FolkEast – the countdown has begun

FolkEast

The countdown to one of the country’s most quirky, friendly and popular music festivals has begun! In just a month’s time England’s most easterly folk festival, FolkEast, will return for the seventh year running to the glorious grounds of Suffolk’s 16th century Glemham Hall – with undoubtedly its starriest line-up to date.

Headliners – Richard Thompson, Karine Polwart & Cara Dillon

Between August 16-18 festivalgoers will be treated to performances across seven stages from an outstanding line-up of musicians from England, Scotland, Ireland and Wales, spearheaded by the legendary singer songwriter/guitarist Richard Thompson and including Cara Dillon & friends, the Karine Polwart Trio, John Smith, Calan, Sharon Shannon Band, Ross Ainslie, Jarlath Henderson and Ali Hutton, Daphne’s Flight, Blair Dunlop and Siobhan Miller.

The eclectic collective ranges from national treasures to some of the most exciting new kids on the block; numerous BBC Radio 2 Folk Awards winners and notable overseas acts from Canada (Good Lovelies) and Poland (Brasy). Stages include the ‘Sanctuary’ stage at St Andrew’s Church, the open air Sunset Stage and the hidden woodland solar-powered Soapbox Stage.

Two of the defining emblems of FolkEast are back this year – the infamous mythical Jackalope (half antelope; half jack rabbit) and an arboreal art installation that traditionally marks the start of the countdown to the festival.

The annual dressing of the 65 foot dead oak tree on the Glemham Hall Estate began in 2013. Wrapped in hundreds of metres of vibrant red and yellow cloth it has become a recognised totem visible from the nearby A12 and heralding the imminent start of three days of festival fun.

This year’s Jackalope, again constructed by Juan Romero, will be a high-tech one featuring water, lights and fire.

Rekindling the ancient Eastfolk moots on the Glemham Hall estate where for three days a year the folk from the East would meet kith and kin at harvest time for “a bit of a do”, this gathering has Suffolk running through it like letters in a stick of rock.

Becky Marshall-Potter who co -founded the festival with husband John says:

“The tree is dressed, the programme set, tickets are selling briskly and we are almost at the start line again! Our hugely popular patrons The Young’uns unfortunately won’t be with us this year as they are busy making waves in America but the festival will still bear their stamp, the main stages having been programmed by The Young’uns Michael Hughes.”

And this year there will be a special on-site guest – the amazing Pakefield Man, created by Suffolk sculptor Tobias Ford, and last seen stuffed with straw and set alight at sunset on the beach at Lowestoft’s First Light Festival in June.

The steel sculpture was created after worked flints from 700,000 years ago were found on Pakefield Beach.

The Marshall-Potters are committed to creating a sustainable festival for Suffolk and to that end are aiming to make this a single use plastic-free event.

Says Becky: “From the outset we have strived to be as environmentally sound as we can be.” (They have been awarded gold level status by the Suffolk Carbon Charter.)

“This year we are making a concerted effort to do our bit for the planet which means we are asking every one – crew, artists, public and volunteers – to bring reusable drinking bottles and refill them from the on-site water supply. We have asked the traders not to bring drinks for sale in single use plastic and we are not intending to supply any on site. So please bring your own drinking bottles, tankards and flagons.”

Special Events:

The Pitmen Poets and Peter Bellamy’s Maritime England Suite of Sea Songs

Two special events are in the FolkEast 2019 mix. On the Saturday head for the Moot Hall for a concert with a true Suffolk flavour. Aldeburgh Young Musicians will be joined by folk musicians Greg Russell, Cohen Braithwaite-Kilcoyne, and Laura-Beth Salter to perform a new interpretation of Peter Bellamy’s ‘Maritime England Suite of Sea Songs’, described as “songs of the sea from the Saxons to the 19th century”.

Former Suffolk resident Bellamy, who lived at Leiston, was a unique singer, musician and composer who tragically took his own life in 1991 at the age of just 47, but left behind a treasure trove of work.

