GRACE PETRIE – Queer As Folk (own label)

Queer As FolkThe only time I saw Grace Petrie on stage, I was bowled over. I bought an EP and was impressed by that. Always her own person and doing things her way, Grace could now be on the verge of a breakthrough. Thanks to a Kickstarter campaign, Queer As Folk is a properly funded album produced by Matthew Daly, who also plays drums, and mixed by Neil Ferguson. Some stellar friends joined her: Miranda Sykes on bass, Hannah James on accordion, Nancy Kerr on fiddle, Belinda O’Hooley on piano and Caitlin Field on bass and percussion. Grace is powerful enough on her own but this gathering pushes her on to another level.

Queer As Folk opens with ‘A Young Woman’s Tale’, a remarkably understated take on Ian Campbell’s ‘Old Man’s Song’ dragged into the 21st century. Its quietness adds to the power of Grace’s words but up next comes an up-tempo reading of Graham Moore’s ‘Tom Paine’s Bones’, its pace suggesting a sense of impatience and leaving the listener breathless. ‘This House’ concerns the death of a father, whether Grace’s own we are not told, full of a sense of emptiness like the house he’s left behind. ‘Baby Blue’ is about love betrayed and the powerful ‘Pride’ puts it into context and is where the band comes into its own.

These two songs lead into the superb ‘Black Tie’, which takes the form of a postcard to Grace’s teenage self, reassuring her that it all will work out and containing one of the best rhymes of the year. Grace is affirming her identity here as if we were in any doubt about it. It would be a great single except that it wouldn’t get radio play – the rhyme I mentioned would see to that.

The other cover is ‘Beeswing’. I tend to get a bit protective about Richard Thompson songs but Grace doesn’t need to make many changes except to lose the word “man”. But, and it’s a big but, she misses out the verse about marrying Romany Brown. Why? Is L all right but not B? That’s a disappointment. Nancy and Caitlin give it a folky swing on fiddle and bodhran and it’s one of the best arrangements of the song I’ve heard.

We’re back to politics with ‘Farewell To Welfare’, a song with a really powerful wrap-up but then ‘Iago’ seems to contradict ‘Black Tie’ and I’m still figuring that one out. The closer, ‘Northbound’, sets the life of an itinerant musician to a rocking country beat and is a great way for the record to sign off. Queer As Folk may well turn out to be one of my albums of the year – it’s not perfect but it’s not far off.

Dai Jeffries

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Artist’s website: www.gracepetrie.com

‘Iago’ – live:

The Young’uns announce new album – tour dates to follow

The Young'uns
Photograph by Elly Lucas

Teesside trio The Young’uns have always had the human touch. In the space of little more than a decade – and just three years after giving up their day jobs – they have become one of UK folk music’s hottest properties and best-loved acts.

Stockton Folk Club’s star graduates clinched the BBC Radio 2 Folk Awards ‘Best Group’ title two years running (2015 and 2016) and last year saw them spreading the net, taking their unique act and instant audience rapport to Canada, America and Australia.

With their strong songs, spellbinding harmonies and rapid fire humour, they have achieved one of the trickiest balancing acts – an ability to truly ‘make them laugh and make them cry’, while cutting straight to the heart of some of our most topical issues.

On September 29 they will unveil their fourth studio album Strangers – playing their strongest suit to date.  Bold, profound and resonant it showcases the growing talents of Sean Cooney, fast becoming one of folk’s finest songwriters.

Together with Michael Hughes and David Eagle, Cooney has come up with a collection of folk songs for our time, all sensitively arranged by the 30-something trio – looking back at wartime heroes here, offering a news report for the 21st century there, turning the spotlight on injustice and ultimately celebrating the indomitable human spirit.

Setting the scene with a cover of Maggie Holland’s ‘A Place Called England’ (Best Song at 2000 BBC Radio 2 Folk Awards) , the remaining songs on the 10-track album all come from the prolific pen of Cooney who manages to combine unflinching, sharply observed but compassionate, heartfelt lyrics.

With its ocean blue cover, Strangers looks at the stories of those that have crossed the seas to British shores and soldiers that have voyaged from here to the warfields of Europe. Paeans for the underdog have been inspired by the courage of Syrian refugees, have-a-go heroes and Gay Rights campaigners which sit seamlessly alongside narrative songs of First World War soldiers, Caribbean and Jewish immigrants, including the founder of one of our best known British High Street stores.

Not forgetting their native North East heroes, The Young’uns inspiration also comes from further afield – the banks of Spain’s River Ebro (Bob Cooney’s ‘Miracle’) and the Thalys train terrorist attack in France. (‘Carriage 12’). There are constant changes of tempo and mood, from the jaunty sing-a-long ‘Ghafoor’s Bus’, celebrating their fellow Teessider who reached out to refugees across Europe to the slow, soaring beauty of ‘Lapwings’ (as performed on BBC-TV’s Springwatch), inspired by a First World War diary entry from a soldier homesick for English fields and skies and the sublime, poetic ‘Dark Water’ where they are backed by Aldeburgh Young Musicians and Radio 3’s Mary Ann Kennedy on harp.

Stand-out song ‘Be The Man’ was inspired by the incredibly moving story of Matthew Ogston and his fiancé Nazim Mahmood – its poignancy elevated by ex Bellowhead musician Rachael McShane on cello and fiddle and Chumbawamba’s Jude Abbott on melancholic flugelhorn. Matthew reacted to Sean’s lyrics saying: “I do not have the right words to even begin to explain how your words have touched my soul and heart”.

Sean’s songs have reached some of the people who inspired them including Syrian refugee Hesham Modamani, now living in Germany and Paris-based American-Frenchman Mark Moogalian, injured in the Thalys train attack, who heard Carriage 12 and wrote to say: “Many thanks for this wonderful song – the only thing that has ever brought tears to my eyes regarding what happened that day.”

These are powerful songs prompted by remarkable stories – making for an ultimately upbeat album full of hope, echoing the lyric from ‘Ghafoor’s Bus’: “There’s a friendly face, a better place and a future for us all”

Striking a chord wherever they go, the emphatic Strangers marks a milestone chapter in The Young’uns brilliant story.

Recorded at The Chairworks in Castleford and Loft Studios in Newcastle, Strangers is produced by Neil Ferguson, released on Hereteu Records label and distributed by Proper Music.

Strangers will be showcased on an extensive UK tour (October 4-27) including a debut at London’s Union Chapel and dates at Sage Gateshead (Hall 1), Glasgow’s Oran Mor and The Sugar Club in Dublin – their first headline gig in Ireland. Support for most dates comes from The Hut People, with singer songwriter Greg Russell opening for the trio in Nottingham and Lincoln.

Artists’ website: http://www.theyounguns.co.uk/

‘Be The Man’ – radio edit: