NITEWORKS – Air Faìr An Là (Comann Music, CM002)

Air Faìr An LàIf the combined words “folk” and “electronica” bring on an attack of the vapours, a lie down with the reviving sal volatile of Niteworks’ second album Air Faìr An Là (At Dawn Of Day) might just help. The four Skye lads of Niteworks clearly love their traditional music but, obviously, generations born into techno and its offspring want to reflect contemporary sounds, too. If Martyn Bennett was a pioneer in this field, Niteworks are most ably picking up the reins and forging forward on their own account.

This time around, they’ve engaged top techno producer Alex Menzies (aka Alex Smoke), who overcame his own initial reluctance about the project and has helped to create a vital, full-throttle album that’s subtler than it might at first appear (try the constantly mutating rhythmic pattern punctuating the 1968 spoken-word recording of Skye man, ‘Calum Ruadh MacNeacail’), and definitely stands on its own merits.

Opening with ‘Dookin’’, spacey sonics lope along until first a vibrant fiddle and then pipes drop in, hoisting the melody line across a thumping drumbeat. Kinnaris Quintet’s Fiona MacAskill and her two colleagues provide excellent fiddle parts throughout.

Other guests include Julie Fowlis, whose coolly sparkling vocal soars over ever-intensifying beats in ‘Òran Fir Ghriminis’, and Lewis musician Iain Morrison who brings a slow, atmospheric version of his own song, ‘Like Wolves In The Night’.

SIAN, a trio featuring Ellen MacDonald (recently with Daìmh), deliver crisp vocals on the title track, a waulking song, and also the album’s lead single, reviewed here in a recent Singles Bar. The rapid vocal repetitions are weirdly well-complemented by an ‘80s Kraftwerk-ish bubbling undercurrent. MacDonald’s warm tones also take up ‘Do Dhà Shùil’ (‘Your Two Beady Little Eyes’), a St Kilda lullaby with a soundscape that conjures blowing sand, rattling boat masts and the sea’s sighing fall-rise.

Dragged from the very earth itself is ‘Cumhachd’ (‘Power’ or ‘Energy’): a primal incantation where Allan MacDonald’s hypnotic vocals are slowly subsumed as he picks up the tune on his pipes. More pipes feature on ‘Iain McGee’s’, this time steadily bubbling up through a trance-ish rendering of the tune, before erupting wildly out. In contrast, the increasingly dark, insistent ‘Lùths (Gabh Greim)’ wibbles along, unsteady as an old cassette tape, and closing tune ‘Highlander’s Farewell’ somehow works a traditional strathspey up into what could be an action film car chase soundtrack.

Updating traditional music can be risky, but clearly Niteworks have found their contemporary groove and, right now, they are riding it expertly.

Su O’Brien

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist website: www.niteworksband.com/

Live at Celtic Connections feat. Julie Fowlis:

Techno-folkies Niteworks release their second album

Niteworks
Photograph by Callum Woodbridge

Air Fàir an Là, the second album by Niteworks releases 17th August, and is the follow up to Niteworks critically acclaimed debut album, NW. The album takes its name, which translates from Gaelic to ‘at dawn of day’, from the album’s lead single which features a song composed by Màiri nighean Alasdair Ruaidh, a poet that lived on the Isle of Skye during the 17th Century. The band felt this title appropriately reflects the point where they are on their musical journey; the beginning of something new, different and unknown, with yet more potential to be seized and explored.

Niteworks vision with Air Fàir an Là was to produce a record that blurs the lines between Scottish traditional music and contemporary electronica, by bringing together elements of Gaelic and Scottish folk song, traditional tunes and melodies, all melded together with cutting edge electronica.

Having previously self-produced all their material, Niteworks have changed tack for this new album, and have called upon acclaimed techno producer Alex Menzies (Alex Smoke) to oversee the album’s production. The band, being fans of his solo productions, approached Alex despite him having limited experience of working with a band or experience of Scottish traditional music. The aim of this was to bring a whole new way of thinking and approach to Niteworks’ sound, and has resulted in the perfect combination to bring Niteworks to a new, more diverse audience.

In keeping with the band’s previous work, Air Fàir an Là contains many high-profile collaborations including with Julie Fowlis, one of the most successful and high-profile Gaelic musicians of all time. Other collaborators include Lewis born singer and multi-instrumentalist Iain Morrison, traditional string ensemble Kinnaris Quintet and up-and-coming band of three of Scotland’s finest Gaelic singers SIAN, who feature on the lead single. The album also features Ellen MacDonald, winner of the 2016 Gaelic singer of the year at the MG Alba Scots Trad music awards, whose contribution on Air Fàir an Là, marks the first time she has recorded with the band despite having performed live on numerous occasions.

Keen to ensure the entire package reflects the high-quality standards of the band, the album features stunning photography from acclaimed landscape photographer, Dougie Cunningham of Leading Lines. The front and inside album covers features an illuminated Niteworks logo in locations around the Isle of Skye, creating a dramatic backdrop to the Niteworks brand.

Innes Strachan of Niteworks said, “working with a producer has something we’ve wanted to do for a long time, and to get the opportunity to do this with someone as high profile as Alex is absolutely amazing. Alex brought the whole album together in a way that doesn’t just sound like a collection of tracks, and we’re now excited for people to hear the results”.

Alex Menzies said, “having never worked with a band before, or had many dealings with traditional music, I was not the obvious choice for Niteworks to work with. As it turned out, it was a chance to think without preconceptions and work outside my comfort zone. As the band are all accomplished musicians and producers already, I was really just there to add noise and make things messier. I gained a lot from the experience and really enjoyed working with the band. I have a genuine new regard for traditional music, and this may well see further exploration.”

Iain Morrison said ‘I’ve been a fan of Niteworks so it was really lovely to be asked to collaborate on their new record. They are grounded in their roots but they’re also pushing into new ground so it’s going to be exciting to see where they go with it. Just a great band’.

Air Fàir an Là feat. SIAN, is the first release from Niteworks second album, of the same name. It was released on the 13th July with a supporting video by up-and-coming Scottish film maker Dòl Eoin MacKinnon.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.niteworksband.com

Air Fàir an Là is available for pre-order now from Niteworks bandcamp, and will be available for purchase, download and to stream across all major platform iTunes, Spotify, Amazon etc., from the 17th of August 2018.

Niteworks and Julie Fowlis live at Celtic Connections:

SINGLES BAR 31 A round-up of recent EPs and singles

Singles Bar 31Special Commissions is just that, a set of songs written or recorded by JIM CAUSLEY, for one-off projects and left in search of a home. ‘City Of  Trees’ is about Exeter and initially sounds very folky but Jim cleverly quotes other bits of music as he writes about wassailing and oak-apple day. Tony Deane, of ‘Following The Old ‘Oss’ fame, wrote ‘Diamond Of The Moor’ about a murder and possible miscarriage of justice on Bodmin Moor in 1844 and ‘Green Lanes’ was written to accompany a series of talks by Valerie Belsey, the country’s leading expect on the subject.

Inevitably there is a Charles Causley poem, ‘On The Border’, written for an event in Launceston. Its richness sent me for checking for the names of other musicians but this is all Jim’s work although producer Mark Tucker may have had something to do with making it so. ‘Pride Of The Moor’ concerns the Devon tin-mining industry, less celebrated than its western neighbour while ‘Glorious Devon Morning’ is a paean of praise for Jim’s native county – written by a Scot.

Finally we have ‘Unearthed Theme’ one of sixty-something songs written for the Villages In Action’s Unearth scheme. This one is used to top and tail each show to explain to audiences what these strange people are doing in their village. It also exemplifies much of Jim Causley’s work – celebrating “this wonderful place we call home”. The Special Commisions EP is available exclusively from
www.jimcausley.co.uk

DARIA KULESH continues her series of seasonal EP releases with Summer Delights which features her regular collaborators, Jonny Dyer, Marina Osman and Tristan Seume. This begins with a rather nice take on ‘Like An Old Fashioned Waltz’ –it’s hard to tell who’s doing what. Is that Jonny or Tristan on guitar; Jonny or Marina on keys? Whichever, Daria gives the song the same distant, romantic feeling that informed the best of Long Lost Home. From then on it’s all Russian. ‘Mokhnatyi Shmel’ is a piano-driven and madly operatic song … about a bumblebee; ‘Rusalka’ is a long-time favourite from Kara’s first album and still present in the new band’s repertoire and ‘Perevoz Dounya Derzhala’ is another big, vibrant song and that is definitely Marina on piano. It doesn’t matter what it’s about, it sounds wonderful. These releases are available only from Daria on subscription: visit her website to find out more.
www.daria-kulesh.co.uk

It’s funny how popular ‘Jolene’ has become over recent years and it’s the first track on The Undercover EP by MAZ O’CONNOR, a set of her favourite covers. She must have been a hell of a woman to put Dolly Parton in the shade! Second up is a gorgeous version of Paul Simon’s ‘Kathy’s Song’ with echoey fingerpicked guitar and a slight reverb on Maz’s multi-tracked vocals. Green Day’s ‘Good Riddance’ is third, opportune as the Donald flies in, followed by ‘Don’t Think Twice It’s Alright’ sung with an air of resignation that tugs at the heartstrings as she mixes old and new. Maz does the choir bit on ‘You Can’t Always Get What You Want’ which raises a smile. ‘Stay With Me’ is the Sam Smith song, not the Faces’ rocker, which would have been too much to ask for and the set closes with ‘Wonderful World, a difficult song to do anything new with but Maz just about pulls it off. This is a really nice set.
http://mazoconnor.com/

‘Air Fàir An Là ft Sian’ is a new single by folk/electronica band NITEWORKS. The words were written by Màiri nighean Alasdair Ruaidh on the Isle Of Skye in the 17th century. Sian are a trio of female Gaelic singers who specialise in the songs of female Gaelic bards which might make them something of a niche market but the addition of Niteworks’ traditional instruments and modern techno sounds opens it up to a wider audience.
www.niteworksband.com

STEAMCHICKEN are working on a new album and from it comes ‘Violet Lane’ a wonderfully off-the-wall Victorian tale of working girls who take the law into their own hands when faced with violence. A blend of folk and swing, it will available to download this week. Violet Lane is in Croydon, by the way. Who knew?
http://www.steamchicken.co.uk

‘The Ballad Of Davey Graham’ is a title to stop any music-lover in his tracks. TOM BAXTER wrote it for the unveiling of a blue plaque in honour of the guitarist. It takes a gifted, and perhaps brave, man to attempt to emulate Graham’s unique guitar style and unconventional song structures and Tom rises to the challenge with considerable aplomb. The track will be found on his forthcoming album, The Other Side Of Blue.
https://www.tombaxter.com/

LOZT are a duo comprising Tom Ryder, of whom we have written before, and Lauren Scudder who is new to us. I Want You is their debut EP; a sophisticated mix of folk, pop and soulful singer-songwriter. The title track, which is third up, is decorated with treated instruments but it is dominated by acoustic guitar. The opener is ‘Change My Mind’ followed by ‘Quake’ which benefits from a remix to close the set.
https://www.loztmusic.com/

Six is the new EP from LEATHER’O, a follow-up to Five, obviously. They describe their music as alt-Celtic/Gypsy and pride themselves on their energy but someone should have pressed the loud pedal in the studio or on the mixing desk. The balance is great and Angela Gordon’s vocals don’t get lost on ‘False Lady’ or ‘Black Is The Colour’.   ‘Risipit/Bim Bim Hora’ is all gypsy fiddle and is absolutely splendid proving how well Leather’o can play as does the closing ‘Weasel Set’ but, please, turn it up a bit next time.
www.yorkcelticband.co.uk

SIMEON is a young acoustic singer-songwriter with a voice that can be soft and gentle or bend steel as the occasion demands. ‘Ground Down’ is the first single taken from her forthcoming EP A Serpentines Curve. Although she’s been working and recording for a while her profile isn’t what you’d call high. We don’t think it will stay that way for long.
http://simeonturtle.com