A landmark event on Sunday will see four of the North-East’s giants of folk music championing the musical and industrial heritage of their stamping ground. The Pitmen Poets features County Durham’s prolific and celebrated singer songwriter Jez Lowe, ex Lindisfarne member Billy Mitchell, renowned singer/instrumentalist Bob Fox and Benny Graham, leading exponent of Tyneside song.

A show that digs deep into the heart of Britain’s coalmining tradition, it has been described as “an epic journey through the life and times of people who made a living in Northumberland and Durham’s coalfields.”

Illustrated by atmospheric archive photography, it mixes storytelling and song, humour and pathos, triumph and tragedy.

When it comes to refreshment, two authentic ‘village’ pubs will be serving competitively-priced ales (including Suffolk-based Green Jack Brewery’s festival ale Green Jackalope) or you can squeeze into possibly the smallest pub in the UK, the 6 x 4’ Halfway Inn.

Then there’s the FolkEast Art Arcade, Instrumental, bringing together some of the country’s top instruments makers, a packed dance programme, poetry, archery, donkey rides, children’s activities (including den building, storybook making and a mud kitchen linked together in a special new children’s trail) yoga, poetry, storytelling, the Eastfolk Chronicle Kinedrome (showing folk and local interest films) and tours of Glemham Hall by estate owner Major Philip Cobbold.

On board again this year as a media partner will be BBC Radio Suffolk.

Advance weekend tickets are available price £120 (adult), £108 (full time students, 65+) and £80 for Youth tickets (12-17 year old) which must be purchased with an adult ticket. Family weekend tickets for two adults and two 12-17 year olds are £365. A great offer sees free admission for children aged 11 and under; camping under canvas is £20 and camping on wheels £30.

Tickets at https://folkeast.co.uk/passes More information: info@folkeast.co.uk

For daily line up information: https://folkeast.co.uk/daily-line-up-so-far/

Located close to the A12, the festival will also be running shuttle buses to the site from Wickham Market station – a collaboration with Suffolk Community Rail Partnership.

Festival website: www.folkeast.co.uk

 

Elliott Morris announces his second album

Elliott Morris

The Way Is Clear is the new album from singer/songwriter and guitarist Elliott Morris. It showcases Elliott’s expert percussive acoustic guitar playing, swooping and soulful electric solos, heartfelt lyrics and strong, honest vocals.

And he’s put together an all-star ensemble. Playing alongside are Paul Carrack (Ace, Squeeze, Mike + The Mechanics, Eric Clapton) on Hammond organ, Paul’s son Jack Carrack on drums, Innes Watson (Treacherous Orchestra) and Mike Vass (PRS Scots Trad Composer of the Year, SAY Award Nominee) on fiddles/strings, Laura-Beth Salter (The Shee) on mandolin and vocals, Rosie Hood (Dovetail Trio) on vocals, Stu Hanna (Megson) on mandolin and guitar, David Milligan (Larry Carlton, Mark Knopfler, Karine Polwart) on piano, Simon Bates (Jamie Cullam, Elvis Costello) on tenor saxophone, Alan Thomson (The John Martyn Band) on fretless bass and Elliott’s brother Bevan Morris (Dallahan, Pons Aelius) on double and electric bass. The album also features two other members of Pons Aelius, Jordan Aikin on Great Highland bagpipes, whistle and Alasdair Paul on bouzouki.

Music blog WriteWyattUK proclaimed that Elliott Morris “redefines folk…with a little John Martyn influence delivered in Seth Lakeman style” and BBC 6Music’s Tom Robinson described him as “absurdly talented”.

With hundreds of gigs behind him – and a coveted Danny Kyle Award from Celtic Connections – Elliott Morris has a formidable reputation as one of the hardest-working and most sought-after artists on the acoustic scene.

The singer-songwriter, featured in Acoustic magazine as “The Next Big Thing”, has a unique guitar style. Favouring open tunings, his extended techniques include percussive hits, string tapping, and occasionally slide.

Half English, half Scottish and raised in Wales and Lincolnshire, Elliott has continued this journey by honing his craft on the road. He has played all across the British Isles, from Orkney to Plymouth, Boston to Llangrannog, Belfast to Clonakilty. And further afield, he’s headlined shows in Germany, Holland, Ireland, Canada. Other key dates have included Upstairs at Ronnie Scott’s Jazz Club in London, as well as major events such as Cambridge Folk Festival, The Great British Folk Festival, Hop Farm, Towersey Festival, The London Acoustic Guitar Show and the Ullapool Guitar Festival.

He scooped a prestigious Danny Kyle Award at Celtic Connections in Glasgow, BBC Alba broadcast a duo performance with Dougie Maclean at Perthshire Amber and in 2019 Elliott is a Drake Yolanda Award grant recipient.

Elliott Morris twice toured the UK opening for Paul Carrack taking in over fifty major venues including a show at The London Palladium.

He has supported a seemingly endless list of other respected acts, among them Frank Turner, Andy McKee, Seth Lakeman, Lau, Big Country, The Levellers, Ed Sheeran, Cara Dillon and Eddi Reader.

But now Elliott moves centre stage, the spotlight focused on him. June 2019 sees him release his second album The Way Is Clear, with a launch show at Cecil Sharp House.

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Artist’s website: http://www.elliottmorris.co.uk/

‘One More Day’ – official video:

ELLIOTT MORRIS – Lost & Found (Dominoes Club DCRCD001)

Lost & FoundAn Anglo-Scot, based in Yorkshire, the soft-voiced Elliott Morris plies a mix of folk and blues that highlight his percussive guitar slapping technique on a collection of originals, collaborations and a couple of traditional reworks. He eases listeners into his debut album, Lost And Found, with the pastoral ambience of ‘Lost’, a brief instrumental etched on acoustic and electric guitars that flows seamlessly into the soothingly sung ‘The End Of The World Blues’, introducing a line-up of backing musicians that include core rhythm section of bassist Bevan Morris and drummer Jack Carrack alongside the latter’s father, Paul, on Hammond, Laura-Beth Salter on mandolin, and fiddle players Innes Watson and Mike Vass, as well as showcasing a bluesy electric guitar solo.

Loosely based on the traditional ‘The Bent Sae Brown’, ‘Sixteen Long Miles’ picks up a shuffling traintime rhythm before suddenly shifting to a slide driven blues boogie reading of the traditional ‘I’m A Stranger’, the lyrics taken from ‘The Strands Of Magilligan’ and ‘The American Stranger’.

‘One More Day’ takes the mood down again for acoustic mid-tempo folksy-pop, the laid back atmosphere continuing through the dreamy summery haze of ‘Sirens’ with its slow waltz shanty melody feel subtly underpinned by Carrack’s Hammond.

The second half of the album title, another instrumental, the spectral progressive folk ‘Found’, with Jim Molyneux on grand piano and Elliott’s John Martyn-like guitar opens the second half of proceedings, leading into the bluesy tinged ‘Looking For Something That Isn’t There’ with its nagging title refrain and chugging bass. Accompanied by twin fiddles. Let It Out is another gently rippling acoustic number, Salter harmonising and subtly complementing on mandolin on a song about taking opportunities when they arise.

The album closes with the first of two co-writes, ‘All Comes Back’ a relaxed, slightly jazz-tinged airy love song co-penned by and featuring Lisbee Stainton on harmonies, while bassist Morris shares credits on ‘Friday Night’, a fast-slow uptempo celebration of good company and fine whisky, guitar and fiddle driving things along as he sings how “a wasted night is not a wasted night with friends.”

This may not prove the important breakthrough album to a winder audience, but it will certainly consolidate his current following and serve as a strong stepping stone to the next move forwards.

Mike Davies

Artist’s website: www.elliottmorris.co.uk

‘The End Of The World Blues’ – in the studio:

Elliott Morris announces debut album

Elliott Morris

Lost And Found is the debut album from singer/songwriter and guitarist Elliott Morris. Recorded at Caribou Studios, Scotland and produced by Mattie Foulds, the album is a melting pot of folk, rock, blues and country. Blending progressive, contemporary ingredients with still vibrant British folk and roots traditions, this is folk music for the 21st century.

The album showcases Elliott’s expert percussive acoustic guitar playing, swooping and soulful electric solos, heartfelt lyrics and strong, honest vocals.

And he’s put together an all-star ensemble. Playing alongside are Paul Carrack (Ace, Squeeze, Mike + The Mechanics, Eric Clapton) on Hammond organ, Paul’s son Jack Carrack on drums, Innes Watson (Treacherous Orchestra) and Mike Vass (PRS Scots Trad Composer of the Year, SAY Award Nominee) on fiddles/strings, Laura-Beth Salter (The Shee) on mandolin and vocals, Lisbee Stainton (Seth Lakeman Band) on guitar and vocals, Jim Molyneux (4Square) on piano and Fender Rhodes, Alan Thomson (The John Martyn Band) on fretless bass and Elliott’s brother Bevan Morris (Dallahan, Pons Aelius) on double and electric bass.

Music blog WriteWyattUK proclaimed that Elliott Morris “redefines folk…with a little John Martyn influence delivered in Seth Lakeman style” and BBC 6Music’s Tom Robinson described him as “absurdly talented”.

Lost And Found is released both on CD and on iTunes worldwide on 16th June 2017. Elliott plays a special launch gig at Cecil Sharp House in London on 21st June, and at Café Portico in Lincoln on 30th June.

With hundreds of gigs behind him – and a coveted Danny Kyle Award from Celtic Connections 2013 – Elliott Morris has a formidable reputation as one of the hardest-working and most sought-after young artists on the acoustic scene.

The singer-songwriter, featured in Acoustic magazine as “The Next Big Thing”, taps the strings and beats the guitar’s body to create an intricate spectacle, together with an original and unique sound integral to his songs.

Half English, half Scottish and raised in Wales and Lincolnshire, Elliott is continuing this journey by means of his almost constant touring schedule. He plays across the British Isles, from Orkney to Plymouth, Boston to Llangrannog, Belfast to Clonakilty.

Elliott’s original compositions marry intricate guitar lines with heartfelt, honest vocals and clever wordplay, combining elements of folk, roots, jazz and country, all the time embracing the traditional and the contemporary.

Elliott has honed his craft on the road, regularly clocking up 120+ gigs a year. He has headlined in Germany, Holland, Ireland and Upstairs at Ronnie Scott’s Jazz Club in London, as well as performing at major festivals such as Cambridge Folk Festival, Hop Farm, Towersey Festival, The London Acoustic Guitar Show and the Ullapool Guitar Festival. He scooped a prestigious Danny Kyle Award at Celtic Connections in Glasgow, and last year BBC Alba broadcast a duo performance with Dougie Maclean at Perthshire Amber.

Elliott Morris twice toured the UK opening for Paul Carrack (Squeeze, Mike + The Mechanics, Ace, Eric Clapton), taking in over fifty major venues including a show at The London Palladium.

He has also supported a seemingly endless list of other respected acts, among them Frank Turner, Andy McKee, Seth Lakeman, Lau, Big Country, The Levellers, Ed Sheeran, Cara Dillon and Eddi Reader. But now Elliott moves centre stage, the spotlight focused on him.

Please support us and order via our UK or US Storefront 


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Artist’s website: www.elliottmorris.co.uk

‘Sirens’ and Elliott’s tour video:

Fraser Shaw – posthumous tune book and CD

Fraser Shaw
The Islay Sessioners

Fraser Shaw was a wonderful piper, whistle player and composer from Glasgow who resided on the Isle of Islay. After his passing in May 2015, a group of friends and family started a Trust in his honour. The foremost aim of the Fraser Shaw Trust is to raise money for the relief of multiple sclerosis, particularly in Argyll, Scotland, through a series of projects and events celebrating Fraser and his music.

A few years before Fraser’s passing, he had it in mind to release a book of his own compositions, the proceeds of which would go towards the MS Care Centre in Lochilphead, Scotland. Unfortunately, due to his illness, this never came to fruition.

Over the last year and a half, the Trust have been working hard to bring this idea to life and release this much anticipated book, along with an album comprised of Fraser’s tunes. In November 2015 a group of musicians gathered on Islay, to play a special memorial concert at Fraser’s festival, The Islay Sessions, thus laying the groundwork for this album. In January 2016 at Celtic Connections this same group of musicians, “The Islay Sessioners”, as they called themselves, performed this music as part of Islay Night, a concert that both celebrated the music and culture of Islay, and the music of Fraser Shaw.

In September 2016, recording began for the album in Castlesound and Carrier Waves Studios. Many of the arrangements heard at Islay Night have been recorded, along with a few additional tracks. Playing on the album are; Adam Sutherland, Eilidh Shaw, Gráinne Brady, Lori Watson, Innes Watson, Angus MacKenzie, Calum MacCrimmon, Kevin O’Neill, John Somerville, Laura-Beth Salter, Jenn Butterworth, Ross Martin, Tina Jordan Rees, Duncan Lyall, with very special guests; Kathleen Graham, Mhairi Hall and Ross Couper.

The Fraser Shaw Trust is delighted to announce the release of the book and CD on Tuesday June 27th 2017, with a big launch on the Isle of Islay to mark the occasion. The event will take plce in Bruichladdich Hall, with a concert featuring the musicians on the album. A second launch in Glasgow is set for Monday August 7th in St Luke’s Church as part of Piping Live!

Hard copies of Fraser’s CD will be available exclusively at the pre-launch party which will take place in The Sparkle Horse, Glasgow on Tuesday May 16th. Tickets for launch concerts and pre-orders will be for sale online from May 16th through the website – www.FraserShawTrust.com.

Proceeds of the tunebook will go directly towards the MS Care Centre in Lochilphead. Proceeds of the album and further donations will be used for the advancement of education, arts and culture and for the relief of those living with multiple sclerosis in Scotland, particularly on the Isle of Islay.

JENN & LAURA-BETH – Bound (JBLB Records JBLB01)

BoundJenn Butterworth and Laura-Beth Salter have worked as a duo for eight years but Bound is their first album as a duo. The reason for this is simple; they have been far too busy. Jenn has worked with Anna Massie and the Rachel Hair Trio and most recently as a member of the collective that produced Songs Of Separation. Laura-Beth is a founding member of The Shee and has played alongside Frigg and Shooglenifty.

Bound is a mixture of Jenn’s Scottish roots and Laura-Beth’s fondness for Americana. With just two voices, guitar and mandolin, the album was recorded as live and the dynamism of their playing leaps off the plastic.  I don’t believe that ‘If I Had A Lover’ sounds anything like the way Bert Jansch envisaged it now it’s mixed with Jenn’s tune ‘The Belle Of The Ball’ but it’s great. Boo Hewerdine’s ‘Wings On My Heels’ was taken up by Eddi Reader and it wasn’t one of my favourites. Jenn and Laura-Beth make it much more country with their harmonies and I feel rather better about this reading of it. ‘The Great Divide’ by the late Kate Wolf is a lovely song by a relatively unknown writer.

Laura-Beth’s song, ‘The Braver One’, should be widely heard. Its theme is that it takes a brave person to go against the tide of popular opinion and not join the rabble even though you might sort-of agree with their viewpoint. It’s a complex idea and Laura-Beth expresses it so much better than I could. Then we have the instrumental sets. Their pairing of two originals, ‘1,2,3,4’ and ‘Joseph Salter’s’ sees them trade lead and accompaniment between guitar and mandolin, a trick they use quite often although ‘Apple At The Crossroads/Elzwick’s Farewell’ is really Laura-Beth’s chance to show off.

As a debut, Bound has been a long time coming; let’s hope we don’t have to wait so long for the follow-up.

Dai Jeffries

Artists’ website: http://www.jennandlb.com/

‘The Great Divide’ live: