THE BAND – Live in Charleston 1994 (Live on Vinyl – LOVL2027)

Live In Charleston 1994Although The Band called it a day in the late 1970s (as famously documented in Martin Scorsese’s  The Last Waltz) they did re-emerge in the early ‘80s, albeit with an altered line up. This time, there was no Robbie Robertson and although Richard Manuel would initially reunite with the group, sadly, he took his own life in the middle of the decade. Nonetheless, Levon Helm, Garth Hudson and Rick Danko kept on keepin’ on (to borrow a phrase), eventually cracking a new audience through their 1993 LP, Jericho. This recording, Live in Charleston 1994, is a live representation of their work in this era.

While the album is mostly made up of live takes from the aforementioned Jericho record, it is the old jazz standard, ‘Caledonia’, which begins the show. The up-beat, funky and blues-esque ‘Remedy’ then follows – only being let down by the various inconsistencies in the sound which plague the first few numbers. Towards the end of side 1 however, this appears to have been addressed somewhat and classic Band numbers like ‘It Makes No Difference’ and ‘The Weight’, Bob Dylan’s ‘Blind Willie McTell’ and Bruce Springsteen’s ‘Atlantic City’ all come out wonderfully played and relatively unscathed.

The set concludes with the encore; ‘Blues Stay Away From Me’, also from Jericho. While the 12-bar blues number is a pretty solid listen in itself, the live recording fades to silence before the song reaches a ‘real life’ conclusion, providing very little closure to the set being presented as an album.

Christopher James Sheridan

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‘Atlantic City’ – live in 1994:

Beverley Martyn: NEW ALBUM ANNOUNCED + TRACK STREAM

Beverley MartynBeverley Martyn started her musical career at just 16 with the jug band The Levee Breakers and recorded her first single “Babe I’m Leaving You” in 1965. In 1966 she was chosen to launch Deram Records and released a single, “Happy New Year” written by Randy Newman. She contributed to the Simon & Garfunkel album Bookends, toured America with the duo and later appeared at the Monterey Pop Festival on 16 June 1967.

In 1969 she met John Martyn, whom she later married. As a duo they issued two albums, Stormbringer! and The Road to Ruin. Although she was spending more time with her children, Beverley continued to contribute to John’s solo projects until the breakdown of their marriage.

At various times, Martyn has worked with Levon Helm, Jimmy Page, Dave Pegg, Richard Thompson, John Renbourn, Ralph McTell, Davy Graham, and Sandy Denny. She appeared in the photograph on the album sleeve of Bert Jansch’s 1965 album It Don’t Bother Me; where she can be seen lounging in the background.  In December 2013, Beverley appeared at the Royal Festival Hall as part of a celebration of Bert Jansch, alongside friends and contemporaries such as Donovan, Martin Carthy, Pentangle and Robert Plant. Her powerhouse performance of “” was described by Mojo as ‘sounding almost Janis Joplin-esque’.  A film of the event is due to be shown by the BBC in the spring.

In 2004, Fat Boy Slim sampled Beverley Martyn’s song “Primrose Hill” for the track “North West Three” which is on his album Palookaville. Beverley still performs the song live along with ‘Auntie Aviator’, also from The Road The Ruin.

April 2014 will see the release of her new album entitled The Phoenix and the Turtle. Described by Beverley as a very personal album, it features songs written throughout her entire career, from her very first song, “Sweet Joy”, to the previously unrecorded Nick Drake & Beverley Martyn song “Reckless Jane” which was started in 1974 when Drake lived nearby Beverley in Hampstead. “We started writing the song as a bit of a joke,” she says, “I couldn’t look at it for a long time after he died, but then finally I decided to finish it.”

“When The Levee Breaks’ and ‘Going To Germany’ are songs Beverley used to sing with The Levee Breakers. Another song, ‘Women And Malt Whiskey’ is, in part, about John Martyn and other friends from the scene back then.

The Phoenix and the Turtle is Beverley’s first album in fourteen years and was recorded in Wales with guitarist and producer Mark Pavey; it also features contributions from bass player Matt Malley, ex-Counting Crows and drummer Victor Bisetti, ex-Los Lobos which were recorded “by the magic of computer” in California. The album “still has that in-a-room feel,” said Beverley recently, “it sounds like an old style analogue record. It’s very me, very transatlantic.”

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The Cousins Project – Beautiful Blood

Steve Mayone and Kristina Stykos are second cousins, but they didn’t know that until a few years ago. They lived parallel lives: songwriters, producers, independent artists. In 2006 they met by chance when Steve was playing a gig in Vermont (where Kristina lives). Upon hearing Steve’s last name announced from the stage, Kristina introduced herself and they discovered their grandparents were siblings.

Making up for lost time, Steve and Kristina began playing music together, resulting in their new album Beautiful Blood. Recorded in their home studios (Kristina’s Pepperbox Studio and Steve’s Proofbox Studio), Beautiful Blood combines their different styles into one voice: Americana, folk/rock, ballads, blues, all woven into a single tapestry. With years of writing, performing and production experience under their belts, the making of Beautiful Blood was a joyful culmination of professional compatibility and family time.

 Steve Mayone

Hailing from Brooklyn, N.Y., Steve Mayone is a songwriter and performer. As a writer, he’s had his songs and instrumentals placed in independent films and TV shows. Steve’s four solo CDs, Bedroom Rockstar, Unfortunate Son, Understories and Long Play Record have garnered excellent reviews. As a performer, Steve plays up and down the Northeast as a solo performer and accompanist, and has shared the stage with Levon Helm, Donald Fagan and Kate Taylor.

 Kristina Stykos

Kristina Stykos is a songwriter, musician, producer and recording engineer. She runs Pepperbox Studios, specializing in acoustic music, located at the end of a dirt road in Chelsea, Vermont. Kristina has released three solo albums; In The Earth’s Fading Light, Raven and the recently released Wyoming Territory. As a producer, she has created albums for fellow Vermont artists Bow Thayer, Robert Resnick, Wagtail and Erin McDermott, to name a few.

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