Larkin Poe biography

Larkin Poe
Photograph courtesy of RS-photo

Rebecca & Megan Lovell began their musical careers in 2005 as teenagers with the formation of a bluegrass/Americana group, the Lovell Sisters, with their eldest sister, Jessica Lovell. After self-releasing two independent albums and touring successfully for four years – appearing on Garrison Keillor’s A Prairie Home Companion, the Grand Ole Opry, and performing at Bonnaroo Music Festival – the Lovell Sisters announced the group’s disbandment in December 2009. In January 2010, Rebecca and Megan regrouped as Larkin Poe – “Larkin Poe” was the name of the sisters’ great-great-great-great-grandfather.

Over the course of three years (2010-2013), Larkin Poe self-released five independent EPs, 2 collaboration albums, and a live performance DVD. Spring EP (2010), Summer EP (2010), Fall EP (2010), Winter EP (2010), Thick As Thieves EP (2011), The Sound of The Ocean Sound a collaboration with Thom Hell (2013), Killing Time EP, a collaboration with Blair Dunlop (2013).

In late 2013, Larkin Poe signed a record deal with RH Music, the music division of San Francisco-based company Restoration Hardware. Following this signing, the band began work on their first full-length album, Kin.

In March 2014, producer T Bone Burnett tapped the sisters to record harmonies and instrumentation on The New Basement Tapes’ album Lost on the River: The New Basement Tapes alongside Marcus Mumford of Mumford & Sons, Elvis Costello, Jim James of My Morning Jacket, Taylor Goldsmith of Dawes, and Rhiannon Giddens. Rebecca and Megan also appear in the 2014 Showtime documentary Lost Songs: The Basement Tapes Continued.

In June 2014, Larkin Poe performed at the Glastonbury Festival, which resulted in them being named “best discovery of Glastonbury” by The Observer. In April 2016, the sisters released their second album Reskinned and in February 2017, they performed as part of the backing band at the MusiCares tribute to Tom Petty in Los Angeles, accompanying such artists as Jackson Browne and Don Henley.

Larkin Poe’s cover of the traditional song ‘John The Revelator’ was used as the Series 3 episode 13 ending music for the Fox TV show Lucifer. In 2018, Larkin Poe’s self-produced third album Peach was nominated for a Blues Foundation Best Emerging Artist Album award.

Larkin Poe released Venom & Faith, their fourth studio album, on November 9, 2018. The album was recorded in Nashville, produced by Rebecca and Megan, and engineered and mixed by Roger Alan Nichols.Venom & Faith reached number 1 on the Billboard blues album chart for the week of November 24, 2018.

Larkin Poe announce their new album

Larkin Poe

Venom & Faith is the new album from Larkin Poe, to be released November 9, 2018. The Nashville-based sister duo follow the release with a headline European tour, starting in London at Islington Assembly Hall on November 21 and taking in dates in Germany, Austria, Italy and Spain.

In a genre as storied as American roots and blues, Larkin Poe – aka Atlanta, Georgia-born sisters Rebecca and Megan Lovell – make a mark all their own with Venom & Faith. Rather than concede to the history of the canon they hold dear or rest on their laurels, Larkin Poe persist and emerge rattling, stomping, and sliding into a modern-day depiction of what roots rock should sound like… another chapter in an everlasting story.

“It’s a celebration of American roots music as translated by two sisters who are playing the blues in a modern age,” says Rebecca about their new album.

Descendants of celebrated US writer Edgar Allen Poe, since forming Larkin Poe in 2010, Rebecca and Megan have proven a formidable duo both in and out of the studio. In 2014, producer T-Bone Burnett enlisted them for Lost On The River: The New Basement Tapes, a project that also saw contributions from Marcus Mumford (Mumford & Sons), Elvis Costello, Jim James (My Morning Jacket), Taylor Goldsmith (Dawes), and Rhiannon Giddens. The sisters have performed at Glastonbury Festival twice, and were named ‘Best Discovery Of Glastonbury’ in 2014 by The Observer.

They have opened for and been in the backing band of Elvis Costello and Conor Oberst; and supported the likes of Gary Clark Jr. Rebecca and Megan were also members of the all-star backing band for the 2017 MusiCares Person Of The Year tribute honouring Tom Petty (also organised by Burnett) alongside Jakob Dylan, Jackson Browne, Elle King, Lucinda Williams, Gary Clark Jr., Don Henley, and Randy Newman.

The follow-up to their critically acclaimed second album Peach, which was nominated for a Blues Music Award for Best Emerging Artist Album, Venom & Faith was produced by the band and their long-time engineer Roger Alan Nichols, and recorded in Nashville earlier this year in between headline shows and festival dates such as Bonnaroo and Lollapalooza.

