BAND OF BURNS – The Thread (own label)

The ThreadTwo years on from making their debut with the Live from Union Chapel album, the twelve-strong outfit return with their first studio recording, The Thread, again underscoring their mission to interpret the works and philosophies of Robert Burns, the binding thread of the messages that inform them providing its title.

Arranged by the band members, over thirteen tracks, the words are predominantly those of Burns, some set to music for the first time, with one penned by Adam Beattie, two instrumentals from Mikey Kenney and one traditional tune.

They begin with ‘Ca’ The Yowes’, a song often erroneously attributed to Burns but in fact a pastoral poem from Ayshire poet Isabel Pagan, collected by him in 1794 and subsequently revised. Although the booklet credits Burns as editor, the lyrics, about a shepherdess who meets a shepherd lad while herding her ewes are actually Pagan’s original, Armagh’s Rioghnach Connolly on lead vocals, a minimally accompanied opening gradually given a gentle backing by strings and cittern.

As befits its theme of emotional desolation, set to to music by lead vocalist John Langan, the ruminatively strummed ‘To Ruin’ maintains the wistful mood, Dila Vardar providing backing, Fellimi Devlin bodhran and Connolly on flute. The latter returns take lead on her rustic circling guitar arrangement of the nature celebrating ‘Now Westlin Winds’ with its fiddle, viola, violin and Sonny Johns’ brushed snare before handing the vocal reins to Langan and Kenney for one of the two best known numbers, Dominic Hooper’s cello introducing ‘Parcel O’Rogues’, the instrumentation gathering in power as it proceeds, which, like the latter was also featured on the live album.

Hooper, Vardar and Connolly, again on flute, take vocal command of ‘To Daunton Me’, opening largely unaccompanied before adopting a more lustful marching rhythm burnished by Tansay Omar’s cymbal shimmers that captures the female narrator’s defiant declaration never to be seduced by an old man.

The first of the instrumentals and the only traditional number comes with a restrained yet still rousing ‘Highlanders’, Kenney, Lewis Murray and Alastair Caplin leading the fiddle charge with Dave Tunstall on border pipes, Connolly on whistle and Irish flute and Turkish bells courtesy of Vardar.

Things calm down again with ‘Ay Waukin O’, a yearning for an absent lover, written in 1790, with Caplin’s aching violin underscoring the melancholic mood, then it’s on to another familiar song in ‘Charlie is my Darling’. Originally a rousing patriotic celebration of Prince Charles Edward Stewart, the young Chevalier or Young Pretender, who led a rebellion against the English in 1745 before being defeated at Culloden the following year, Burns’ version largely dispenses with any political references and, instead, views him through the eyes of a besotted highland lass. Arranged by Vardar, who sings lead, and Fatih Ebrem it has earthy Middle Eastern colours, flourishing as the pace shifts from its slow intro to the rousing chorus.

Based on ‘The Trappan’d Maiden’, a late 17th century broadside about an English girl sold to Virginia, singing lead, Kenney gives ‘The Slave’s Lament’ a medieval troubadour arrangement with just Adam Beattie’s acoustic guitar, Hooper’s cello and Dave Tunstall on double bass.

With words and music by Beattie, who also sings solo, the sole original song is ‘Stripped To The Bone’, a powerful number about refugees (“Gave all your money to a smuggler. Boat leaves in the night”) and subsequent homelessness (“Going where the begging’s good”) , a tick tocking rhythm embellished by strings, bodhran, mandolin, flute, double bass and Turkish bells, followed by Kenney’s guitar and fiddle Celtic ambience instrumental ‘Red Jura’, he also providing the closing instrumental, the full-blooded ‘Coleman’s Fireproof Depository’ which sees Langan on cajon and the return of border pipes. Should you be curious, the title refers to a historic building in Liverpool, established around 1875 by George Coleman & Sons as a “cart owners and furniture removers” business and now, having survived a fire in the 1981 riots, converted into apartments.

