NMG Award nomination for best Acoustic, Country & Folk act.

Where there is a good story to be told, Said The Maiden will seek it out and tell it through their music. Their eagerly awaited second studio album, Here’s A Health, is a stunning collection of such stories: tales of love and loss, myths and legends of the land and sea, and of the unforgettable characters who feature throughout the captivating and fantastical stories that folklore has to offer.

The album showcases the trio’s ever-developing yet distinctive and unique sound, featuring their trademark soaring acapella harmonies and fresh new arrangements of traditional songs. However this new release also displays a more diverse collection of material from the trio including a few covers of more modern folk songs, as well as original compositions inspired by their love of the folk tradition. Expect intricate three-part harmonies both acapella and interweaved with beautiful simplistic instrumentation.

Artists’ website: http://www.saidthemaiden.co.uk/

‘The Soldier And The Maid’ live:

Tour Dates

 

The Folking Awards – the 2017 Winners

Folking Award winners

So here they are: the Folking Award winners of 2017.

First of all, a big thank you to everyone who voted – more than 20,000 votes were cast. Congratulations to the winners and commiserations to the runners-up, although all our nominees are winners to the writers who enjoyed their music, either live or on record, over the last year and placed them on the short list. Here are the public vote winners and now, may I have the first envelope please… no, not that one!

Soloist of the Year – Ralph McTell

Folking Award winners

Listen to the Darren Beech/ Paul Johnson interview with Ralph at Cropredy 2016 here


Best Duo – Show Of Hands

Read all about Show Of Hands’ Big Gig at the Royal Albert Hall here


Best Band – Harp And A Monkey

This was a very close vote but we’re delighted that Harp And A Monkey triumphed in the Best Band category even though they narrowly beat another of our favourites.

Harp And A Monkey bio


Best Live Act – Mad Dog Mcrea

In contrast, this was a runaway victory for the band from Plymouth.

Read Su O’Brien’s review of Mad Dog Mcrea live at Cambridge City Festival here


Best Album – Ballads Of The Broken Few by Seth Lakeman with Wildwood Kin

Read Mike Davies’ review of Ballads Of The Broken Few here


Best Musician – Phil Beer

Phil Beer bio


Folking’s Rising Star Act – Said The Maiden

Said The Maiden bio


Best International Act – Applewood Road

Applewood Road bio


As before, there are no actual trophies to present (but if anyone would like to tender for making some in the future please let us know). However, everyone on the long lists and on the short lists as well as the winners can rejoice that they made an impression on a lot of people during 2016.

Have another great musical year!

The Folking team


If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

The 2017 Folking Awards

Welcome to the 2017 Folking Awards. Last year’s inaugural poll was such a success that we had to do it again. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with sweat, tears and not a little blood by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have been featured in the pages of folking.com in 2016.

As with the format last year, all are winners in our eyes. However, its not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

Soloist Of The Year

Luke Jackson
Ralph McTell
Kelly Oliver
Steve Pledger
Alasdair Roberts


Best Duo

Cathryn Craig & Brian Willoughby
Ange Hardy & Lukas Drinkwater
O’Hooley & Tidow
Ninebarrow
Show Of Hands


Best Band

Afro Celt Sound System
Fairport Convention
Harp And A Monkey
Nancy Kerr and The Sweet Visitor Band
Merry Hell


Best Live Act

The James Brothers
Robb Johnson and the My Best Regards Band
Sam Kelly & The Lost Boys
Mad Dog Mcrea
Megson


Best Album

Tall Tales & Rumours – Luke Jackson
Ballads Of The Broken Few – Seth Lakeman/Wildwood Kin
Preternatural – Moulettes
Somewhere Between – Steve Pledger
Dodgy Bastards – Steeleye Span


Best Musician

Ciaran Algar
Phil Beer
Rachel Newton
Gill Sandell
Kathryn Tickell


Rising Star Act

The Brewer’s Daughter
Hattie Briggs
Said The Maiden
Sunjay
Emily Mae Winters


Best International Act

Applewood Road
The Bills
David Francey
Michael McDermott
Eve Selis


Public Vote

The public vote closed Midday Saturday 22 April 2017 and the winners have now been announced HERE


If you would like to consider ordering a copy of an album for any of our award winners (in CD or Vinyl), download an album or track or just listen to snippets of selected songs (track previews are usually on the download page) then type what you are looking for in the search bar above.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us

SINGLES BAR

A round-up of recent EPs and singles

Latest WaxingHis first new material since 2012 album Seven Songs, HENRY SPARKS releases the aptly titled Latest Waxing, an EP of five acoustic tracks sung in his distinctive swallowed vocals style. Incorporating lines from Blake’s poem, the tumbling ‘While We Were Building Jerusalem’, accompanied by Catriona Bryce on cello, sings of striving for a better life while, enveloped by fiddles, ‘If She Falls’ is a hymnal-sounding song of love and devotion. Again accompanied by cello, ‘So Like A Child’ is a slow waltzer lament for things lost, giving way to the unrequited love themes of ‘The Cowboy Song’ which, despite the title and featuring Alan Cook on pedal steel, sound quintessentially English in a Lilac Time sort of way. Accompanied by just sparse acoustic guitar, the last number is the moody, dark and leafy folk of ‘Migrant’, a timely musing on the hopes and fears of refugee in transit. He waxes eloquently.
http://henrysparksmusic.co.uk/

Of Maids And MarinersThe idea of singing Dolly Parton’s ‘Jolene’ a capella, slowed down with handclaps and percussion is just so far out but that is what SAID THE MAIDEN have done on their debut EP, Of Maids And Mariners. It is just such a great idea and it works. The lead track is an up-tempo version of ‘The Soldier And The Maid’ showing off Hannah Elizabeth’s fiddle playing and after ‘Jolene’ comes the Davenports’ ‘Spring Tide Rising’ featuring Kathy Pilkinton’s whistle and Jess Distill’s shruti. The first two tracks were produced by Stu Hanna and the latter two were recorded live. Said The Maiden will be huge before too long.
www.saidthemaiden.co.uk

Green OnionsIn celebration of Record Store Day 2016 Topic release a unique double A-side vinyl single. On top is a version of Booker T’s ‘Green Onions’ by MARTIN SIMPSON, ANDY CUTTING and TOM WRIGHT. Cutting takes the lead with Wright drumming and playing guitar lead. There’s a bass in there, too, although there is no indication who might be playing it. Underneath is SIMPSON CUTTING KERR with a specially recorded version of ‘Willie Taylor’ with Simpson on lead vocal and banjo. There is a distinctly transatlantic feel about this variant with a chorus that isn’t heard in English versions. Hedy West claimed it as an Anglo-American ballad but everyone seems to agree with enjoying the fact that the heroine was rewarded rather than punished for her action.
www.topicrecords.co.uk

English Songs 2In support of the same event Fledg’ling release the latest of their replica EPs. English Songs Volume 2 features SHIRLEY COLLINS accompanied by Robin Hall. ‘Dance To Your Daddy’ carries none of the baggage that the last fifty-something years have added to it and doesn’t sound anywhere near as naive as you might expect. The version of ‘The Sperm Fishery’ is different from that on False True Lovers – no banjo, which only appears on ‘The Foolish Boy’. That track, together with ‘My Bonny Miner Lad’ seems rather slight by modern standards and the chorus of ‘The Foolish Boy’ is rather silly but all four tracks were recorded with a simple dignity that sometimes seems lost these days. The inner sleeve includes a vintage photograph of Alan Lomax And The Ramblers.
www.fledglingrecords.co.uk