Larkin Poe approached Venom & Faith with fierce independence. From Rebecca’s powerful vocals on ‘Ain’t Gonna Cry’ to Megan’s sultry lap steel on ‘Good And Gone,’ the sisters weave their talents into the fabric of their experience and a picture of the American South. ‘Blue Ridge Mountains’ harkens to the sisters’ hometown, “drinking sweet tea every day” with stomping percussion and churning riffs.

Larkin Poe infuse pop sensibilities into their sound, blending old-school elements of rock and soul with drum samples, hip-hop production values and resonant lyrics. Save for two covers (‘Sometimes’ by blues legend Bessie Jones and Skip James’ ‘Hard Time Killing Floor Blues’), the rest of the record’s tracks are Larkin Poe originals. Paired with unique production touches like organic percussion sounds — the thumping of dresser drawers, the slamming of back doors, and stomping on hardwood floors — Venom & Faith bleeds Lovell. The sisters once again perform all instruments on the album except on ‘Mississippi’ which enlists the slide stylings of friend and seasoned guitar legend Tyler Bryant.

The album’s title, ‘Venom & Faith’, is taken from a lyric on ‘Honey Honey’ and, according to the sisters, is intended to conjure a southern gothic image.

“The title of our last album, Peach, was an homage to our Georgia roots. With this album, we wanted a title that would allude to the duality of our art: gritty guitars offset by gentle vocals; musical moments of both tragedy and joy; the sacred and the profane.”

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Artists’ website: http://www.larkinpoe.com/

‘Bleach Blonde Bottle Blues’ – official video:

Larkin Poe announce new album

Larkin Poe

Larkin Poe have announced details of their new album Venom & Faith, to be released November 9. The Nashville-based sister duo have also announced a headline European tour in support of the new album, starting in London at Islington Assembly Hall on November 21 and taking in dates in Germany, Austria, Italy and Spain. The European dates will follow Larkin Poe’s featured guest performer spot on Keith Urban’s Graffiti U Tour across North America this autumn.

The follow-up to their critically acclaimed second album Peach, which was nominated for a Blues Music Award for Best Emerging Artist Album, Venom & Faith was produced by the band and their long-time engineer Roger Alan Nichols.

In a genre as storied as American roots and soul, Larkin Poe – aka Atlanta, Georgia-born sisters Rebecca and Megan Lovell – make a mark all their own with Venom & Faith. Rather than concede to the history of the canon they hold dear or rest on their laurels, Larkin Poe persist and emerge rattling, stomping, and sliding into a modern-day depiction of what roots rock should sound like… another chapter in an everlasting story.

“It’s a celebration of American roots music as translated by two sisters who are playing the blues in a modern age,” says Rebecca about their new album.

Descendants of celebrated US writer Edgar Allen Poe, since forming Larkin Poe in 2010, Rebecca and Megan have proven a formidable duo both in and out of the studio. In 2014, producer T-Bone Burnett enlisted them for Lost On The River: The New Basement Tapes, a project that also saw contributions from Marcus Mumford (Mumford & Sons) Elvis Costello, Jim James (My Morning Jacket), Taylor Goldsmith (Dawes), and Rhiannon Giddens. The sisters have performed at Glastonbury Festival twice, and were named ‘Best Discovery Of Glastonbury’ in 2014 by The Observer.

They have opened for and been in the backing band of Elvis Costello and Conor Oberst; and supported the likes of Gary Clark Jr. Rebecca and Megan were also members of the all-star backing band for the 2017 MusiCares Person Of The Year tribute honouring Tom Petty (also organized by Burnett) alongside Jakob Dylan, Jackson Browne, Elle King, Lucinda Williams, Gary Clark Jr., Don Henley, and Randy Newman.

Recorded in Nashville earlier this year in between headline shows, festival dates such as Bonnaroo and Lollapalooza, Larkin Poe approached Venom & Faith with fierce independence. From Rebecca’s powerful vocals on “Ain’t Gonna Cry” to Megan’s sultry lap steel on ‘Good And Gone’, the sisters weave their talents into the fabric of their experience and a picture of the American South. ‘Blue Ridge Mountains’ harkens to the sisters’ hometown, “drinking sweet tea every day” with stomping percussion and churning riffs.

Still, the sisters maintain an outlaw mindset in a traditional genre. Unbound by tawdry embellishments, Larkin Poe infuse pop sensibilities into their sound, blending old-school elements of rock and soul with drum samples, hip-hop production values, and resonant lyrics like “California king-sized dreams in a twin bed.” Venom & Faith redefines what it means to make emotionally resonant music while also maintaining boundary-pushing musicality.

Save for two covers (‘Sometimes’ by blues legend Bessie Jones and Skip James’ ‘Hard Time Killing Floor Blues’), the rest of the record’s tracks are Larkin Poe originals. Paired with unique production touches like organic percussion sounds — the thumping of dresser drawers, the slamming of back doors, and stomping on hardwood floors — Venom & Faith bleeds Lovell. The sisters once again perform all instruments on the album except on ‘Mississippi’ which enlists the slide stylings of friend and seasoned guitar legend Tyler Bryant.

The album’s title, Venom & Faith, is taken from a lyric on ‘Honey Honey’ and, according to the sisters, is intended to conjure a southern gothic image.

“The title of our last album, Peach, was an homage to our Georgia roots. With this album, we wanted a title that would allude to the duality of our art: gritty guitars offset by gentle vocals; musical moments of both tragedy and joy; the sacred and the profane.”

Please support us and order via our UK or US Storefront 


Click banner above to order featured CD/ Vinyl/ Download/ Book/ DVD
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Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.larkinpoe.com

‘Bleach Blonde Bottle Blues’ – official audio:

Larkin Poe and Thom Hell – THE SOUND OF THE OCEAN SOUND

Larkin Poe & Thom Hell (300dpi)Having toured internationally as The Lovell Sisters between 2005 and 2010, including performances at the Grand Ole Opry, Telluride and numerous other top venues and festivals, Rebecca and Megan relaunched themselves as Larkin Poe in January 2010, following the departure of eldest sister Jessica.

Still only in their early twenties, in just a little over two years as Larkin Poe, Rebecca and Megan have released five EPs and a live DVD and have performed with such luminaries as Elvis Costello, Fairport Convention and The Indigo Girls. During 2012 alone they have played headline shows at festivals across Europe including Beautiful Days, Celtic Connections, the Hebridean Celtic Festival and Fairport’s Cropredy Convention where they broke the festival record for CD sales.

During a particularly productive and rewarding year in 2012, they have also made guest appearances on new albums by Blair Dunlop and Gilmore & Roberts, rising stars of the UK folk scene, who were both recently nominated for prestigious BBC Radio 2 Folk Awards, which take place on the 30th of January 2013.

Now Rebecca & Megan present a first full-length album, The Sound Of The Ocean Sound, a collaboration with multiple Norwegian ‘Spellemann’ (Grammy) winner Thom Hell, and special guest Sola Akingbola (Jamiroquai). Luck brought them together when Thom attended one of the band’s concerts, and two visits to the studio later the 10 songs of The Sound Of The Ocean Sound were complete. The album was recorded in two periods over the last two years at Ocean Sound Recordings studio in Giske, Norway, where Travis recently completed their forthcoming album.

Sola Akingbola, long-standing percussionist with Jamiroquai heard a rough mix of the record after playing at the Nobel Peace Prize concert in Norway, and was so eager to play on the album he spent his only 2 days off during a 2 month long Jamiroquai tour, to lay down some exemplary percussion work.

The distinctive voices and harmonies of Larkin Poe and Thom Hell, combined with Rebecca and Megan’s signature mandolin and dobro sound, result in ten masterpieces of roots-inflected pop.

Larkin Poe & Thom Hell - 'The Sound Of The Ocean Sound' - cover (300dpi)The album also features Daniel Kimbro on bass, Chad Melton on drums and Mike Seal on guitar, all musicians who’ve played with Larkin Poe until recently. Norwegian producer Audun Borrmann recorded and produced the album in close collaboration with Larkin Poe and Thom Hell.

It will be available on CD, Vinyl and Digital download at the folking store below (RELEASE DATE MARCH 4 2013). The Sound Of The Ocean Sound features 10 tracks, six written by Rebecca & Megan Lovell, three by Thom Hell, and one co-written by Rebecca Lovell and Thom Hell in the studio.

“Though never quite abandoning the duo’s bluegrass roots the mandolin/dobro combination has clearly been harnessed to newly ambitious songwriting that’s taken a joyful, ultra-confident left-field swerve.” Acoustic

“Every exposure to Larkin Poe brings increasing evidence of emerging greatness.” The Herald

“. . . the 20-year-old sisters’ dynamic story-songs open up new realms of cream-fresh Americana” The Independent

“. . . rootsy, melodic, and reflective, not to mention highly irresistible.” Maverick

“With the Dixie Chicks on sabbatical, this could be Larkin Poe’s season in the sun.” The Observer

“What makes it all special is the pair’s ability to push the envelope, especially in the use of vocal arrangements . . . just when you think you know where you are, you’re taken someplace further. That’s a genuine gift.” R2

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