Again sung and arranged by Kenney, sandwiched between these two tracks is the remaining Burns lyric, the jaunty fiddle-driven ‘The Dusty Miller’, the shortest number at just over two minutes (most clock in at over four with five pushing past the five-minute mark) and one that positively makes you want to link arms with someone and dance circles round the room.

Not that Burns is in any danger of slipping from the public consciousness, but between Eddi Reader and this collective, his work is reaching a perhaps wider and younger audience, and the band’s short set of dates, including Celtic Connections, at the tail end of next January will weave the thread even stronger.

Mike Davies

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD

Physical link to the US Storehttps://folking.com/folking-us-storefront/


Artists’ website: www.bandofburns.com

‘Now Westlin Winds’ – live:

BBC Radio 2 Folk Awards – the winners

Radio 2 Folk Awards

Leonard Cohen inducted into Radio 2 Folk Awards Hall of Fame
Dervish and Wizz Jones win Lifetime Achievement Awards

The winners of the BBC Radio 2 Folk Awards 2019 have been announced in a ceremony presented by Mark Radcliffe at Bridgewater Hall, Manchester as part of the Manchester Folk Festival. The ceremony was also broadcast live on BBC Radio 2 and BBC Sounds.

The full list of winners

The Horizon Award for best emerging act – presented by Andy Burnham, Mayor of Greater Manchester
Brìghde Chaimbeul

Musician of the Year – presented by Blue Peter’s Lindsey Russell
Seckou Keita

Best Original Track – presented by comedian, writer and musician Rich Hall
I Burn But I Am Not Consumed’, written by Karine Polwart and Steven Polwart

Best Duo or Group – presented by Countryfile’s Ellie Harrison
Catrin Finch & Seckou Keita

Best Traditional Track – presented by award winning author, Joanne Harris
The Foggy Dew’ by Ye Vagabonds

Life Achievement Awards were given to:
Wizz Jones – presented by singer and founding member of The Hollies, Allan Clarke
Dervish – presented by journalist and BBC Breakfast presenter, Steph McGovern

Best Album – presented by musician and songwriter Graham Gouldman, of 10cc
Hide And Hair by The Trials of Cato

Folk Singer of the Year – presented by actor and comedian, Miranda Richardson
Ríoghnach Connolly

Radio 2 Folk Awards Hall of Fame
Leonard Cohen

During the evening, contemporary folk musician and singer Maddie Morris, who is based in Leeds, was presented with the BBC Radio 2 Young Folk Award. It was presented to her by folk duo and former winners of the award, Greg Russell and Ciaran Algar.

The Radio 2 Young Folk Award is an educational talent contest, open to musicians from the UK aged 16-21, that exists to discover the next generation of folk and acoustic acts. Eight shortlisted acts performed at a public concert at the HOME venue in Manchester on Tuesday 15th October and from those acts, Maddie was chosen as the winner by a panel of judges. This year marks the 21st annual Young Folk Award.

Leonard Cohen was inducted to the Radio 2 Folk Awards Hall of Fame, joining such past greats like Nick Drake, Sandy Denny, Woody Guthrie, Ewan MacColl and Cecil Sharp. Leonard (1934 –2016) was a Canadian singer best known for his seminal song, Hallelujah (1984) which has been covered by over 300 vocalists including John Cale, Jeff Buckley, k.d. Lang and Alexandra Burke.  He embarked on a world tour in 2008-2010, which saw him perform on the Pyramid Stage at Glastonbury Festival (2008) and in 2018, he won a Grammy Award for best rock performance for You Want It Darker, joining the likes of David Bowie and Ray Charles who have also received awards posthumously. The BBC Two documentary Marianne and Leonard: Words of Love, which tells the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse Marianne Ihlen is available to watch on BBC iPlayer.

As a tribute, singer-songwriter Thea Gilmore performed Cohen’s 1984 song, ‘Dance Me To The End Of Love’, during the ceremony at Bridgewater Hall this evening. Thea, who has just released her 16th studio album at 39 years old, has gathered a host of high-profile advocates from likes of Bruce Springsteen and Joan Baez to Neil Gaiman. Her latest album, Small World Turning, is an entirely independent album that echoes the changing political and social landscape of 2019 Britain.

Lewis Carnie, Head of Radio 2 said: “A huge congratulations to all of the winners at the Radio 2 Folk Awards tonight. I am delighted that at Radio 2, we can keep celebrating the very best of folk music every year, and we’re honoured to have witnessed such an array of sensational performances on stage this evening in Manchester.”

Lifetime Achievement Award winners Dervish, who performed at the ceremony this evening, have been bringing Irish traditional music to the world for 30 years, and have played at festivals across the globe – from Rock In Rio to Glastonbury. The band features some of Ireland’s finest traditional musicians, and is fronted by one of the country’s best known singers, Cathy Jordan.

Shane Mitchell from Dervish says: “We are thrilled and so delighted to be receiving this very special honour at the BBC Radio 2 Folk Awards, particularly as this is the 30th anniversary of the band.”

Influential folk and blues guitarist Wizz Jones, also a winner of a Lifetime Achievement Award this year, is admired and emulated by some of folk and rock’s greatest players. On the 1960s club scene, he was an early influence on the likes of Keith Richards, Eric Clapton and Rod Stewart. Bruce Springsteen is among the artists to have covered Wizz’s songs. At 80 years old, he still tours the country, regularly performing live with his son, Simeon Jones, and fellow guitarist Pete Berryman. Wizz also performed at the Radio 2 Folk Awards this evening.

Wizz Jones says: “I am so surprised to get this award so thanks a million to whoever suggested it!”

Opening the show was Manchester band Edward II, who fuse English and Jamaican influences. Young English voice Kitty Macfarlane joined the band on stage. There were also fantastic performances from Welsh-Senegalese duo Catrin Finch and Seckou Keita, English folk singer-songwriter Kate Rusby and O’Hooley & Tidow, who performed their song Gentleman Jack, which featured in the BBC One TV show of the same name. Dervish were also joined on stage during their performance by Kate Rusby, for a version of Down By The Salley Gardens, which then exploded into thrilling Irish tunes.

Mark Radcliffe was also presented with a special Folk Award during the ceremony this evening by Ralph McTell, to celebrate his 40 years in radio. Mark started at Piccadilly Radio in 1979 as an assistant producer of drama and classical music, then in 1981 presented his first show, titled Transmission. In 1983 he become a producer at BBC Radio 1 and went on to present the Breakfast Show and Afternoon Show with Marc Riley, before joining Radio 2 in 2004 where, in 2007, he began co-hosting The Radcliffe & Maconie Show with Stuart. And in 2011 they joined the BBC Radio 6 Music family. Mark presents The Folk Show on Radio 2 on Wednesday evenings, 9pm-10pm.

The Radio 2 Folk Awards will be available to listen to for 30 days after the live broadcast on BBC Sounds. Plus, selected highlights can be heard the following week on BBC Radio 2’s The Folk Show with Mark Radcliffe (Wednesday 23rd October, 9pm-10pm).

The BBC Radio 2 Folk Awards are produced by 7digital.

https://www.bbc.co.uk/mediacentre/latestnews/2019/folk-awards-winners

 

Band Of Burns announces first studio album

Band Of BurnsRecorded by the twelve members of the band in Watercolour Studios last year, The Thread is a true representation of the band’s international influences, and their poetic endeavour to interpret the works and philosophies of Scotland’s national poet, Robert Burns.

The Thread is the first studio album by Band Of Burns, releasing two years after their critically acclaimed album Live From Union Chapel.

The messages of equality, love, and common human objectives championed by Burns were the higher links beyond music, the thread that bound the musicians together. This binding Thread inspired the title of the album.

Comprising thirteen tracks, the music is a mixture of the band’s own interpretations of Burns songs and poems, some of which have been set to music for the first time, as well as a few original songs inspired by the ideologies that Burns upheld.

Built by twelve established internationally touring musicians, The Thread will take you on a winding journey from the driving high energy of The Langan Band and Honeyfeet, and through the exotic middle-eastern time signatures of The Odd Beats. You’ll be transported around the intricate traditional English and Irish tunes of Mikey Kenney, and held in a melting pot of traditional Scottish music from 58* North, finished with the sumptuous vocal harmonies from balladeers Adam Beattie, Dominie Hooper, and BBC Folk Award Nominee Ríoghnach Connolly.

Artists’ website: https://www.bandofburns.com/

‘Green Grow The Rashes’ – live:

Take Flight with Afro Celt Sound System

Brand new album, Flight – with major UK tour – November 2018

Afro Celt Sound System

With album sales now topping one and a half million and two Grammy nominations to date, Afro Celt Sound System celebrated their 20th Anniversary in 2016 with an acclaimed album, The Source.

ECC Records are now delighted to announce the release of Flight, the eighth studio album by this ground-breaking collective. Flight, released on 23rd November, will be supported by a major ten day UK wide tour (November 2018, including London’s Barbican Centre on 21st) and will explore themes of migration – both human and avian – with a dazzling cast of stellar musicians from around the globe.

Afro Celt Sound System have invited three other large collectives to join them on this album and by doing so, shine a spotlight on migration, with a particular focus on refugees. These include the Amani Choir from the Democratic Republic of Congo with music director Emmanuela Yogolelo,  who has a refugee background. The album also features Stone Flowers, the band supported by Music Action International, a charity who helps transform lives affected by war, torture & armed conflict through music and song, alongside the Johannesburg based African Gospel Singers.

The album also references the environment and is in part inspired by ECC Records owner’s Simon Emmerson and Mark Constantine’s shared passion for bird-watching. Flight is perhaps Afro Celt Sound System’s most overtly political album and draws from Armagh-born vocalist and flautist Ríoghnach Connolly and Emmanuela’s work within the refugee community of Manchester and across the north west of England.

Formed by Grammy-nominated musician and record producer Simon Emmerson, Afro Celt Sound System are a European and African based collective who have forged a reputation for their energetic, uplifting shows.  Winners of the Songlines 2017 Best Group award, they combine folk traditions of different cultures in a unique and innovative way.

Thirteen self-penned tracks on Flight introduce moving devotional songs alongside Afro Celt Sound System’s trademark driving afro house, with drum and bass beats, bold west African brass and exuberant electronic rhythms and bass lines. Central to the album is a 4-part ‘migration’ medley’ drawing parallels between bird and human migration and ending with Ríoghnach’s embracing lament.  Recorded for the 1st time in the band’s career as a live studio performance, it’s the closest they’ve got to capturing the dynamic of the gigging band in a studio; gone are the loops and samples that used to provide the backdrop to the band’s sound, now replaced by the passionate performances which make the bands live shows so exhilarating and distinctive.

Simon Emmerson is joined by long-term members’ vocalist, kora and balafon player N’faly Kouyaté and Dhol Foundation drummer Johnny Kalsi but both album and tour will feature contributions from more than seventeen musicians and at selected gigs will also include the Amani Choir. This host of outstanding musicians include Ríoghnach Connolly; off-grid Highland Crofter, Griogair (vocals and highland pipes); Amani Choir MD Emmanuela Yogoelo; bodhrán player and percussionist Robbie Harris and Malian master drummer and percussionist Kalifa Knoé. Bass is provided by Mass, Simon ‘Palmy’ Richmond, Richard Evans and Simon Emmerson. The pipe, fiddle and flute tunes are all original and performed and written by Scottish Fiddler, Ewen Henderson, County Mayo Piper, Emer Mayock and flautist, Ríoghnach Connolly.  As well as the Amani choir, the band are also joined on Flight by very special guests, Stone Flowers, The Kick Horns and the African Gospel Singers

Flight was recorded in more than thirteen studios in Africa and Europe and is written, arranged, engineered and mixed by Afro Celt Sound System collective. The executive producer is Mark Constantine and the album is released on his and Emmerson’s label, ECC Records. Label artwork has been produced by Jamie Reid, legendary punk artist, cultural activist and ACSS founding member.

Artists’ website: http://www.afroceltsoundsystem.org.uk/

Afro Celt Sound System live:

Afro Celt Sound System announce new album

Afro Celt Sound System
Photograph by Tom Oldham

With sales now topping one and a half million albums and two Grammy nominations to date, Afro Celt Sound System celebrate their 20th anniversary with a stunning new album, The Source.

This European and African based collective have been a ground-breaking force in music ever since they started, along the way finding kindred spirits across international talent and forging a reputation for exhilarating shows. Afro Celt Sound System have an accomplished catalogue of albums, dating back to their 1996 debut, Volume 1: Sound Magic and continue their adventures on ECC Records, with the band’s first studio recording for a decade: The Source.

As its title suggests, all 13 tracks on The Source summon the original Afro Celt energy, while simultaneously yielding fresh and creative inspiration. Grammy-nominated multi-instrumental founder and producer Simon Emmerson recalls the creative spark that occurred from his early-’90s work with celebrated singer and guitarist Baaba Maal in Senegal, and a meeting of minds with Dublin-born musician Davy Spillane. It led to a jam session of African and Irish musicians laced with electronic beats at Peter Gabriel’s Real World’s studios in Wiltshire (with the surreal backdrop of the likes of Johnny Depp, Kate Moss and Iggy Pop milling around), from which Afro Celt Sound System’s debut album took flight.

The Source, is perhaps the most expansive and exuberant Afro Celt Sound System work to date. Its track-listing brings together core members Simon Emmerson, Guinean vocalist, kora and balafon virtuoso N’Faly Kouyate and charismatic dhol master Johnny Kalsi, along with long-standing collaborators such as Davy Spillane and Emer Mayock on uillean pipes and whistles, Moussa Sissoko on djembe and talking drum, and members of Scottish folk fusion Shooglenifty (who contributed to the very first Afro Celt album).

There are also welcome newcomers to the family, including the gritty, witty rhymes of Gaelic rapper, musician and language activist Griogair (an exponent of “ghetto-croft”, with a nod to his off-grid base in the Scottish Highlands), and the hauntingly soulful delivery of Armagh-born vocalist and flautist Rioghnach Connolly (Realworld), who leads Beware Soul Brother, inspired by a homage to legendary Nigerian poet Chinua Achebe, with a powerful song about what happens when something you love is stolen.

The Source, is very much a collaborative effort, embracing devotional harmonies (notably the exquisite sound of Guinean female quintet Les Griottes, who contribute to songs including opener ‘Calling In The Horses’), with protest songs, rockabilly guitars (‘Desert Billy’) and powerful electronic rhythms.

The Source was recorded at various locations across Europe, including Davy Spillane’s own studio by the Cliffs of Moher, an experience which the band liken to a Game Of Thrones quest (“Go and seek out the wise man on the remote cliffs”). The adept mixing skills of David Bottrill and Mass are credited for their “alchemical art” in bringing the album’s varied elements together.

One of the most celebratory numbers is ‘The Magnificent Seven’, a stirring reunion with the mighty Dhol Foundation, with the vital percussion spurred along by a vocal chant which translates as “courage” in Kouyate’s native tongue of Mandinka. The Source also rounds things off in spirit-soaring style, with Kalsi Breakbeat.

The Source features artwork by Jamie Reid, highly regarded artist, best known for his designs for the Sex Pistols including the Anarchy In The U.K poster – a ripped and safety-pinned Union Flag and the God Save the Queen single.

The new album’s characteristic energy will certainly translate to Afro Celt Sound System’s latest live sets, which kicked off 2016 in style with a sell-out show at Glasgow’s Celtic Connections festival.

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link for the UK Store is: https://folking.com/folking-store/


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
Physical link to the US Storehttps://folking.com/folking-us-storefront/


Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us. Can’t find what you are looking for? Search Amazon Store below.

Artists’ website: www.afroceltsoundsystem.org.uk

‘The Magnificent Seven’ – live at Celtic Connections: